Spotlight on Churches

Total Page:16

File Type:pdf, Size:1020Kb

Spotlight on Churches spotlight oN churches Marcus Binney 2017 marks the 40th anniversary of the Roy Strong as Director of the museum exhibition Change and Decay: The Future of our commissioned two trustees of the newly Churches, at the Victoria and Albert Museum. formed SAVE, Peter Burman and I, to curate Though not as famous as its predecessor the exhibition in succession to the first The Destruction of the Country House, it was exhibition curated by John Harris, Peter extremely influential, and SAVE organised a Thornton and I. large travelling version which toured the Within three weeks of the opening of country for three years, shown at museums Change and Decay in June came the surprise and galleries, and cathedrals too. announcement from the government that 65 spotlight on churches historic buildings grants for outstanding on to the famous Hall of Destruction. Change churches ie Grade I and II* would begin and Decay began with a harrowing large format immediately, increasing substantially in the slide show of demolition followed by the following full financial year. Until then there glories of church art and positive examples had long been a stand-off between Church of rescue and reuse. (ie Church of England) and State on the basis It became apparent at quite a late stage that of no control, no grants. the real crisis was the accelerating number of The Church of England had its own system churches (especially Anglican) standing empty of faculty jurisdiction and had fiercely argued or facing imminent closure. In too many cases in the debate on the first Ancient Monuments this led to precipitate demolition as the Church Bill in Parliament in 1913 against any Commissioners’ Advisory Board for Redundant additional controls over their church buildings Churches could fast track demolition if they from central government. For years this had considered a church of lesser historic interest, seemed an impossible deadlock and it had the thereby excluding any chance to search for new unfortunate side effect that grants were denied owners or new uses. to all places of worship, notably Roman On examination, we found many of these Catholic churches and Nonconformist chapels, lesser churches were buildings of real quality many of which were badly in need of major and character, many Victorian, but some repair. They did not have the fundraising earlier. We went to war with the Church capacity of the Church of England, and received Commissioners, which had the memorable little from organisations such as the Historic outcome at a reception of a Church Church Preservation Trust which gave mainly Commissioners official saying to me “we’ll to Anglican parish churches. have your blood Mr Binney!” The research for Change and Decay, carried The travelling version of Change and Decay out by my wife Anne, centred initially on consisted of 80 six foot high panels which compiling a list of notable churches lost over opened like books to reveal magnificent the preceding century on the model of the photographs of churches, lost, decayed and stupendous list of lost country houses revived. compiled by John Harris. The church list The second great focus of the exhibition became a huge affair and local authorities was also covered in the book Peter Burman produced awesome lists of lost churches – 36 and I wrote for the British Tourist Authority listed churches which had been demolished in Chapels and Churches: Who Cares? In this we Glasgow, 50 historic churches demolished in explored the architecture and history of all the Liverpool and 23 in Bristol – not all listed then many other denominations from Calvinist though many would have qualified if they had Methodists to Wee Frees in Scotland. survived. SAVE participated directly in the exhibition Barry Mazur the designer of the exhibition, with a lightning report on Churches at Risk, changed the format. The Destruction of the which was followed by a series of reports on Country House began with celebration and went endangered churches including The Fate of a 66 spotlight on churches Thousand Churches, The Fall of Sion and Churches: Rackheath in Norfolk. We fought successfully A question of Conversion. As always SAVE’s for the beautiful 18th century church in approach was not just broad brush. We took up Worcester built for the Countess of the cause of individual churches at risk. Peter Huntingdon’s Connexion (then run by the Burman organised a collection at the exotically named Wilfred De’ath). exhibition which raised £7,000 pounds to A bigger loss loomed in the form of the repair the roof of the little medieval church at threat of demolition to Gilbert Scott’s All Souls 67 spotlight on churches Photo: All Souls, Haley Hill by Alastair Wallace via www.mapio.net Haley Hill in Halifax, which he had described trustees had felt it was wrong to give money to as, “on the whole my best church”. The Church redundant churches when so many churches Commissioners and the diocese had been told still used for worship were in need. Our other that the spire of All Souls was dangerous and main supporter was the Marquess of Anglesey, decided to make its demolition a test case. whose many pithy postcards of support are SAVE held a rally in the staircase of Scott’s treasures of our archive. Midland Hotel at St Pancras (then all dust and Once the work was complete All Souls was cobwebs) where we formed the Friends of vested in the Churches Conservation Trust. Haley Hill followed by the All Souls Haley SAVE went on to fight a series of church Hill Trust. battles, saving the Roman Catholic Church of St We saved All Souls thanks first to our Francis Xavier in Liverpool (now fully in use splendid and appropriately named architect for worship, its outstanding architecture is Donald Buttress (who as a result went on to be now acknowledged and admired complete Surveyor to Westminster Abbey), and second with SAVE’s own stained glass window). Lord Charteris, chairman of the National Another church saved on death row was the Memorial Heritage Fund who used his casting Clifton Congregational Church in Bristol, vote to award us a grant of £300,000 towards converted to apartments but leaving the the repair of the roof and spire. Some of the exterior substantially unchanged. 68 spotlight on churches Government grants for church repair grants of up to £100,000 in contrast to the have dramatically improved the outlook for previous two-stage application process historic churches. When Change and Decay currently required under GPOW. Grants will be opened in 1977 parish church Declarations of available not just for repairs but for a wider Redundancy were running at 80 to 90 a year. range of activities and capital works. Churches Soon after the rate slowed to 20 a year where it needing higher levels of grant (for example to has remained. Through repair grants English repair a large roof), will be required to apply for Heritage (EH) gave a secure future to hundreds a Heritage Grant which will immediately put of churches and when disproportionate cuts them in competition with applications from in its annual grant-in-aid from Government major heritage attractions and museums. The began to threaten the programme the Heritage volunteers who look after churches will be Lottery Fund (HLF) stepped in with a Joint matched against the professional advisors Places of Worship Scheme. Yet EH funds which these larger bodies retain and can afford. continued to be cut year on year in real terms Churches will find it hard to compete in such and some five years ago the HLF took over an environment. church grants in their entirety. The great bonus The champions (and owners) of historic of the HLF Grants for Places of Worship churches and the many volunteers which (GPOW) programme was that grants of up to support them are up in arms. First they were £250,000 could be given for urgent fabric not consulted, only informed of these repairs. The roof is the heart of any historic momentous changes shortly before they were building. Neglect it and it is very soon in announced. Second a great many large serious trouble. The test for GPOW was the medieval and 19th century churches are faced need for repair with less emphasis on the usual with repairs bills of well over £100,000 (usually lottery tests of outreach and public roofs) and will find themselves dealing with engagement. As a result congregations could the much more complex application process get the essential repair work done and many for larger grants. They feel doubly trapped as parish churches are in better repair than they the grants they are seeking will be at the have been for centuries. bottom end of Heritage Grants (that is nearer At the end of March 2017 the HLF the £100,000 minimum than the £5m top announced that all this is to change, beginning limit) but they will be engaged in a competitive this September, when the GPOW programme process in which a grant application, though will close to new applications. In its place accepted as eligible, can be rejected because funding for repairs to places of worship will be other applications are considered stronger. available through HLF’s existing Our Heritage This may prove a mighty dampener. A further programme (up to £100,000) and the main worry is that until now repair grants have had Heritage Grants programme (£100,000 up to be put forward by architects with experience to £5m). of historic building repairs. This has been an The Our Heritage scheme is intended to important safeguard and an assurance that introduce a faster single-stage application for building works will be to a high standard.
Recommended publications
  • Willis Papers INTRODUCTION Working
    Willis Papers INTRODUCTION Working papers of the architect and architectural historian, Dr. Peter Willis (b. 1933). Approx. 9 metres (52 boxes). Accession details Presented by Dr. Willis in several instalments, 1994-2013. Additional material sent by Dr Willis: 8/1/2009: WIL/A6/8 5/1/2010: WIL/F/CA6/16; WIL/F/CA9/10, WIL/H/EN/7 2011: WIL/G/CL1/19; WIL/G/MA5/26-31;WIL/G/SE/15-27; WIL/G/WI1/3- 13; WIL/G/NA/1-2; WIL/G/SP2/1-2; WIL/G/MA6/1-5; WIL/G/CO2/55-96. 2103: WIL/G/NA; WIL/G/SE15-27 Biographical note Peter Willis was born in Yorkshire in 1933 and educated at the University of Durham (BArch 1956, MA 1995, PhD 2009) and at Corpus Christi College, Cambridge, where his thesis on “Charles Bridgeman: Royal Gardener” (PhD 1962) was supervised by Sir Nikolaus Pevsner. He spent a year at the University of Edinburgh, and then a year in California on a Fulbright Scholarship teaching in the Department of Art at UCLA and studying the Stowe Papers at the Huntington Library. From 1961-64 he practised as an architect in the Edinburgh office of Sir Robert Matthew, working on the development plan for Queen’s College, Dundee, the competition for St Paul’s Choir School in London, and other projects. In 1964-65 he held a Junior Fellowship in Landscape Architecture from Harvard University at Dumbarton Oaks Research Library and Collection in Washington, DC, returning to England to Newcastle University in 1965, where he was successively Lecturer in Architecture and Reader in the History of Architecture.
    [Show full text]
  • News Release
    NEWS RELEASE FOURTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 . 737-4215/842-6353 EXHBITION FACT SHEET Title; THE TREASURE HOUSES OF BRITAIN: FIVE HUNDRED YEARS OF PRIVATE PATRONAGE AND ART COLLECTING Patrons: Their Royal Highnesses The Prince and Princess of Wales Dates; November 3, 1985 through March 16, 1986, exactly one week later than previously announced. (This exhibition will not travel. Loans from houses open to view are expected to remain in place until the late summer of 1985 and to be returned before many of the houses open for their visitors in the spring of 1986.) Credits; This exhibition is made possible by a generous grant from the Ford Motor Company. The exhibition was organized by the National Gallery of Art, Washington, in collaboration v\n.th the British Council and is supported by indemnities from Her Majesty's Treasury and the U.S. Federal Council on the Arts and Humanities. Further British assistance was supplied by the National Trust and the Historic Houses Association. History of the exhibition; The suggestion that the National Gallery of Art consider holding a major exhibition devoted to British art was made by the British Council in 1979. J. Carter Brown, Director of the National Gallery, responded with the idea of an exhibition on the British Country House as a "vessel of civilization," bringing together works of art illustrating the extraordinary achievement of collecting and patronage throughout Britain over the past five hundred years. As this concept carried with it the additional, contemporary advantage of stimulating greater interest in and support of those houses open to public viewing, it was enthusiastically endorsed by the late Lord Howard of Henderskelfe, then-Chairman of the Historic Houses Association, Julian Andrews, Director of the Fine Arts Department of the British Council, and Lord Gibson, Chairman of the National Trust.
    [Show full text]
  • British Art Studies November 2019 British Art Studies Issue 14, Published 29 November 2019
    British Art Studies November 2019 British Art Studies Issue 14, published 29 November 2019 Cover image: James Richards, on the side of the disease and not the cure, 2019.. Digital image courtesy of James Richards. PDF generated on 21 July 2021 Note: British Art Studies is a digital publication and intended to be experienced online and referenced digitally. PDFs are provided for ease of reading offline. Please do not reference the PDF in academic citations: we recommend the use of DOIs (digital object identifiers) provided within the online article. Theseunique alphanumeric strings identify content and provide a persistent link to a location on the internet. A DOI is guaranteed never to change, so you can use it to link permanently to electronic documents with confidence. Published by: Paul Mellon Centre 16 Bedford Square London, WC1B 3JA https://www.paul-mellon-centre.ac.uk In partnership with: Yale Center for British Art 1080 Chapel Street New Haven, Connecticut https://britishart.yale.edu ISSN: 2058-5462 DOI: 10.17658/issn.2058-5462 URL: https://www.britishartstudies.ac.uk Editorial team: https://www.britishartstudies.ac.uk/about/editorial-team Advisory board: https://www.britishartstudies.ac.uk/about/advisory-board Produced in the United Kingdom. A joint publication by Contents “The Assemblage of Specimens”: The Magazine as Catalogue in 1970s Britain, Samuel Bibby “The Assemblage of Specimens”: The Magazine as Catalogue in 1970s Britain Samuel Bibby Abstract In 1976, the Victoria and Albert Museum staged an exhibition dedicated to the history of art periodicals since their inception at the end of the eighteenth century.
    [Show full text]
  • Press Release 21 October 2014 a Forty Year Fight
    Press release 21 October 2014 A forty year fight to save great historic country houses from decay and demolition is celebrated in SAVE’s latest publication The Destruction of the Country House: Forty Years On. This new book records the enormous impact of the V&A’s landmark exhibition in 1974 and includes illustrations of over 120 major houses lost between 1875 and 1974. The main purpose of the book is to tell the story of SAVE’s many campaigns to restore, revive and reuse endangered country houses. The plight of these houses has been illustrated in successive SAVE reports since 1978, starting with Tomorrow’s Ruins?, a catalogue of some 60 endangered houses. The front cover, and inside front cover of The Destruction of the Country House: Forty Years On, showing the staircase at Eaton Hall, Cheshire, demolished in 1961. Very soon after its foundation in1975 SAVE began to come forward with practical solutions for individual historic houses, working with entrepreneurs and architects to create solutions, including Kit Martin, who has rescued a series of major country houses, including Gunton Hall, Hazells Hall, Cullen House and Burley-on-the-Hill. Memorably in 1981 SAVE bought the derelict Barlaston Hall for £1. It was no bargain as rain was pouring through the roof, bringing down the ceilings and floors and the house was suffering from severe mining subsidence. It took a major fight with the National Coal Board to secure compensation, but SAVE carried out the structural repairs and found a purchaser willing to complete the restoration, including all the wonderful Rococo plasterwork.
    [Show full text]
  • News Release
    NEWS RELEASE FOURTH STRFFT AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 . 737-4215/842-6353 Revised: July 1985 EXHIBITION FACT SHEET Title: THE TREASURE HOUSES OF BRITAIN: FIVE HUNDRED YEARS OF PRIVATE PATRONAGE AND ART COLLECTING Patrons; Their Royal Highnesses The Prince and Princess of Wales Dates: November 3, 1985 through March. 16, 1986. (This exhibition will not travel. Most loans from houses open to view are expected to remain in place until the late suitmer of 1985 and to be returned before many of the houses open for their visitors in the spring of 1986.) Credits: This exhibition is made possible by a generous grant from the Ford Motor Company. The exhibition was organized by the National Gallery of Art, Washington, in collaboration with the British Council and is supported by indemnities from Her Majesty's Treasury and the U.S. Federal Council on the Arts and the Humanities. Further British assistance was supplied by the National Trust and the Historic Houses Association. British Airways has been designated the official carrier of the exhibition. History of the exhibition; The idea that the National Gallery of Art consider holding a major exhibition devoted to British art evolved in discussions with the British Council in 1979. J. Carter Brown, Director of the National Gallery of Art, proposed an exhibition on the British country house as a "vessel of civilization," bringing together works of art illustrating the extraordinary achievement of collecting and patronage throughout Britain over the past five hundred years. As this concept carried with it the additional, contemporary advantage of stimulating greater interest in and support of those houses open to public viewing, it was enthusiastically endorsed by the late Lord Howard of Henderskelfe, then-Chairman of the Historic Houses Association, Julian Andrews, Director of the Fine Arts Department of the British Council, and Lord Gibson, Chairman of the National Trust.
    [Show full text]
  • Bibliography Sources for Further Reading May 2011 National Trust Bibliography
    Bibliography Sources for further reading May 2011 National Trust Bibliography Introduction Over many years a great deal has been published about the properties and collections in the care of the National Trust, yet to date no single record of those publications has been established. The following Bibliography is a first attempt to do just that, and provides a starting point for those who want to learn more about the properties and collections in the National Trust’s care. Inevitably this list will have gaps in it. Do please let us know of additional material that you feel might be included, or where you have spotted errors in the existing entries. All feedback to [email protected] would be very welcome. Please note the Bibliography does not include minor references within large reference works, such as the Encyclopaedia Britannica, or to guidebooks published by the National Trust. How to use The Bibliography is arranged by property, and then alphabetically by author. For ease of use, clicking on a hyperlink will take you from a property name listed on the Contents Page to the page for that property. ‘Return to Contents’ hyperlinks will take you back to the contents page. To search by particular terms, such as author or a theme, please make use of the ‘Find’ function, in the ‘Edit’ menu (or use the keyboard shortcut ‘[Ctrl] + [F]’). Locating copies of books, journals or specific articles Most of the books, and some journals and magazines, can of course be found in any good library. For access to rarer titles a visit to one of the country’s copyright libraries may be necessary.
    [Show full text]
  • The V&A, the Destruction of the Country House and the Creation Of
    Museum & Society, 11(1) 1 The V&A, The Destruction of the Country House and the Creation of ‘English Heritage’ Ruth Adams* Abstract This paper considers the role played by the V&A and the exhibition The Destruction of the Country House in the political activities and increasing prominence of the ‘heritage lobby’ in England in the 1970s. It argues that the V&A had a significant role in shaping the discourse and advancing the public awareness and political efficacy of the heritage movement, and that it assisted in reinforcing the association of, and perhaps even conflating, English heritage with the country house. The paper also reflects on changing attitudes and policy relating to heritage in England since the late twentieth century, drawing on a range of relevant critical literature and theoretical approaches. Key Words: V&A, Heritage, Country Houses, Policy, England Introduction In the autumn of 1974, the Victoria & Albert Museum, London (V&A) staged an exhibition called The Destruction of the Country House (hereafter called Destruction). Although not, as the Museum’s then director Roy Strong was later to claim, ‘the first time [...] that a museum exhibition was an exercise in polemic’ (1998: 139), it was a landmark show for the V&A, and a watershed in heritage politics. The exhibition promoted the idea that not only were England’s great country houses under threat, but that if these richly symbolic buildings were lost, so too would be important aspects of English national history, culture and identity. This conflation and the exhibition as a whole are important for an understanding of the recent history of heritage in the UK because the V&A, its policies and personnel, played a key role in shaping the discourse and advancing the public awareness and political efficacy of the heritage movement.
    [Show full text]
  • Situating LGBTQ Voices in National Trust Historic Houses
    Queer activism begins at home: situating LGBTQ voices in National Trust historic houses Sean Curran UCL Institute of Education Supervisors: Professor Pam Meecham & John Reeve I, Sean Curran confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 1 _______________________________________________________________ _______ 2 Abstract Despite a growing body of literature and practical examples of lesbian, gay, bisexual, trans and queer (LGBTQ) interventions in museums, there is a dearth of research in equivalent initiatives in historic houses, specifically in those owned and managed by the National Trust. My research aims to address that gap, by using a creative intervention in the form of an exhibition for LGBT History Month. This queered action research involved curating an intervention, using a crowd-sourced exhibition, at the National Trust’s Sutton House in Hackney, London. The exhibition and the process of curation is the primary case study in my thesis. The exhibition 126, saw 126 LGBTQ identified volunteers submitting smartphone recordings of Shakespeare’s Fair Youth Sonnets and short video portraits of themselves as contributors. These were edited into a film, and exhibited at the first ever ‘Queer Season’ at Sutton House in February and March 2015. While feedback from visitors and contributors was analysed, the video portraits formed the primary data in the thesis. The videos are presented as a means through which LGBTQ people have chosen to represent their queer identities in a National Trust property. The results are noteworthy for the diversity of ways that LGBTQ people choose to visually signify their queer identities when given autonomy to do so.
    [Show full text]
  • Newsletter the Society of Architectural Historians
    NEWSLETTER THE SOCIETY OF ARCHITECTURAL HISTORIANS DECEMBER 1975 VOL. XIX NO . 6 PUBLISHED BY THE SOCIETY OF ARCHITECTURAL HISTORIANS 1700 Walnut Street, Philadelphia, Pennsylvania 19103 • Spiro K. Kostof, President • Editor: Thomas M. Slade, 3901 Connecticut Avenue, N.W., Washington, D.C. 20008 • Assistant Editor: Elisabeth W. Potter, 22927 Edmonds Way, Edmonds, Washington 98020 • Assistant Editor: Richard Guy Wilson, 804 Gaskill Drive, Ames, Iowa 50010. SAH NOTICES STUDENT SCHOLARSHIPS-1976 ANNUAL TOUR 1976 Bicentennial Annual Meeting, Philadelphia (May 19- Lexington, Kentucky and Vicinity 24).'Marian C. Donnelly, general chairman; Charles E. Peter­ October 6-10, 1976 son, FAIA, honorary local chairman; and R. Damon Childs, local chairman. Beginning with the 1976 annual tour, the Society will hold yearly The preliminary announcement (containing full informa­ competitions for student scholarships to enable outstanding tion on sessions and tours), the preregistration form and students to participate on domestic tours. The 10% surcharge hotel reservation cards will reach the membership by Jan­ on non-student participants' registrations will be applied to­ uary 15, 1976. ward two or three tour scholarships, which will defray wholly or in large part the cost of the tour itself, the hotel accommoda­ 1977 Annual Meeting, Los Angeles (with College Art Asso­ tions and air or train fare (depending upon the travel distance ciation)-February 2-7. Adolf K. Placzek, Columbia involved). University, is general chairman of the meeting. DavidS. Geb­ To be eligible, a student must be engaged in graduate hard, University of California, Santa Barbara, will act as work in architecture or architectural history, city planning or local chairman.
    [Show full text]
  • 1904 623088 Email: [email protected]
    JANETTE RAY BOOKSELLERS, 8 BOOTHAM, YORK YO30 7BL Telephone: +44 [0]1904 623088 email: [email protected] CATALOGUE 16: GAVIN STAMP Preamble By the time I went to look at the books that remained in Gavin’s flat in Forest Hill, London, after his far too early death, many well-known titles had already been removed by friends and relatives who rightly, at Gavin’s request, had the first choice from his library. I met his wife, Rosemary Hill, at the flat. She had the thankless task of sorting out the slide collection which was to be given to Historic England’s National Monuments Record and, on the day I arrived for a first look, was busy doing that with huge dedication. Whilst she sorted and packed, I scanned the shelves. As many well-known titles had already been removed it soon was possible to see that between the gaps that what remained was arguably the essence of the collection; I mean those smaller books and pamphlets that provide the detail on architects, designers and places that reflecting Gavin Stamp’s interest in every conceivable aspect of architecture and design. In these books were many with notes, photocopies and jottings from friends and academics which illuminate detailed queries he had about this and that and which often exploited in his own writings. Books spilled off the shelves on every imaginable building type including telephone boxes, about which he had run a campaign to encourage saving Giles Gilbert Scott’s design. There were booklets on war memorials, reflecting his enduring interest in memorialisation, on European modernism, on neo-classicism and the gothic.
    [Show full text]
  • Newsletter - Winter 2014
    The Newbolds have opened Wentworth to the public offering guided tours and an increasing number of events. But despite considerable expenditure on repairs the fabric of the house has deteriorated, following what Arups, their advisers, state is a new bout of mining-related subsidence. Whatever the cause it is grave enough for English Heritage engineers to have sounded the alert to a possible collapse of the exquisite plasterwork in the ceiling of the great portico. Newsletter - Winter 2014 We open our winter newsletter with a call for support for our campaign to save Wentworth Woodhouse, the most important historic building at serious risk in Britain today. For two years SAVE has been working behind the scenes on this project, and we are now at a pivotal moment in the campaign. Marcus Binney, SAVE’s Executive President, explains the campaign in detail below, and details of how you can help can be found at the end of Marcus’s article. Autumn saw SAVE busy with several events, including a joint exhibition at the V&A Museum celebrating 40 years since the Destruction of the Country House exhibition. To our delight it proved so popular that its stay at the museum was twice extended. Two seminars were also held at the V&A, focussing on SAVE’s work and the 1974 exhibition, the latter of which Above and below: The two faces of Wentworth Woodhouse. reunited Sir Roy Strong, John Harris, and Marcus Binney for a The Palladian east front and the Baroque west front. lively discussion. Country Life We continue to campaign for Smithfield General Market following our summer triumph, and an evening seminar in October brought together the inquiry witnesses to discuss the implications of the decision.
    [Show full text]
  • The Future of the Country House
    Burghley House, Lincolnshire The Attingham Trust 60th Anniversary Looking Ahead: The Future of the Country House Conference Papers 12 & 13th OCTOBER 2012 ROYAL GEOGRAPHICAL SOCIETY, LONDON Edited by Giles Waterfield and Rebecca Parker Transcribed by Mia Jackson - Contents - Foreword John Lewis, Chairman, The Attingham Trust Friday 12 October Page Welcome and Introduction Annabel Westman, Executive Director, The Attingham Trust 6 Confessions of a Country House Snooper: Tim Knox interviews John Harris Tim Knox, Director, The Sir John Soane’s Museum; John Harris, Architectural Historian 8 Session One: Changing Perceptions of the Country House in Britain Chair: Martin Postle, Assistant Director, Paul Mellon Centre for Studies in British Art Studying the Country House: Views from the Academy Giles Waterfield, The Attingham Trust 18 The Country House in The Buildings of England 1951-2011 Charles O’Brien, Series Editor, Pevsner Architectural Guides 25 Country House Collections: What Do They Mean Today? Dr. Christopher Ridgway, Curator, Castle Howard 33 Session Two: New Visions for Old Houses: The Private Perspective Chair: Edward Harley, President of the Historic Houses Association (2008-2012) Introduction Edward Harley, President of the Historic Houses Association 44 The Buccleuch Estates The Duke of Buccleuch and Queensberry 48 Burghley House in the Twenty-First Century Miranda Rock, Burghley House 57 Perspectives on the Historic House: Giles Waterfield interviews Julian Fellowes Lord Fellowes of West Stafford, Writer, Actor and Broadcaster;
    [Show full text]