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Download Fall 2020 Magazine
Fall 2020 Yale University Art Gallery MARK MARESCA FROM THE DIRECTOR SINCE THE GALLERY closed such as Carlo Maratti’s Study for content that is available online, art from across time and cultures. in March due to the COVID-19 the Altarpiece of Saint Rosalie such as the powerful panel We are a place for you. pandemic, our world has trans- among the Plague-Stricken (ca. discussion “The Legacy of We have spent the past few formed in ways we might never 1657–60), which Maratti made as Lynching,” one of the last events months creating a plan for sharing have imagined. As we begin to a way to heal after an outbreak of to take place at the Gallery before our collection while keeping emerge from our homes, we are the Plague in the city of Palermo, quarantine. The panel was part of everyone safe. My hope is that we trying to establish a new normal Italy. More recently, works like the programming for the special can help our communities reflect and striving to find balance. By Titus Kaphar’s Another Fight exhibition Reckoning with “The on how their lives have been safely reactivating the Gallery for Remembrance (2015) open Incident”: John Wilson’s Studies impacted by the events of 2020 and welcoming back visitors on pathways for constructive conver- for a Lynching Mural, which, and that together we can move a limited basis this fall, we can sations, especially now, when along with our two other special forward and meet once again in provide opportunities for our injustice is thrown into stark relief. -
Wyndham Lewis and Nihilism
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Groningen University of Groningen Theo van Doesburg and Wyndham Lewis Renders, Hans; van Faassen, Sjoerd Published in: The Journal of Wyndham Lewis Studies IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2018 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Renders, H., & van Faassen, S. (2018). Theo van Doesburg and Wyndham Lewis: An Aborted Attempt at Collaboration’. The Journal of Wyndham Lewis Studies, 8, 30-56. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 13-11-2019 The Journal of Wyndham Lewis Studies Wyndham Lewis Society Volume 8 (2017) ISSN 2052-5168 THE JOURNAL OF WYNDHAM LEWIS STUDIES PUBLISHED BY THE WYNDHAM LEWIS SOCIETY EDITORIAL ADDRESS The Journal of Wyndham Lewis Studies c/o Dr Nathan Waddell Department of English Literature, Arts Building University of Birmingham, Edgbaston Birmingham, B13 2TT EDITORS Zoe Gosling, Louise Kane, Michael Shallcross, Nathan Waddell REVIEWS EDITOR James Hirst EDITORIAL BOARD Rebecca Beasley, Peter Brooker, Peter Caracciolo, Edward Chaney, Paul Edwards, C. -
We, the Members of the Planning Committee, Are Pleased to Share
teaching & learning from the object college book art association annual meeting 2013 ▲ ▲ ▲ ▲ ▲ ▲ ▲ ▲ ▲ ▲ ▲ ▲ ▲ ▲ ▲ c c c c c c c c c c c c c c c Welcome To New Haven New Haven, especially the Yale University We, the members of the Planning Art Gallery and the Yale Center for British Committee, are pleased to share some of Art, both less than one block from the the highlights of Yale University and the Loria Center for the History of Art, where city of New Haven with you during the the majority of Saturday’s meeting will be annual meeting of the College Book Art held. There are also two book arts related Association. As one of the oldest academic exhibitions on display in Yale libraries institutions in the country, Yale University while you are on campus. Please take the has a long and profound relationship with time to enjoy Latvian Publishing Between the book and printing history. The Library the Wars at Sterling Memorial Library and is the Heart of the University is carved in Color Bound: Book Artists Seek Inspiration stone on the façade of Sterling Memorial from Color Theoryat the Robert B. Haas Library, commemorating Yale’s founding Family Arts Library, both curated by Jae moment in 1701, when the founding fathers Rossman. Lastly, we hope that you will gathered together to give donations from enjoy the surprising range of delicious their personal libraries to become the core restaurant choices, which, along with the of the University’s library, and to symbolize extensive art, theatre, and music offerings, the University’s commitment to learning. -
André Lhote and His International Students
Zeynep Kuban, Simone Wille (eds.) André Lhote and His International Students innsbruck university press EDITED VOLUME SERIES innsbruck university press Zeynep Kuban, Simone Wille (eds.) André Lhote and His International Students Zeynep Kuban Faculty of Architecture, Istanbul Technical University Simone Wille Institut für Kunstgeschichte, Universität Innsbruck Austrian Science Fund (FWF): Project Number P 29536-G26 Gefördert durch das Vizerektorat für Forschung, den Forschungsschwerpunkt ‚Kulturelle Begegnungen – Kulturelle Konflikte‘ und das Dekanat der Philosophisch- Historischen Fakultät der Universität Innsbruck. Diese Publikation wurde mit finanzieller Unterstützung des Frankreich-Schwerpunkts sowie des Vizerektorats für Forschung der Universität Innsbruck gedruckt. © innsbruck university press, 2020 Universität Innsbruck 1st edition All rights reserved. Cover: The Academy around 1948: standing in the background, Solveig Olson; in front of Lhote, Olle Baertling (moustache and white handkerchief); to his left Günnel Heineman. In the centre (striped tie) Salah Yousry. In the background, right, Sabri Berkel and Eren Eyüboglu,˘ and at the top left, near the stove, Hasan Kavruk. Photo © Archives André Lhote © ADAGP. Layout: Romana Fiechtner www.uibk.ac.at/iup ISBN 978-3-903187-78-8 Table of Contents ZEYNEP KUBAN, SIMONE WILLE: Introduction and Acknowledgments ............ 7 DOMINIQUE BERMANN MARTIN: The Life of André Lhote ............................. 17 FANNY DRUGEON: From Paris to Mirmande, International Aspects of Lhote’s Academy through -
The Power of the Avant-Garde Now and Then
The Power of the Avant-Garde Now and Then The Power GERHARD RICHTER p. 048 OLAFUR ELIASSON p. 050 of the Avant-Garde ALEXANDER ARCHIPENKO JAMES ENSOR p. 056 AUGUSTE RoDIN p. 058 MARCEL ODENBACH p. 060 JAMES ENSOR MARLENE DUMAS p. 066 EDVARD MUNCH Works / Artists EDVARD MUNCH p. 072 CUNO AMIET p. 076 ERICH HECKEL p. 078 EMIL NoLDE p. 082 KARL SCHMIDT-RoTTLUFF p. 084 GABRIELE MÜNTER p. 086 WASSILY KANDINSKY p. 087 ADOLF ERBSLÖH p. 088 HEINRICH CAMPENDONK p. 090 AUGUST MACKE p. 092 ALEXEJ VON JAWLENSKY p. 094 LUIGI RUSSOLO p. 098 GIACOMO BALLA p. 100 GINO SEVERINI p. 102 UMBERTO BoCCIONI p. 104 MARIO CHIATTONE p. 106 ANTONIO SANT’ELIA p. 107 JEAN CoCTEAU (JIM) p. 110 JULIUS EVOLA p. 112 NADEZHA UDALTSOVA p. 113 ALEXANDER DREVIN p. 114 NATALIA GONCHAROVA p. 116 MIKHAIL LARIONOV p. 117 KAZIMIR MALEVICH p. 118 OLGA RoZANOVA p. 121 LYUBOV PoPOVA p. 122 LUC TUYMANS p. 192 RAYMOND DUCHAMP-VILLON JOHN BALDESSARI p. 126 MARCEL BRooDTHAERS LUC TUYMANS p. 004 / p. 196 JEFF WALL p. 130 WILLIAM KENTRIDGE p. 198 FRANZ KAFKA DZIGA VERTOV KoEN VERMEULE p. 138 SEAN SCULLY p. 204 LÉON SPILLIAERT FERNAND LÉGER LoUISE LAWLER p. 142 FERNAND LÉGER p. 208 MAX ERNST p. 144 BLAISE CENDRARS & FERNAND LÉGER p. 210 JUAN GRIS p. 146 RoBERT DELAUNAY p. 212 DAVID CLAERBOUT p. 148 GUSTAVE BUCHET p. 216 PIET MoNDRIAN IgNAZ EPPER p. 217 BogoMIR ECKER p. 154 SIGRID HjERTÉN p. 218 FoRTUNATO DEPERO EMMY KLINKER p. 220 FoRTUNATO DEPERo p. 159 SIEGFRIED VON LETH p. -
International Art Exhibitions 2016.01
International 01 Art Exhibitions 2016 International 07.01.2016 > 20.02.2016 Art Exhibitions 2016 1 Zhu Jinshi Blum & Poe Blum & Poe This is Beijing-based painter Zhu Jinshi’s first solo exhibition in New York and his second solo presentation with the Blum & Poe Galleries. Zhu’s painting practice is divided into two parts: all-over paintings which literally cover the canvases end to end with paint often the depth of the human hand, and what are known as Liu Bai paintings (direct Chinese translation: New York leaving blank). Liu Bai, a traditional aesthetic approach to compositional 5 balance in Chinese painting, was con- ceived as a form of ‘blankness’, rather Opposite page than ‘emptiness’, embodying great Dancing with the Devil 1 philosophical nuance. In parallel with 2013, Oil on canvas works such as these, Zhu has recently 160 x 140 cm explored the flat application of the 1 black monochrome, with all of its mini- Volcanic Rock malist and philosophical implications. 2010, Oil on canvas One all-black painting, Kant (2015), 140 x 160 cm with its 2.5 cm deep surface scored by 2 a delicate web of shallow grooves and Beam 3 ripples is on display, but not shown here. 2 1990, Oil on canvas 65 x 65 cm This exhibition will also feature three Zhu Jinshi was born in Beijing in 1954. That year, after being denied a show 3 sculptural works, consisting of enor- Although being made to work in at the National Gallery in Beijing, they Head Sculpture mous slabs of paint laid upon plinths; factories, he managed to develop his staged an unauthorized exhibition 2015, Oil paint, canvas and Nine Levels (2015), a minimal, modu- early identity as an artist. -
Cv 6Pp. 1-2020 Anger
Jenny Anger Professor of Art History (o) 641-269-4293 Department of Art and Art History (f) 641-269-4420 Grinnell College [email protected] Grinnell, IA 50112-0806 20 January 2020 Curriculum Vitae Positions Held 2015- Professor of Art History, Grinnell College (Chair 2015-present) 2003-2015 Associate Professor of Art and Art History, Grinnell College (Chair 2004-06, 2014-15) 1997-2003 Assistant Professor of Art and Art History, Grinnell College 1990-93 Editorial Assistant (1990-91) and Assistant Editor (1991-93), differences: A Journal of Feminist Cultural Studies 1987-90 Teaching Assistant, Brown University and Rhode Island School of Design Education Ph.D. 1997 History of Art and Architecture, Brown University Dissertation: “Modernism and the Gendering of Paul Klee” M.A. 1988 History of Art and Architecture, Brown University Thesis: “Music as Defense in the Aesthetics of Clive Bell and Roger Fry” B.A. 1986 Art History and German, University of Southern California summa cum laude Books Four Metaphors of Modernism: From Der Sturm to the Société Anonyme. Minneapolis: University of Minnesota Press, 2018. Review: Koss, Max. caareviews.org. 17 January 2020. Paul Klee and the Decorative in Modern Art. Cambridge: Cambridge University Press, 2004. Reviews: Auther, Elissa. caareviews.org. 8 March 2006. Deshmukh, Marion F. German Studies Review 29, no. 1 (2006): 192-93. Maldonaldo, Guitemie. Les cahiers du Musée national d’art moderne 90 (winter 2004- 05): 115-16. Osmond, Jonathan. Art Book 12, no. 1 (February 2005): 31. Rhodes, Colin. Burlington Magazine 147 (February 2005): 125-26. Jenny Anger, CV, 1/2020, 2 Other Publications “Sonja Sekula and Art of the Mentally Ill.” American Art (forthcoming spring 2021). -
Storm Women Women Artists of the Avant-Garde in Berlin 1910 – 1932
AN IMPRESSIVE PANORAMA OF MODERN ART: FIRST PRESENTATION OF THE WOMEN ARTISTS OF THE STURM AT THE SCHIRN KUNSTHALLE FRANKFURT STORM WOMEN WOMEN ARTISTS OF THE AVANT-GARDE IN BERLIN 1910 – 1932 OCTOBER 30, 2015 – FEBRUARY 7, 2016 PRESS PREVIEW: THURSDAY, OCTOBER 29, 2015, 11:00 A.M. The STURM heralded the advent of modern art. Originally the name of a magazine founded in 1910 devoted to promoting expressionist art, the term STURM (English: STORM) soon assumed the character of a trademark. Herwarth Walden, the publisher of the journal, also founded the STURM gallery in Berlin in 1912. Numerous women artists, including many from other countries, were presented in Germany for the first time at his gallery. As a movement, the STURM represented a program—one that opposed conceptual barriers, the establishment in general, and the bourgeois character of Wilhelminian society and advocated the total freedom of all arts and styles. Composed of friends with similar interests, the STURM network served as a forum for intensive and animated discourse on the ideas, theories, and concepts of the avant-garde. The additional STURM evenings, the newly founded STURM academy, the STURM theater and bookshop as well as occasional balls and a cabaret offered the artists of the STURM a variety of platforms and made the diverse artistic currents and tendencies in Berlin during the years from 1910 to 1930 accessible to a broad public. The Schirn Kunsthalle Frankfurt is devoting an extensive topical exhibition to the women of the STURM beginning on October 30, 2015. For the first time ever, eighteen women STURM artists representing Expressionism, Cubism, Futurism, Constructivism, and the New Objectivity will be presented in a comprehensive exhibition featuring around 280 works of art. -
Putting Katherine Dreier Into Perspective: Modern Art Collecting in Early 20Th- Century America Sara Klein
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 Putting Katherine Dreier into Perspective: Modern Art Collecting in Early 20Th- Century America Sara Klein Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY THE SCHOOL OF VISUAL ARTS AND DANCE PUTTING KATHERINE DREIER INTO PERSPECTIVE: MODERN ART COLLECTING IN EARLY 20TH-CENTURY AMERICA By SARA KLEIN A Thesis submitted to the Department of Art History in partial fulfillment of the requirements for the degree of Master of Art Degree Awarded: Fall Semester, 2005 The members of the Committee approve the Thesis of Sara Klein defended on June 18, 2005. Karen Bearor Professor Directing Thesis Tatiana Flores Committee Member Susan Lee Committee Member Approved: Paula Gerson, Chair, Department of Art History Sally McRorie, Dean, School of Visual Arts and Dance The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank Dr. Karen Bearor for her guidance throughout the writing of this thesis. Her transatlantic correspondence was especially helpful. Next, I would like to extend my appreciation to the other members of my committee, Tatiana Flores and Susan Lee. Their thoughtful comments added greatly to the understanding of my thesis. Finally, I would like to thank the faculty, staff, and my fellow students in the Art History Department in the School of Visual Arts and Dance at Florida State University for their continued support and good humor. iii TABLE OF CONTENTS List of Figures ........................................................................................... -
Das Bauhaus Grafische Meisterwerke Von Klee Bis Kandinsky
Das Bauhaus Grafische Meisterwerke von Klee bis Kandinsky Das Bauhaus Grafische Meisterwerke von Klee bis Kandinsky SANDSTEIN Wir danken unseren großzügigen Förderern: Inhalt Neues Leben 8 Roland Krischke Ganzheitlich europäisch. Das frühe Bauhaus 10 in Weimar und die Neue Europäische Graphik Benjamin Rux Die Druckerei am Staatlichen Bauhaus in Weimar – 18 eine Werkstatt für das Sammeln Thomas Matuszak »Der europäische Geist« – Krisis einer transnationalen 30 Avantgarde in der Grafik 1919 – 1925 Toni Hildebrandt Mappe I: Meister des Staatlichen Bauhauses in Weimar 38 Benjamin Rux Mappe II: Französische Künstler 58 Laura Rosengarten Mappe III: Deutsche Künstler 68 Benjamin Rux Mappe IV: Italienische und russische Künstler 88 Laura Rosengarten Mappe V: Deutsche Künstler 106 Sophie Thorak Druckgrafische Mappenwerke von Bauhaus-Meistern 126 im Lindenau-Museum Altenburg Lyonel Feininger: Zwölf Holzschnitte 128 Georg Muche: Ypsilon – die kleine Satire 144 auf die Weltanschauung des Materialisten N. Gerhard Marcks: Das Wielandslied der aelteren Edda 158 Verzeichnis der ausgestellten Werke 173 Literatur 181 Autoren 182 Bildnachweis 183 Impressum 184 Lyonel Feininger Titelblätter der Mappen I, III, IV, V, 1921 – 1923 Federlithografien 6 Lyonel Feininger Zwölf Holzschnitte, Titelblatt, 192o Holzschnitt Georg Muche Ypsilon, Mappendeckel, 1920 / 21 Gerhard Marcks Pinsel in Weiß auf rosa Seidenpapier Das Wielandslied, Titelblatt, 1923 7 Neues Leben Karl Villaret in Erfurt, Bahnhofsstr. 5 a, erworben wurden und dass daran die Verwaltung für Kunstangelegenheiten Ende 1951 oder Anfang 1952 erwarb der erst seit der Thüringer Landesregierung entscheidenden Anteil wenigen Monaten fest angestellte Direktor Hanns-Conon hatte. ( Die Bezirke der DDR wurden erst im Sommer 1952 von der Gabelentz (1892 – 1977) die vier unter dem Titel geschaffen und damit die Länderstruktur de facto aufgelöst.) Neue Europäische Graphik erschienenen Bauhaus-Mappen 1951 /52 war der in Altenburg geborene Kunsthistoriker für das Lindenau-Museum. -
Translated and Edited Publications
Translated and edited publications There are over 200 items in this list, including co-translations and revised editions. Editing and translations from German and French are indicated, otherwise the listed publications are translations from Dutch. Eva Wittocx, Dirk Braeckman (Catalogue for the Belgian Pavilion, Venice Biennale 2017) (London: Koenig Books 217); co-copy editor/translator Eva Wittocx et al., Playground ’16 ’07 (Leuven, M Museum 2017); copy editor and co-translator Paul Vandenbroeck (ed.) Antwerp Royal Museum Annual 2013-2014 (Royal Museum of Fine Arts Antwerp 2017); translation of Vandenbroeck, ‘The Solomonic Column and the Double Spiral’ Fleur Roos Rosa de Carvalho, Prints in Paris 1900: From Elite to the Street (Amsterdam: Van Gogh Museum 2017) Paul Vandenbroeck, Utopia’s Doom: The Graal as Paradise of Lust, the Sect of the Free Spirit and Jheronimus Bosch’s so-called Garden of Earthly Delights (Leuven: Peeters 2017) Jacqueline Marette, Wooden Supports in 12th-16th-Century European Paintings (Copenhagen: CATS 2016); translated from French with Paul Van Calster, published online by the Getty Foundation (http://www.wooden-supports-marette.com/publications/-9702/wooden- supports-in-12th-ndash-16th-century-european-paintings) Elizabeth McGrath et al., Mythological Subjects: Achilles to the Graces (Corpus Rubenianum Ludwig Burchard XI (Turnhout: Brepols 2016) co-translator Paul Vandenbroeck, A Glimpse of the Concealed: Body Intuition Art (Antwerp: Royal Museum of Fine Arts Antwerp 2017) Luc Tuymans, James Ensor (London: Royal Academy 2016); contributions by Herwig Todts and Gerrit Vermeiren Lieke van Deinsen, The Panpoëticon Batavûm, Rijksmuseum Studies in History, Vol. 1 (Amsterdam: Rijksmuseum 2016) Claire Baisier (ed.), Divine Interiors: Experience Churches in the Age of Rubens (Antwerp: Museum Mayer van den Bergh 2016); co-translator Irene Smets, The Royal Palace in Brussels (Ludion Guide) (Fourth revised edition, Kontich: BAI 2016). -
De Sint-Pietersabdij Te Gent.Pdf
Kostprijs van een abonnement Een abonnement biedt 4 thema nummers en 4x OKV-plus, met Museumkoort. lnh U kunt zich abonneren door storting van 800,-BF (zonder opberg bond) of 1.100,-BF (met opbergbond) op rek.nr. 448-0007361-87 van Openboor Kunstbezit in Vlaanderen, Sint-Niklaas. Vanuit Nederland: 47,-NLG (zonder opbergbond) of 67,-NLG (met opbergbond) uitsluitend op gironummer 1 35.20 van Openboor Kunstbezit in Vlaanderen, Sint-Niklaas. Een abonnement kan elk moment ingaan. De Vormgeving Rob Buytaert Sint-Pietersabdii Annemie Vandezande te Gent Correctie Doreen Gaublonune Koot De Koek Johan Van de Wiele Coördinatie en eindredactie 3 Veertien eeuwen vrome en minder Rudy Vercruysse vrome geschiedenis Koot De Koek 13 Op stap in de Sint-Pietersabdij Productie Rudy Vercruysse 24 Speuren naar verdwenen riikdom Geert Verstoen Koot De Koek 28 In eer hersteld Abonnementendienst 30 Monument kunsthal en Kristien Van Mieghem tentoonstelfingsorganisator 03/760. 16.40 34 De permanente tentoonstelling Druk Tussen hemel en aarde Drukkerij Die Keure, Brugge Pre·press Grafisch Buro Geert Lefevre Cover De Rommeloere Foto jo GRAFISCH BuRo GEERT LEFEVRE Copyright OKV Niets uit deze uitgave mag worden verveelvoudigd en/ of openboor gemaakt door middel van druk, fotokopie, microfilm of op welke andere wijze ook zonder voorgaande toestemming van de uitgever. ISSN 1 373-4873 WD 1999/7892/13 ATA lllr.llll ATTA AT TATA AT Lid van de Unie PROVINCIE Provincie ANTWERPEN �" van de Uitgevers van Oost-Vlaanderen PROVINCIE VlAAMS •IRAIANT de Periodieke Pers Veertien, eeuwen vrome en minder vrome geschiedenis •••••••••••••••• Eeuwenlang hebben mannen als deze hun abdijen door horden barbaren zien overvallen en plunderen, rijken in vlammen zien opgaan, en toch zijn zij hun liefde voor perkamenten en inkten gestand gebleven en zijn zij voortgegaan met het stil voor zich heen oplezen van woorden die hun door de eeuwen heen waren doorgegeven en die zij aan de komende eeuwen doorgaven.