teaching & learning from the object college book art association annual meeting 2013 ▲ ▲ ▲ ▲ ▲ ▲ ▲ ▲ ▲ ▲ ▲ ▲ ▲ ▲ ▲ c c c c c c c c c c c c c c c

Welcome To New Haven New Haven, especially the We, the members of the Planning Art Gallery and the Yale Center for British Committee, are pleased to share some of Art, both less than one block from the the highlights of Yale University and the Loria Center for the History of Art, where city of New Haven with you during the the majority of Saturday’s meeting will be annual meeting of the College Book Art held. There are also two book arts related Association. As one of the oldest academic exhibitions on display in Yale libraries institutions in the country, Yale University while you are on campus. Please take the has a long and profound relationship with time to enjoy Latvian Publishing Between the book and printing history. The Library the Wars at Sterling Memorial Library and is the Heart of the University is carved in Color Bound: Book Artists Seek Inspiration stone on the façade of Sterling Memorial from Color Theoryat the Robert B. Haas Library, commemorating Yale’s founding Family Arts Library, both curated by Jae moment in 1701, when the founding fathers Rossman. Lastly, we hope that you will gathered together to give donations from enjoy the surprising range of delicious their personal libraries to become the core restaurant choices, which, along with the of the University’s library, and to symbolize extensive art, theatre, and music offerings, the University’s commitment to learning. help make New Haven the “cultural When the Sterling Memorial Library capital” of Connecticut. See Eats and (the main library on campus, devoted to Bookish Attractions in this guide for some the Humanities) was built in 1931, the suggestions. — Jae Rossman, Chair, & Planning Bibliographical Press was founded by Committee members Molly Dotson, Holly Hatheway, Carl P. Rollins inside the library’s walls. & Emily Larned. Intended to teach students of literature the difficult process of creating those treasured early books, the printing press as pedagogical tool has been part of Yale’s mission for over 75 years. As such, Welcome 1 a meeting of cbaa at Yale, especially one Message from the President 2 exploring the relationship between art CBAA Mission 2 and artifact and focusing on teaching and CBAA Board & Committees 3–4 learning from the object, emphasizes the Program & Schedule 5–6 parallels in the approaches of these two Discussion group descriptions 7–8 organizations, founded many years apart. Yale tours 8–11 In addition to the planned programming, Eats 12–14 we hope that you will take advantage of Bookish Attractions New Haven 15–16 the numerous free cultural attractions in Bookish Attractions New York City 16–17 2 CBAA 2013

Message From TheCbaa President College Book Art Association Mission TheCBAA was established to help you Founded in 2008, the College Book – educators, students, artists, curators, Art Association supports and promotes librarians, and collectors – attain greater academic book arts education by fostering engagement and recognition in your various the development of its practice, teaching, professional careers. Our annual meetings scholarship and criticism. provide an opportunity to get reacquainted, The College Book Art Association is meet new people, and share ideas and our a non-profit organization fundamentally work. Most importantly, it is a chance to committed to the teaching of book arts explore pedagogical approaches, discuss at the college and university level, while disciplinary issues, and learn from each supporting such education at all levels, other. This meeting provides a diverse concerned with both the practice and range of presenters, speakers and tours that the analysis of the medium. It welcomes will help you achieve this engagement. as members everyone involved in such Your attendance and participation is what teaching and all others who have similar makes our annual meetings and biennial goals and interests. The Association aims conferences so worthwhile. to engage in a continuing reappraisal of the All members are invited to meet with nature and meaning of the teaching of book me for an informal discussion on Saturday arts. The Association shall, from time to from 5:00–6:00 p.m. I’m eager to hear time, engage in other charitable activities as your ideas on how we can improve our determined by the Board of Directors to be organization to better serve your interests. appropriate. I thank Jae Rossman, our annual Membership in the Association shall be meeting host and local Planning extended to all persons interested in book Committee Chair, Planning Committee arts education or in the furtherance of these members Emily Larned, Molly Dotson, arts. For purposes of this constitution, and Holly Hatheway, the Meetings and the geographical area covered by the Programs Committee, and the Board of organization shall include, but is not limited Directors for organizing the 2013 annual to, all residents of North America. meeting in New Haven. I also thank Yale University, particularly the Robert B. Hass Family Arts Library and the Beinecke Rare Book & Manuscript Library for hosting our meetings and tours. I look forward to working with all of you as the CBAA continues to grow.

Richard Zauft, President College Book Art Association collegebookart.org 3 CBAA 2013

Board of Directors Committees Members are encouraged to attend one or Officers more of the CBAA committee meetings on Saturday, 5:30-6:30 p.m. in order to President Richard Zauft, Emerson College, 2011-2014 learn more about committee tasks that advance the goals of the CBAA. Members Executive Vice President are encouraged to join committees to Julia Leonard, University of Iowa, 2011-2014 contribute their ideas to the Board of Directors. Your participation and voices Vice President for Membership are critical to our future success. Please get Robert Blesse, University of Nevada, Reno, 2011-2013 involved in 2013! Vice President for Programming New Haven 2013 Annual Meeting Planning Committee Philip Zimmermann, University of Arizona, 2010-2013 Jae Rossman, Committee Chair; Assistant Director, Robert B. Haas Family Arts Library Secretary Holly Hatheway, Assistant Director, Robert B. Haas Family Cynthia Thompson, Memphis College of Art and Design, Arts Library 2012-2014 Molly Dotson, Special Collections Librarian, Robert B. Haas Family Arts Library Treasurer Emily Larned, Yale MFA ’08, Chair & Assistant Professor of Sarah Hulsey, University of the Arts, 2011-2013 Graphic Design, SASD, University of Bridgeport

Robert Blesse, University of Nevada - Reno, 2011-2014 Executive Committee Denise Bookwalter, Florida State University, 2012-2015 Richard Zauft, President Julie Chen, Mills College, 2012-2015 Julie Leonard, Executive Vice President Sarah Hulsey, University of the Arts, 2010-2013 Cynthia Thompson,Secretary Kerry McAleer-Keeler, Corcoran College of Art, 2012-2015 Sarah Hulsey, Treasurer Julia Leonard, University of Iowa, 2011-2014 Bob Blesse, VP Membership Cynthia Marsh, Austin Peay University, 2011-2014 Phil Zimmermann, VP Programming Kitty Maryatt, Scripps College, 2011-2014 Michelle Strizever, Student member Bonnie O’Connell, University of Nebraska, Omaha, 2010- Bonnie O’Connell 2013 Harry Reese Marnie Powers-Torrey, University of Utah, 2012-2015 Tony White Harry Reese, University of California, Santa Barbara, 2010- 2013 Nominating & Membership Committee John Risseeuw, Arizona State University, 2011-2014 Bob Blesse, VP Membership, Chair Michelle Strizever, University of Pennsylvania, 2010-2013 Matthew Aron (student member) Sarah Hulsey Cynthia Thompson, Memphis College of Art, 2011-2014 Kathy Walkup, Mills College, 2011-2014 Steering Committee Tony White, Indiana University, 2011-2014 Julia Leonard, Chair Laurie Whitehill-Chong, Rhode Island School of Design, Cynthia Marsh 2010-2013 Kristen Merola Steve Woodall, Columbia College Chicago, 2011-2014 Bonnie O’Connell Richard Zauft, Emerson College, 2011-2014 Marnie Powers-Torrey Phil Zimmermann, University of Arizona, 2010-2013 4 CBAA 2013

Steering Committee, continued Cynthia Thompson, Vice-Chair forExhibitions & John Risseeuw Conference Travel Grants Cynthia Thompson Betsy Holster, Scholarships, Internships, & Fellowships Kathleen Walkup Karen Zimmermann, Vice-Chair for Project & Research Grants Communications Committee Mare Blocker, Vice-Chair for Scholarships, Internships, and Kerry McAleer-Keeler, Chair Fellowships Denise Bookwalter, Managing Editor, Newsletter Janine Wong, Project and Research Grant Support Steve Miller, Web Administrator Bob Blesse, Membership Editor Development Committee Sarah Hulsey, Financial Editor Bridget Elmer Sandra Anible Ethan Henderson Anne Garrison Harry Reese John-Mark Ikeda Ruth Rogers Kitty Maryatt Tony White Jeff Nilan Steve Woodall Lisa Beth Robinson Editorial Board Sara Sauers Elisabeth Long, Editor, CBAA Journal Shawn Simmons Betty Bright Betsy Davids Publications Committee Susan Viguers Julia Leonard, Interim Chair Laurie Whitehill Chong Cynthia Marsh Bonnie O’Connell ▲ ▲ ▲ Richard Ring c c Katherine Ruffin Sara Sauers Sponsor Beinecke Rare Book & Manuscript Library, Yale University Michelle Strizever Kathleen Walkup Laurie Whitehill Chong Program Design Emily Larned Meetings & Programs Committee Beinecke Rare Book & Manuscript Library, Yale University Support the Future of the Cbaa Philip Zimmermann, Chair As active members in the CBAA, you enjoy many benefits that Macy Chadwick enrich and help your careers. Annual meeting and conference Julie Chen attendance and participation, the newsletter, the journal, Sarah Hulsey fellowships, travel grant awards, pedagogical resources, and Kitty Maryatt the opportunity to show your work in exhibitions are among Bonnie O’Connell the member benefits. As a not-for-profit organization, your Mary Phelan membership fees help support these activities. As the CBAA Jae Rossman grows, we want to be able to expand this support. Among the Barb Tetenbaum top priorities for the organization are increased travel grants Kathleen Walkup for all members, fellowship and internship opportunities, and Tony White greater support for research and projects. If you, your family, your employer, or an organization or individual you know Awards Committee might be interested in exploring the many different ways of Marnie Powers-Torrey, Chair direct or in-kind support for the CBAA and its goals, please Bridget Elmer, liaison to Development Committee contact any of the members of the CBAA Board of Directors. 5 CBAA 2013

Au Bon Pain* Program & Schedule of Events salads, sandwiches, & baked goods Thursday, January 3, 2013 1 Broadway 9am–5pm Board of Directors retreat 203.865.5554 & meeting. Sterling Memorial Library www.aubonpain.com lecture hall, 130 Wall Street. Bruegger’s Bagels 1pm–5pm Registration. Haas Family breakfast, sandwiches, soups Arts Library information desk. Enter 1 Whitney Avenue *10 minutes' walking 203.773.3199 distance (or less!) through Loria Center, 190 York Street. www.brueggers.com from Loria Center ▲ ▲ ▲ c c Gourmet Heaven hot/cold bar, deli counter, grocery Friday, January 4, 2013 44 Whitney Avenue / 15 Broadway* 8:30am–9:45am Registration & 203.787.4533 continental breakfast. Eugene Nalle www.gourmetheaven.com Drawing Studio, School of Architecture. Enter through Loria Center, 190 York Judies European Bakery Street, take elevator or stairs down one sandwiches, salads, baked goods 63 Grove Street level. 203.777.6300 www.judies.net 10:00am–11:00am Yale Tour 1 Sababa 11:30am–12:30pm Yale Tour 2 falafel, pita, shawarma 21 Whitney Avenue 12:30pm–2:30pm Lunch on your own 203.776.7482 www.sababafalafel.com (see eats page 12 – 14) Sitar 1:00pm–2:00pm Open House: The Polly Indian buffet Lada-Mocarski Bindery, Creative Arts 45 Grove Street Workshop. 80 Audubon Street. As part 203.777.3234 of Creative Arts Workshop, a non-profit www.asitarnewhaven.com community arts center, the fully equipped Bindery, established in 1980, offers year- 2:30pm–3:30pm Yale Tour 3 round classes and workshops in book arts. Instructor and book artist Paulette Rosen 4:00pm Reception at Beinecke Library, will be hosting, presenting samples of a 121 Wall Street broad range of student and faculty work. www.creativeartsworkshop.org 6:30pm Dinner on your own If you are interested in this option, (see eats page 12 – 14) we suggest a quick lunch at one of these nearby locations to allow ample time for visiting the bindery and to walk over ▲ ▲ ▲ and back: c c 6 CBAA 2013

Saturday, January 5, 2013 5:00pm–6:00pm Coffee break with the All meetings in the Loria Center / School of CBAA President. Eugene Nalle Drawing Architecture complex at 190 York Street. Studio, lower level.

8:00am–9:00am Registration & 5:30pm–6:30pm CBAA Committee continental breakfast. Eugene Nalle Meetings, Loria Center. All members are Drawing Studio, lower level. encouraged to join a committee. Awards Committee, Loria 358 9am–9:30am Welcome & introductory Communications Committee, Loria B50 remarks. Loria 250. Development Committee, Loria 360 Meetings and Programs Committee, 9:30am–11:00am Keynote Address / Q&A. Loria B51 Carl Rollins & the Legacy of Letterpress at Nominating & Membership Committee, Yale. Loria 250. Loria 250 John Gambell, University Printer Publications Committee & Editorial Chika Ota, Rollins Fellow in the Office of Board, Loria 258 the University Printer Steering Committee, Loria 259 Richard Rose, Professor, Art of the Printed Word College Seminar 6:00pm–10:00pm Dutch treat Social hour 11:00am–11:15am Break at BAR, 254 Crown Street

11:15am–12:30pm Session 1 Concurrent 6:30pm Dinner on your own Discussion Groups. (see eats page 12 – 14) Blurring the Library, Loria B51 Art By & For Change, Loria B50 Teaching Historic Book Structures, Loria 250

12:30pm–2:30pm Lunch on your own (see eats page 12 – 14) ▲ ▲ ▲ 2:30pm–3:40pm c c Annual General Meeting, Loria 250

3:45pm–5:00pm Session 2 Concurrent Discussion Groups Re-writing Contemporary Artists’ Books into Undergraduate Art History, Loria B50 Teaching Connoisseurship in the Book & Book Arts, Loria B51 Teaching Beyond the Object, Loria 250 7 CBAA 2013

Discussion Group Descriptions how and why of teaching historic book Session 1 11:15am–12:30pm structures. Topics will include differences in graduate vs. undergraduate curricula, Blurring the Library Loria B51 differences in liberal arts vs. specific book Tate Shaw, Director, Visual Studies arts programs, and how professors have Workshop & Co-Publisher, Preacher’s incorporated objects (models and/or Biscuit Books. This discussion group will historic works) into their teaching. consider the potential for visual search of ▲ ▲ ▲ physical artifacts toward the reexamination c c of how students, artists, and historians of books-as-art do their research. Participants Session 2 3:45pm–5:00pm will discuss conceptual organization of collections that could reveal a discourse Re-writing Contemporary Artists’ between artifacts that are physically kept Books into Undergraduate Art History apart from one another in the library, how Curricula Loria b50 CBAA members are incorporating collections Alexandra Small, student, MSLIS, University in their pedagogy, and how research from of Illinois Urbana-Champaign. This session the physical object relates to research in aims to reconsider artists’ books pedagogy digital libraries. within undergraduate art history curricula. Participants will consider how successful Art By & For Change Loria B52 programming from museums and other Felice Tebbe, Artist, Curator, & Sales, non-profit institutions could be transferred BOOKLYN Artists Alliance. Some artists to the undergraduate experience and and writers are moved to make things that brainstorm how to re-envision the slide change people, both personally and as a lecture-led art history survey course in order society. Understandably, these works are to include the study of artists’ books, as well collected by public learning institutions. as other topics. But, what do we do with them once they are collected? Participants will discuss Teaching Connoisseurship in the Book issues such as the relationship between and Book Arts Loria B51 socially engaged art work and public Julie Mellby, Graphic Arts Curator, teaching collections, how the meaning of Princeton University. Connoisseurship is a this artwork changes once it is held in a difficult skill to acquire and an even trickier collection, and how these works are used by talent to teach, yet the understanding and students, faculty, curators, and others. appreciation of the physical book—how it is made, what it contains, where it has been, Teaching Historic Book Structures: and how it should be maintained—is a skill How and Why? Loria 250 we need to foster in our undergraduate Gary Frost, Conservator Emeritus, populations. Participants will discuss University of Iowa Libraries. Bridget questions such as: What is the difference Elmer, Proprietor, Flatbed Splendor & between liking something in theory Instructor, Asheville BookWorks. and actually buying it for your personal This discussion group will focus on the collection? When is a collection complete? 8 CBAA 2013

What makes a collector a connoisseur? Its mission is to encourage appreciation How do we encourage a new generation and understanding of art and its role of collectors who have perception and in society through direct engagement judgment? with original works of art. This tour will highlight pedagogical resources made Teaching Beyond the Object Loria 250 possible by the recent renovation; the new Inge Bruggeman, Faculty, Oregon College spaces opened on December 12, 2012. of Art & Craft. The field of artists’ books includes book arts, bookworks, publication Yale Center for British Art – arts and more. If we are to embrace this Rare Books and Manuscripts broad view of our field,we need to really 1080 Chapel Street (at High Street); meet understand the role of the object and when at the Information Desk in the main lobby. and why the work transcends the object. The Center’s Rare Books and Manuscripts This discussion group will explore teaching collection department includes material from the object AND teaching beyond relating to the visual arts and cultural the object. Participants will analyze how, life in the United Kingdom and former when, why, and where the book as art British Empire from the 16th century departs from its inherent objecthood, and to the present. Its strengths include to what ends. illustrated “color-plate” books from the renowned Abbey collection‚ sporting ▲ ▲ ▲ c c books and manuscripts‚ early maps and atlases‚ art instruction and drawing Yale Tours on the CBAA program manuals, archival and manuscript material Require pre-registration. As many of the relating to British artists of all periods, tour locations are Special Collections, we certain private press books, and a growing ask that you bring as little with you as collection of contemporary artists’ books. possible. All coats and bags will need to be This tour will include a selection ofartists’ checked in certain locations. You may be books and historic works focused on the required to register at each place. The staff natural world, the subject of an upcoming at each location will assist you with the exhibition. site-specific rules. Beinecke Rare Book and Manuscript Yale University Art Gallery – Library – Show and Tell Education Department 121 Wall Street (entrance on the plaza); 1111 Chapel Street (at York Street); meet meet at the guard desk on the entrance level. in the front lobby. The Yale University Art The Beinecke is Yale University’s principal Gallery is the oldest college art museum in repository for literary papers and for early the United States. Founded in 1832 with manuscripts and rare books in the fields of the gift by Colonel John Trumbull of his literature, theology, history, and the natural of the American Revolution, the sciences. Some of its collection strengths Gallery has grown to include more than include: American literature, German 200,000 works of art from virtually every literature, children’s literature, Western culture from ancient times to the present. Americana, the history of printing, and 9 CBAA 2013 modernism in art and literature. This tour Clark Streeter Collection of Weights will show a selection of materials including and Measures, which is one of the most historic items used in teaching at Yale and comprehensive and extensive collections of the book arts. its kind in the world. This tour will show a selection of materials including historical Beinecke Rare Book and items used in teaching at Yale and beautiful Manuscript Library – Building Tour books. 121 Wall Street (entrance on the plaza); meet at the guard desk on the entrance Cushing Center level. The Beinecke Library is one of the 333 Cedar Street (inside Sterling Hall largest buildings in the world devoted of Medicine); meet at the entrance to the entirely to rare books and manuscripts. Medical Library. Dr. Harvey Cushing The building, of Vermont marble and (Yale 1891) was the pioneer and father granite, bronze, and glass, was designed by of neurosurgery as well as a passionate Gordon Bunshaft, of the firm of Skidmore, bibliophile. Cushing meticulously recorded Owings and Merrill; the George A. Fuller his patients’ stories, and, in 1902, he began Construction Company was the general to retain brain tissue specimens – removed contractor. Work began on the building either during surgery or autopsy – for in 1960 and was completed in 1963. Upon further study. The Cushing Brain Tumor entering, visitors see the glass tower of Registry is an immense archival collection books that rises through the core of the of over 2,200 case studies, including whole building. The entrance level and mezzanine human brain specimens, tumor specimens, showcase rotating exhibits that highlight microscopic slides, notes, journal excerpts, the Beinecke’s rich collections. This tour and over 15,000 photographic negatives will cover the building itself and current dating from the late 1800s to 1936. Once exhibitions. relegated to sub-basements, the collection is now housed in the new Cushing Center Medical Historical Library located in the stacks of the Medical Library. 333 Cedar Street (inside Sterling Hall of Beautiful and impressive historic medical Medicine); meet inside the entrance to the books are on display alongside fascinating Medical Library, near the circulation desk. medical ephemera. The Medical Historical Library contains a large and unique collection of rare medical School of Art books, medical journals to 1920, pamphlets, 1156 Chapel Street (Green Hall); meet prints, and photographs, as well as current in the main hallway. Although the study works on the history of medicine. It was of visual arts has a long history at Yale, founded in 1940 with the donations of the School of Art was established as several extensive private collections. In a separate, fully graduate professional addition to over 300 medical incunabula school in 1972. The school offersMFA and collections of manuscripts, the Library programs in graphic design, and also has over 7000 prints, posters, and printmaking, photography, and sculpture. drawings, and is home to the Edward Studio facilities for all departments, except 10 CBAA 2013 sculpture, were relocated in 2000. This archival collections emphasize American complex combined the renovation of 1156 music (including classical, jazz, and musical Chapel Street with the addition of an theater) and German music between the adjoining building at 353 Crown Street, two World Wars. This tour will show a designed by Deborah Berke. In 2009, selection of materials, including historic sculpture moved from Hammond Hall, items used in teaching at Yale and beautiful where it was housed from 1973 to 2008, to books. a new building at 36 Edgewood Avenue, designed by Kieran Timberlake. This tour Manuscripts & Archives will focus on the program of study and 130 Wall Street (inside Sterling facilities of the Yale School of Art. Memorial Library); meet in the main lobby of MSSA, first door to the left once inside Elizabethan Club the Wall Street entrance. Manuscripts and 459 College Street; meet at front entrance. Archives holds over 1700 collections of The Elizabethan Club of Yale University personal and family papers, organizational is a private club that maintains a library records that document a variety of areas, and serves as a meeting place for those and the Yale University Archives. It focuses interested in literature and the arts. It on the following fields within the US: was founded in 1911 by Alexander Smith social commentary, diplomatic history, Cochran (Yale 1896) and is located legal history, health policy, environmental near the center of campus in an early policy, architecture history, and the history 19th-century house that was part of the and culture of lesbians, gays, bisexuals, and founder’s original gift. The core of the transgenders. In addition, the department library, including many original editions works closely with the Yale University of plays and poems published during the Library area curators to collect materials reign of Queen Elizabeth, was also part that are international in focus. This tour of Cochran’s gift. The tour will include will show a selection of materials including highlights from the Elizabethan Club’s historic and contemporary items used in impressive collection. teaching at Yale.

Music Library Special Collections Map Department 130 Wall Street (inside Sterling 130 Wall Street; meet near the circulation Memorial Library); meet at circulation desk desk (the “altar” in the Nave). Look for the inside Music Library; the entrance to Music sign for this group as other tours are meeting Library is just after the end of the exhibition in the same area. The Map Department corridor. The Irving S. Gilmore Music houses one of the largest university map Library possesses a remarkable array of collections in the country. All types of special collections, including approximately maps are represented, covering the world 4,000 linear feet of archival materials, 500 from the 15th century to the present. individual music manuscripts, 45,000 pieces The historical collection includes many of sheet music, and 50,000 photographs. landmarks in the history of cartography In addition to a large number of rare and is especially strong in early (pre-1850) books and scores printed before 1850, the maps of the United States. This tour will 11 CBAA 2013 showcase historic maps and contemporary Additional free tour options GIS (geographic information system) Do not require pre-registration. programming. Yale Campus Tour led by a student docent Babylonian Collection Meet at Visitor’s Center, 149 Elm Street 130 Wall Street; meet near the circulation Monday–Friday: 10:30am & 2pm desk (the “altar” in the Nave). Look for the Saturday–Sunday: 1:30pm sign for this group as other tours are meeting in the same area. The Babylonian Collection Self-guided tours: Free maps houses the largest assemblage of cuneiform highlighting the Architecture of Yale, Public inscriptions in the United States and is one Art at Yale, Sustainability at Yale, and of the five largest in the world. In addition Women at Yale are available at the Yale to clay tablets in all sizes and shapes, there Visitor Center or online. are also a number of inscribed monuments on stone and other materials of artistic Architecture at yale interest, including a large collection of www.yale.edu/architectureofyale stamp and cylinder seals. In addition, the collection maintains a complete library Public Art at yale in the fields of Assyriology (the study of www.yale.edu/publicart ancient Mesopotamia), Hittitology (ancient Anatolia, roughly equivalent to modern Sustainability AT YALE Turkey), and Near Eastern archaeology. www.yale.edu/sustainabilitytour

Franklin Papers Women AT YALE 130 Wall Street; meet near the circulation www.yale.edu/womenatyale desk (the “altar” in the Nave). Look for the sign for this group as other tours are meeting Yale Campus MP3 Tour in the same area. The Franklin Collection is www.yale.edu/visitor/mp3tour.html the most extensive collection of materials by, about, and around Benjamin Franklin Sterling Memorial Library (in your and his times to be found in a single registration packet). Please see Bookish collection anywhere in the world. It was Attractions New Haven (page 15 this guide) assembled during the first decades of the for special Yale exhibitions and museums 20th century by William Smith Mason (free and open to the public). (Yale 1888, Sheffield Scientific School). Yale acquired the entire collection in 1935. The rare books and pamphlets include many of Franklin’s own imprints and a few books from his personal library. The collection also contains substantial manuscript and ▲ ▲ ▲ pictorial holdings as well. c c 12 CBAA 2013 Eats AMERICAN Temple Grill Green Well Typical bar & grill appetizers, organic tea & coffee, vegetarian & 116 Crown* sandwiches, and entrees vegan options cocktails, small and large plates 152 Temple Street 44 Crown Street 116 Crown Street 203.773.1111 203.773.0590 203.777.3116 wwwtemplegrill.com www.greenwellnewhaven.com www.116crown.com CHINESE Willoughby’s Coffee & Tea* Cask Republic* local coffee roasters, baked goods “An American Tavern,” space to Great Wall 194 York Street accommodate larger groups Szechuan, Hong Kong style dim sum, 203.789.8400 179 Crown Street hot pot; good for groups www.willoughbyscoffee.com 475.238.8335 67 Whitney Ave www.thecaskrepublic.com 203.777.8886 Woodland Coffee & Tea* www.greatwallnewhaven.com breakfast offerings, sandwiches Heirloom* 1044 Chapel Street* weekday brunch/lunch, seasonal Ivy Noodle* 97 Orange Street dinners, bar snacks, & drinks noodles, soups, dumplings, rice 203.773.1144 / 203.773.1343 1157 Chapel Street dishes www.woodlandcoffee.com 203.503.3900 316 Elm Street www.studyhotels.com/heirloom / 203.562.9933 DESSERT Louis’ Lunch* Royal Palace Chinese Restaurant Ashley’s Ice Cream * Est.1895: purportedly the first U.S. Sichuan, traditional Chinese dishes Est.1979, local ice cream shop restaurant to serve hamburgers; 32 Orange Street 280 York Street cash only 203.776.6663 203.776.7744 261-263 Crown Street www.ctmenusonline.com/rp.htm 203.562.5507 www.louislunch.com Chocopologie* COFFEE/TEA gourmet chocolate shop Prime 16 47 High Street Atticus Bookstore/Café* tap house and burgers 203.650.2738 salads, soups, sandwiches, & baked 172 Temple Street goods 203.782.1616 Libby’s Italian Pastry Shop 1082 Chapel Street www.prime16.com Italian cookies, biscotti, etc. 203.776.4040 139 Wooster Street www.atticusbookstorecafe.com Rudy’s Bar & Grill* 203.772.0380 burgers, frites, & good beer variety www.libbyscookies.com Blue State Coffee* 1227 Chapel St fair-trade coffee, baked goods, 203 865 1242 INDIAN limited short-order menu www.rudysnewhaven.com 276 York Street Tandoor Indian Restaurant* 203.787.9929 Shake Shack* Indian lunch buffet in a diner www.bluestatecoffee.com burgers and shakes 1226 Chapel Street 986 Chapel Street 203.776.6620 Book Trader Café* 203.747.8483 www.tandoornewhaven.com salads, soups, baked goods; some www.shakeshack.com vegetarian & vegan options *10 minutes' walking distance 1140 Chapel Street (or less!) from Loria Center 203.787.6147 13 CBAA 2013

Thali LATIN PIZZA mix of Indian regional cuisines 4 Orange Street Geronimo Tequila Bar & SW Grill* New Haven is famous for its pizza. en.wikipedia.org/wiki/New_Haven-style_pizza 203.777.1177 upscale Tex-Mex 271 Crown Street www.thali.com BAR* 203.777.7700 brick oven pizza & micro-brewed beer; www.geronimobarandgrill.com Thali Too* site of Saturday night social hour all-vegetarian Indian dishes, space to 254 Crown Street Oaxaca Kitchen accommodate larger groups 203.495.1111 upscale Mexican 65 Broadway www.barnightclub.com 203.776.1600 228 College Street 203.859.5774 www.thali.com/t21.html Kitchen Zinc* www.oaxacakitchen.com farm-to-table artisan pizzas Zaroka* 966 Chapel Street Pacifico Indian lunch buffet 203.772.3002 tapas, etc. 148 York Street www.kitchenzinc.com/kitchen-zinc 203.776.8644 220 College Street 203.772.4002 www. zaroka.com Frank Pepe Pizzeria www.pacificorestaurants.com est. 1925, New Haven-style “apizza” ITALIAN 157 Wooster Street Soul de Cuba* 203.865.5762 Skappo Italian Wine Bar Afro-Cuban fare www.pepespizzeria.com Umbrian regional cuisine 283 Crown Street 59 Crown Street 203.498.2822 Sally’s Apizza 203.773.1394 www.souldecuba.com est. 1938, New Haven-style “apizza” www.skappo.com 237 Wooster Street MALAYSIAN 203.624.5271 JAPANESE Bentara Miso Satay & other Malaysian specialties SOUP/SALAD/SANDWICH sushi, etc. 76 Orange Street Atticus Bookstore/Café* 15 Orange Street 203 562 2511 salads, soups, sandwiches, & baked 203.848.6472 www.bentara.com goods; famous for its local bread www.misorestaurant.com 1082 Chapel Street NOODLES 203.776.4040 Miya’s www.atticusbookstorecafe.com inventive, sustainably sourced sushi Basil 68 Howe Street pan-Asian, noodle soups Book Trader Café* 203.777.9760 142 Howe Street soups, sandwiches, baked goods; www.miyassushi.com 203 865 4000 some vegetarian and vegan options 1140 Chapel Street Sushi on Chapel * Ivy Noodle* 203.787.6147 lunch box specials noodles, soups, dumplings, rice 1022 Chapel Street #C 316 Elm Street Elm City Market 203.776.4200 203.562.9933 hot/cold bar, pre-packaged salads & www.sushionchapel.com York Street Noodle House sandwiches, grocery

noodles, soups, dumplings 777 Chapel Street 166 York Street 203.624.0441 *10 minutes' walking distance 203.776.9675 www.elmcitymarket.coop (or less!) from Loria Center www.yorkstnoodlehouse.com 14 CBAA 2013

Gourmet Heaven* QUICK/NEAR CAW FINE DINING hot/cold bar, deli counter, grocery QUICK lunch options on way to or near Creative Arts 15 Broadway* / 44 Whitney Avenue Barcelona Workshop, 80 Audubon Street 203.787.4533 Spanish tapas, full dinner menu www.gourmetheaven.com Au Bon Pain* 155 Temple Street salads, sandwiches, & baked goods 203.848.3000 THAI 1 Broadway www.barcelonawinebar.com 203.865.5554 Bangkok Gardens* www.aubonpain.com Caseus lunch specials fromagerie & bistro; reservation 172 York Street Bruegger’s Bagels recommended 203.789.8684 breakfast, sandwiches, soups 93 Whitney Avenue www.bkkgardenct.com 1 Whitney Avenue 203.6.CHEESE 203.773.3199 www.caseusnewhaven.com Thai Taste* www.brueggers.com lunch combos Ibiza Restaurant* 1151 Chapel Street Gourmet Heaven Spanish; reservation recommended 203.776.9802 hot/cold bar, deli counter, grocery 39 High Street www.thaitastenewhaven.com 44 Whitney Avenue 203.865.1933 (also at 15 Broadway*) www.ibizanewhaven.com VEGETARIAN 203.787.4533 www.gourmetheaven.com Union League Café* Claire’s Corner Copia* 1032 Chapel Street est.1975, vegsn, kosher, & gluten- Judie’s European Bakery Zagat-awarded, Parisian-style free offerings sandwiches, salads, baked goods brasserie 1000 Chapel Street 63 Grove Street 203.562.4299 203.562.3888 203.777.6300 www.unionleaguecafe.com www.clairescornercopia.com www.judies.net Zinc* Green Well Sababa modern bistro with “globally infused organic tea & coffee, vegan options falafel, pita, shawarma foods” 44 Crown Street 21 Whitney Avenue 964 Chapel Street 203.773.0590 203.776.7482 203.624.0507 www.greenwellnewhaven.com www.sababafalafel.com www.zincfood.com

Thali Too* Sitar all-vegetarian Indian cuisine, space to Indian buffet accommodate larger groups 45 Grove Street 65 Broadway 203.777.3234 203.776.1600 www.sitarnewhaven.com www.thali.com/t21.html

*10 minutes' walking distance (or less!) from Loria Center 15 CBAA 2013

Bookish Société Anonyme: Modernism for America The Société AttractionsNEW HAVEN Anonyme Collection at the Yale University Art Gallery is an exceptional anthology of European and American art in the early 20th century. Founded in New York in 1920 Special exhibitions at Yale. by Katherine S. Dreier, , and Color Bound: Book Artists Seek Inspiration From to promote contemporary art among American audiences, Société Anonyme, Inc., was an experimental museum Color Theory Drawn from the Faber Birren Collection of dedicated to the idea that the story of modern art should be Books on Color, this exhibition explores how the discipline told by artists. Société Anonyme: Modernism for America traces of color theory has influenced the makers of contemporary the transformation of this organization from an exhibition artists’ books and livre d’artiste. Book artists have explored initiative to an extraordinary art collection. It features works color theory in a rigorous, yet not specifically scientific, by over 100 artists who made significant contributions to manner. How has the work of important color theorists modernism, including Constantin Brancusi, , such as Johann Wolfgang von Goethe, M.E. Chevreul, and , and Joseph Stella, along with lesser-known Josef Albers been employed by book artists? How have artists, such as Marthe Donas, Louis Eilshemius, and more ephemeral, but equally important, color resources, Angelika Hoerle. Yale University Art Gallery, 1111 such as paint chip catalogs, inspired works of art in the Chapel Street. Thursday, Friday, Saturday 10am–5pm. book form? How has research into color preference and www.artgallery.yale.edu visual phenomena been interpreted by artists? Three major trends in this surprisingly fertile sub-category of book art The English Prize: The Capture of the“Westmorland,” will be discussed with extensive visual examples: 1) works an Episode of the Grand Tour This exhibition tells the that embrace systems of color, 2) works that reference color extraordinary story of the capture of the Westmorland, a nomenclature or identification, 3) works that are primarily British merchant ship laden with works of art acquired conceptual. Robert B. Haas Family Arts Library. Thursday & Friday 8:30am–5pm. Enter through the by young British travelers on the Grand Tour in Italy, and Yale Center Loria Center, 190 York Street. the subsequent disposition of its contents. for British Art, 1080 Chapel Street Thursday, Friday, Saturday 10am–5pm. www.britishart.yale.edu Latvian Publishing Between the Wars Theestablishment of the Republic of Latvia (1918-1940) sparked an expansion in the Latvian publishing industry. New Haven beyond Yale. Multi-lingual publications that flourished in the newly Artists’ Books Collection independent nation reflect Latvia’s history and include Hilton C. Buley Library works printed in German, Russian, and Yiddish as well as Southern Connecticut State University Latvian. Aspiring publishers, here as everywhere in post- 501 Crescent Street World War I Europe, operated within fiscal constraints New Haven while attempting to improve the literary environment. This Not walking distance from Yale; requires a car or public exhibition presents a sampling of works from this important transportation. period. The cover designs reflect a developing aesthetic Tina Re, Art Librarian distinctiveness among this country’s 2.5 million people at 203-392-5597 a cultural crossroads. The forms of print were as diverse as [email protected] those competing for the public’s attention in any European Visits by appointment only. center. Newspapers, periodicals, posters and broadsides, www.libguides.southernct.edu/contentphp?pid=56628 books and pamphlets suggest diversity while showing Sterling &sid=450202 this new nation’s effort to establish its identity. Memorial Library, 130 Wall Street.Thursday & Friday 8:30am–4:45pm; Saturday 11:00am–2:45pm. (more) 16 CBAA 2013

New Haven beyond Yale continued Bookish

Atticus Bookstore/Café AttractionsNEW YORK CITY Carefully selected new books & cafe. 1082 Chapel Street NYC is a Metro-North train ride away from New Haven. Of 203.776.4040 course, NYC is home to many independent, neighborhood Monday–Thursday: 7am–9pm bookstores. We did not include those to keep the list Friday–Saturday: 7am–10pm manageable. Sunday: 8am–9pm www.atticusbookstorecafe.com The Arm Letterpress Publicly accessible letterpress studio, teaching facility & Book Trader commercial print shop in Williamsburg; must take workshop Used books & cafe. or demonstrate proficiency in order to schedule a press. 1140 Chapel Street 281 North 7th Street, Brooklyn 203.787.6147 Wednesday: 6pm–10pm Monday–Friday: 7:30am–9pm Thursday–Friday: 12pm–10pm Saturday: 9am–9pm Saturday: 11am–8pm Sunday: 9am–7pm www.thearmnyc.com

Institute Library Booklyn Artists Alliance Membership library founded in 1826, Connecticut’s oldest Non-profit organization founded in 1999 in support of the independent circulating library. publication and exhibition of artists’ books. 847 Chapel Street 37 Greenpoint Avenue, 4th Floor, Brooklyn 203.562.4045 718.383.9621 Monday-Friday: 10am–6pm Visits by appointment only. Saturday: 11am–2pm www.booklyn.org www.institutelibrary.org Brooklyn Museum Libraries and Archives New Haven Free Public Library Book and archival collections, including artist’s books; A restored and expanded 1911 Neo-Georgian building, open to the public. including Public Works Administration-era murals and 200 Eastern Parkway, Brooklyn stained glass windows designed by David Wilson. 718.501.6307 133 Elm Street Wednesday–Friday: 11am–4:30pm 203.946.8130 First Saturday of the Month: 1–4pm Monday: 12pm–8pm www.brooklynmuseum.org/opencollection/archives Tuesday: 10am–8pm Wednesday–Thursday: 10am–8pm The Center for Book Arts Friday–Saturday: 10am–5pm Non-profit organization founded in 1974 in support of book www.cityofnewhaven.com/library arts through exhibitions and classes; includes fully equipped bindery and letterpress print shop in addition to gallery space. 28 West 27th Street, btwn 6th & Broadway, 3rd Floor 212.481.0295 Monday–Friday: 10am–6pm Saturday: 10am–4pm ▲ ▲ ▲ www.centerforbookarts.org c c (more) 17 CBAA 2013

The Grolier Club New York Public Library Established in 1884, private club whose members are devoted Main branch of the NYPL system; flagship research library to books and the graphic arts; library open to non-members with significant historical collections housed in a Beaux- by appointment only; exhibitions open to the public and free Arts architectural landmark. admission. Stephen A. Schwarzman Building 47 East 60th Street Fifth Avenue and 42nd Street 212.838.6690 917.275.6975 Monday–Saturday: 10am–5pm Monday: 10am-6pm www.grolierclub.org Tuesday–Wednesday:10am–8pm Thursday–Saturday: 10am–6pm MoMA Library Sunday: 1pm–5pm Open by appointment to researchers; selections from the www.nypl.org library and archives are often exhibited on the Mezzanine; Free one-hour tours of the Stephen A. Schwarzman part of the MoMA Museum complex. Building begin at 11am and 2pm on Mondays to Saturdays The Lewis B. & Dorothy Cullman Education & and 2pm on Sundays. Tours meet at the reception desk Research Building in Astor Hall. Free docent-led tours of current exhibitions 4 West 54th Street in the Gottesman Exhibition Hall are given Monday 212-708-9433 through Saturday at 12:30pm and 2:30pm and on Sunday Wednesday–Friday: 11am–5pm at 3:30pm. Exhibition tours meet outside the entrance to www.moma.org/learn/resources/library Gottesman Hall.

The Morgan Library & Museum Printed Matter, Inc. Former private library of Pierpont Morgan (1837–1913); Non-profit organization dedicated to artists’ publications; renowned collection of rare books, manuscripts, prints, and retail and exhibition space. drawings. 195 10th Avenue 225 Madison Avenue at 36th Street 212.925.0325 212.685.0008 Monday–Wednesday: 11 am–7pm Tuesday–Thursday: 10:30–5pm Thursday–Friday: 11am–8pm Friday: 10:30am–9pm Saturday: 11am–7pm Saturday: 10am–6pm www.printedmatter.org Sunday: 11am–6pm www.themorgan.org $15 regular admission. Admission is not required to visit the Morgan Shop, Morgan Dining Room, and Morgan Café. Admission is free on Fridays from 7pm–9pm. Admission to the McKim rooms is without charge during the following times: Tuesday, 3pm-5pm; Friday, 7 pm–9pm; Sunday, 4pm–6pm.

New York Central Art Supply Wide selection of artists’ materials, including a “world- famous” selection of paper. 62 Third Avenue 212.473.7705 Monday-Saturday: 8:30am–6:15pm www.nycentralart.com ▲ ▲ ▲ c c