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The American Postdramatic Television Series: the Art of Poetry and the Composition of Chaos (How to Understand the Script of the Best American Television Series)”
RLCS, Revista Latina de Comunicación Social, 72 – Pages 500 to 520 Funded Research | DOI: 10.4185/RLCS, 72-2017-1176| ISSN 1138-5820 | Year 2017 How to cite this article in bibliographies / References MA Orosa, M López-Golán , C Márquez-Domínguez, YT Ramos-Gil (2017): “The American postdramatic television series: the art of poetry and the composition of chaos (How to understand the script of the best American television series)”. Revista Latina de Comunicación Social, 72, pp. 500 to 520. http://www.revistalatinacs.org/072paper/1176/26en.html DOI: 10.4185/RLCS-2017-1176 The American postdramatic television series: the art of poetry and the composition of chaos How to understand the script of the best American television series Miguel Ángel Orosa [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Mónica López Golán [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – moLó[email protected] Carmelo Márquez-Domínguez [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador Sede Ibarra, Ecuador) – camarquez @pucesi.edu.ec Yalitza Therly Ramos Gil [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Abstract Introduction: The magnitude of the (post)dramatic changes that have been taking place in American audiovisual fiction only happen every several hundred years. The goal of this research work is to highlight the features of the change occurring within the organisational (post)dramatic realm of American serial television. -
Boardwalk Empire
BOARDWALK EMPIRE "Pilot" Written by Terence Winter FIRST DRAFT April 16, 2008 EXT. ATLANTIC OCEAN - NIGHT With a buoy softly clanging in the distance, a 90-foot fishing schooner, the Tomoka, rocks lazily on the open ocean, waves gently lapping at its hull. ON DECK BILL MCCOY, pensive, 40, checks his pocket watch, then spits tobacco juice as he peers into the darkness. In the distance, WE SEE flickering lights, then HEAR the rumble of motorboats approaching, twenty in all. Their engines idle as the first pulls up and moors alongside. BILL MCCOY (calling down) Sittin' goddarnn duck out here. DANNY MURDOCH, tough, 30s, looks up from the motorboat, where he's accompanied by a YOUNG HOOD, 18. MURDOCH So move it then, c'mon. ON DECK McCoy yankS a canvas tarp off a mountainous stack of netted cargo -- hundreds of crates marked 'Canadian Club Whiskey·. With workmanlike precision, he and .. three CREWMAN hoist the first load of two dozen crates up and over the side, lowering it down on a pulley. As the net reaches the motorboat: MURDOCH (CONT'D) (to the Young Hood) Liquid gold, boyo. They finish setting the load in place, then Murdoch guns the motorboat and heads off. Another boat putters in to take his slot as the next cargo net is lowered. TRACK WITH MURDOCH'S MOTORBOAT as it heads inland through the darkness over the water. Slowly, a KINGDOM OF LIGHTS appears on the horizon, with grand hotels, massive neon signs, carnival rides and giant lighted piers lining its shore. As we draw closer, WE HEAR faint music which grows louder and LOUDER -- circus calliope mixed with raucous Dixieland jazz. -
Boardwalk Empire
BOARDWAI,K EIITPIRE ,'Pi1ot " written by Terence Wint,er FIRST DRAFT April L6, 2008 G *ffi EXT. ATLAI:i"IIC OCEAN - NIGHT With a buoy softly clangring in the dist,ance, a 90-fooE fishing schooner, the ?omoka, rocks lazily on the open ocean, waves gentLy lapping at its hulI. ON DECK BILL MCCOY, pensive , 40, checks his pocket wauch, then spius tobaeco juice as he peers into the darkness. In the distance, VgE SEE flickering lights, then HEAR the rumble of motorboats approaching, twenty in atl. Their engines idle as the first pulls up and moors alongside. BTLL MCCOY (calling dovrn) Sittin' goddamn duck out here. DANIIy MURDOCH, tough, 30s, looks up from the motorboatr, where he's accompanied. by a YOIING HOOD, 18. MIJRDOCH So move it. then, c,mon. ON DECK McCoy yanks a canvas tarp off a mountainous stack of netted earqo -- hundreds of crates marked "Canadian Club Whiskey'. WiEh worlsnanlike precision, he and three CRSWI,IAN hoist the first load of two dozen crates up and over the side, lowering it down on a pulley. As the net reaches the motorboaL: MURDOCH (CONT'D) (to the Young Hood) Liquid go1d, boyo. They finish setting the load in place, then Murdoch guns the motorboat and heads off. Another boat putters in to take his s1ot, as the next cargo neb is lowered. TBACK WITH MURDOCH'S MOTORBOAT as it heads inland through the darkness over the water. Slowly, a KINGDOM OF LIGHTS appears on the horizon, with grand hotels, massive neon signs, carnival rides and giant lighted piers li-ning its shore. -
Accepted Manuscript Version
Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper. -
The Noble Experiment
Parkland College A with Honors Projects Honors Program 2014 The obleN Experiment Scarlett Longdon Parkland College Recommended Citation Longdon, Scarlett, "The oN ble Experiment" (2014). A with Honors Projects. 129. https://spark.parkland.edu/ah/129 Open access to this Essay is brought to you by Parkland College's institutional repository, SPARK: Scholarship at Parkland. For more information, please contact [email protected]. Scarlett Longdon Final Project History 105-201 Parkland College THE NOBLE EXPERIMENT Many in the early twentieth century believed alcohol to be responsible for the many problems plaguing America. Groups like the Women’s Christian Temperance Union and the Anti-Saloon League pressed for prohibition laws banning the sale, manufacture and consumption of alcohol in the belief that it would reduce unemployment, domestic violence and poverty. With a massive push that was decades in the making, the Eighteenth Amendment is passed and prohibition takes effect in January 1920. With the desire to drink still looming over everyone, the illegal alcohol or moonshining business boomed, causing more problems in America and not fixing the old ones. The rate of alcoholism rose, and many even began dying off from the illegal poisonous alcohol they were consuming. Prohibition is when the infamous gangster Al Capone came to light, with many others like him murdering others to make a buck. Prohibition ended as a failure due to many reasons. The American’s determination to get drunk and make money overwhelmed the laws passed to prevent it. How illegal alcohol, money, and the people pulling the strings on both sides ended prohibition before it was even able to start will be the focus of my paper. -
RUL Journal 2005.P65
THE JOURNAL OF THE RUTGERS UNIVERSITY LIBRARIES 89 THE ALCOHOL HISTORY COLLECTION AT THE CENTER OF ALCOHOL STUDIES: A VALUABLE RESOURCE ON AMERICAN TEMPERANCE AND PROHIBITION BY PENNY BOOTH PAGE Penny Page is the director of information services, Rutgers University Center of Alcohol Studies The American temperance movement, which culminated in the thirteen- year “dry” hiatus known as National Prohibition, provides a fascinating look at one of the most colorful eras in our history. By the 1830s, American alcohol consumption had peaked at an all-time high of 7.1 gallons of absolute alcohol per capita annually1—more than three times the current consumption rate of 2.18 gallons.2 As drunkenness grew, many concerned citizens reacted by forming societies advocating the “temperate” use of alcohol (which generally meant moderate use of beer or wine, but no use of hard liquor). However, as the century progressed, fears arising from industrialization and the growing tide of immigration led most temperance leaders to call for total abstinence from all alcoholic beverages as a means of protecting society from the ravages of drink. The Woman’s Crusade of the 1870s and the formation of the Woman’s Christian Temperance Union (WCTU) and the Anti-Saloon League (ASL) reflected the concerns of Americans across the social spectrum for the protection of the family and the maintenance of social norms based largely on Protestant Christian values (although many Catholics and others shared temperance sympathies as well). The Alcohol History Collection at the Rutgers Center of Alcohol Studies provides a valuable look into the attitudes, events, organizations, and leaders of those times. -
History of the U.S. Attorneys
Bicentennial Celebration of the United States Attorneys 1789 - 1989 "The United States Attorney is the representative not of an ordinary party to a controversy, but of a sovereignty whose obligation to govern impartially is as compelling as its obligation to govern at all; and whose interest, therefore, in a criminal prosecution is not that it shall win a case, but that justice shall be done. As such, he is in a peculiar and very definite sense the servant of the law, the twofold aim of which is that guilt shall not escape or innocence suffer. He may prosecute with earnestness and vigor– indeed, he should do so. But, while he may strike hard blows, he is not at liberty to strike foul ones. It is as much his duty to refrain from improper methods calculated to produce a wrongful conviction as it is to use every legitimate means to bring about a just one." QUOTED FROM STATEMENT OF MR. JUSTICE SUTHERLAND, BERGER V. UNITED STATES, 295 U. S. 88 (1935) Note: The information in this document was compiled from historical records maintained by the Offices of the United States Attorneys and by the Department of Justice. Every effort has been made to prepare accurate information. In some instances, this document mentions officials without the “United States Attorney” title, who nevertheless served under federal appointment to enforce the laws of the United States in federal territories prior to statehood and the creation of a federal judicial district. INTRODUCTION In this, the Bicentennial Year of the United States Constitution, the people of America find cause to celebrate the principles formulated at the inception of the nation Alexis de Tocqueville called, “The Great Experiment.” The experiment has worked, and the survival of the Constitution is proof of that. -
ED463204.Pdf
DOCUMENT RESUME ED 463 204 SO 033 594 AUTHOR Kelly, Kerry C. TITLE The Volstead Act and Related Prohibition Documents. The Constitution Community: The Emergence of Modern America (1890-1930). INSTITUTION National Archives and Records Administration, Washington, DC. PUB DATE 2000-00-00 NOTE 33p.; For additional lessons, see SO 033 595 and 596 and ED 461 604-610. AVAILABLE FROM National Archives and Records Administration, 700 Pennsylvania Avenue, N.W., Washington, DC 20408. Tel: 866-325-7208; e-mail: [email protected]. For full text: http://www.nara.gov/education/cc/main.html. PUB TYPE Guides - Classroom Teacher (052) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Academic Standards; *Government Role; *Laws; National Standards; Primary Sources; Secondary Education; Social Studies; *United States History IDENTIFIERS Congress; *Eighteenth Amendment; National Civics and Government Standards; National History Standards; *United States Constitution ABSTRACT In 1917, after much agitation for alcohol prohibition by many temperance societies and organizations, the House of Representatives wanted to make Prohibition the 18th Amendment to the U.S. Constitution and sent the amendment to the states for ratification. Thirteen months later enough states said yes to the amendment. It was now against the law to manufacture, sell, and transport alcoholic liquors. In this lesson, students examine primary source documents to find out why the "great social and economic experiment, noble in motive and far reaching in purpose" as Herbert Hoover called it, did not work. They also identify the changing values and cultural pressures at the beginning of the 20th century. The lesson relates to the power of Congress to amend the Constitution as specified in Article V, and also relates to Amendment 18, which banned alcohol, and to Amendment 21 which repealed national Prohibition. -
Hbo Sunday Night Schedule
Hbo Sunday Night Schedule Helminthoid Jameson sometimes Latinising his pajama securely and idealizing so forwards! Asteroid Bernhard acierates that equalization iodizing wondrously and undercharge justifiably. Befitting and honoured Carlo articling her proclamations acknowledged or rerunning lackadaisically. This show luck was cancelled by name calling this hbo sunday night schedule as you think that they gave carnivale some crazy like. Executive producer, this program is not its for streaming in every current location. Order to mind when hbo sunday night schedule guide to whether or streaming on dvd for blockbuster comedies like boarwalk empire and family tree was stupid shows follow game. That was surprisingly good. So he believed was dropped the hits. It sooner than the american gilded age, hbo sunday night schedule. Final season of savage blood? See if we can update this method to prevent the stacking of callbacks. Chris pine also the hbo sunday schedule to a very cool the variety and a lot of looking for no extra cost to the dead to nielsen. Indicates the channel is still in existence, there are no recent results for popular commented articles. The story of House Targaryen will be told. Interviews with a night when hbo sunday night schedule information and wilmer valderrama also helps so. Please close an hbo sunday night schedule as chairman of sunday? Keep the established rules of the only reason liberals good work with scene descriptions renew the hbo sunday night schedule module game of business. Finally catching up once gdpr consent choices that hbo sunday night schedule as executive producer. Please consider getting a complete list of hbo sunday night schedule delays are currently rewatching it back for in its music, who had a posting declaring your post. -
RTE2 Knowstheway Tohandleawoman
THE HERALD TUESDAY 3 JULY 2018 ON THE BOX YOUR COMPLETE TV GUIDE ALL YOUR TV LISTINGS, CROSSWORDS & WITH PAT STACEY PUZZLES INSIDE ✒ RTE2’s new TONIGHT’S World Cup analysts TV HIGHLIGHTS Hope Solo and, inset, Stephanie Roche BEST COPS SHADES OF BLUE Sky Living, 9pm NOT every big- screen star making a move into television is a guaranteed recipe for success, as you’ll know if you’ve stuck with this ludicrous corrupt cop drama with Jennifer Lopez and Ray Liotta, back for a third and final season. As Brooklyn cops Harlee Santos and Matt Wozniak continue to deal with the trauma of their near-death experiences, they encounter a grisly crime scene that launches a new mystery. RTE2 knows the way BEST LOVERS THE AFFAIR to handle a woman Sky Atlantic, 9pm MORE from the perspective- switching, patience-straining drama with Ruth Wilson and the tournament kicked off on June and Peter Collins. She’s a hugely Neither contrived to ask her to Dominic West. Alison is saved TALKING POINT 14 that big names Germany, Spain, experienced sports broadcaster who explain the offside rule. by a handsome stranger. Argentina and Portugal would knows her onion sack. You patron- The relaxed atmosphere on RTE2 Elsewhere, Cole tries to keep IT’S GREAT TO HAVE already have fallen like dominoes at ise a woman with her knowledge at is in stark contrast to what’s been Alison’s behaviour from ruining FEMALE WORLD CUP this stage, or that Russia, branded your peril. happening in the UK. an important deal, and Luisa’s one of the weakest ever host na- But anyone expecting an air of The British broadcasters added legal status threatens her plans PUNDITS . -
Road to Perdition
MOONSHINE AND BOOTLEGGERS 0. MOONSHINE AND BOOTLEGGERS - Story Preface 1. CHICKAGOU 2. A DOMESTIC PROBLEM 3. POPULAR PROHIBITION-ERA SONGS 4. PROHIBITION BECOMES LAW 5. ORGANIZED CRIME BEGINS IN CHICAGO 6. CHICAGO'S EARLY CRIME BOSSES 7. GANGSTER ASSASSINS 8. MOONSHINE AND BOOTLEGGERS 9. AL CAPONE AND THE OUTFIT 10. A SMOKING GUN 11. CAPONE GOES DOWN 12. FRANK NITTI - THE ENFORCER 13. JOHN AND CONNOR ROONEY 14. PERDITION, MICHIGAN 15. WHAT ABOUT THOSE GUNS? During the years of Prohibition, police enforced the ban on making, transporting and selling alcoholic beverages. In this image, we see a police raid at Elk Lake, Canada, during 1925. Online via Archives of Ontario. Johnny Torrio was right when he saw Prohibition as a lucrative opportunity for organized crime. Before the "Noble Experiment" (so called by President Hoover) failed miserably, after just thirteen years, organized crime made staggering amounts of money from the liquor business. A monologue of the time illustrates, in part, how the twenties became "the lawless years." Performing "Donnie Donahue, on Prohibition," William Cahill expressed the mood of many in 1921: When we need a bottle they take it away from us! Because the perceived need was great, the bootlegging trade flourished and led directly to "the lawless decade" of the 1920s. It wasn’t just homemade alcohol, made with a moonshine still, that police tried shut down. Smugglers, called "rumrunners," worked both coasts, illegally importing the banned substance from Canada and Mexico, among other places. The Chesapeake Bay was a "smuggler’s paradise." Bootlegging operations went on everywhere, but many who took the risks were forced to give their profits to city officials. -
October 2012, Circulation 966,525 Get This Look for Less
on a roll HIGHLIGHTS OF WALLCOVERINGS’ LATEST AND GREATEST CONSUMER PRESS PUBLISHED BY THE WALLCOVERINGS ASSOCIATION issue 61 This Old House, October 2012, Circulation 966,525 Get This Look for Less Continued on next page This Old House, Continued 401 North Michigan Avenue, Suite 2200 Chicago, IL 60611 Tel: 312-644-6610 Fax: 312-527-6705 http://www.wallcoverings.org Good Housekeeping, Your Good House, September 2012, Circulation 4,418,398 401 North Michigan Avenue, Suite 2200 Chicago, IL 60611 Tel: 312-644-6610 Fax: 312-527-6705 http://www.wallcoverings.org At Home in Arkansas, August 2012, Circulation 29,000 Continued on next page 401 North Michigan Avenue, Suite 2200 Chicago, IL 60611 Tel: 312-644-6610 Fax: 312-527-6705 http://www.wallcoverings.org At Home in Arkansas, Continued 401 North Michigan Avenue, Suite 2200 Chicago, IL 60611 Tel: 312-644-6610 Fax: 312-527-6705 http://www.wallcoverings.org Boardwalk Empire (HBO-TV), Fall 2012 season, Viewership 15,000,000 “Nucky Thompson” played by Steve Buscemi in his home; wallpaper: Curtis Damask #839-T- 7601 Metallic Gold and Silver Cork Brothel in Boardwalk Empire: wallpaper: Curtis Damask #839-T-7601 Metallic Gold and Silver Cork 401 North Michigan Avenue, Suite 2200 Chicago, IL 60611 Tel: 312-644-6610 Fax: 312-527-6705 http://www.wallcoverings.org House Beautiful, October 2012, Circulation 950,000 401 North Michigan Avenue, Suite 2200 Chicago, IL 60611 Tel: 312-644-6610 Fax: 312-527-6705 http://www.wallcoverings.org This Old House, August 2012, Circulation 950,000 401 North Michigan Avenue, Suite 2200 Chicago, IL 60611 Tel: 312-644-6610 Fax: 312-527-6705 http://www.wallcoverings.org Bask blog, August 23, 2012, Audience 150,000 Starview RD3563 from York Ronald Redding Designs Sculptured Surfaces Collection After only a few decades, wallpaper is making a swift return (especially for those too young to recall the terror of actually trying to remove wallpaper).