DOCSLIB.ORG

Ethical Consensus and the Truth of Laughter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ethical Consensus and the Truth of Laughter Ethical Consensus and the Truth of Laughter Page | 1 SERIES: MORALITY AND THE MEANING OF LIFE Edited by: Professor Albert W. Musschenga (Amsterdam) Professor Paul J.M. van Tongeren (Nijmegen) Page | 2 Ethical Consensus and the Truth of Laughter The Structure of Moral Transformations Hub Zwart KOK PHAROS PUBLISHING HOUSE KAMPEN - THE NETHERLANDS 1996 Page | 3 This is the second edition of the book (revised version: July 2017) The editing of the first version of this book (1996) was subsidized by the Netherlands Organization for Scientific Research (NWO) © 1996, Kok Pharos Publishing House P.O. Box 5016, 8260 GA Kampen, the Netherlands ISBN 90 390 0412 9 / CIP ISSN 0928-2742 NUGI 631/619 Page | 4 Table of Contents Introduction: The Beginning of Moral Philosophy as a Philosophical Problem...................................................6 Chapter 1: Established Morality and Discontent .............................................................................................. 13 1. The current status of moral philosophy ................................................................................................... 13 2. The ethics of compartmentalisation and the waning of moral truth .......................................................... 16 3. The method of avoidance or the loss of problems .................................................................................... 31 4. The case of Socrates: a buffoon who had himself taken seriously ............................................................ 37 Chapter 2: Laughter as a State of Mind ........................................................................................................... 45 1. Despotic liberalism, rereading and gay laughter ...................................................................................... 45 2. Towards a philosophy of laugher: Bakhtin .............................................................................................. 46 3. Marx, or: judging grobianism ................................................................................................................. 59 4. Incipit parodia: Nietzsche ...................................................................................................................... 64 5. Judging Zarathustra ................................................................................................................................ 72 6. Sola experientia: Bataille ....................................................................................................................... 77 7. Uneasy laugher: Foucault ....................................................................................................................... 81 Chapter 3: Judging Socrates ............................................................................................................................ 87 1. Mocking Asclepius ................................................................................................................................ 87 2. The truth of laughter .............................................................................................................................. 92 3. The absurd couple and the ill-mannered questioner ............................................................................... 105 4. The problem of Socrates ....................................................................................................................... 110 5. Philosophies for sale ............................................................................................................................ 113 Chapter 4: Judging Luther ............................................................................................................................ 117 1. Preliminary remarks: the early sixteenth century as ἀγών ...................................................................... 117 2. Nietzsche’s judgement of Luther .......................................................................................................... 119 3. Luther “Lie-gends” .............................................................................................................................. 125 4. Luther as a contemporary of Rabelais ................................................................................................... 130 5. Rabelais and his world ......................................................................................................................... 131 6. The tower experience: the issue of locality............................................................................................ 133 7. The excremental grid............................................................................................................................ 142 8. Luther’s biography as a sequence of chronotopes .................................................................................. 149 9. Ambivalence ........................................................................................................................................ 152 10. Luther’s body of writing ..................................................................................................................... 153 11. Whether for the sake of their conscience or for the sake of their paunches ........................................... 156 12. The court jester’s privilege ................................................................................................................. 160 13. Interminable analysis or final judgement? ........................................................................................... 164 14. Elimination or resurgence: towards a gelastic philosophy of laughter? ................................................. 169 Chapter 5: The Transfiguration of the Moral Subject: a Rereading of When We Dead Awaken ....................... 176 1. Did Ibsen laugh? .................................................................................................................................. 176 2. Artistic calling ..................................................................................................................................... 180 3. Transfiguration .................................................................................................................................... 187 4. Beyond cynicism.................................................................................................................................. 192 5. Laughter as remedy .............................................................................................................................. 199 Literature ..................................................................................................................................................... 206 Page | 5 Introduction: The Beginning of Moral Philosophy as a Philosophical Problem One of moral philosophy’s most tenacious questions concerns its beginning. For instance, should it be located in the discovery, or in the justification of moral truths? As discovery precedes justification (chronologically speaking), it seems justifiable to argue that moral philosophy should begin with the discovery of moral truth, when an important moral insight reveals itself to us or forces itself upon us for the first time. Yet, one might object that the recognition of moral truth already presupposes a moral subject, someone who is susceptible to it, who already has some justified knowledge concerning duties, norms or values. In other words, moral experience is always responsive. In the absence of moral subjectivity, nothing would be of any value, and the world would be devoid of moral significance. Moreover, another question concerning the beginning of moral philosophy may also vex us. Should we start from established morality, that is, from the moral consensus which manages to maintain itself and is guiding contemporary moral life, or from experiences of uneasiness or discontent? Should established morality be contested and criticized, or rather consolidated, reinforced and legitimized by moral philosophy? I will point out that in contemporary moral discourse something like a consensus sapientium has emerged among moral philosophers, which basically consists of the idea that it is the goal of moral philosophy to strengthen and justify established morality, and to secure and immunize it against experiences of chronic discontent. The basic objective of this book, however, will consist in the effort to contest some of these established truths which are mistakenly considered beyond contestation. Instead of reconstructing and consolidating established morality – the “Aristotelian” option so to speak (in terms of ancient Greek morality) – I will opt for a “Socratic” approach, challenging what is mistakenly taken to be self-evident, exposing the established consensus to instances of obfuscated moral truth, which it seems unable to incorporate. The basic contention put forward in this book is that both the logical and the chronological beginning, of moral philosophy as well as of morality as such, is to be found in the subversive experience of laughter. It is in the experience of laughter that the vulnerability of established morality finds itself exposed, that moral truth reveals itself to us, and that moral subjectivity is in fact produced. I presume that this remarkable claim demands some preliminary elucidation before being elaborated more fully in the subsequent sections and chapters of this book. Moral
Load more

Recommended publications
  • Constructing and Consuming an Ideal in Japanese Popular Culture
    Running head: KAWAII BOYS AND IKEMEN GIRLS 1 Kawaii Boys and Ikemen Girls: Constructing and Consuming an Ideal in Japanese Popular Culture Grace Pilgrim University of Florida KAWAII BOYS AND IKEMEN GIRLS 2 Table of Contents Abstract………………………………………………………………………………………..3 Introduction……………………………………………………………………………………4 The Construction of Gender…………………………………………………………………...6 Explication of the Concept of Gender…………………………………………………6 Gender in Japan………………………………………………………………………..8 Feminist Movements………………………………………………………………….12 Creating Pop Culture Icons…………………………………………………………………...22 AKB48………………………………………………………………………………..24 K-pop………………………………………………………………………………….30 Johnny & Associates………………………………………………………………….39 Takarazuka Revue…………………………………………………………………….42 Kabuki………………………………………………………………………………...47 Creating the Ideal in Johnny’s and Takarazuka……………………………………………….52 How the Companies and Idols Market Themselves…………………………………...53 How Fans Both Consume and Contribute to This Model……………………………..65 The Ideal and What He Means for Gender Expression………………………………………..70 Conclusion……………………………………………………………………………………..77 References……………………………………………………………………………………..79 KAWAII BOYS AND IKEMEN GIRLS 3 Abstract This study explores the construction of a uniquely gendered Ideal by idols from Johnny & Associates and actors from the Takarazuka Revue, as well as how fans both consume and contribute to this model. Previous studies have often focused on the gender play by and fan activities of either Johnny & Associates talents or Takarazuka Revue actors, but never has any research
    [Show full text]
  • Image – Action – Space
    Image – Action – Space IMAGE – ACTION – SPACE SITUATING THE SCREEN IN VISUAL PRACTICE Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner (Eds.) This publication was made possible by the Image Knowledge Gestaltung. An Interdisciplinary Laboratory Cluster of Excellence at the Humboldt-Universität zu Berlin (EXC 1027/1) with financial support from the German Research Foundation as part of the Excellence Initiative. The editors like to thank Sarah Scheidmantel, Paul Schulmeister, Lisa Weber as well as Jacob Watson, Roisin Cronin and Stefan Ernsting (Translabor GbR) for their help in editing and proofreading the texts. This work is licensed under a Creative Commons Attribution-NonCommercial-No-Derivatives 4.0 License. For details go to https://creativecommons.org/licenses/by-nc-nd/4.0/. Copyrights for figures have been acknowledged according to best knowledge and ability. In case of legal claims please contact the editors. ISBN 978-3-11-046366-8 e-ISBN (PDF) 978-3-11-046497-9 e-ISBN (EPUB) 978-3-11-046377-4 Library of Congress Control Number: 2018956404 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche National bibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available on the internet at http://dnb.dnb.de. © 2018 Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner, published by Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com, https://www.doabooks.org and https://www.oapen.org. Cover illustration: Malte Euler Typesetting and design: Andreas Eberlein, aromaBerlin Printing and binding: Beltz Bad Langensalza GmbH, Bad Langensalza Printed in Germany www.degruyter.com Inhalt 7 Editorial 115 Nina Franz and Moritz Queisner Image – Action – Space.
    [Show full text]
  • No. 40. the System of Lunar Craters, Quadrant Ii Alice P
    NO. 40. THE SYSTEM OF LUNAR CRATERS, QUADRANT II by D. W. G. ARTHUR, ALICE P. AGNIERAY, RUTH A. HORVATH ,tl l C.A. WOOD AND C. R. CHAPMAN \_9 (_ /_) March 14, 1964 ABSTRACT The designation, diameter, position, central-peak information, and state of completeness arc listed for each discernible crater in the second lunar quadrant with a diameter exceeding 3.5 km. The catalog contains more than 2,000 items and is illustrated by a map in 11 sections. his Communication is the second part of The However, since we also have suppressed many Greek System of Lunar Craters, which is a catalog in letters used by these authorities, there was need for four parts of all craters recognizable with reasonable some care in the incorporation of new letters to certainty on photographs and having diameters avoid confusion. Accordingly, the Greek letters greater than 3.5 kilometers. Thus it is a continua- added by us are always different from those that tion of Comm. LPL No. 30 of September 1963. The have been suppressed. Observers who wish may use format is the same except for some minor changes the omitted symbols of Blagg and Miiller without to improve clarity and legibility. The information in fear of ambiguity. the text of Comm. LPL No. 30 therefore applies to The photographic coverage of the second quad- this Communication also. rant is by no means uniform in quality, and certain Some of the minor changes mentioned above phases are not well represented. Thus for small cra- have been introduced because of the particular ters in certain longitudes there are no good determi- nature of the second lunar quadrant, most of which nations of the diameters, and our values are little is covered by the dark areas Mare Imbrium and better than rough estimates.
    [Show full text]
  • Glossary Glossary
    Glossary Glossary Albedo A measure of an object’s reflectivity. A pure white reflecting surface has an albedo of 1.0 (100%). A pitch-black, nonreflecting surface has an albedo of 0.0. The Moon is a fairly dark object with a combined albedo of 0.07 (reflecting 7% of the sunlight that falls upon it). The albedo range of the lunar maria is between 0.05 and 0.08. The brighter highlands have an albedo range from 0.09 to 0.15. Anorthosite Rocks rich in the mineral feldspar, making up much of the Moon’s bright highland regions. Aperture The diameter of a telescope’s objective lens or primary mirror. Apogee The point in the Moon’s orbit where it is furthest from the Earth. At apogee, the Moon can reach a maximum distance of 406,700 km from the Earth. Apollo The manned lunar program of the United States. Between July 1969 and December 1972, six Apollo missions landed on the Moon, allowing a total of 12 astronauts to explore its surface. Asteroid A minor planet. A large solid body of rock in orbit around the Sun. Banded crater A crater that displays dusky linear tracts on its inner walls and/or floor. 250 Basalt A dark, fine-grained volcanic rock, low in silicon, with a low viscosity. Basaltic material fills many of the Moon’s major basins, especially on the near side. Glossary Basin A very large circular impact structure (usually comprising multiple concentric rings) that usually displays some degree of flooding with lava. The largest and most conspicuous lava- flooded basins on the Moon are found on the near side, and most are filled to their outer edges with mare basalts.
    [Show full text]
  • What Literature Knows: Forays Into Literary Knowledge Production
    Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism.
    [Show full text]
  • William Gibson
    William Gibson Neuromancer Dedication: for Deb who made it possible with love PART ONE. CHIBA CITY BLUES 1 The sky above the port was the color of television, tuned to a dead channel. "It's not like I'm using," Case heard someone say, as he shouldered his way through the crowd around the door of the Chat. "It's like my body's developed this massive drug defi- ciency." It was a Sprawl voice and a Sprawl joke. The Chatsubo was a bar for professional expatriates; you could drink there for a week and never hear two words in Japanese. Ratz was tending bar, his prosthetic arm jerking monoto- nously as he filled a tray of glasses with draft Kirin. He saw Case and smiled, his teeth a web work of East European steel and brown decay. Case found a place at the bar, between the unlikely tan on one of Lonny Zone's whores and the crisp naval uniform of a tall African whose cheekbones were ridged with precise rows of tribal scars. "Wage was in here early, with two Joe boys," Ratz said, shoving a draft across the bar with his good hand. "Maybe some business with you, Case?" Case shrugged. The girl to his right giggled and nudged him. The bartender's smile widened. His ugliness was the stuff of legend. In an age of affordable beauty, there was something heraldic about his lack of it. The antique arm whined as he reached for another mug. It was a Russian military prosthesis, a seven-function force-feedback manipulator, cased in grubby pink plastic.
    [Show full text]
  • University of Oklahoma Graduate College Performing Gender: Hell Hath No Fury Like a Woman Horned a Thesis Submitted to the Gradu
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE PERFORMING GENDER: HELL HATH NO FURY LIKE A WOMAN HORNED A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF ARTS By GLENN FLANSBURG Norman, Oklahoma 2021 PERFORMING GENDER: HELL HATH NO FURY LIKE A WOMAN HORNED A THESIS APPROVED FOR THE GAYLORD COLLEGE OF JOURNALISM AND MASS COMMUNICATION BY THE COMMITTEE CONSISTING OF Dr. Ralph Beliveau, Chair Dr. Meta Carstarphen Dr. Casey Gerber © Copyright by GLENN FLANSBURG 2021 All Rights Reserved. iv TABLE OF CONTENTS Abstract ........................................................................................................................................... vi Introduction .................................................................................................................................... 1 Heavy Metal Reigns…and Quickly Dies ....................................................................................... 1 Music as Discourse ...................................................................................................................... 2 The Hegemony of Heavy Metal .................................................................................................. 2 Theory ......................................................................................................................................... 3 Encoding/Decoding Theory ..................................................................................................... 3 Feminist Communication
    [Show full text]
  • DMAAC – February 1973
    LUNAR TOPOGRAPHIC ORTHOPHOTOMAP (LTO) AND LUNAR ORTHOPHOTMAP (LO) SERIES (Published by DMATC) Lunar Topographic Orthophotmaps and Lunar Orthophotomaps Scale: 1:250,000 Projection: Transverse Mercator Sheet Size: 25.5”x 26.5” The Lunar Topographic Orthophotmaps and Lunar Orthophotomaps Series are the first comprehensive and continuous mapping to be accomplished from Apollo Mission 15-17 mapping photographs. This series is also the first major effort to apply recent advances in orthophotography to lunar mapping. Presently developed maps of this series were designed to support initial lunar scientific investigations primarily employing results of Apollo Mission 15-17 data. Individual maps of this series cover 4 degrees of lunar latitude and 5 degrees of lunar longitude consisting of 1/16 of the area of a 1:1,000,000 scale Lunar Astronautical Chart (LAC) (Section 4.2.1). Their apha-numeric identification (example – LTO38B1) consists of the designator LTO for topographic orthophoto editions or LO for orthophoto editions followed by the LAC number in which they fall, followed by an A, B, C or D designator defining the pertinent LAC quadrant and a 1, 2, 3, or 4 designator defining the specific sub-quadrant actually covered. The following designation (250) identifies the sheets as being at 1:250,000 scale. The LTO editions display 100-meter contours, 50-meter supplemental contours and spot elevations in a red overprint to the base, which is lithographed in black and white. LO editions are identical except that all relief information is omitted and selenographic graticule is restricted to border ticks, presenting an umencumbered view of lunar features imaged by the photographic base.
    [Show full text]
  • Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
    Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes.
    [Show full text]
  • List of Targets for the Lunar II Observing Program (PDF File)
    Task or Task Description or Target Name Wood's Rükl Target LUNAR # 100 Atlas Catalog (chart) Create a sketch/map of the visible lunar surface: 1 Observe a Full Moon and sketch a large-scale (prominent features) L-1 map depicting the nearside; disk of visible surface should be drawn 2 at L-1 3 least 5-inches in diameter. Sketch itself should be created only by L-1 observing the Moon, but maps or guidebooks may be used when labeling sketched features. Label all maria, prominent craters, and major rays by the crater name they originated from. (Counts as 3 observations (OBSV): #1, #2 & #3) Observe these targets; provide brief descriptions: 4 Alpetragius 55 5 Arago 35 6 Arago Alpha & Arago Beta L-32 35 7 Aristarchus Plateau L-18 18 8 Baco L-55 74 9 Bailly L-37 71 10 Beer, Beer Catena & Feuillée 21 11 Bullialdus, Bullialdus A & Bullialdus B 53 12 Cassini, Cassini A & Cassini B 12 13 Cauchy, Cauchy Omega & Cauchy Tau L-48 36 14 Censorinus 47 15 Crüger 50 16 Dorsae Lister & Smirnov (A.K.A. Serpentine Ridge) L-33 24 17 Grimaldi Basin outer and inner rings L-36 39, etc. 18 Hainzel, Hainzel A & Hainzel C 63 19 Hercules, Hercules G, Hercules E 14 20 Hesiodus A L-81 54, 64 21 Hortensius dome field L-65 30 22 Julius Caesar 34 23 Kies 53 24 Kies Pi L-60 53 25 Lacus Mortis 14 26 Linne 23 27 Lamont L-53 35 28 Mairan 9 29 Mare Australe L-56 76 30 Mare Cognitum 42, etc.
    [Show full text]
  • Glossary of Lunar Terminology
    Glossary of Lunar Terminology albedo A measure of the reflectivity of the Moon's gabbro A coarse crystalline rock, often found in the visible surface. The Moon's albedo averages 0.07, which lunar highlands, containing plagioclase and pyroxene. means that its surface reflects, on average, 7% of the Anorthositic gabbros contain 65-78% calcium feldspar. light falling on it. gardening The process by which the Moon's surface is anorthosite A coarse-grained rock, largely composed of mixed with deeper layers, mainly as a result of meteor­ calcium feldspar, common on the Moon. itic bombardment. basalt A type of fine-grained volcanic rock containing ghost crater (ruined crater) The faint outline that remains the minerals pyroxene and plagioclase (calcium of a lunar crater that has been largely erased by some feldspar). Mare basalts are rich in iron and titanium, later action, usually lava flooding. while highland basalts are high in aluminum. glacis A gently sloping bank; an old term for the outer breccia A rock composed of a matrix oflarger, angular slope of a crater's walls. stony fragments and a finer, binding component. graben A sunken area between faults. caldera A type of volcanic crater formed primarily by a highlands The Moon's lighter-colored regions, which sinking of its floor rather than by the ejection of lava. are higher than their surroundings and thus not central peak A mountainous landform at or near the covered by dark lavas. Most highland features are the center of certain lunar craters, possibly formed by an rims or central peaks of impact sites.
    [Show full text]
  • Appendix I Lunar and Martian Nomenclature
    APPENDIX I LUNAR AND MARTIAN NOMENCLATURE LUNAR AND MARTIAN NOMENCLATURE A large number of names of craters and other features on the Moon and Mars, were accepted by the IAU General Assemblies X (Moscow, 1958), XI (Berkeley, 1961), XII (Hamburg, 1964), XIV (Brighton, 1970), and XV (Sydney, 1973). The names were suggested by the appropriate IAU Commissions (16 and 17). In particular the Lunar names accepted at the XIVth and XVth General Assemblies were recommended by the 'Working Group on Lunar Nomenclature' under the Chairmanship of Dr D. H. Menzel. The Martian names were suggested by the 'Working Group on Martian Nomenclature' under the Chairmanship of Dr G. de Vaucouleurs. At the XVth General Assembly a new 'Working Group on Planetary System Nomenclature' was formed (Chairman: Dr P. M. Millman) comprising various Task Groups, one for each particular subject. For further references see: [AU Trans. X, 259-263, 1960; XIB, 236-238, 1962; Xlffi, 203-204, 1966; xnffi, 99-105, 1968; XIVB, 63, 129, 139, 1971; Space Sci. Rev. 12, 136-186, 1971. Because at the recent General Assemblies some small changes, or corrections, were made, the complete list of Lunar and Martian Topographic Features is published here. Table 1 Lunar Craters Abbe 58S,174E Balboa 19N,83W Abbot 6N,55E Baldet 54S, 151W Abel 34S,85E Balmer 20S,70E Abul Wafa 2N,ll7E Banachiewicz 5N,80E Adams 32S,69E Banting 26N,16E Aitken 17S,173E Barbier 248, 158E AI-Biruni 18N,93E Barnard 30S,86E Alden 24S, lllE Barringer 29S,151W Aldrin I.4N,22.1E Bartels 24N,90W Alekhin 68S,131W Becquerei
    [Show full text]