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Indian Classical Dance Is a Relatively New Umbrella Term for Various Codified Art Forms Rooted in Natya, the Sacred Hindu Musica
CLASSICAL AND FOLK DANCES IN INDIAN CULTURE Palkalai Chemmal Dr ANANDA BALAYOGI BHAVANANI Chairman: Yoganjali Natyalayam, Pondicherry. INTRODUCTION: Dance in India comprises the varied styles of dances and as with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country. These dance forms emerged from Indian traditions, epics and mythology. Sangeet Natak Akademi, the national academy for performing arts, recognizes eight distinctive traditional dances as Indian classical dances, which might have origin in religious activities of distant past. These are: Bharatanatyam- Tamil Nadu Kathak- Uttar Pradesh Kathakali- Kerala Kuchipudi- Andhra Pradesh Manipuri-Manipur Mohiniyattam-Kerala Odissi-Odisha Sattriya-Assam Folk dances are numerous in number and style, and vary according to the local tradition of the respective state, ethnic or geographic regions. Contemporary dances include refined and experimental fusions of classical, folk and Western forms. Dancing traditions of India have influence not only over the dances in the whole of South Asia, but on the dancing forms of South East Asia as well. In modern times, the presentation of Indian dance styles in films (Bollywood dancing) has exposed the range of dance in India to a global audience. In ancient India, dance was usually a functional activity dedicated to worship, entertainment or leisure. Dancers usually performed in temples, on festive occasions and seasonal harvests. Dance was performed on a regular basis before deities as a form of worship. Even in modern India, deities are invoked through religious folk dance forms from ancient times. -
Askari Bank Limited List of Shareholders (W/Out Cnic) As of December 31, 2017
ASKARI BANK LIMITED LIST OF SHAREHOLDERS (W/OUT CNIC) AS OF DECEMBER 31, 2017 S. NO. FOLIO NO. NAME OF SHAREHOLDERS ADDRESSES OF THE SHAREHOLDERS NO. OF SHARES 1 9 MR. MOHAMMAD SAEED KHAN 65, SCHOOL ROAD, F-7/4, ISLAMABAD. 336 2 10 MR. SHAHID HAFIZ AZMI 17/1 6TH GIZRI LANE, DEFENCE HOUSING AUTHORITY, PHASE-4, KARACHI. 3280 3 15 MR. SALEEM MIAN 344/7, ROSHAN MANSION, THATHAI COMPOUND, M.A. JINNAH ROAD, KARACHI. 439 4 21 MS. HINA SHEHZAD C/O MUHAMMAD ASIF THE BUREWALA TEXTILE MILLS LTD 1ST FLOOR, DAWOOD CENTRE, M.T. KHAN ROAD, P.O. 10426, KARACHI. 470 5 42 MR. M. RAFIQUE B.R.1/27, 1ST FLOOR, JAFFRY CHOWK, KHARADHAR, KARACHI. 9382 6 49 MR. JAN MOHAMMED H.NO. M.B.6-1728/733, RASHIDABAD, BILDIA TOWN, MAHAJIR CAMP, KARACHI. 557 7 55 MR. RAFIQ UR REHMAN PSIB PRIVATE LIMITED, 17-B, PAK CHAMBERS, WEST WHARF ROAD, KARACHI. 305 8 57 MR. MUHAMMAD SHUAIB AKHUNZADA 262, SHAMI ROAD, PESHAWAR CANTT. 1919 9 64 MR. TAUHEED JAN ROOM NO.435, BLOCK-A, PAK SECRETARIAT, ISLAMABAD. 8530 10 66 MS. NAUREEN FAROOQ KHAN 90, MARGALA ROAD, F-8/2, ISLAMABAD. 5945 11 67 MR. ERSHAD AHMED JAN C/O BANK OF AMERICA, BLUE AREA, ISLAMABAD. 2878 12 68 MR. WASEEM AHMED HOUSE NO.485, STREET NO.17, CHAKLALA SCHEME-III, RAWALPINDI. 5945 13 71 MS. SHAMEEM QUAVI SIDDIQUI 112/1, 13TH STREET, PHASE-VI, DEFENCE HOUSING AUTHORITY, KARACHI-75500. 2695 14 74 MS. YAZDANI BEGUM HOUSE NO.A-75, BLOCK-13, GULSHAN-E-IQBAL, KARACHI. -
Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani -
VAT-Registrant-As-At-31St-August
TIN TAXPAYER NAME REGISTRATION 0070125412 ADILAXMI 10/Nov/00 0183020604 SUBARMANI 26/Apr/04 0505512103 06 INVESTMENT SERVICES AND CONSULTANCY 27/Mar/17 0501576608 14 TAUNOVO BAY, LLC PTE LIMITED 2/Feb/06 0505215206 180-16 SOUTH PTE LIMITED 14/Oct/14 0505801401 2 FRANGIPANIS PTE LTD 15/Mar/19 0501744403 21ST AGENCY PTE LIMITED 26/Jan/09 0501106902 231 WAIMANU RD HOLDINGS PTE LIMITED 1/Jan/99 2900090495 27 DEGREES CATERING MANAGEMENT PTE LTD . 10/Dec/19 0505273408 3 DIMENSION CONSULTANS (FIJI) PTE 9/Jan/15 0505784201 3 HUNGRY BEARS BAR & GRILL PTE LTD 24/Jan/19 0306211405 3 PIZ RESTAURANT 30/Sep/19 0306164608 3 SIXTY FASHIONS 7/Aug/17 2900081341 360 ENERGY PTE LIMITED . 20/Jan/20 0505587707 360 EVENTS (FIJI) PTE LTD 25/Oct/17 2900083334 360 SERVICES PTE LIMITED . 20/Jan/20 0505258005 3SA CARPETS PTE LIMITED 20/Sep/12 0300935105 4 U SPARES 20/Feb/09 0501412605 4 WHEEL DRIVE SALES PTE LIMITED 14/Feb/03 0501474203 44 MAGNUM PRODUCTIONS PTE LIMITED 5/May/04 0508490907 480 HOLDINGS PTE LIMITED 13/Jan/12 0501694407 4S SHOES PTE LIMITED 31/Dec/07 0505747006 5 GOLDEN CIRCLES PTE LTD 6/Sep/18 0750005403 5 M TRUST 29/Aug/05 2900112773 7 NAQURA FARM PTE LIMITED 11/Mar/20 0505861306 786 CIVIL CONTRACTORS PTE LTD 22/Oct/19 0505647809 786 HYPER MART PTE LTD 21/Nov/17 0505581804 78692 HALAAL SUPERMARKET PTE LTD 6/Oct/17 0501606206 88 BIG RESTAURANT PTE LIMITED 12/Jul/06 0505226808 88STEPS PTE LIMITED 24/Nov/14 0505321907 9 CHINA INTERNATIONAL TOURISM COMPANY 19/Jun/15 0505298409 9 CHINA GROUP COMPANY LIMITED 23/Mar/15 0505197706 99 BOUTIQUE IMPORT AND -
Godrej Consumer Products Limited
GODREJ CONSUMER PRODUCTS LIMITED List of shareholders in respect of whom dividend for the last seven consective years remains unpaid/unclaimed The Unclaimed Dividend amounts below for each shareholder is the sum of all Unclaimed Dividends for the period Nov 2009 to May 2016 of the respective shareholder. The equity shares held by each shareholder is as on Nov 11, 2016 Sr.No Folio Name of the Shareholder Address Number of Equity Total Dividend Amount shares due for remaining unclaimed (Rs.) transfer to IEPF 1 0024910 ROOP KISHORE SHAKERVA I R CONSTRUCTION CO LTD P O BOX # 3766 DAMMAM SAUDI ARABIA 180 6,120.00 2 0025470 JANAKIRAMA RAMAMURTHY KASSEMDARWISHFAKROO & SONS PO BOX 3898 DOHA QATAR 240 8,160.00 3 0025472 NARESH KUMAR MAHAJAN 176 HIGHLAND MEADOW CIRCLE COPPELL TEXAS U S A 240 8,160.00 4 0025645 KAPUR CHAND GUPTA C/O PT SOUTH PAC IFIC VISCOSE PB 11 PURWAKARTA WEST JAWA INDONESIA 360 12,240.00 5 0025925 JAGDISHCHANDRA SHUKLA C/O GEN ELECTRONICS & TDG CO PO BOX 4092 RUWI SULTANATE OF OMAN 240 8,160.00 6 0027324 HARISH KUMAR ARORA 24 STONEMOUNT TRAIL BRAMPTON ONTARIO CANADA L6R OR1 360 12,240.00 7 0028652 SANJAY VARNE SSB TOYOTA DIVI PO BOX 6168 RUWI AUDIT DEPT MUSCAT S OF OMAN 60 2,040.00 8 0028930 MOHAMMED HUSSAIN P A LEBANESE DAIRY COMPANY POST BOX NO 1079 AJMAN U A E 120 4,080.00 9 K006217 K C SAMUEL P O BOX 1956 AL JUBAIL 31951 KINGDOM OF SAUDI ARABIA 180 6,120.00 10 0001965 NIRMAL KUMAR JAIN DEP OF REVENUE [INCOMETAX] OFFICE OF THE TAX RECOVERY OFFICER 4 15/295A VAIBHAV 120 4,080.00 BHAWAN CIVIL LINES KANPUR 11 0005572 PRAVEEN -
Adavu’ Groups of Sangita Saramrta with the Present Practicing Tradition of Bharatanatyam ADITI NIGAM BATRA / 45
ISSN 2455-7250 Vol. XVII No. 1 January - March 2017 A Quarterly Journal of Indian Dance Cover Feature: Buddhist Dances of Bhutan A Quarterly Journal of Indian Dance Volume: XVII, No. 1 January-March 2017 Sahrdaya Arts Trust Hyderabad RNI No. APENG2001/04294 ISSN 2455-7250 Nartanam, founded by Kuchipudi Kala Kendra, Founders Mumbai, now owned and published by Sahrdaya G. M. Sarma Arts Trust, Hyderabad, is a quarterly which provides a forum for scholarly dialogue on a broad M. Nagabhushana Sarma range of topics concerning Indian dance. Its concerns are theoretical as well as performative. Chief Editor Textual studies, dance criticism, intellectual and Madhavi Puranam interpretative history of Indian dance traditions are its focus. It publishes performance reviews Patron and covers all major events in the field of dance in Edward R. Oakley India and notes and comments on dance studies and performances abroad. Chief Executive The opinions expressed in the articles and the Vikas Nagrare reviews are the writers’ own and do not reflect the opinions of the editorial committee. The editors and publishers of Nartanam do their best to Advisory Board verify the information published but do not take Anuradha Jonnalagadda (Scholar, Kuchipudi dancer) responsibility for the absolute accuracy of the Avinash Pasricha (Former Photo Editor, SPAN) information. C.V. Chandrasekhar (Bharatanatyam Guru, Padma Bhushan) Cover Photo: A Buddhist Monk, dancing Kedar Mishra (Poet, Scholar, Critic) Kiran Seth (Padma Shri; Founder, SPIC MACAY) Photo Courtesy: Literature of K. K. Gopalakrishnan (Critic, Scholar) Thimphu Tschechu by Bhutan Leela Venkataraman (Critic, Scholar, SNA Awardee) Communications Services, Mallika Kandali (Sattriya dancer, Scholar) [email protected] Pappu Venugopala Rao (Scholar, Former Associate D G, American Institute; Secretary, Music Academy) Photographers: Kezang Namgay, Reginald Massey (Poet, FRSA & Freeman of London) Leon Rabten, Lakey Dorji, Sunil Kothari (Scholar, Padma Shri & SNA Awardee) Lhendup Suresh K. -
Government of NCT of Delhi
th 5 Delhi International Arts Festival Indian Council For 31st Oct.-15th Nov. 2011 Cultural Relations Prasiddha Forum for Art Beyond Borders FOUNDATION Government of NCT of Delhi nwjn'kZu LkR;e~ f'koe~ lqUnje~ diaf.buzzintown.com “ARTS” is simultaneously one of the most exciting and least understood of terminologies in India. ‘The Arts” in India face unique challenges. From classical to contemporary dance, classical to fusion to contemporary music, classical to contemporary paintings, sculpture, photography, puppetry, the arts are in a transformational stage in India. Most of these art forms are ephemeral. Because they are linguistic and region–specific (classical dances of India for example), and often non-notated, they do not enjoy the same advantages of being written down, stored and transferred that literature and film enjoy. Classical Arts also has an undeserved reputation as being difficult to understand. Statistics informs Stake-holders that its audiences are small, despite the passion and loyalty of the artistes themselves. Indian arts media is facing challenges of its own with new writers struggling to understand or cover the “Arts” with any depth and sensitivity. Gone are traditional Sabha Organisers who nurtured the Art Forms with diligence and continuity. The new Organisers want a little bit of Bollywood in everything they touch. As also the new patrons of Culture –the Corporates. They want a lot of Bollywood and Cricket in anything they sponsor. What is dangerous is the eroding space- financial or otherwise of serious arts. Because of its media and money power, Bollywood is fast occupying the mindspace and emotional space of generations of Indians. -
DIRLIST6 01050000 01300000.Pdf
Signatory ID Name CIN Company Name 01050011 KALRA SUNITA U74899DL1967PTC004762 R K INTERNATIOONAL PRIVATE 01050016 GUPTA VIVEK U51109OR2006PTC009068 MAHAKASH RENEWABLES (INDIA) 01050022 BHANDARI PARAMBIR SINGH U51909DL1999PTC100363 AKILA OVERSEAS PRIVATE LIMITED 01050036 BHUPENDRA GUPTA U70100MH1995PTC086049 SUNDER BUILDERS AND 01050064 KIRITKUMAR MERCHANT SHISHIR U51900MH2000PTC127408 HANS D TO R SOLUTIONS PRIVATE 01050071 AGARWAL BINDU U45201WB1997PTC084989 PRINCE SAGAR KUTIR PRIVATE 01050072 BIJOY HARIPRIYA JAIN U70109MH2008PTC180213 SAAT RASTA PROPERTIES PRIVATE 01050072 BIJOY HARIPRIYA JAIN U01403MH2008PTC182992 GREEN VALLEY AGRICULTURE 01050082 JAI KARUNADEVI PRITHVIRAJ U36993KA1999PTC025485 RODEO DRIVE LUXURY PRODUCTS 01050126 DEEPCHAND JAIN PRITHVIRAJ U36993KA1999PTC025485 RODEO DRIVE LUXURY PRODUCTS 01050174 JOGINDER SANDHU SINGH U67120CH2004PTC027291 JAGUAR CONSULTANTS PRIVATE 01050220 NARAYANAMURTHY U15421TN2006PLC060417 BHIMAAS SUGARS AND CHEMICALS 01050224 JITENDRA MEHTA U51109TN2007PTC062423 MOOLRAJ VYAPAR PRIVATE 01050251 PRAKASH SRIVASTAVA U72300DL2007PTC160451 PRODIGII ECALL PRIVATE LIMITED 01050251 PRAKASH SRIVASTAVA U63040DL2008PTC180031 REACHING WILD LIFE TOURISM 01050257 LALITKUMAR MERCHANT URMIL U51900MH2000PTC127408 HANS D TO R SOLUTIONS PRIVATE 01050273 KUSUM MISHRA U29248UP1999PTC024344 MAXWELL GEARS PRIVATE LIMITED 01050286 DUGGAL PRINCE U70109DL2006PTC153384 M R BUILDWELL PRIVATE LIMITED 01050290 JAI MISHRA SHANKAR U29248UP1999PTC024344 MAXWELL GEARS PRIVATE LIMITED 01050309 JAIN MUKESH U00000DL1992PTC050812 -
Annual Report 2018-2019
Annual Report 2018-2019 1. MISSION STATEMENT National Council for Promotion of Urdu Language (NCPUL) started its academic and administrative operations during IX Plan w.e.f. 01.04.1996. NCPUL was declared a national Nodal Agency for promotion of Urdu in the country and recognized as an important autonomous organization of Ministry of Human Resource Development, Government of India devoted to promotion of Urdu language and mainstreaming of Urdu education. NCPUL has been given the role of networking of Urdu organizations throughout the country so as the policies of the Government could be implemented in all Urdu speaking areas of the country. For past few years NCPUL has emerged as an effective coordination mechanism for promotion of Urdu language and Urdu medium education in India. During the course of discharging its responsibilities, NCPUL has been assigned the additional responsibility of promotion of Arabic & Persian languages which have played an important role in the development of composite culture of India. The broad goals of the Council are as under:- 1) To promote, develop and propagate Urdu language. 2) To take action for making available in Urdu language, the knowledge of scientific and technological development as well as knowledge of ideas evolved in the modern context. 3) To advise the Government of India on issues connected with Urdu language and having bearing on education as may be referred to it. 4) To undertake any other activity for the promotion of Urdu language as may be deemed fit by the Council. 1 2. COMPOSITION: NCPUL has been registered as a Society under the Societies Registration Act 1860. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
CIN/BCIN Company/Bank Name Investor First Name Investor Middle
Note: This sheet is applicable for uploading the particulars related to the unclaimed and unpaid amount pending with company. Make sure that the details are in accordance with the information already provided in e-form IEPF-2 CIN/BCIN L67120DD1987PLC002395 Prefill Company/Bank Name PSL LIMITED Date Of AGM(DD-MON-YYYY) 28-sep-2017 Sum of unpaid and unclaimed dividend 1284096.00 Sum of interest on matured debentures 0.00 Sum of matured deposit 0.00 Sum of interest on matured deposit 0.00 Sum of matured debentures 0.00 Sum of interest on application money due for refund 0.00 Sum of application money due for refund 0.00 Redemption amount of preference shares 0.00 Sales proceed for fractional shares 0.00 Validate Clear Proposed Date of Investor First Investor Middle Investor Last Father/Husband Father/Husband Father/Husband Last DP Id-Client Id- Amount Address Country State District Pin Code Folio Number Investment Type transfer to IEPF Name Name Name First Name Middle Name Name Account Number transferred (DD-MON-YYYY) VIKAS MALHOTRA S C MALHOTRA 19 PUSA ROAD NEW DELHI INDIA DELHI NEW DELHI 110005 PPSL011511 Amount for unclaimed and unpaid dividend4000.00 04-APR-2018 PARBATBHAI PATEL BHAVANBHAI BRAHMANI KRUPA NEAR B O B RAIYAINDIA ROAD RAJKOT GUJARAT RAJKOT 360001 PPSL006160 Amount for unclaimed and unpaid dividend2800.00 04-APR-2018 RADHA KRISHAN GALGOTIA B D GALGOTIA C/O E D GALGOTIA SONS 17-B CONNAUGHTINDIA PLACE NEW DELHI DELHI NEW DELHI 110001 PPSL003461 Amount for unclaimed and unpaid dividend200.00 04-APR-2018 GUNJAN GALGOTIA RADHA KRISHAN -
Minutes of the Meeting of the Expert Committee Held on 14Th, 15Th,17Th and 18Th October, 2013 Under the Performing Arts Grants Scheme (PAGS)
No.F.10-01/2012-P.Arts (Pt.) Ministry of Culture P. Arts Section Minutes of the Meeting of the Expert Committee held on 14th, 15th,17th and 18th October, 2013 under the Performing Arts Grants Scheme (PAGS). The Expert Committee for the Performing Arts Grants Scheme (PAGS) met on 14th, 15th ,17thand 18th October, 2013 to consider renewal of salary grants to existing grantees and decide on the fresh applications received for salary and production grants under the Scheme, including review of certain past cases, as recommended in the earlier meeting. The meeting was chaired by Smt. Arvind Manjit Singh, Joint Secretary (Culture). A list of Expert members present in the meeting is annexed. 2. On the opening day of the meeting ie. 14th October, inaugurating the meeting, Sh. Sanjeev Mittal, Joint Secretary, introduced himself to the members of Expert Committee and while welcoming the members of the committee informed that the Ministry was putting its best efforts to promote, develop and protect culture of the country. As regards the Performing Arts Grants Scheme(earlier known as the Scheme of Financial Assistance to Professional Groups and Individuals Engaged for Specified Performing Arts Projects; Salary & Production Grants), it was apprised that despite severe financial constraints invoked by the Deptt. Of Expenditure the Ministry had ensured a provision of Rs.48 crores for the Repertory/Production Grants during the current financial year which was in fact higher than the last year’s budgetary provision. 3. Smt. Meena Balimane Sharma, Director, in her capacity as the Member-Secretary of the Expert Committee, thereafter, briefed the members about the salient features of various provisions of the relevant Scheme under which the proposals in question were required to be examined by them before giving their recommendations.