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Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|
stream_name category_name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---------- TNT-SAT ---------- |EU| FRANCE TNTSAT TF1 SD |EU| FRANCE TNTSAT TF1 HD |EU| FRANCE TNTSAT TF1 FULL HD |EU| FRANCE TNTSAT TF1 FULL HD 1 |EU| FRANCE TNTSAT FRANCE 2 SD |EU| FRANCE TNTSAT FRANCE 2 HD |EU| FRANCE TNTSAT FRANCE 2 FULL HD |EU| FRANCE TNTSAT FRANCE 3 SD |EU| FRANCE TNTSAT FRANCE 3 HD |EU| FRANCE TNTSAT FRANCE 3 FULL HD |EU| FRANCE TNTSAT FRANCE 4 SD |EU| FRANCE TNTSAT FRANCE 4 HD |EU| FRANCE TNTSAT FRANCE 4 FULL HD |EU| FRANCE TNTSAT FRANCE 5 SD |EU| FRANCE TNTSAT FRANCE 5 HD |EU| FRANCE TNTSAT FRANCE 5 FULL HD |EU| FRANCE TNTSAT FRANCE O SD |EU| FRANCE TNTSAT FRANCE O HD |EU| FRANCE TNTSAT FRANCE O FULL HD |EU| FRANCE TNTSAT M6 SD |EU| FRANCE TNTSAT M6 HD |EU| FRANCE TNTSAT M6 FHD |EU| FRANCE TNTSAT PARIS PREMIERE |EU| FRANCE TNTSAT PARIS PREMIERE FULL HD |EU| FRANCE TNTSAT TMC SD |EU| FRANCE TNTSAT TMC HD |EU| FRANCE TNTSAT TMC FULL HD |EU| FRANCE TNTSAT TMC 1 FULL HD |EU| FRANCE TNTSAT 6TER SD |EU| FRANCE TNTSAT 6TER HD |EU| FRANCE TNTSAT 6TER FULL HD |EU| FRANCE TNTSAT CHERIE 25 SD |EU| FRANCE TNTSAT CHERIE 25 |EU| FRANCE TNTSAT CHERIE 25 FULL HD |EU| FRANCE TNTSAT ARTE SD |EU| FRANCE TNTSAT ARTE FR |EU| FRANCE TNTSAT RMC STORY |EU| FRANCE TNTSAT RMC STORY SD |EU| FRANCE TNTSAT ---------- Information ---------- |EU| FRANCE TNTSAT TV5 |EU| FRANCE TNTSAT TV5 MONDE FBS HD |EU| FRANCE TNTSAT CNEWS SD |EU| FRANCE TNTSAT CNEWS |EU| FRANCE TNTSAT CNEWS HD |EU| FRANCE TNTSAT France 24 |EU| FRANCE TNTSAT FRANCE INFO SD |EU| FRANCE TNTSAT FRANCE INFO HD -
170913 Press Release
TURNER AND CANAL+ GROUP ANNOUNCE THE LAUNCH OF WARNER TV, A NEW SERIES CHANNEL, EXCLUSIVELY WITH CANAL+ PACKS The new WARNER TV series channel will be launched in France on 9th November and will be available exclusively to CANAL+ subscribers. Paris, 13 th September 2017, TURNER and the CANAL+ Group are pleased to announce the strengthening of their partnership with the launch of WARNER TV. This new channel will be offered exclusively to CANAL+ subscribers on all its platforms from the date of its launch on 9 th November 2017. With this new channel in France, Turner is introducing a new brand to Europe already present in Asia and Latin America. The launch highlights the successful collaboration between Turner and Warner Bros., both of which are subsidiaries of the Time Warner group. This French launch consolidates Turner’s international fiction channel expertise, particularly as TNT is already present on several markets in Europe, in Spain, TNT ranks 2nd on the market. WARNER TV, series of emotions The WARNER TV premium channel meets the growing demand from series fans with novel and spectacular content and iconic series aimed at the general public. The channel will broadcast all kinds of series : drama, action, comedy, and even zombies! There is something to suit all tastes and always to the very highest standards in terms of script and production quality. With WARNER TV, the full gamut of emotions and experiences is on offer to viewers. With this launch, Turner is leveraging a strong brand , renowned worldwide and synonymous with spectacular shows to provide a new home for series fans. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9120640 Society, state, and electronic media policy: The introduction of cable to Taiwan Chang, Chung-jen, Ph.D. The Ohio State University, 1991 UMI 300 N. -
Warnermedia Chooses Asiasat As Strategic Partner for HD Channels Distribution in Asia Pacific
MEDIA RELEASE WarnerMedia chooses AsiaSat as strategic partner for HD channels distribution in Asia Pacific Hong Kong, 18 June 2019 – Asia Satellite Telecommunications Company Limited (AsiaSat), Asia’s leading satellite operator has been selected by WarnerMedia as a strategic partner for distributing regional HD services of CNN International, Cartoon Network, Boomerang and Warner TV, as well as HBO HD in South Asia, via AsiaSat 7 in the Asia-Pacific. AsiaSat has been distributing a total of five WarnerMedia SD channels on AsiaSat 7 (previously on AsiaSat 3S) since 1999. Since transmission, these channels have gained access to hundreds of rebroadcast networks and hotel networks across the region. To allow a smooth migration to HD service for its rebroadcast affiliates including pay TV platforms and hotel networks across Asia Pacific, and for audiences to enjoy a more compelling viewing experience, WarnerMedia will migrate its HD services and consolidate them into its existing SD platform on AsiaSat 7. “The migration allows us to upgrade and streamline our services at the same time. Working together with AsiaSat, the new arrangement also allows us to offer our regional broadcast partners the chance for their viewers to enjoy our channels in HD,” said James Crossland, Senior Vice President of International Operations for Turner, a WarnerMedia company. From September, AsiaSat 7 will carry a total of eight HD and three SD channels of content from news, entertainment, to children, movies and drama. With migration of service to HD completed in the next few months, viewers across the region will be able to enjoy high-quality TV benefiting from the high penetration of AsiaSat 7 at 105.5°E, the world’s most watched orbital slot. -
Australia ########## 7Flix AU 7Mate AU 7Two
########## Australia ########## 7Flix AU 7Mate AU 7Two AU 9Gem AU 9Go! AU 9Life AU ABC AU ABC Comedy/ABC Kids NSW AU ABC Me AU ABC News AU ACCTV AU Al Jazeera AU Channel 9 AU Food Network AU Fox Sports 506 HD AU Fox Sports News AU M?ori Television NZ AU NITV AU Nine Adelaide AU Nine Brisbane AU Nine GO Sydney AU Nine Gem Adelaide AU Nine Gem Brisbane AU Nine Gem Melbourne AU Nine Gem Perth AU Nine Gem Sydney AU Nine Go Adelaide AU Nine Go Brisbane AU Nine Go Melbourne AU Nine Go Perth AU Nine Life Adelaide AU Nine Life Brisbane AU Nine Life Melbourne AU Nine Life Perth AU Nine Life Sydney AU Nine Melbourne AU Nine Perth AU Nine Sydney AU One HD AU Pac 12 AU Parliament TV AU Racing.Com AU Redbull TV AU SBS AU SBS Food AU SBS HD AU SBS Viceland AU Seven AU Sky Extreme AU Sky News Extra 1 AU Sky News Extra 2 AU Sky News Extra 3 AU Sky Racing 1 AU Sky Racing 2 AU Sonlife International AU Te Reo AU Ten AU Ten Sports AU Your Money HD AU ########## Crna Gora MNE ########## RTCG 1 MNE RTCG 2 MNE RTCG Sat MNE TV Vijesti MNE Prva TV CG MNE Nova M MNE Pink M MNE Atlas TV MNE Televizija 777 MNE RTS 1 RS RTS 1 (Backup) RS RTS 2 RS RTS 2 (Backup) RS RTS 3 RS RTS 3 (Backup) RS RTS Svet RS RTS Drama RS RTS Muzika RS RTS Trezor RS RTS Zivot RS N1 TV HD Srb RS N1 TV SD Srb RS Nova TV SD RS PRVA Max RS PRVA Plus RS Prva Kick RS Prva RS PRVA World RS FilmBox HD RS Filmbox Extra RS Filmbox Plus RS Film Klub RS Film Klub Extra RS Zadruga Live RS Happy TV RS Happy TV (Backup) RS Pikaboo RS O2.TV RS O2.TV (Backup) RS Studio B RS Nasha TV RS Mag TV RS RTV Vojvodina -
TV Channel Monitoring
TV Channel Monitoring The channels below are monitored in real- time, 24/7. United States 247 channels NATIONAL A&E Comedy Central Fuse ABC CW FX ABC Family Destination America GAC AHC Discovery Galavision (GALA) AMC Discovery Fit & Health Golf Channel Animal Planet Discovery ID GSN BBC America Disney Channel Hallmark Channel BET DIY HGTV Big Ten Network E! History Channel Biography Channel ESPN HLN Bloomberg News ESPN 2 HSN BRAVO ESPN Classic IFC Cartoon Network ESPN News ION CBS ESPN U Lifetime CBS Sports Food Network LOGO Cinemax East Fox 5 MLB CMT Fox Business MSG Network CNBC Fox News MSNBC CNBC World Fox Sports 1 MTV CNN Fox Sports 2 MTV2 My9 Science Channel Travel Channel National Geographic ShowTime East truTV NBA Spike TV TV1 NBC SyFy TV Guide NBC Sports (Versus) TBN TV Land NFL TBS Univision NHL TCM USA Nickelodeon Telemundo VH1 Nicktoons Tennis Channel VH1 Classic OLN The Cooking VICELAND Oprah Winfrey Net. Channel WE Ovation The Hub WGN America Oxygen Time Warner Cable WLIW QVC TLC YES REELZ TNT New York ABC (WABC) Fox (WNYW) Univision (WXTV) CBS (WCBS) MyNetworkTV (WWOR) CW (WPIX) NBC (WNBC) Los Angeles ABC (KABC) CW (KTLA) NBC (KNBC) CBS (KCBS) FOX (KTTV) Univision (KMEX) Baltimore ABC (WMAR-DT) Fox (WBFF-DT) NBC (WBAL-DT CBS (WJZ-DT) MyNetworkTV CW (WNUV-DT) (WUTB-DT) Chicago ABC (WLS-DT) Fox (WFLD-DT) Univision (WGBO- CBS (WBBM-DT) NBC (WMAQ-DT) DT) CW (WGN-DT) San Diego ABC (KGTV) FOX (KSWB) The CW (KFMB) CBS (KFMB) NBC (KNSD) Univision (KBNT) The United Kingdom 74 Channels 4Music Home Nick Toons 5 star Horror Channel -
A List of Licensed Broadcasting Services in Hong Kong (As at 1 June 2021)
A List of Licensed Broadcasting Services in Hong Kong (As at 1 June 2021) A. Television Services Receivable in Hong Kong I. Domestic Free Television Programme Services Licensee Name of Channel (1) Television Broadcasts Limited 81. Jade 82. J2 83. TVB News 84. Pearl 85. TVB Finance & Information (2) HK Television Entertainment Company 96. ViuTVsix Limited 99. ViuTV (3) Fantastic Television Limited 76. Hong Kong International Business Channel 77. Hong Kong Open TV II. Domestic Pay Television Programme Services Channel Licensee Name of Channel Satellite No. (1) Hong Kong Cable 108 i-CABLE Finance Info Channel NA Television Limited (HD) (Total No. of Channels: 135) 109 i-CABLE News Channel (HD) 110 i-CABLE Live News Channel (HD) 111 CCTV-News 112 CCTV 4 113 Phoenix Info News Channel (HD) 114 ETTV Asia News 121 Sky News 122 BBC World News 123 FOX News 124 CNNI 125 CNN HLN 126 NHK World-Japan 127 CNBC 128 Bloomberg TV HD 129 CGTN 130 Channel NewsAsia 131 Russia Today 133 Al Jazeera English 134 France24 French 135 France24 English 139 DW (English) - 2 - Channel Licensee Name of Channel Satellite No. 140 DW (Deutsch) 151 i-CABLE Finance Info Channel 152 i-CABLE News Channel 153 i-CABLE Live News Channel 154 Phoenix Info News 155 Bloomberg 201 HD CABLE Movies 202 My Cinema Europe HD 204 Star Chinese Movies 205 SCM Legend 214 FOX Movies 215 FOX Family Movies 216 FOX Action Movies 218 HD Cine p. 219 Thrill 251 CABLE Movies 252 My Cinema Europe 253 Cine p. 301 HD Family Entertainment Channel 304 Phoenix Hong Kong 305 Pearl River Channel 311 FOX 312 FOXlife 313 FX 317 Blue Ant Entertainment HD 318 Blue Ant Extreme HD 319 Fashion TV HD 320 tvN HD 322 NHK World Premium 325 Arirang TV 326 ABC Australia 331 ETTV Asia 332 STAR Chinese Channel 333 MTV Asia 334 Dragon TV 335 SZTV 336 Hunan TV International 337 Hubei TV 340 CCTV-11-Opera 341 CCTV-1 371 Family Entertainment Channel 375 Fashion TV 376 Phoenix Chinese Channel 377 tvN 378 Blue Ant Entertainment 502 Asia YOYO TV 510 Dreamworks 511 Cartoon Network - 3 - Channel Licensee Name of Channel Satellite No. -
Art Basel Hong Kong 2017
Chi-Wen Gallery Chi-Wen Gallery at Art Basel Hong Kong 2017 Galleries|1D33|Chien-Chi Chang, Chang Chao-Tang, Wang Jun-Jieh, Yuan Goang-Ming, Kao Chung-Li The World of Video Art: The Expansion of Visual Environment — A Video Art Presentation by 5 Taiwanese Artists since 1970 Chi-Wen Gallery for ART BASEL HK 2017 continues its programme on the history of Taiwanese art video/film by presenting some of the most important early Taiwanese video artists / film makers. The artists are Chien-Chi Chang (張乾琦), Chang Chao- Tang (張照堂), Kao Chung-Li (⾼重黎), Wang Jung-Jieh (⺩俊傑) and Yuan Goang-Ming (袁廣鳴). Save for one, the video artists in this presentation were born in the sixties, at the time of the emergence and early propagation of television in Taiwan. Taiwan’s first television station was launched in 1962 and in fact, the oldest artist in the selection, Chang Chao-Tang (b. 1943), worked for the state-owned China Television Company (CTV) as a photojournalist. This generation of artists was also the nation’s first to have easy access to cameras, camcorders, editing stations and other tools for creating and manipulating video. The end of martial law in Taiwan in 1987, together with economic growth and the rapid development of electronic devices during these years, influenced the cultural development of Taiwan and consequently the work practices of Taiwanese contemporary artists began to change. Artists felt increasingly comfortable to explore different subject matters without limits and their creative realm was able to expand with the help of new technologies. -
Time Warner Cable Tv Guide Dallas Tx
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Complaint: U.S. V. At&T Inc., Et
Case 1:17-cv-02511 Document 1 Filed 11/20/17 Page 1 of 23 UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA UNITED STATES OF AMERICA 450 Fifth Street, NW Washington, DC 20530; Plaintiff, v. AT&T INC. 208 South Akard Street, Dallas, TX 75202; DIRECTV GROUP HOLDINGS, LLC 2260 E. Imperial Hwy, El Segundo, CA 90245; and TIME WARNER INC. One Time Warner Center, New York, NY 10019; Defendants. COMPLAINT AT&T/DirecTV is the nation’s largest distributor of traditional subscription television. Time Warner owns many of the country’s top TV networks, including TNT, TBS, CNN, and HBO. In this proposed $108 billion transaction—one of the largest in American history—AT&T seeks to acquire control of Time Warner and its popular TV programming. As AT&T has expressly recognized, however, distributors that control popular programming “have the incentive and ability to use (and indeed have used whenever and wherever they can) that control as a weapon to hinder competition.” Specifically, as DirecTV has explained, such vertically integrated programmers “can much more credibly threaten to withhold programming from rival 1 Case 1:17-cv-02511 Document 1 Filed 11/20/17 Page 2 of 23 [distributors]” and can “use such threats to demand higher prices and more favorable terms.” Accordingly, were this merger allowed to proceed, the newly combined firm likely would—just as AT&T/DirecTV has already predicted—use its control of Time Warner’s popular programming as a weapon to harm competition. AT&T/DirecTV would hinder its rivals by forcing them to pay hundreds of millions of dollars more per year for Time Warner’s networks, and it would use its increased power to slow the industry’s transition to new and exciting video distribution models that provide greater choice for consumers. -
Download the Schedule for the Celebrations
religions Article Live Streaming and Digital Stages for the Hungry Ghosts and Deities Alvin Eng Hui Lim Department of English Language and Literature, Faculty of Arts and Social Sciences, National University of Singapore, Block AS5, 7 Arts Link, Singapore 117570, Singapore; [email protected] Received: 25 May 2020; Accepted: 10 July 2020; Published: 17 July 2020 Abstract: Many Chinese temples in Singapore provide live streaming of getai (English: a stage for songs) during the Hungry Ghost Month as well as deities’ birthday celebrations and spirit possessions—a recent phenomenon. For instance, Sheng Hong Temple launched its own app in 2018, as part of a digital turn that culminated in a series of live streaming events during the temple’s 100-year anniversary celebrations. Deities’ visits to the temple from mainland China and Taiwan were also live-streamed, a feature that was already a part of the Taichung Mazu Festival in Taiwan. Initially streamed on RINGS.TV, an app available on Android and Apple iOS, live videos of getai performances can now be found on the more sustainable platform of Facebook Live. These videos are hosted on Facebook Pages, such as “Singapore Getai Supporter” (which is listed as a “secret” group), “Singapore Getai Fans Page”, “Lixin Fan Page”, and “LEX-S Watch Live Channel”. These pages are mainly initiated and supported by LEX(S) Entertainment Productions, one of the largest entertainment companies running and organising getai performances in Singapore. This paper critically examines this digital turn and the use of digital technology, where both deities and spirits are made available to digital transmissions, performing to the digital camera in ways that alter the performative aspects of religious festivals and processions.