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Art Basel Hong Kong 2017 Chi-Wen Gallery Chi-Wen Gallery at Art Basel Hong Kong 2017 Galleries｜1D33｜Chien-Chi Chang, Chang Chao-Tang, Wang Jun-Jieh, Yuan Goang-Ming, Kao Chung-Li The World of Video Art: The Expansion of Visual Environment — A Video Art Presentation by 5 Taiwanese Artists since 1970 Chi-Wen Gallery for ART BASEL HK 2017 continues its programme on the history of Taiwanese art video/film by presenting some of the most important early Taiwanese video artists / film makers. The artists are Chien-Chi Chang (張乾琦), Chang Chao- Tang (張照堂), Kao Chung-Li (⾼重黎), Wang Jung-Jieh (⺩俊傑) and Yuan Goang-Ming (袁廣鳴). Save for one, the video artists in this presentation were born in the sixties, at the time of the emergence and early propagation of television in Taiwan. Taiwan’s first television station was launched in 1962 and in fact, the oldest artist in the selection, Chang Chao-Tang (b. 1943), worked for the state-owned China Television Company (CTV) as a photojournalist. This generation of artists was also the nation’s first to have easy access to cameras, camcorders, editing stations and other tools for creating and manipulating video. The end of martial law in Taiwan in 1987, together with economic growth and the rapid development of electronic devices during these years, influenced the cultural development of Taiwan and consequently the work practices of Taiwanese contemporary artists began to change. Artists felt increasingly comfortable to explore different subject matters without limits and their creative realm was able to expand with the help of new technologies. Moreover, with their specific knowledge of new media obtained in the West, returning students advanced the concept of video art into Taiwan and induced further interest for exploration. In 1984, Taiwanese artist Kuo I-Fen published an article, 'The World of Video Art: The Expansion of Visual Environment', in a local arts magazine that served as a sort of manifesto 台北市⼤安區106敦化南路⼀段252巷19號3樓 3F, No.19, Lane 252, Tun-Hua South Road, Section 1, Taipei, Taiwan Tel +886 2 8771 3372 • Fax +886 2 8771 3421 • Email : [email protected] Chi-Wen Gallery and opened the gates to a new creative territory. It’s from this article that we named our proposed exhibition as it clearly defines that range of creative output we’d like to show: Having used primarily photography as his artistic practice in the past, in recent years Chien-Chi Chang has expanded his medium to include sound and moving images, which has enriched his photography-based narratives with additional, multiple elements. This time we are excited to be able to show his latest work The War That Never Was (2016-17), which is an interview based video centered on his mother, with questions about her life contrasting with historical events that took place during the Cold War. Kao Chung Li, whose works frequently obscure traditional distinctions between sculpture, photography, painting and experimental films, is one of the most notable artists from his generation. His writings and works on moving images continually encapsulate this ever- changing complexity of expression. We will be showing his slideshow-based (Slideshow Cinema VI : An Autumn Afternoon 2014) in which he skilfully combines the techniques of collage, assemblage and photomontage, addressing the delicate relationship between mechanically produced images and image- producing machines. One of the artists who studied in Germany, Yuan Goang-Ming is highly adept at combining symbolic metaphors with technological media. His early experiments on images were inspired by experimental film and hand-held video camera. In this period, he not only engaged in developing new forms of image narratives, but also focused on the shift of meaning caused by the deliberate dislocation between image and installation in his video artworks. His experiments continued until the mid-1990s. On the Way Home (1989) was created within this context. Wang Jun-Jieh’s maiden video artwork The Variable Form not only blended performance art and improvisation with art historical concepts, but also dealt with the intervention of newly emerged electronic media in contemporary art. After the lifting of martial law in the nascent democratized Taiwan, he, without any source of reference, created three video artworks addressing a riotous profusion of issues ranging from the satire on sex and social taboos, The Depth of the Epidermis (1988), to the criticism against mass media and political hegemony, FACE / TV (1989) and How Was History Wounded (1989). One of the most celebrated and pioneering Taiwanese artists, Chang Chao-Tang ventured into experimental photography and broke onto the cultural scene when he was still a university student in civil engineering in the early 1960s. 台北市⼤安區106敦化南路⼀段252巷19號3樓 3F, No.19, Lane 252, Tun-Hua South Road, Section 1, Taipei, Taiwan Tel +886 2 8771 3372 • Fax +886 2 8771 3421 • Email : [email protected] Chi-Wen Gallery About Chi-Wen Gallery Founded in 2004 by Chi-Wen Huang, Chi-Wen Gallery is one of Taiwan's leading galleries, showing the best of contemporary Taiwanese art with a focus on video and photography. The gallery is dedicated to supporting emerging artists with curatorial projects that explore the most cutting-edge subjects and has been actively participating in local and international art fairs. As such Chi-Wen Gallery is very much connected with today's art and represents artists whose work continues to grow in historical importance. Over the last decade Chi-Wen Gallery has fostered the careers of a diverse group of internationally renowned artists, both emerging and established, whose practices transformed the way art is made and presented in Taiwan today. These artists include Chen Chieh-Jen, Chien-Chi Chang, Chen Shun-Chu, Hung Tung-Lu, Jawshing Arthur Liou, Peng Hung-Chih, Tusi Kuang-Yu, Wu Tien-Chang, Yao Jui-Chung, Yuan Goang-Ming, Yin-Ju Chen & James T. Hong, Yu Cheng-Ta and among others. 台北市⼤安區106敦化南路⼀段252巷19號3樓 3F, No.19, Lane 252, Tun-Hua South Road, Section 1, Taipei, Taiwan Tel +886 2 8771 3372 • Fax +886 2 8771 3421 • Email : [email protected] Chi-Wen Gallery Chi-Wen Gallery | Art Basel Hong Kong 2017 | Galleries | 1D33 Artist | Chien-Chi Chang Title | The War That Never Was Medium | Single-channel video, colour, sound Duration | 15 min 40 sec Year | 2017 Image Credit | Courtesy of the artist, Chi-Wen Gallery and Magnum Photos In the new video The War That Never Was, Taiwanese artist Chien-Chi Chang films his mother, whose entire life has been struggling to meagerly survive and to raise the five children along with his father. Chang’s mother, born in a poverty-stricken mountainous region in Taiwan in 1938, was deprived of any proper education, thus her deficiency of knowledge outside of her tiny village and of historical events in and outside of Taiwan. She had little understanding during the imposition of Taiwan Martial Law (1949 - 1987) and has never heard of Cold War (1947 - 1991). Yet, she remembers dates of every important family event. 1961 was a critical year in the World; John F. Kennedy became the U.S. President, Bay of Pig invasion, the Berlin Wall was built. His mother, however, has no grasp of any of the far-reaching historical events. Still, 1961 was an important year in her life because her first child/son (the artist) was born in same year. 台北市⼤安區106敦化南路⼀段252巷19號3樓 3F, No.19, Lane 252, Tun-Hua South Road, Section 1, Taipei, Taiwan Tel +886 2 8771 3372 • Fax +886 2 8771 3421 • Email : [email protected] Chi-Wen Gallery Now at the age of 79, Chang’s mother still rides her scooter for grocery shopping. The film starts with her riding through the old village rural road recalling and reflecting on her life and family events from an impoverished farm girl to now a grandmother of ten grandchildren (through family photographs and motion graphics) and to juxtapose with critical history during the Cold War (via archive photographs, footages and motion graphics). Gradually during the film, she will be joined by her children, her grandchildren, her relatives and her neighbors and all on motorcycles. The soundscape of the film is realistic and evocative of the time past yet vivid. And portion of George Orwell's essay You and the Atomic Bomb will be incorporated into the soundtrack , in which he was credited for the first writer to use the term Cold War in recent history. 台北市⼤安區106敦化南路⼀段252巷19號3樓 3F, No.19, Lane 252, Tun-Hua South Road, Section 1, Taipei, Taiwan Tel +886 2 8771 3372 • Fax +886 2 8771 3421 • Email : [email protected] Chi-Wen Gallery Chi-Wen Gallery | Art Basel Hong Kong 2017 | Galleries | 1D33 Artist | Chien-Chi Chang Title | A Drive with Mother and Father, Taichung Medium | Photography Material | Silver gelatin print Size | 88 x 126.4 cm Year | 2003 Image Credit | Courtesy of the artist, Chi-Wen Gallery and Magnum Photos 台北市⼤安區106敦化南路⼀段252巷19號3樓 3F, No.19, Lane 252, Tun-Hua South Road, Section 1, Taipei, Taiwan Tel +886 2 8771 3372 • Fax +886 2 8771 3421 • Email : [email protected] Chi-Wen Gallery Chi-Wen Gallery | Art Basel Hong Kong 2017 | Galleries | 1D33 Artist | Chien-Chi Chang Title | The Scary Mask, Taichung Medium | Photography Material | Silver gelatin print Size | 88 x 126.4 cm Year | 2003 Image Credit | Courtesy of the artist, Chi-Wen Gallery and Magnum Photos 台北市⼤安區106敦化南路⼀段252巷19號3樓 3F, No.19, Lane 252, Tun-Hua South Road, Section 1, Taipei, Taiwan Tel +886 2 8771 3372 • Fax +886 2 8771 3421 • Email : [email protected] Chi-Wen Gallery Chi-Wen Gallery | Art Basel Hong Kong 2017 | Galleries | 1D33 Artist | Chien-Chi Chang Title | Tomorrow,
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