DOCSLIB.ORG

Selections from the Gaelic Bards

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Selections from the Gaelic Bards SELECTIONS THE GAELIC BARDS. ^c^?,£ s.wav/ Xtm^ SELECTIONS THE GAELIC BARDS, METRICALLY TRANSLATED, WITH BIOGRAPHICAL PREFACES AND EXPLANATORY NOTES. ORIGINAL POEMS. THOMAS PATTISON. GLASGOW: PRINTED BY ARCHIBALD SINCLAIR, 62 ARGYLE STREET. MDCCCLXVI. — PREFATORY NOTICE. Thomas Pattison was a native of Islay. He was designed for the Church, and after receiving a fair elementary education at the Parish School of Bowmore, was sent to the University of Edinburgh, and afterwards to that of Glasgow. In the latter he completed his studies, and became thereafter a licentiate of the Church of Scotland. His excellent attainments, enthu- siasm in various departments of literature, and singular modesty of character, endeared him to his family and friends; and his death, at an early age, was profoundly mourned. The friends of Mr. Pattison, on whom devolved the duty of ushering these Metrical Translations and other Literary Remains into the world, are indebted to one who was his early school companion and dear friend, now a clergyman of the Church of Scotland, for the following truthful and eloquent tribute to his sweet and gentle memory : " Without pronouncing an opinion on the merits of this work as a literary composition, I am disposed to think that those who are capable of estimating the difficulties that surrounded the task of which these Translations are the performance, will hail them as at least a valuable contribution to a branch of study which has b vi PREFATORY NOTICE. hitherto received but scant measure of consideration. Perhaps it may 1"- questioned whether Mr. Pattison did not attempt too much in the task which he set himself, and whether the result at which he aimed was not beset by unnecessary hindrances to a felicitous poetical translation, In presenting his readers with a version of Gaelic Poems, that conveys not only the substantial but the literal meaning of the originals, and that combines the res, line for line, with the English element of rhyme, it is plain that he had one fruitful source of embarrassment to contend with from which the Bards were free. At the same time, such as can compare the Translations with the originals, must acknowledge the remarkable fidelity with which even the most difficult passages have been rendered; and, although they may censure the plan on which the Translations were projected, they will not fail to make allowance for the difficulties it entailed. Even in this particular the Translator's aim was high. " But while anticipating for the volume a hearty welcome at the hands of all for whom the poetry and literary activity of an ancient and kindred people have attractions, I fear it will give the reader little insight into the fair proportions of the Trans- lator's mind. Those who knew his devotion to English Literature, his accurate and profound acquaintance with its history, his severe study of its greatest Masters, and the fine combination of strength and culture with which he latterly approached it, will feel with me that the translation of Gaelic Poetry was not a fair test of his literary powers, and that no amount of success in it can indicate the full extent of the loss sustained by us in his death. All who enjoyed his private friendship, are aware that his work on " The Gaelic Bards," was little more than an effort in a bypath of his studies and pursuits. If I am not mistaken, the impulse to it may be traced, in a great measure, to the "Highland Tales/' published by Mr. John Campbell, of Islay. Being asked to assist in the collection of materials for that work, Mr. I'attison responded by giving his cordial co-operation. The result was an enthusiasm in the cause of Gaelic Literature and PREFATORY NOTICE. Vll Antiquities; an enthusiasm that gave a certain permanence and character of real lifework to a pursuit accepted in the first instance as a recreation. It led him step by step, insensibly, away from his first intention. The search for fugitive Gaelic lore in prose and verse, languishing in every remote glen of his native Highlands, led to independent researches, and a careful perusal of the compositions of the Bards known to be in print. With a feeling of sadness, pardonable in a Highlander, he saw that the men of Celtic blood were being rapidly absorbed into communities of Anglo-Saxon lineage — and to rescue the poetry of the Clansmen from dying with the Clans, he set himself the task of transfusing it into the English tongue. The field was new to him, but he entered on it with the ardour of one who was engaged in a labour of love. It brought him once more in contact with the scenes and associations of his bo}diood. It opened up glimpses of a national life which had for him the freshness of the sea-breeze and the scented heather, in the rambles of a long vacation. The student of Dante and of Shakespeare, of Goethe and of Burns, felt that it was indeed holiday-time with him on Ben-Dorain and in Coire-Cheathaich with. Duncan Ban, or with Macdonald and his boatmen aboard of the famous Birlinn of Clan-Ranald. " It was a vigorous and patriotic effort; a right pleasant recreation to begin with, conducted with infinite spirit and very rapidly completed. If it bears on it, as we see it now, in a posthumous volume, the marks of haste, I am convinced it is because he felt that the fruits of more important avocations were ripening, and that the claims of larger plans were pressing. Although, therefore, the subject to which he devoted himself thus heartily for a time, was congenial to his sentiments and feelings, it certainly was not what he himself would have regarded as most in harmony with the natural bent and development of his genius, or as the proper fruit of his life's true work. " At the time when these Translations were commenced, his health indeed was such as might well justify him in making a digression from the main course of his pursuits, for in youth he possessed the strength and litheness of an athlete; but, alas! the Vlll PREFATORY NOTICE. hand of d< ath stayed him, so that he returned not to the old paths. It may be said that in what was but an interlude in the great game of life, for which he had trained himself with rare patience and fortitude, he sank upon his shield. In this volume, hastily prepared, we have at once his salutation and farewell: Moriturus nos .-'/fit tat. " We looked for his speaking to us from the heart of English Lit' ratwre, with which few men of his years stood in such close relationship of thought and feeling. Old letters are beside me still, indicating a genuineness of discipleship to the leaders of thought in English speech, from Chaucer to Wordsworth and Tennyson, such as warranted the hope that he would, one day, himself become a master, the influence of whose teaching would be felt. "He wrote much (that must still be accessible) during the years in which his reading was most extensive and his plans were being matured. Even his letters alluding, as they do, from time to time, to the subjects on which he was engaged, are themselves full of critical notices and discussions of points of literary interest, with sonnet or song, or stanza in heroic verse, interspersed by way of offset to the prose, many of which are worthy of being recast in a form of greater permanence. Must we despair of seeing a selection made from these remains by a kindly and discriminating hand? I cannot but believe that some such selection would amply justify the expectations of his friends, if it would also embitter the poignancy of their regrets. Feelings of regret are already strong in the breasts of those who knew him best;—they feel that his sun went down, not while it was yet day, but before the radiant promise of the morning had broadened into noon. They could wish that years had permitted him to vindicate his devotion to letters, and his choice of a secluded and studious life, as well as to prove to a wider circle, than that of friends, that he had rightly estimated his powers and understood his mission. Some of those who began life with him, may have made more of it in a way, and succeeded better in the world, as the world goes. Some, no doubt, regarded him as unpractical, dreamy, perhaps even PREFATORY NOTICE. IX indolent; for his life was a hidden life to such. They and he dwelt far apart. Yet few men were more sagacious, or less visionary, making allowance for difference of pursuits, and fewer still could have resisted for so long a period the drain made by protracted vigils and incessant mental effort on the vital powers. Few of the busiest, in your busy city, worked harder in his own way, or knew less of idleness. A disposition naturally retiring, joined to a sensitive and gentle spirit that was too just to take advantage of the weakness of others, and too proud to stoop to anything that partook of artifice, was somewhat out of joint, perhaps, with the usual conditions of success. There were others, however, who knew how to hold such a man in estimation. In their eyes, he was a man who had deliberately made choice of his vocation, and was following it out, in the spirit of an earnest faith ; but a man, besides of genial temperament, who was sincere in his friendship, and honourable in all things.
Load more

Recommended publications
  • From Sail to Steam: London's Role in a Shipbuilding Revolution Transcript
    From Sail to Steam: London's Role in a Shipbuilding Revolution Transcript Date: Monday, 24 October 2016 - 1:00PM Location: Museum of London 24 October 2016 From Sail to Steam: London’s Role in a Shipbuilding Revolution Elliott Wragg Introduction The almost deserted River Thames of today, plied by pleasure boats and river buses is a far cry from its recent past when London was the greatest port in the world. Today only the remaining docks, largely used as mooring for domestic vessels or for dinghy sailing, give any hint as to this illustrious mercantile heritage. This story, however, is fairly well known. What is less well known is London’s role as a shipbuilder While we instinctively think of Portsmouth, Plymouth and the Clyde as the homes of the Royal Navy, London played at least an equal part as any of these right up until the latter half of the 19th century, and for one brief period was undoubtedly the world’s leading shipbuilder with technological capability and capacity beyond all its rivals. Little physical evidence of these vast enterprises is visible behind the river wall but when the tide goes out the Thames foreshore gives us glimpses of just how much nautical activity took place along its banks. From the remains of abandoned small craft at Brentford and Isleworth to unique hulked vessels at Tripcockness, from long abandoned slipways at Millwall and Deptford to ship-breaking assemblages at Charlton, Rotherhithe and Bermondsey, these tantalising remains are all that are left to remind us of London’s central role in Britain’s maritime story.
    [Show full text]
  • Review of Burleson
    BOOK REVIEWS Stephen Fisher (ed.). Recreation and the Sea. common thread in Waltons case studies of Exeter: Universi ty of Exeter Press, 1997. ix + 181 Brighton, Nice, and San Sebastian, and Cusack pp., figures, maps, tables, photographs. £13.99, and Ryan both recognise its role in the develop- paper; ISBN 0-85989-540-8. Distributed in No rth ment of yachting. On a more practical level, America by Northwestern University Press, improvements in transpo rtation — from steam- Evanston, IL. boats to trains to automobiles — encouraged mass tourism and permitted the emergence of seaside This is a collection of six essays originally pre- resort towns and even resort "clusters." [Walton, sented at a 1993 conference organised by the 46] With the onset of mass tourism, advertising Centre for Maritime Historical Studies at the assumed a key role, as Morgan makes clear for University of Exeter. John Travis writes on Torquay. As for image, Walton and Morgan both English sea-bathing between 1730 and 1900; argue convincingly that, at least until 1939, local John Walton looks at the spread of sea-bathing communities had a large say in how they wished from England where it began to other European to be portrayed to potential visitors. centres during the period 1750 to 1939; Paul There is little with which to quibble in this Thornton provides a regional study of coastal fine collection. Travis offers no explanation for tourism in Cornwall since 1900; Nigel Morgan the nineteenth-century transition in bathing examines the emergence of modern resort activi- circles from a medicinal focus to an emphasis on ties in inter-war Torquay; and Janet Cusack and the physical activity of swimming, though he Roger Ryan write on aspects of English yachting admits that this was "a fundamental ch ange in the history, the former focusing on the Thames and bathing ritual." [16] Citing Perrys work on Corn- south Devon, the latter on the northwest.
    [Show full text]
  • Location and Destination in Alasdair Mac Mhaigshstir Alasdair's 'The
    Riach, A. (2019) Location and destination in Alasdair mac Mhaigshstir Alasdair’s ‘The Birlinn of Clanranald’. In: Szuba, M. and Wolfreys, J. (eds.) The Poetics of Space and Place in Scottish Literature. Series: Geocriticism and spatial literary studies. Palgrave Macmillan: Cham, pp. 17-30. ISBN 9783030126445. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/188312/ Deposited on: 13 June 2019 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Location and Destination in Alasdair mac Mhaigshstir Alasdair’s ‘The Birlinn of Clanranald’ Alan Riach FROM THE POETICS OF SPACE AND PLACE IN SCOTTISH LITERATURE, MONIKA SZUBA AND JULIEN WOLFREYS, EDS., (CHAM, SWITZERLAND: PALGRAVE MACMILLAN, 2019), PP.17-30 ‘THE BIRLINN OF CLANRANALD’ is a poem which describes a working ship, a birlinn or galley, its component parts, mast, sail, tiller, rudder, oars and the cabes (or oar-clasps, wooden pommels secured to the gunwale) they rest in, the ropes that connect sail to cleats or belaying pins, and so on, and the sixteen crewmen, each with their appointed role and place; and it describes their mutual working together, rowing, and then sailing out to sea, from the Hebrides in the west of Scotland, from South Uist to the Sound of Islay, then over to Carrickfergus in Ireland. The last third of the poem is an astonishing, terrifying, exhilarating description of the men and the ship in a terrible storm that blows up, threatening to destroy them, and which they pass through, only just making it to safe harbour, mooring and shelter.
    [Show full text]
  • CMS 2018 3Rd Qtr (Pdf)
    Remember Those From Whom You Came Newsletter Of The Clan MacAlpine Society The Worldwide Organization For MacAlpines 3rd Quarter 2018 ~ Volume 41 Kenneth McAlpine William McAlpin Michael McAlpin Sir William McAlpine Finn Alpin Sidney Fay McAlpin Earl Dale McAlpine Bruce McAlpine Commander’s News The Society has been very active over the summer months with events in Scotland, Canada and across the U.S. I have had the good fortune of attending many of these, and it has been my pleasure to meet so many at these events, and to enjoy their enthusiasm. Spending time in Scotland at the Shennachie event and then in the beautiful countryside was a special treat, and then on to the Kilmartin Glen where we continue to discover more about the old homesteads. Our Annual General Meeting will be held at the Stone Mountain Highland Games in October. There is an exciting venue set up for it and I look forward to seeing many of you there. By the time this newsletter is published, it will be just weeks away from November 11th. Whether referred to as Remembrance Day, Armistice Day, or Veterans Day, its origins reflect upon the 11th hour of the 11th day of the 11th month. The date and time of the armistice ending WW I, 100 years ago this year. Living in Canada in the early 1960’s, the reverence for this day was drilled into every child in every classroom. Poppies were handed out and worn. At 11:00 AM, a two-minute silence was always observed. It is fitting that we all remember those from all countries that suffered through this tragedy.
    [Show full text]
  • Scotland Number Three Poetry Scotland 'Edited by MAURICE LINDSAY Third Collection - July 1946 PUBLISHED by WILLIAM MACLELLAN
    Poetry Scotland Number Three Poetry Scotland 'Edited by MAURICE LINDSAY Third Collection - July 1946 PUBLISHED BY WILLIAM MACLELLAN. 240 HOPE STREET, GLASGOW Contents Editorial Letter • page 3 Introduction by ERIC LINKLATER - page 5 NORMAN McCAIG WILLIAM JEFFREY Quadrilles—Jig Time 11 To George Bannatyne 37 Albatross 12 Lark in the Air 12 STEWART C. HOOD Genetics 38 SYDNEY GOODSIR SMITH Love 38 Pompeii . 13 God's Mills Grind on Lethe 38 Loch Leven 13 (From the German of Erich Fried) Hamewith 13 KEITH DOUGLAS ADAM DRINAN Leukothea 39 To Fame 14 These Grasses, Ancient Enemies 40 Love Song 15 The Last Wolf 16 SEUMAS C. STEWART GEORGE BRTJCE The Salmon 41 A Man of Inconsequent Build 17 SYDNEY D. TREMAYNE ROBERT GARIOCH Comfort me now, my Love 41 A Ballad of Robbie Burns 19 G. S. FRASER McAlister 21 The Black Cherub 42 HUGH MACDIARMID WILLIAM J. TAIT Listening to a Skylark 22 Rondel 44 Nearer, My God, To Thee 23 (From the French of Villon.) Boon Companions 23 Of My First Love 23 SHAUN FITZSIMON Easter Bells 44 RUTHVEN TODD The Two Minutes Silence 45 Six Winters 24 Easter 1945 24 TOM SCOTT ALBERT MACKIE ToX 46 Weary Atlas 25 D. G. MACRAE She lauch'd and Skirled 25 From Fifth Century, A..D. 46 (From the German of Heine) EDWIN MUIR DOUGLAS YOUNG Song of Sorrow 47 To a Friend on a Campaign 26 The Window 47 For a Wife in Jizzen 27 Sodger's Sang i the Aist 27 HAMISH HENDERSON The Bairns' Slauchter o Bethlehem 28 Dialogue of the Angel and the v (Frae the German o Erich Fried) Dead Boy 48 (From the Italian of Corrado Govoni) W.
    [Show full text]
  • The Vikings Are Coming! a New Norse Longboat in 1/600Th Scale
    The Vikings are coming! A new Norse longboat in 1/600th scale Review by Rob Morgan he availability of what I suppose I might call “early medieval warships” in any scale is limited, which is a great pity. Among the few regulars which have managed to crop up Tover the years is not surprisingly, the splendid Viking longship. As far as my now-preferred 1/600th scale goes, well, I do have a couple of the relatively expensive AG14 models from the now troubled Triton, but ... their “sail lowered” longship with the equivalent of a large tree trunk along its deck, has never really appealed to me. Now, however, Peter Pig has issued Range 9, “Vikings” in 15mm scale, with a couple of very good naval add-ons. I suspect that this range of figures, which is extensive and up to the usual high Peter Pig standard will be reviewed by someone more likely to enjoy onshore battles than me! So, back to the ocean, now first I must mention two larger models Pack 33 and Pack 34, two six-inch long vessels with oars in one case and sail in the other, nice looking , but BIG and, though ideal for the 15mm enthusiast for ship-to-shore use, not for naval campaigns or battles in any numbers. The serious aspect of Viking war at sea is, I must say, superbly catered for by Pack 31 in the range, three- 1/600th Norse longboats “for campaigns.” Standard pack price £2.80. Well-crafted , eye-catching models and frankly at that price wonderful value for money.
    [Show full text]
  • Nuair a Bha Gidhlig Aig Na H-Ein
    Harris-Logan, Stuart A. (2007) Nuair a bha Gaidhlig aig na h-eoin : an investigation into the art and artifice of avifaunal mimesis as a mode of artistic expression in Gaelic oral culture from the seventeenth century to the present. MPhil(R) thesis. http://theses.gla.ac.uk/741/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] NUAIR A BHA GÀIDHLIG AIG NA H-EÒIN: AN INVESTIGATION INTO THE ART AND ARTIFICE OF AVIFAUNAL MIMESIS AS A MODE OF ARTISTIC EXPRESSION IN GAELIC ORAL CULTURE FROM THE SEVENTEENTH CENTURY TO THE PRESENT _________________________________________________________ ______ A Dissertation Submitted to the Department of Celtic University of Glasgow In Fulfilment of a Degree of M.Phil. _________________________________________________________ ______ by Stuart A. Harris-Logan October 2007 1 Abstract This investigation will interrogate the mimetic faculty of modern Gaelic oral culture, focussing particularly on mimesis as an artistic device. The imitation of nature in Gaelic is perhaps most frequently associated with the folksong tradition, in which non-lexical vocable refrains are frequently deployed for the purposes of emulating a particular sound quality pertinent to an individual species or natural phenomenon, such as the call of the seal or the breaking of waves.
    [Show full text]
  • Newsletter May 2016 Registered Charity No.1105449 Unit 20, Estuary Road, Queensway Meadows Industrial Estate, Newport, NP19 4SP
    Newsletter May 2016 Registered Charity No.1105449 Unit 20, Estuary Road, Queensway Meadows Industrial Estate, Newport, NP19 4SP www.newportship.org Chairman’s Introduction Welcome to your May edition of the FoNS Newsletter. We are pleased to be able to bring more articles from varied contributors from within the membership, looking at subjects associated with the heart of our society. I find these fascinating and would encourage others to come forward and develop their ideas for the wider audience. Phil Cox, Chairman Desperately Seeking Secretary Many of you will know Sian King, our current Secretary who has brought order to our midst and doubtless hassled and harangued members for their renewal subscriptions as well as providing an excellent administrative service to the committee. Sian is standing down and we are desperately seeking somebody to fill her shoes. We intend to split the role, so that we are looking for a ‘Secretary’ to run the administration of the charity and to act as minute-taker. In addition, we are seeking a Membership Secretary to run the database, chase subscriptions, and distribute newsletters and other official papers as agreed by the committee. If you have the time and the inclination to undertake either or both of these roles, please get in touch with me at [email protected]. I have to say that Sian will be sorely missed at committee and I anticipate that she will continue to advertise the Newport Medieval Ship project through her other works. The Annual FoNS Trip This year we are visiting Pembroke Castle, the Sunderland Flying Boat Museum & Milford Haven Maritime Museum on Thursday 16th June.
    [Show full text]
  • NOTES XVII 2012.Pdf
    SCOTTISH WOODLAND HISTORY CONFERENCE NOTES XVII Woods, Trade and Boats SEVENTEENTH MEETING THURSDAY 25th OCTOBER 2012 A K BELL LIBRARY, PERTH NWDG Scottish Woodland History Conference: Notes XVII (2012) ACKNOWLEDGEMENTS The Native Woodlands Discussion Group is indebted to the undernoted for their sponsorship and help in making the 17th meeting of the Scottish Woodland History Conference a success: In 2012, the NWDG Scottish Woodland History Conference (formerly the Scottish Woodland History Discussion Group Conference) was organised by Mairi Stewart, Chris Smout, Coralie Mills & Jonathan Wordsworth with the administrative support of Alison Averis. We are grateful to all those who helped to make the conference a success including our sponsors, chairpersons, speakers, helpers and delegates. Front cover illustration: Norse use of the Scots pine by Mike Taylor, Tain (from Crawford 1995) i NWDG Scottish Woodland History Conference: Notes XVII (2012) Woods, Trade and Boats Edited by Coralie M Mills © Native Woodlands Discussion Group 2013 © The papers, their individual authors 2013, including images unless otherwise stated ISSN 2049-8985 (Earlier years’ Notes under ISSN 1470-0271) CONTENTS The seventeenth annual conference (now known as the ‘NWDG Scottish Woodland History Conference’, formerly known as the ‘Scottish Woodland History Discussion Group Conference’) was held at Perth on Thursday 25th October 2012. The Contents reflect the scope of the day, as summarised in the Introduction, followed by papers for each of the presentations. Page
    [Show full text]
  • Fictionalizing Anthropology This Page Intentionally Left Blank Fictionalizing Anthropology
    Fictionalizing Anthropology This page intentionally left blank Fictionalizing Anthropology Encounters and Fabulations at the Edges of the Human Stuart McLean University of Minnesota Press Minneapolis • London Permission to quote from Transfer Fat by Aase Berg, translated by Johannes Göransson (Ugly Duckling Presse, 2012), is granted by the publisher. Copyright 2017 by the Regents of the University of Minnesota All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290 Minneapolis, MN 55401- 2520 http://www.upress.umn.edu The University of Minnesota is an equal- opportunity educator and employer. Library of Congress Cataloging-in-Publication Data Names: McLean, Stuart, author. Title: Fictionalizing anthropology : encounters and fabulations at the edges of the human / Stuart McLean. Description: Minneapolis : University of Minnesota Press, [2017] | Includes bibliographical references and index. Identifiers: LCCN 2017005481 (print) | ISBN 978-1-5179-0271-1 (hc) | ISBN 978-1-5179-0272-8 (pb) Subjects: LCSH: Anthropology—Philosophy. | Ethnology—Philosophy. | Literature and anthropology. | Art and anthropology. Classification: LCC GN33 .M35 2017 (print) | DDC 301.01—dc23 LC record available at https://lccn.loc.gov/2017005481 Contents Prologue vii Part I. Anthropology: A Fabulatory Art 1 An Encounter in the Mist 3 2 Talabot 21 3 Fake 34 4 Anthropologies and Fictions 45 5 Knud Rasmussen 49 6 The Voice of the Thunder 67 7 Metaphor and/or Metamorphosis 73 8 “They Aren’t Symbols— They’re Real” 88 Part II.
    [Show full text]
  • Medieval Shipping
    Medieval Shipping A Wikipedia Compilation by Michael A. Linton Contents 1 Caravel 1 1.1 History ................................................. 1 1.2 Design ................................................ 1 1.3 See also ................................................ 2 1.4 References ............................................... 2 1.5 External links ............................................. 2 2 Carrack 6 2.1 Origins ................................................ 8 2.2 Carracks in Asia ........................................... 10 2.3 Famous carracks ............................................ 10 2.4 See also ................................................ 12 2.5 References ............................................... 12 2.6 Further reading ............................................ 12 2.7 External links ............................................. 12 3 Cog (ship) 13 3.1 Design ................................................. 14 3.2 History ................................................. 14 3.3 Gallery ................................................. 15 3.4 See also ................................................ 15 3.5 References ............................................... 15 3.5.1 Footnotes ........................................... 15 3.5.2 Bibliography ......................................... 15 3.6 External links ............................................. 15 4 Fire ship 16 4.1 History ................................................. 16 4.1.1 Ancient era, first uses ....................................
    [Show full text]
  • Festive Greetings Hugh’S News Special Edition
    THE VOYAGE Festive Greetings Hugh’s News Special Edition Issue Number 23 Winter 2014 IN THE BETSEY’S WAKE The Friends of Hugh Miller (FoHM), in the person of our Secretary, Martin Gostwick, and sponsored student Mairi Gilmour, sailed aboard the traditional boat Leader, in a party led by the Royal Scottish Geographical Society (RSGS) and ourselves, from 6th - 12th September 2014, celebrating part of the exact same voyage made by Hugh Miller 170 years ago aboard the Free Church yacht Betsey. Here is Martin’s account of an epic journey. JUST north of Oban, the morning before embarking on Leader, we find where the giant Fionn MacCoul, his mighty band, and their monstrous dogs, gathered for the deer-chase. INSIDE, THE FESTIVAL: Hugh Miller, when checking out the conglomerates in the cliffs round the bay, encountered the legendary Dog-Stone. Here Fionn, or Fingal, as he was named The Cromarty Suite p 18 by Scottish poet James MacPherson (Ossian), and his brothers tethered their wolf-hounds “wild and gigantic as themselves.” The beasts chafed so hard at the "We are Cromarty" p 20 stone, that they carved a huge curve out of its base which can be seen to this day. In the steps of As Hugh described, it is actually a sea stack detached from the cliffs behind, ow- Hugh Miller p 24 ing its existence to “the largest boulder I ever saw in an Old Red conglomerate.” 2 Hugh’s News Winter 2014 Above stands Dunnolly Castle, ancestral home of the MacDougall lords of Lorne, still landowners around these parts, whose forbears al- legedly made a ruling principle of charging their tenants “moderate” rents, in marked contrast to some of the neighbouring proprietors.
    [Show full text]