The Messenger -- April 21, 1992
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Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
Administrators Discuss Fall 1992 Global Semester
TCU Daily Skiff Friday, April 24, 1992 Texas Christian University, Fort Worth, Texas 89th Year, No. 1 ()7 Administrators discuss fall 1992 global semester By ALFRED CHARLES The Mayan Culture Week will TCU Daily Skiff resume next fall, and an intensive Einglish program to fortify language Faculty members heard extensive skills for international students is reports from administrators and also scheduled for this summer, deans Thursday about the univer- McCracken said. sity's upcoming global semester that During Downey's presentation, he begins in the fall. said business faculty members have "All of us next year—the entire already incorporated global themes campus community, including fac- in their courses because a shrinking ulty, staff and students will have an world dictated a change. opportunity to become involved with "The world we live in has gone the Global-Theme Semester." said through dramatic globalization," Larry Adams, an associate vice chan- Downey said. cellor for academic affairs. To adequately instruct students, The Global-Theme Semester will faculty members have had to incor- attempt to highlight the culture of porate global themes in their classes, Latin America countries and is a uni- he said. versity-wide effort to present His- Of 16 classes offered by the panic culture to the campus school, only one—a statistics class— community. did not have a sec'ion devoted to About 50 faculty members international aspects of business. attended the meeting in the Moudy Downey said. Building which convened in accor- Downey said the curriculum in the TCU Dally Skiff/ Aimee Hernng dance to the Faculty Senate constitu- M.J. -
California: the Land of Broken Dreams Laura Smith
First Class: A Journal of First-Year Composition Volume 2014 Article 7 Spring 2014 California: The Land of Broken Dreams Laura Smith Follow this and additional works at: https://dsc.duq.edu/first-class Recommended Citation Smith, L. (2014). California: The Land of Broken Dreams. First Class: A Journal of First-Year Composition, 2014 (1). Retrieved from https://dsc.duq.edu/first-class/vol2014/iss1/7 This Article is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in First Class: A Journal of First-Year Composition by an authorized editor of Duquesne Scholarship Collection. CALIFORNIA: THE LAND OF BROKEN DREAMS By Laura Smith, McAnulty College of Liberal Arts Instructor: Michael Begnal The well-renowned dream of moving to California and making it big in Hollywood is a classic Ameri- can dream. However, this dream is not all it seems. In fact, the Hollywood dream can be destructive, illusory, and unattainable. Hollywood is capable of changing people, and not necessarily for the better. In the novel The Day of the Locust and the filmThe Player, Nathanael West and Robert Altman respectively focus on the falsehood of the Hollywood dream. West characterizes Faye, Homer, and Harry as desperate for the seemingly promising lifestyle Hollywood supposedly offers in order to suggest that the Hollywood dream is impossible to achieve, while Altman develops the character of Griffin Mill by employing an eye- level camera angle to characterize him as a shallow producer who gets away with murder, utilizes framing in order to characterize Tom Oakley as an aspiring writer/director who succumbs to the pressures of Hol- lywood, and cohesively employs character placement and camera distance to characterize Bonnie Sherow as an underestimated woman who represents what Hollywood truly has to offer, all to demonstrate that the Hollywood lifestyle is deceptive and has the ability to change hopefuls into phonies. -
Cavanaugh Hall Amos Amos Them to Otoer Coleges and Universities (Hey Are Needed
G e e ) INSIDE FOCUS Classifieds 9 ■ Jam! Wait** wiD soon undergo ter Focus "T o fourth kidney transplant and she has Opinion 5 already found a donor -te r brother. Perspectives 7 Jami will now have received PAGE Sports 6 a kidney from each member Student Organizations 2 of the immediate family MOVD.W • \pril 20, W‘*2 • Vol. 21 • \u.32 Hx utvkK ncus|Ki|Hi' »f liKli.m.i I nivtrsinl’imlui- I niu-rsii, ill Indianapolis School hosts open house; Trafford wins recruits USA election teens, adults ■ Visitors find career options while watching laser shows, by 30 votes mousetrap car competitions. ■ Extra voting day benefits By. CHAR AE JACOBS senior whose previous margin LaKcwha Hyde had been cunudaing of victory was nine votes. ■ career in computers until the visited the School of Engineering and Technotogyi Open Home lau Monte) By CHERYL MATTHEWS S4W*nH>r* Staff «»u> I wanted a career in computers, but after this, I may consider a career in For Bill Trafford. the wail is over, engineering.*' said Hyde, a freshman at least unofficially at Broad Ripple High School Last Saturday. Trafford reaffirmed More than 400 people attended this his title of president of the From 8 am in noon. Trafford stood tvKxtey evert, said MjrJyn Scheneofce, Undergraduate Student Assembly outside the library (oyer, distributing Because the results of the presidential ihe ichool'i director of itudcnl Myers lu paxvervby Sudler campaigned developmeni election were contested by candidate ji the library arid the Mary Cable On April 12. d r open home attracted Steve Sudler on April 6. -
Movie Data Analysis.Pdf
FinalProject 25/08/2018, 930 PM COGS108 Final Project Group Members: Yanyi Wang Ziwen Zeng Lingfei Lu Yuhan Wang Yuqing Deng Introduction and Background Movie revenue is one of the most important measure of good and bad movies. Revenue is also the most important and intuitionistic feedback to producers, directors and actors. Therefore it is worth for us to put effort on analyzing what factors correlate to revenue, so that producers, directors and actors know how to get higher revenue on next movie by focusing on most correlated factors. Our project focuses on anaylzing all kinds of factors that correlated to revenue, for example, genres, elements in the movie, popularity, release month, runtime, vote average, vote count on website and cast etc. After analysis, we can clearly know what are the crucial factors to a movie's revenue and our analysis can be used as a guide for people shooting movies who want to earn higher renveue for their next movie. They can focus on those most correlated factors, for example, shooting specific genre and hire some actors who have higher average revenue. Reasrch Question: Various factors blend together to create a high revenue for movie, but what are the most important aspect contribute to higher revenue? What aspects should people put more effort on and what factors should people focus on when they try to higher the revenue of a movie? http://localhost:8888/nbconvert/html/Desktop/MyProjects/Pr_085/FinalProject.ipynb?download=false Page 1 of 62 FinalProject 25/08/2018, 930 PM Hypothesis: We predict that the following factors contribute the most to movie revenue. -
P. Iovino Resume
PETER IOVINO H: (323) 876-6236 C: (213) 447-4686 [email protected] UNIT STILL PHOTOGRAPHY PITCH PERFECT Anna Kendrick, Skylar Astin, Anna Camp Universal THE THREE STOOGES Chris Diamantopoulos, Sean Hayes, Will Sasso 20th Century Fox THE ARTIST Jean Dujardin, B. Bejo, James Cromwell The Weinstein Co. CINEMA VERITE Diane Lane, Tim Robbins HBO HALL PASS Owen Wilson, Christina Applegate New Line LIFE AS WE KNOW IT Katherine Heigl, Josh Duhamel Warner Bros. THE BACK UP PLAN Jennifer Lopez, Alex O’Loughlin CBS Films DEXTER (seasons 1,2,&3) Michael C. Hall Showtime BAND SLAM (part) Vanessa Hudgens, Alyson Michalka Summit Ent. THE UNBORN Odette Yustman, Gary Oldman Rogue Pictures PINK PANTHER 2 Steve Martin, John Cleese, Andy Garcia Columbia MADE OF HONOR Patrick Dempsey, Michelle Monaghan Columbia TWENTY ONE (“21”) Kevin Spacey, Lawrence Fishbourne Columbia STICK IT Jeff Bridges, Missy Peregrm Touchstone WEEDS (season 1) Mary L. Parker, Elizabeth Perkins Showtime JUST LIKE HEAVEN Reese Witherspoon, Mark Ruffalo Dreamworks AMITYVILLE HORROR Melissa George, Ryan Reynolds MGM THE GIRL NEXT DOOR Elisha Cuthbert, Emile Hirsch 20TH Century Fox WIN A DATE WITH TAD HAMILTON Josh Duhamel, Kate Bosworth Dreamworks SWEET HOME ALABAMA Reese Witherspoon, Josh Lucas Disney THE HOT CHICK Rob Schneider, Rachel McAdams Disney STUART LITTLE 2 Geena Davis, Hugh Laurie Columbia MONKEYBONE Brendan Fraser, Bridgit Fonda 20TH Century Fox HOUSE ON HAUNTED HILL (part) Geoffrey Rush, Famke Janssen Warner Bros STUART LITTLE Geena Davis, Hugh Laurie Columbia PAULIE, A PARROT’S TALE Gena Rowlands, Jay Moore Dreamworks KRIPPENDORF’S TRIBE (part) Richard Dreyfuss, Jenna Elfman Touchstone SPAWN John Leguizamo, Michael Jai White New Line HUSH Jessica Lange, Gwyneth Paltrow Columbia CRIME OF THE CENTURY Stephen Rae, Isabella Rossellini HBO THE CRAFT Faruza Balk, Robin Tunney Columbia BEAUTIFUL GIRLS (part) Tim Hutton, Uma Thurman, Matt Dillon Miramax GREEDY Kirk Douglas, Michael J. -
The Man on the Train
TRIBECA FILM IN PARTNERSHIP WITH AMERICAN EXPRESS PRESENTS JON GOODMAN ENTERTAINMENT PRESENTATION IN ASSOCIATION WITH 120DB FILMS MAPLE PICTURES AND AFFINITY INTERNATIONAL A PEMBRIDGE PICTURE A PROSPERO PICTURES PRODUCTION DONALD SUTHERLAND LARRY MULLEN JR THE MAN ON THE TRAIN ADAPTED BY MARY MCGUCKIAN BASED ON THE FILM DIRECTED BY PATRICE LECONTE “L’HOMME DU TRAIN” SCREENPLAY BY PATRICE LECONTE AND CLAUDE KLOTZ DIRECTED BY MARY MCGUCKIAN Opening on VOD October 28, 2011 Distributor: Publicity: Tribeca Film ID PR Tammie Rosen Dani Weinstein 212-941-2003 Sara Serlen [email protected] Sheri Goldberg 375 Greenwich Street 212-334-0333 New York, NY 10011 150 West 30th Street, 19th Floor New York, NY 10001 SYNOPSIS The English-language remake of Patrice Leconte's award-winning French film of the same name, The Man on the Train stars Donald Sutherland and musician Larry Mullen, Jr. in his acting debut. A mysterious criminal (Mullen Jr.) rolls into a small town planning to knock off the local bank, assuming it will go off without a hitch. But when he encounters a retired poetry professor (Sutherland), his plans take an unlikely turn. With no place to stay, the professor generously welcomes him into his home. As the two men talk, a bond forms between these two polar opposites, and surprising moments of humor and compassion emerge. As they begin to understand each other more, they each examine the choices they’ve made in their lives, secretly longing to live the type of lifestyle the other man has lived, based on the desire to escape their own. -
Ripped from the Headlines
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FILM CREDITS Last Update: 7/08
KERN COUNTY FILM CREDITS Last Update: 7/08 (TV) Made for Television (D) Documentary (S) Serial TITLE RELEASED LOCATION CAST Keystone Cops unknown Red Rock Canyon The Keystone Cops Opportunity 1913 Taft Fatty Arbuckle Cowboy and the Lady, The 1915 Mojave S. Miller Kent, Hellen Case Back To God's Country 1919 Kern River Valley Nell Shipman, Wheeler Oakman Branded a Bandit 1924 Robbers Roost Yakima Canutt, Alys Murrell King of the Wild Horses, The 1924 Old Kernville Edna Murphy, Charley Chase Man From God's Country, The 1924 Kern River Valley William Fairbanks, Dorothy Revier Greed 1925 Mojave Desert Gibson Gowland, Zasu Pitts White Thunder 1925 Old Kernville Yakima Canutt Wild Horse Canyon 1925 Red Rock Canyon, Kernville Yakima Canutt, Helene Rosson Battling Butler 1926 Bakersfield, Kern River Buster Keaton, Sally O'Neil, Walter James Born to the West 1926 Red Rock Canyon Jack Holt, Margaret Morris Hands Up! 1926 Red Rock Canyon George A Billings, Virginia Lee Corbin Beau Sabreur 1928 Red Rock Canyon Gary Cooper, Evelyn Brent Hell's Heroes 1930 Mojave Desert Charles Bickford, Raymond Hatton Under a Texas Moon 1930 Red Rock Canyon Frank Fay, Myrna Loy Cimarron 1931 Kern River Valley Richard Dix, Irene Dunne Lightning Warrior, The (S) 1931 Old Kernville Rin Tin Tin Phantom of the West, The 1931 Old Kernville Tom Tyler, William Desmond Range Feud 1931 Kernville John Wayne, Buck Jones Vanishing Legion, The 1931 Old Kernville Harry Carey, Edwina Boothe Border Devils 1932 Kern River Valley Harry Carey, Gabby Hayes Flaming Guns 1932 Red Rock Canyon -
Westminster Today-The Sun Power Campus
The Abbey, situated within Westminster, is a unique community that has been pre-planned and engineered to fulfill your every desire. Only minutes from downtown Denver and the colorful Rocky Mountains, The Abbey provides convenience and comfort in each of its homes. Special attention has been given to the wants and needs of the housewife and her family in creating this community so that they may more fully enjoy their way of life in a single family home. The time, effort and planning that developed the Abbey means that each home is built just for you with your dreams in mind. "The Dickens", basically a two bedroom, one bath home, can be expanded to include four bedrooms, a recreation room and two baths. 'The Byron" is designed with rhree bedrooms, three baths and is two stories, and "The Wellington" is a two bedroom, two story home that includes a den and three baths. 92nd and Lowell Boulevard Your builders at the Abbey, William Skufca & James Shelton, designed this Colorado community so that the homes are situated on minimum-maintenance lots and each home is a single-family dwelling. The Abbey is designed with you in mind because Skufca & Shelton want yo1.1 to enjoy ~ SKUFCA& Colorado living. ~ SHELTON Don't settle for an ordinary home that isn't exactly what 6671 South Broadway you had in mind. Instead come and see the Abbey and let Littleton, Colorado 80126 Skufca & Shelton build a home just for you. Show homes 429-8650 From the mid 40's. Main Office 794-2671 Welcome to Today There ore few communities offering as much to their It has progressive and innovative leaders. -
Lovecraftian Horror 1 Lovecraftian Horror
Lovecraftian horror 1 Lovecraftian horror Fantasy Media • Anime • Art • Fantastic • Artists • Authors • Comics • Films • Literature • Magazines • Television • Webcomics Genre studies • Contemporary fantasy • Creatures • Fantastic • Fantastique • History • Lovecraftian horror • Magic • Magician • Races • Religious themes • Sources • Tolkien fandom • Tropes and conventions • Worlds Categories • Fantasy • Awards • Subgenres • Television • Tropes • Portal • v • t [1] • e Lovecraftian horror is a sub-genre of horror fiction that emphasizes the cosmic horror of the unknown (and in some cases, unknowable) over gore or other elements of shock, though these may still be present. It is named after American author H. P. Lovecraft (1890–1937). Lovecraftian horror 2 Origin Lovecraft refined this style of storytelling into his own mythos that involved a set of supernatural, pre-human, and extraterrestrial elements. His work was inspired by and similar to previous authors such as Edgar Allan Poe, Algernon Blackwood and Lord Dunsany The hallmark of Lovecraft's work is cosmicism: the sense that ordinary life is a thin shell over a reality that is so alien and abstract in comparison that merely contemplating it would damage the sanity of the ordinary person. Lovecraft's work is also steeped in the insular feel of rural New England, and much of the genre continues to maintain this sense that "that which man was not meant to know" might be closer to the surface of ordinary life outside of the crowded cities of modern civilization. However, Lovecraftian horror is not restricted to the countryside; "The Horror at Red Hook", for instance, is set in a crowded ethnic ghetto. Themes of Lovecraftian horror Several themes found in Lovecraft's writings are considered to be components of a "Lovecraftian" work: • Anti-anthropocentrism, misanthropy in general. -
The Goodland Star-News / Friday, August 1, 2003 5 Abigail and Ever Since Then He Accuses Me of Unless Your Husband Can Over- Are Any Laws Against This
The Goodland Star-News / Friday, August 1, 2003 5 abigail and ever since then he accuses me of Unless your husband can over- are any laws against this. I was Abby? — SAFETY-CONSCIOUS Husband having affairs with many men. He come his “convenient amnesia” and hoping an information flier was IN NORTHERN CALIFORNIA van buren continuously recounts “my indis- is willing for both of you to make a available that I could share with her, DEAR SAFETY-CONSCIOUS cretion,” forgetting what led up to it. fresh start, his guilt, suspicion and but there was not. An officer asked MOM: It would have been better to has convenient Jerry scrutinizes my cell phone inability to forgive will destroy your me to describe the woman’s vehicle have spoken directly to the woman, •dear abby bills and calls unfamiliar numbers to marriage. and the approximate time of day she or to the principal of the school. amnesia find out who I’m talking to. It is DEAR ABBY: Several times over came to the school. Adults should NEVER leave child- driving me crazy. We both agree we the past month while I was dropping Evidently, the police officer men- ren alone in a vehicle with the engine DEAR ABBY: My husband, He begged for forgiveness and came want to be together, but I can’t take off or picking up my son from pre- tioned to the mother that “another running. What that mother did was “Jerry,” and I have been married for home professing his love for me and his accusations any longer.