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Hitler's Germania: Propaganda Writ in Stone
Bard College Bard Digital Commons Senior Projects Spring 2017 Bard Undergraduate Senior Projects Spring 2017 Hitler's Germania: Propaganda Writ in Stone Aaron Mumford Boehlert Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2017 Part of the Architectural History and Criticism Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Boehlert, Aaron Mumford, "Hitler's Germania: Propaganda Writ in Stone" (2017). Senior Projects Spring 2017. 136. https://digitalcommons.bard.edu/senproj_s2017/136 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Hitler’s Germania: Propaganda Writ in Stone Senior Project submitted to the Division of Arts of Bard College By Aaron Boehlert Annandale-on-Hudson, NY 2017 A. Boehlert 2 Acknowledgments This project would not have been possible without the infinite patience, support, and guidance of my advisor, Olga Touloumi, truly a force to be reckoned with in the best possible way. We’ve had laughs, fights, and some of the most incredible moments of collaboration, and I can’t imagine having spent this year working with anyone else. -
Phase One at the Dyeworks Phase One at the Dyeworks
PHASE ONE AT THE DYEWORKS PHASE ONE AT THE DYEWORKS External example - The Factory PAGE 3 INTRO 4 LUXURY LIVING 6 SPECIFICATIONS 22 INVESTMENT 29 FORSHAW 42 CONTACT 44 PHASE ONE AT THE DYEWORKS Example External - The Factory PAGE 5 THE FACTORY AT THE DYEWORKS Located in the city of Salford by the River Irwell, The Factory at The Dye Works is a brand new residential development which contains 232 stunning apartments spread across three buildings up to nine storeys. The images provided in this document are intended as a guide and could be subject to change. PHASE ONE AT THE DYEWORKS The Factory includes a range of luxury one, two and three bedroom apartments as well as two and three bedroom duplexes which are designed to the highest standard to provide residents with luxury living. All apartments will be fully furnished with high quality fixtures and fittings, and will feature a spacious living room as well LUXURY as a contemporary German engineered kitchen. To complement the rental experience, Dye Works offer a range of on-site amenities, gymnasium, communal lounges that provide adaptable space, be it for watching movies, gaming or social gatherings and rooftop gardens to enjoy private LIVING outside space. All in addition to the excellent range of shops, bars and restaurants which can be found in the local area accessible on foot, public transport or cycling, with on-site cycle storage provided. Residents can easily access Manchester city centre and Salford Quays/Media City as both are within walking distance and also well connected with frequent bus services throughout the day. -
CV 2010! Between Times
Clare Strand CV Born 1973! Living and working in Brighton Uk.! www.clarestrand.co.uk! http://clarestrand.tumblr.com! !www.macdonaldstrand.co.uk.! ! ! Solo Exhibitions! 2015 ! Grimaldi Gavin. london . (Title TBC)! 2014! Further Reading. National Museum Of Krakow. Photomonth, Krakow.! 2013! Arles Discovery Award. Rencontre Arles. France.! 2012! Tacschenspielertrick, Forum Fur Fotografie, Cologne. Germany.! 2011! Sleight, Brancolini Grimaldi Gallery, London.! 2009! Clare Strand Fotographie Und Video, Museum Fur Photograhie Braunschweig,! Germany.! Clare Strand Fotographie Und Video, Museum Folkwang, Essen, Germany.! 2008! Clare Strand Recent Works, Fotografins Hus, Stockholm Sweden.! 2005! The Betterment Room – Devices for Measuring Achievement, Senko Studio. Denmark.! 2003! Gone Astray, London College of Communication, London.! 2000! Wasted, Galleri Image, Aarhus, Denmark.! 1998! Seeing Red, Museum of Photography Film and Television, Bradford, England; Imago! Festival, Universidad Salamanca, Spain; Viewpoint Gallery, Salford, England and! Royal Photographic Society, Bath England.! 1997! !The Mortuary, F-Stop Gallery, Bath.! ! Group Exhibitions.! 2015! A History of Art, Archetecture, Design from the 1980’s until Today. curated by Christiane Macel. Center Pompidou. Paris France.! European Portraits ( working title) The Centre of Fine Arts, Brussels, Bozor, Nedermands Fotomuseum , Rotterdam and The National Museum of Photography in Thessaloniki .! 2014! (Mis) Understanding Photography, Folkwang Museum, Essen, Germany. Curated by Florian Ebner! -
TPG Exhibition List
Exhibition History 1971 - present The following list is a record of exhibitions held at The Photographers' Gallery, London since its opening in January 1971. Exhibitions and a selection of other activities and events organised by the Print Sales, the Education Department and the Digital Programme (including the Media Wall) are listed. Please note: The archive collection is continually being catalogued and new material is discovered. This list will be updated intermittently to reflect this. It is for this reason that some exhibitions have more detail than others. Exhibitions listed as archival may contain uncredited worKs and artists. With this in mind, please be aware of the following when using the list for research purposes: – Foyer exhibitions were usually mounted last minute, and therefore there are no complete records of these brief exhibitions, where records exist they have been included in this list – The Bookstall Gallery was a small space in the bookshop, it went on to become the Print Room, and is also listed as Print Room Sales – VideoSpin was a brief series of worKs by video artists exhibited in the bookshop beginning in December 1999 – Gaps in exhibitions coincide with building and development worKs – Where beginning and end dates are the same, the exact dates have yet to be confirmed as the information is not currently available For complete accuracy, information should be verified against primary source documents in the Archive at the Photographers' Gallery. For more information, please contact the Archive at [email protected] -
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Provided by the author(s) and University College Dublin Library in accordance with publisher policies. Please cite the published version when available. Title Dublin Town Planning Competition: Ashbee and Chettle's The New Dublin - A Study in Civics Authors(s) Bannon, Michael J. Publication date 1998 Series Planning and Environmental Policy Research Series; Occasional Paper No. 6 Publisher University College Dublin. School of Geography, Planning and Environmental Policy Item record/more information http://hdl.handle.net/10197/6165 Downloaded 2021-10-02T14:17:14Z The UCD community has made this article openly available. Please share how this access benefits you. Your story matters! (@ucd_oa) © Some rights reserved. For more information, please see the item record link above. 1111111111111111111111111111111111 90019240 Dublin Town Planning Competition: Ashbee & Chettle's The New Dublin - A Study in Civics ' I Professor Michael J. Bannon Professor and Head of Department Occasional Paper No. 6 August 1998 Copies available from: Department of Regional & Urban Planning University College Dublin Richview, Clonskeagh Dublin 14, Ireland Price: 10.00 ISBN: 1-898473-98-6 While the Department of Regional and Urban Planning has taken all reasonable steps to ensure that the information contained in this paper is accurate, such information is not guaranteed. The Department of Regional and Urban Planning will not be held responsible for individual decisions taken as a result of information contained in this paper which is only intended for general reference purposes. The paper is neither an interpretation of the relevant laws nor a representation of a particular state of,~jI~(, Table of Contents 1. Background and Context 1 2. -
Preservation Special Edition
PRESERVATION SPECIAL EDITION ISSUE 35 BROADSHEET Magazine of the Scottish Council on Archives WELCOME number 35 Welcome to the conservation and preservation issue of Broadsheet. You will see that many of the pieces touch on the impact of calamitous disasters not only on collections of objects, but also on the communities affected by the shock and loss that fire and floods leave in their wake. Disaster is never a welcome guest. Nonetheless, the better prepared we are if and when it strikes, the greater chance we have to safeguard both people and collections. At the SCA ‘Fire in the Archives’ event in September, speakers from the National Library of Wales and The Glasgow School of Art showed us that if there is a COVER IMAGE positive to be retrieved from disaster, it is in the valuable lessons we Johannes Regiomontanus: Calendar can learn from those that have been through it. (printed in Venice by Erhard Ratdolt, 9 August 1482). Featuring an instrument As the Convener of the Scottish Council on Archives Preservation with two moveable volvelles showing the Committee, I’m encouraging all archive services in Scotland to motion of the moon. University of complete our online Conservation and Preservation survey. The Glasgow Special Collections Scottish Council on Archives Preservation Committee aims to take a strategic approach to identify priority areas for action relating to the www.scottisharchives.org.uk/uogspeccol preservation and conservation of Scotland’s archive collections and of course, the associated access issues. Disaster preparedness is CONTRIBUTORS integral however, we want to hear more from you about what the Linda Ramsay, Yoko Shiraiwa, Ruth overall preservation priorities and challenges are for your service. -
Romanian-German Relations Before and During the Holocaust
ROMANIAN-GERMAN RELATIONS BEFORE AND DURING THE HOLOCAUST Introduction It was a paradox of the Second World War that Ion Antonescu, well known to be pro- Occidental, sided with Germany and led Romania in the war against the Allies. Yet, Romania’s alliance with Germany occurred against the background of the gradually eroding international order established at the end of World War I. Other contextual factors included the re-emergence of Germany as a great power after the rise of the National Socialist government and the growing involvement of the Soviet Union in European international relations. In East Central Europe, the years following the First World War were marked by a rise in nationalism characterized by strained relations between the new nation-states and their ethnic minorities.1 At the same time, France and England were increasingly reluctant to commit force to uphold the terms of the Versailles Treaty, and the Comintern began to view ethnic minorities as potential tools in the “anti-imperialist struggle.”2 In 1920, Romania had no disputes with Germany, while its eastern border was not recognized by the Soviet Union. Romanian-German Relations during the Interwar Period In the early twenties, relations between Romania and Germany were dominated by two issues: the reestablishment of bilateral trade and German reparations for war damages incurred during the World War I German occupation. The German side was mainly interested in trade, whereas the Romanian side wanted first to resolve the conflict over reparations. A settlement was reached only in 1928. The Berlin government acted very cautiously at that time. -
Sunday, April 1 Using This Devotional –Easter Sunday– –Four Simple Steps–
SUNDAY, APRIL 1 USING THIS DEVOTIONAL –EASTER SUNDAY– –FOUR SIMPLE STEPS– 1. CENTER YOURSELF Sit quietly for 30 seconds or so to calm your mind and settle your spirit. Take a few deep breaths and get comfortable. 2. READ THE QUOTED VERSE(S) Each day’s reflection begins with a few lines of scripture. Take a moment to read the passage through once or twice. If you feel so inclined you may want to find the passage in your Bible and read the surrounding lines to see it in its larger context. 3. READ THE REFLECTION As you read the day’s reflection, ask yourself, “How do these words connect with my life?” 4. PRAY To end your quiet time, say a short prayer either aloud or to yourself. by Steve Erspamer WEDNESDAY, FEBRUARY 14 SATURDAY, MARCH 31 –ASH WEDNESDAY– –HOLY SATURDAY– Matthew 4:17 Genesis 28:10-17 From that time Jesus began to proclaim, And he (Jacob) dreamed that there was a ladder set up “Repent, for the kingdom of heaven has come near.” on the earth, the top of it reaching to heaven; and the angels of God were ascending and descending on it. Having handed out thousands of them with the Outdoor Church over the years, I like to think I know a thing or two about sandwiches. Should you one day make it to Jerusalem, you will no doubt also make your way to what many consider the holiest site in the world: the Here’s my biggest insight so far: order is everything. Church of the Holy Sepulchre, which they say is on the site of both Jesus' In case you were wondering, a sandwich with optimal flavor and crucifixion and of the tomb from which he was resurrected. -
Download Yam
yetanothermagazine filmtvmusic jun2009 the age of stupid and the future of film distribution kiss in lima!!! stick out your tongue with a rojo report. in this yam we review // star trek, x-men origins: wolverine, terminator salvation, the brothers bloom, up, the sounds, shiina ringo, green day, life on mars, house m.d., portugirl and more // asian invasions in music, in films, the asian entertainment industry is coming to america// film Number four is really an unlucky the age of stupid pg2 x-men origins: wolverine pg4 number. I had nothing on my cover. This might seem like a very terminator salvation pg5 Nothing!! Moreover, a lot of people mainstream edition, but I managed star trek pg6 the brothers bloom pg7 either completely backed out to sneak something here and there. short films pg8 (notice the lack of names in the up pg9 the year of the asian pg10 contribution area) or took forever I encourage you to send me your coming soon pg13 to send in their stuff, and I even had thoughts and contributions to lost my own way. [email protected] music kiss me... kiss pg14 the sounds - crossing the rubicon pg15 Only Rojo seemed interested in amywong // shiina ringo - ariamaru tomi single pg15 green day - 21st century breakdown pg16 making herself a name on this issue, ss501 - u r man pg16 but maybe that's because she was p.s.: nate, your client really sucks. shinee - romeo pg17 snds - gee pg17 high on weed. She really should 2pm - time for change pg17 write more stuff (and watch better tv movies), but stop the weed-writing life on mars pg18 since it makes it almost house m.d. -
NHS Greater Glasgow and Clyde Area
WEST GLASGOW COMMUNITY HEALTH AND CARE PARTNERSHIP COMMITTEE Tuesday, 16 February 2010 at 1:30 pm, Councillor Corridor, City Chambers AGENDA 1. Apologies: Councillor J McFadden, Matt Forde, Amanda Taylor 2. Minute of last meeting on 16 December 2009 Paper No. 09/77 GOVERNANCE 3. Financial and Capital Reports Paper No. 10/01 Reports of the Head of Finance 4. Public Partnership Forum: Progress Report Paper No. 10/02 Report of the Head of Planning and Health Improvement 5. Professional Executive/ Clinical and Care Governance Group Update Paper No. 10/03 Report of the Clinical Director FOR DECISION 6. CHCP Development Plan Paper No. 10/04 Report of the Head of Planning and Health Improvement 7. Committee Development Day Paper No. 10/05 Report of the Senior Organisational Development Adviser To Follow 8. Housing/ Tenancy Sustainment Protocol Paper No. 10/06 Report of the Head of Planning & Health Improvement FOR INFORMATION/ NOTING 9. Addictions: Fire & Rescue Paper No. 10/07 Report of the Head of Addictions 10. Equality Scheme Paper No. 10/08 Report of the Head of Planning and Health Improvement 11. Staff Partnership Forum: Update Paper No. 10/09 Report of the Head of Human Resources 12. Quarterly Absence Report Paper No. 10/10 Report of the Head of Human Resources Papers circulated for information: None GCHCPC(West)(M) 12/09 Paper No. 09/77 Minutes 6 GREATER GLASGOW NHS BOARD West Glasgow Community Health Care Partnership (CHCP) Committee Minutes of the Meeting held at 1.30pm on Tuesday, 15 December 2009 in the Councillors’ Corridor, City -
Introduction
Introduction Martin Parr is a chronicler of our age. In the face of the constantly growing flood of images released by the media, his photographs offer us the opportunity to see the world from his unique perspective. At first glance, his photographs seem exaggerated or even grotesque. The motifs he chooses are strange, the colours are garish and the perspectives are unusual. Parr's term for the overwhelming power of published images is "propaganda". He counters this propaganda with his own chosen weapons: criticism, seduction and humour. As a result, his photographs are original and entertaining, accessible and understandable. But at the same time they show us in a penetrating way that we live, how we present ourselves to others, and what we value. Leisure, consumption and communication are the concepts that this British photographer has been researching for several decades now on his worldwide travels. In the process, he examines national characteristics and international phenomena to find out how valid they are as symbols that will help future generations to understand our cultural peculiarities. Parr enables us to see things that have seemed familiar to us in a completely new way. In this way he creates his own image of society, which allows us to combine an analysis of the visible signs of globalisation with unusual visual experiences. In his photos, Parr juxtaposes specific images with universal ones without resolving the contradictions. Individual characteristics are accepted and eccentricities are treasured. The themes Parr selects and his inimitable treatment of them set him apart as a photographer whose work involves the creation of extensive series. -
Hepworth Wakefield Press Release
MODERN NATURE / BRITISH PHOTOGRAPHS FROM THE HYMAN COLLECTION 13 July 2018 – 22 April 2019 FREE ADMISSION Daniel Meadows National Portrait (Three Boys and a Pigeon) 1974 ‘From the deep indigo and black scarlets of the industrial heart we sailed through the unimaginable beauty of unspoiled countryside. These conflicting landscapes really shaped, I think, my whole life.’ - Barbara Hepworth on growing up in Wakefield For the first time in human history, more people are living in urban environments than in the countryside, yet the impulse to seek out nature remains as strong as ever. This new exhibition of photographs by leading British photographers such as Shirley Baker, Bill Brandt, Anna Fox, Chris Killip, Martin Parr and Tony Ray-Jones explores our evolving relationship with the natural world and how this shapes individuals and communities. Drawn from the collection of Claire and James Hyman, which comprises more than 3,000 photographs ranging from conceptual compositions to documentary-style works, Modern Nature will include around 60 photographs taken since the end of the Second World War, through the beginnings of de-industrialisation to the present day. It will explore the merging of urban and rural landscapes, the rapid expansion of cities and the increasingly intrusive management of the countryside. Rather than present a Romantic dichotomy between the rural and the urban, the exhibition presents a more contemporary sensibility that is frequently situated in the edgelands, the often scruffy margins, in which town blurs with countryside. A number of photographs on display, including The Caravan Gallery’s quizzical views of urban centres and Chris Shaw’s ‘Weeds of Wallasey’ series (2007–12), capture the ways in which nature infiltrates the city.