Vue Musicale NME
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Free Speech for Lawyers W
Hastings Constitutional Law Quarterly Volume 28 Article 3 Number 2 Winter 2001 1-1-2001 Free Speech for Lawyers W. Bradley Wendel Follow this and additional works at: https://repository.uchastings.edu/ hastings_constitutional_law_quaterly Part of the Constitutional Law Commons Recommended Citation W. Bradley Wendel, Free Speech for Lawyers, 28 Hastings Const. L.Q. 305 (2001). Available at: https://repository.uchastings.edu/hastings_constitutional_law_quaterly/vol28/iss2/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Constitutional Law Quarterly by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Free Speech for Lawyers BYW. BRADLEY WENDEL* L Introduction One of the most important unanswered questions in legal ethics is how the constitutional guarantee of freedom of expression ought to apply to the speech of attorneys acting in their official capacity. The Supreme Court has addressed numerous First Amendment issues in- volving lawyers,' of course, but in all of them has declined to consider directly the central conceptual issue of whether lawyers possess di- minished free expression rights, as compared with ordinary, non- lawyer citizens. Despite its assiduous attempt to avoid this question, the Court's hand may soon be forced. Free speech issues are prolif- erating in the state and lower federal courts, and the results betoken doctrinal incoherence. The leader of a white supremacist "church" in * Assistant Professor, Washington and Lee University School of Law. LL.M. 1998 Columbia Law School, J.D. 1994 Duke Law School, B.A. -
2 Punk – Eine Einleitung
DIPLOMARBEIT Titel der Diplomarbeit „Die Geschichte des Punk und seiner Szenen“ >Band 1 von 1< Verfasser Armin Wilfling angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, 2009 Studienkennzahl lt. A 316 Studienblatt: Studienrichtung lt. Musikwissenschaft Studienblatt: Betreuerin / Betreuer: Dr. Emil Lubej Die Geschichte des Punk und seiner Szenen, Armin Wilfling Seite 2 1 KURZBESCHREIBUNGEN...................................................................................................................... 7 1.1 DEUTSCHSPRACHIGE ZUSAMMENFASSUNG ........................................................................................... 7 1.2 ENGLISH ABSTRACT .............................................................................................................................. 7 2 PUNK – EINE EINLEITUNG.................................................................................................................... 9 2.1 STILDEFINIERENDE MERKMALE DES PUNKS ......................................................................................... 9 2.2 LESEANLEITUNG ................................................................................................................................. 13 3 PUNK – EINE GESCHICHTE ................................................................................................................ 15 3.1 URSPRÜNGE UND VORLÄUFER ............................................................................................................ 17 3.1.1 Garage Rock................................................................................................................................. -
The Construction of Hip Hop Identities in Finnish Rap Lyrics Through English and Language Mixing
UNIVERSITY OF JYVÄSKYLÄ ”BUUZZIA, BUDIA JA HYVÄÄ GHETTOBOOTYA” - THE CONSTRUCTION OF HIP HOP IDENTITIES IN FINNISH RAP LYRICS THROUGH ENGLISH AND LANGUAGE MIXING A Pro Gradu Thesis in English by Elina Westinen Department of Languages 2007 HUMANISTINEN TIEDEKUNTA KIELTEN LAITOS Elina Westinen ”BUUZZIA, BUDIA JA HYVÄÄ GHETTOBOOTYA” - THE CONSTRUCTION OF HIP HOP IDENTITIES IN FINNISH RAP LYRICS THROUGH ENGLISH AND LANGUAGE MIXING Pro gradu –tutkielma Englannin kieli Joulukuu 2007 141 sivua Englannin kielen rooli ja asema maailmankielenä on kiistaton, ja Suomessakin englannin kieltä käytetään monilla eri aloilla. Juuriltaan amerikkalaisesta hip hop – kulttuuristakin on viime vuosina kasvanut globaali nuorisokulttuuri, joka on saavuttanut pysyvän aseman Suomessa. Tämän tutkimuksen tarkoituksena on selvittää, miten hip hop –identiteetti rakentuu suomalaisissa rap–lyriikoissa. Päätavoitteena on tutkia, millainen hip hop –identiteetti muodostuu lyriikoiden englannin kielen ja kielten sekoittumisen (suomi ja englanti) kautta. Tutkimuksen aineistona käytetään kolmen eri hip hop –artistin ja – ryhmän (Cheek, Sere & SP ja Kemmuru) lyriikoita 2000-luvulta. Niiden pääkieli on suomi, mutta kaikissa kappaleissa on myös englanninkielisiä elementtejä. Sanojen tarkkojen alkuperien sekä muun tiedon selvittämiseksi olen tarvittaessa konsultoinut itse artisteja. Analyysissä identiteetin käsitetään rakentuvan osaltaan kielen avulla. Identiteetti rakentuu diskursseissa, ja se on muuttuva ja monitahoinen. Aineiston analyysissä kielenvaihtelu ymmärretään joko a) kielten sekoittumisena, josta syntyy kokonaan uusi kieli/kielellinen tyyli tai b) koodinvaihtona, joka on merkityksellistä diskurssin paikallisella tasolla. Tulokset osoittavat, että rap–lyriikoissa pikemminkin sekoitetaan suomen ja englannin kieltä (language mixing) kuin vaihdetaan koodia. Näin ollen muodostuu uusi, suomalaisille rap–lyriikoille ominainen kieli ja tyyli. Usein hip hop -englannin sanoja ja fraaseja taivutetaan suomen ortografian, morfologian tai molempien mukaan. Joskus lyriikoissa esiintyy myös ns. -
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people. -
Peace Punks and Punks Against Racism: Resource Mobilization and Frame Construction in the Punk Movement
Music and Arts in Action | Volume 2 | Issue 1 PEACE PUNKS AND PUNKS AGAINST RACISM: RESOURCE MOBILIZATION AND FRAME CONSTRUCTION IN THE PUNK MOVEMENT MIKE ROBERTS & RYAN MOORE Department of Sociology | San Diego State University | USA* Department of Sociology | Florida Atlantic University | USA ABSTRACT In recent years, scholars have begun to attend to the gap in our understanding of the relationship between music and social movements. One such example is Corte’s and Edwards’ “White Power Music and the Mobilization of Racist Social Movements.” Our research shares the perspective of Corte and Edwards (2008) which emphasizes the centrality of music to social movement organizations, especially in terms of resource mobilization, but rather than look at how punk music was used as an instrument by an external social movement like the White Power movement, we look at how punks themselves joined social movements and altered the dynamics of the movements they joined. We also provide examples of punk involvement in left wing social movements to emphasize the indeterminate nature of punk politics. We examine two such cases: the Rock Against Racism movement in the U.K., and the Peace movement in the U.S. In both cases, punks made use of their independent media as a means to provide an infrastructure for mobilization of resources to sustain the punks’ involvement in these social movements and the unique framing provided by punks, which altered the dynamic of the movements they joined. What makes punk an interesting case is that the “do-it-yourself” ethic of independent media construction that was at the centre of the punk movement made it possible for punks to make connections to various other social movements as well as alter the dynamics of those social movements. -
Materials on Proposed Changes to Rule 23
Materials on Proposed Changes to Rule 23 Prepared for the First Annual Civil Procedure Workshop July 2015 1 of 234 June 17, 2015 Colleagues, As you know, the Advisory Committee on Civil Rules is presently considering amendments to Rule 23 of the Federal Rules of Civil Procedure. Several members of the Advisory Committee will attend a session of the Civil Procedure Workshop on July 17, 2015, to discuss their work with attendees. I have assembled materials on several of these proposed amendments, should any of you wish to prepare for our roundtable discussion with the Advisory Committee members. These materials consist chiefly of Advisory Committee documents, significant U.S. Court of Appeals decisions on the issues that several of the proposed amendments address, and pertinent sections from the American Law Institute’s Principles of the Law of Aggregate Litigation. I have not included any secondary literature, with the exception of a Judicature article by Richard Marcus introducing the Advisory Committee’s agenda. (Prof. Marcus is the committee’s associate reporter.) If you wish to read more than what I have excerpted here, I have compiled a short list of some additional reading below. The included materials and the suggested articles are based on a judgment as to what would be helpful in getting someone up to speed on the Advisory Committee’s deliberations. They are hardly comprehensive, and I harbor no illusion that I have necessarily identified all the key texts. I’m hopeful that they will help get you started. See you in Seattle, Dave Marcus Professor of Law University of Arizona Rogers College of Law Suggested Additional Reading General • Robert H. -
MA/ Mustcwet for Everyone in the Business of Music 20APRIL1996
MA/ mustcwet For Everyone in the Business of Music 20APRIL1996 £3.10 Frontlinethumbsup - ^ Columbia UKtempts boosts Michael LP 6 Prodigy forthechart ! Dohertybacktobase today (April 22). ' EngHshman Ged Doherty back to the * ing^iœ: fortu^fomflàbet wW take on fte new rôle in June. He mil Machine and Oasis in the US and UK's top albums label. But in the first SEHF2:Srora-t ment.Doherty For buUt 10 hisyears, career he representedin manage- adds,living and"Opportunities working again like in London.this don't He Yatesdirector - -the will label's continue former to oversee marketing the IliSII! mm m % ' A ilililliH EMI and Virgin take early '96 iead et# ,R NO 1 i:N()l CM .o v !•: Ifirgin's^chiCTement ' in the albums formance. ^ Despitc falLg from its position as wea ^|: wanaoïe ftpn .imited Editio friple Vinyl w 2 page bookl ncludes 2 uni Tonight Repri UK Goltl Spain Gold France Goid Italy Goid Denmark Siiver TV ADVERTISED IN MAY NATIONAL FLYPOSTING GIG VENUE FLYPOSTING MUSIC PRESS AOS ACROSS THE BOARD P.O.S. MATERIAL UK TOUR DATES May 7th Birmingham, NEC ^ May 8th Manchester ^^^^na May lOth Glasgr May 14th London, wembley Arena Tonight Tonighf taken from the critically 'Mellon Collie And The I wiil be reieased on MAY on 2 x CD and MC. Each PREVIOUSLY UNRELE THE SMASHING PUMPKINS ALBUM SALES TO DATE WORLDWIDE 11 MILLION MCA Music Publlshing GEORGEMICHiCLFASTLOVEIMYOURMAN NEW SINGLE ■ 22nd April • CD & 12" fcnturc FASTLOVE Part I & 11 frjE NEWSDESK: 0171 921 5990 or NEWSFILE Five plead guilty to defrauding MCPS Williams takes new Woolworths rôle Five people pleaded It is understood the Crown bers, although a su Woolworths has appointed Clara Williams as its new MCPS nt the limer London Crown caseProsecution after ServiceMCPS broughtdiscovcred the be held back as a trading manager (or the entertainment division. -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
Mark Summers Sunblock Sunburst Sundance
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red Total Hits : 1 Total Weeks : 11 indicates a Number 1, a line in blue indicate a Top 10 hit. SUNFREAKZ Belgian male producer (Tim Janssens) MARK SUMMERS 28 Jul 07 Counting Down The Days (Sunfreakz featuring Andrea Britton) 37 3 British male producer and record label executive. Formerly half of JT Playaz, he also had a hit a Souvlaki and recorded under numerous other pseudonyms Total Hits : 1 Total Weeks : 3 26 Jan 91 Summers Magic 27 6 SUNKIDS FEATURING CHANCE 15 Feb 97 Inferno (Souvlaki) 24 3 13 Nov 99 Rescue Me 50 2 08 Aug 98 My Time (Souvlaki) 63 1 Total Hits : 1 Total Weeks : 2 Total Hits : 3 Total Weeks : 10 SUNNY SUNBLOCK 30 Mar 74 Doctor's Orders 7 10 21 Jan 06 I'll Be Ready 4 11 Total Hits : 1 Total Weeks : 10 20 May 06 The First Time (Sunblock featuring Robin Beck) 9 9 28 Apr 07 Baby Baby (Sunblock featuring Sandy) 16 6 SUNSCREEM Total Hits : 3 Total Weeks : 26 29 Feb 92 Pressure 60 2 18 Jul 92 Love U More 23 6 SUNBURST See Matt Darey 17 Oct 92 Perfect Motion 18 5 09 Jan 93 Broken English 13 5 SUNDANCE 27 Mar 93 Pressure US 19 5 08 Nov 97 Sundance 33 2 A remake of "Pressure" 10 Jan 98 Welcome To The Future (Shimmon & Woolfson) 69 1 02 Sep 95 When 47 2 03 Oct 98 Sundance '98 37 2 18 Nov 95 Exodus 40 2 27 Feb 99 The Living Dream 56 1 20 Jan 96 White Skies 25 3 05 Feb 00 Won't Let This Feeling Go 40 2 23 Mar 96 Secrets 36 2 Total Hits : 5 Total Weeks : 8 06 Sep 97 Catch Me (I'm Falling) 55 1 20 Oct 01 Pleaase Save Me (Sunscreem -
A Journal of the Radical Gothic
issue #1 gracelessa journal of the radical gothic And the ground we walk is sacred And every object lives And every word we speak Will punish or forgive And the light inside your body Will shine through history Set fire to every prison Set every dead man free “The Sound Of Freedom” Swans cover photograph by Holger Karas GRACELESS Issue one, published in February 2011 Contributors and Editors: Libby Bulloff (www.exoskeletoncabaret. com), Kathleen Chausse, Jenly, Enola Dismay, Johann Elser, Holger Karas (www. seventh-sin.de), Margaret Killjoy (www. birdsbeforethestorm.net). Graceless can be contacted at: www.graceless.info [email protected] This work is licensed under the Creative Commons Attribution-NonCommercial- ShareAlike 3.0 Unported License. To view a copy of this license, visit http:// creativecommons.org/licenses/by-nc-sa/3.0/ or send a letter to: Creative Commons 171 Second Street, Suite 300 San Francisco, California, 94105 USA What this license means is that you are free (and encouraged) to take any content from Graceless and re-use it in part or whole, or make your own work that incorporates ours, as long as you: attribute the creator of the work, share the work with the same license, and are using the product non-commercially. Note that there is a photograph that is marked as copyright to its creator, which was used with permission and may not be included in derivative works. We have chosen a Creative Commons licensing because we believe in free cultural exchange but intend to limit the power of capitalism to co-opt our work for its twisted ends. -
The Art Worlds of Punk-Inspired Feminist Networks
! The Art Worlds of Punk-Inspired Feminist Networks ! ! ! ! ! ! A social network analysis of the Ladyfest feminist music and cultural movement in the UK ! ! ! ! ! ! A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities ! ! ! 2014 ! ! Susan O’Shea ! ! School of Social Sciences ! ! Chapter One Whose music is it anyway? 1.1. Introduction 12 1.2. Ladyfest, Riot Girl and Girls Rock camps 14 1.2.1. Ladyfest 14 1.2.2. Riot Grrrl 16 1.2.3. Girls Rock camps 17 1.3. Choosing art worlds 17 1.4. The evidence: women’s participation in music 20 1.5. From the personal to the political 22 1.6. Thesis structure 25 Chapter Two The dynamics of feminist cultural production 2.1. Introduction 27 2.2. Art Worlds and Becker’s approach 29 2.3. Punk, Riot Grrrl and Ladyfest 32 2.3.1. Punk 33 2.3.2. Riot Grrrl 34 2.3.3. Ladyfest 40 2.4. The political economy of cultural production 41 2.5. Social movements, social networks and music 43 2.6. Women in music and art and the translocal nature of action 48 2.6.1. Translocality 50 2.7. Festivals as networked research sites 52 2.8. Conclusion 54 Chapter Three Methodology 3.1. Introduction 56 !2 ! 3.2. Operationalising Art Worlds, research aims and questions 57 3.3. Research philosophy 58 3.4. Concepts and terminology 63 3.5. Mixed methods 64 3.6. Ethics 66 3.6.1. Ethics review 68 3.6.2. -
Sügisel Kooli Uue Arvutiga Testis 12 Mudelit!
Testime! Kaamera Moodne kuvar Kõlarid Nikon D700 Dell iPodiga tuttu testis! Crystal Uus dokk toob iPodi magamistuppa Võistlustules särab Kui sulle neli projektorit loeb välimus kodukinole kõige enam Sügisel kooli uue arvutiga Testis 12 mudelit! Kuhu anda ära oma vana iphone: arvuti? l TesT: uurime, kas iPhone on haip või ime Ajakiri+ l TOP 10 parimat fotoraamat programmi iPhone’ile l TOP 5 põhjust, miks uus iPhone on halb l Kuidas pääseda ligi Metal iTunes’i poele? Gear Solid 4 Nr 41, september 2008 Hind 39.90 kr Katsetame Uus hiir, mis puutetundliku mõeldud ainult ekraaniga GPSi naistele! Moodusta oma Perepakett! PerepaketigaP kõik vajalikud pangaasjad kuni 8-le inimesele vaidv 40 krooni kuus! • Tasuta maksed U-Netis ja pangaautomaadis • Krediitkaardil soodusintress • Tasuta ID-kaardi lugeja Vaata seb.ee/perepakett või küsi SEB pangakontorist. Tel 66 55 100 digi > september 2008 43 > Tagasi kooli Suures testis 11 õpilasele mõeldud sülearvutit: odavad, suured ja üsna võimsad värske kraam 28 > Creative HS-1200 Latt astme võrra kõrgemale 9 > Canon ja Nikon 29 > Garmin Oregon 300 Sõda jätkub Puutetundlik GPS matkajale 10 > Uudised 30 > Dell Crystal 22 tolli Roboteid ehitama! Disainitud Dell 12 > TOP 33 > Nikon D700 10 luhtunud mängukonsooli Meie uus absoluutne lemmik 14 > Uudised 36 > Samsung SGH-L700 Kuvarid ei tarbi energiat Telefon ka viskamiseks 16 > Tulevik 38 > Logitech Pure-Fi Dream Ventomobiil: tuuletarbijate uus väljakutse Toob iPodi öökapile laulma 21 > Naistekas 39 > Pinnacle Video Transfer Sony tegi digiraamid lihtsamaks Vilkuv