DOCSLIB.ORG

Humor and Chinese Culture 1St Edition Ebook

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Humor and Chinese Culture 1St Edition Ebook HUMOR AND CHINESE CULTURE 1ST EDITION PDF, EPUB, EBOOK Xiaodong Yue | 9781315412443 | | | | | Humor and Chinese Culture 1st edition PDF Book On humor. Encyclopedia Sets. We would like to ask you for a moment of your time to fill in a short questionnaire, at the end of your visit. Bicultural Hong Kong people are considered appropriate for cultural priming studies. French Books. Subject see all. And that, I tell myself, is literature. If you are going to display them on shelves, choose non-wood shelving such as glass, as wood can damage the paper and book bindings if it is not properly sealed with the right finish. You don't have to erase other cultures from your wardrobe altogether, but maybe question how they got there in the first place. A translation THIS good? Toni Morrison Signed. The words are simple and direct and contain bot As one who came of age in China during the Cultural Revolution, Yu Hua is well situated to compare and contrast Chinese communism and the capitalism-run-amok of the present, a system which is so awful in some respects that many Chinese have become nostalgic for the days of Mao. If you have any interest in Chinese culture, language, literature, history, or politics -- read this now! Liao, C. View all 3 comments. Culture and the self: implications for cognition, emotion, and motivation. Email Please enter a valid Username. The findings confirmed the previous findings and supported our hypotheses that Westerners view humor differently from Chinese Liao et al. In Study 2b, in an attempt to verify the cultural differences in perceptions about humorous people, we asked participants to give the names and occupations of up to three humorists they knew of. Only 1 left! Charles Darwin. Materials and Procedures Priming We used 26 priming pictures, 13 for each culture Figures 1 and 2 , from priming materials developed by Ng and Lai and based on the work of Hong et al. Collectible Maps. Hua's perspective as a public figure was illuminating in how he could critique Chinese society and still live in that society his stones come from within his own glasshouse. China in Ten Words makes the case better than I ever could. The answers I have heard take many forms. Without written authorization from CDIC, such content shall not be republished or used in any form. Binding see all. Sort order. Second, although the results of Study 2a are consistent with what we found in Studies 1 and 2b, it still bears the contamination of culture-related response biases e. Sort: Best Match. Proyer, Nancy Tandler and Kay Brauer 3. Horatio Alger. Monty told Insider she has seen a great deal of cultural appropriation of African hairstyles from European brands and individuals since then, claiming many styles and looks as their own. Next we present a detailed description of the two views on humor. I think knowing what I know of his past in China and how that country went through a dozen transitions over the last 60 years might make me appreciate his fiction more. In Study 2a, participants from Canada and China were asked to rate the importance of humor, self-humor, and sense of humor. Martin, anastasia Usova and Adam D. Clarity of vision: Xiaolu Guo. The solution to the problem is not formal redefinition of these terms but the telling of new stories which create new contextual meanings for these terms and re-establish national cohesion as an ideal. Humor Int. Over the last weekend of August, she posted a tribute to Notting Hill Carnival — which was was held online this year due to the coronavirus pandemic — wearing bantu knots and a Jamaican flag bikini top. President George W. Everyone immediately understood the implications. De Gruyter Saur. But it seemed perfectly acceptable at the time. Humor and Chinese Culture 1st edition Writer Hua Yu is a literate and literary observer of China and of life. Hua's perspective and voice is clear, funny and at times sharp and poignant. For years, critics of Pewds have been campaigning for YouTube to bar him from the platform to no avail. Leaves Of Grass. In college, I took a few courses about China, taught by Chinese. Contact with nature, sense of humor, and psychological well-being. Connect with:. Buying Format see all. Published in Taiwan and the U. After reading books by authors in Africa and India, we wrapped up the course by reading this first-hand account of China throughout the years. A leading-edge research firm focused on digital transformation. Barr Translator. Through words like "People", "Reading", "Copycat", the author provides vignettes of his own life e This is a truly remarkable book for its depth of feeling, simplicity, humour and elegance. After the experiment, all participants were debriefed, thanked, and dismissed. He said this is a huge problem within the music and entertainment industries. Triandis, H. Only a few studies have considered Western and Chinese cultural differences regarding the use and toleration of humor e. It uses ten common Chinese words to characterize modern China. If the reader already knows something about this historical period, the book will be even more meaningful. Snapchat icon A ghost. This made me wonder what I'm doing today that may one day be construed as immoral. Easily read eBooks on smart phones, computers, or any eBook readers, including Kindle. More refinements More refinements I learned a lot about China, but also about how to observe and analyze cultural habits. To ask other readers questions about China in Ten Words , please sign up. View on ScienceDirect. Allport, G. Dec 29, Kevin rated it it was amazing. The author uses Chinese words at the start of each chapter to describe his life in China. Cross Cultural Perspectives on Humor. Aligned with our cultural suppositions, we expected that Canadians would name humorous friends and family from their everyday lives, regardless of race or occupation, whereas the Chinese would name professional humorists from the entertainment industries Yue, Humor 17, — In each essay, he relates these words to recent Chinese history in particular, the Great Leap Forward and the Cultural Revolution and his own personal experiences. In philosophical terms, the problem is real but transcendent. Because the film was banned in China, it instantly made the novel a bestseller and Yu Hua a worldwide celebrity. China in Ten Words makes the case better than I ever could. Truly the most remarkable thing about Chinese culture is its robustness in the face of more or less continuous disruption, and its ability to recover. Details if other :. You May Also Like. First Edition Books. The 3. For example, humor has been consistently omitted from the list of qualities required for being a typical and creative Chinese thinker Rudowicz and Yue, , ; Rudowicz, ; Yue et al. Dec 11, Graeme Roberts rated it it was amazing. Consistent with those observations, Yue systematically reviewed Chinese perceptions and identified three Chinese ambivalences toward humor. Pilgrims Progress. If you have any interest in Chinese culture, language, literature, history, or politics -- read this now! See the list. Method Participants and Design Ninety-six Hong Kong college students 31 men, 65 women were recruited. With a tone of mock seriousness, he threw in a couple nonsensical mock-Chinese phrases. Our purpose was to determine whether study participants exposed to pictures associated with Chinese or Western culture would be induced to perceive different qualities in a humorous person. Humor and Chinese Culture 1st edition Reviews We value your input. Art lovers can now catch up on the latest pieces created by Chinese and British artists during quarantine in the comfort of their own homes, for instance, to see the ballet "Swan Lake" performed by world-class dancers in bathtubs. Many teachers in China must do as they are told and achieve high results with their students or face deduction of salary or dismissal. It might be interesting to look at American culture and language in the same time period the same way. Share your review so everyone else can enjoy it too. It is your right and your responsibility. Collectible Paper Ephemera. Average rating 3. It uses ten common Chinese words to characterize modern China. Begin by choosing the proper environment for the books and manuscripts, keeping them out of direct sunlight and away from moisture. The answers I have heard take many forms. Until next time Sep 27, Lauren rated it it was amazing Shelves: world-history , china-adjacent-lit , translated-works , essays , audiobooks , bios-memoirs , best-of Sold Items. Calling all HuffPost superfans! Having been to China first in the early 80's, before it took the Capitalist road, I found it deeply shocking. The best aspect of this book, though, is the translation. Thanks for telling us about the problem. Only 1 left! Yu Hua's book is one of my favorite recent finds. The essays are well done and very engaging and include such topics as leadership, revolution, "the people", economic disparity, and even knock-off imitation and "bamboozling". Dec 11, Patrice Hoffman rated it really liked it. If the headlines are anything to go by, Adele caused quite a stir with her latest Instagram photo. The former tends toward fixity and archaic irrelevance; the latter toward that most elusive of all ethical ideals, the continuous re-evaluation of values. For your voice to be heard, in most states you must register before you can vote. Yu's perspective is somewhat exaggerated. Spiritual guides or charlatans? Art Instruction Books. He has published more than one hundred journal articles, research papers and chapters for edited books.
Load more

Recommended publications
  • China As Dystopia: Cultural Imaginings Through Translation Published In: Translation Studies (Taylor and Francis) Doi: 10.1080/1
    China as dystopia: Cultural imaginings through translation Published in: Translation Studies (Taylor and Francis) doi: 10.1080/14781700.2015.1009937 Tong King Lee* School of Chinese, The University of Hong Kong *Email: [email protected] This article explores how China is represented in English translations of contemporary Chinese literature. It seeks to uncover the discourses at work in framing this literature for reception by an Anglophone readership, and to suggest how these discourses dovetail with meta-narratives on China circulating in the West. In addition to asking “what gets translated”, the article is interested in how Chinese authors and their works are positioned, marketed, and commodified in the West through the discursive material that surrounds a translated book. Drawing on English translations of works by Yan Lianke, Ma Jian, Chan Koonchung, Yu Hua, Su Tong, and Mo Yan, the article argues that literary translation is part of a wider programme of Anglophone textual practices that renders China an overdetermined sign pointing to a repressive, dystopic Other. The knowledge structures governing these textual practices circumscribe the ways in which China is imagined and articulated, thereby producing a discursive China. Keywords: translated Chinese literature; censorship; paratext; cultural politics; Yan Lianke Translated Literature, Global Circulations 1 In 2007, Yan Lianke (b.1958), a novelist who had garnered much critical attention in his native China but was relatively unknown in the Anglophone world, made his English debut with the novel Serve the People!, a translation by Julia Lovell of his Wei renmin fuwu (2005). The front cover of the book, published by London’s Constable,1 pictures two Chinese cadets in a kissing posture, against a white background with radiating red stripes.
    [Show full text]
  • China Past and Present
    Winter 2019 (CRN 23410) Professor Goodman ([email protected]) 240A McKenzie Hall Office: 331 McK Tu-Th 2-3:20pm Office hours: M 4-5pm; Th 3:30-5pm Graduate Teaching Fellows: Marc Carpenter ([email protected]) Kwangyeol Ko ([email protected]) History 191: China Past and Present China has multiple pasts: imperial, republican, and revolutionary. China Past and Present introduces the epic sweep of China’s modern transformations. Grasping these changes provides a key to the uneasy relationship between past and present in contemporary China. Since the end of the nineteenth century, Chinese rulers, intellectuals, reformers, and revolutionaries have attempted to modify, reject, even to eradicate elements of the Chinese past in order to construct a new and modern present. At the same time, they have sought to create a sense of specifically Chinese identity, and to redefine modernity in Chinese terms. The changing understandings of China’s pasts and the meanings of Chinese ethnic and national identity in the present are the themes of this course. HIST 191 is designed to acquaint you with the historical context for understanding contemporary China. It follows HIST 190, but there are no prerequisites. Section Discussions: Section assignments give you an opportunity to focus on primary texts. Primary texts are the first-hand sources through which historians understand the past. Among these readings you will find political documents, news articles, and fiction from the past, as well as personal memoirs. Read these sources carefully and critically, always taking into account the context in which they were written. Discussion focuses on learning to interpret these primary texts.
    [Show full text]
  • Chinese-Mandarin
    CHINESE-MANDARIN River boats on the River Li, against the Xingping oldtown footbridge, with the Karst Mountains in the distance, Guangxi Province Flickr/Bernd Thaller DLIFLC DEFENSE LANGUAGE INSTITUTE FOREIGN LANGUAGE CENTER 2018 About Rapport Predeployment language familiarization is target language training in a cultural context, with the goal of improving mission effectiveness. It introduces service members to the basic phrases and vocabulary needed for everyday military tasks such as meet & greet (establishing rapport), commands, and questioning. Content is tailored to support deploying units of military police, civil affairs, and engineers. In 6–8 hours of self-paced training, Rapport familiarizes learners with conversational phrases and cultural traditions, as well as the geography and ethnic groups of the region. Learners hear the target language as it is spoken by a native speaker through 75–85 commonly encountered exchanges. Learners test their knowledge using assessment questions; Army personnel record their progress using ALMS and ATTRS. • Rapport is available online at the DLIFLC Rapport website http://rapport.dliflc.edu • Rapport is also available at AKO, DKO, NKO, and Joint Language University • Standalone hard copies of Rapport training, in CD format, are available for order through the DLIFLC Language Materials Distribution System (LMDS) http://www.dliflc.edu/resources/lmds/ DLIFLC 2 DEFENSE LANGUAGE INSTITUTE FOREIGN LANGUAGE CENTER CULTURAL ORIENTATION | Chinese-Mandarin About Rapport .............................................................................................................
    [Show full text]
  • Modern China Hist3433 Syllabus – Spring 2016 COURSE
    Modern China Hist3433 Syllabus – Spring 2016 COURSE INSTRUCTOR Instructor: Ihor Pidhainy Office: TLC 3245 Phone: 678-839-6508 Email: [email protected] Class: Social Science Building 206 MW 3:30-4:50 Best Way to reach me: email me at the above email, and I’ll get back to you within 24 hours. (First semester for me too, so I might be slow with courseden replies… it will improve by the end of semester…) OFFICE HOURS MW 2:00-3:00 OR: by appointment Nota Bene: Office hours are usually a lonely time, especially when there isn’t an essay/test immediately due. If you come by and want to talk about the course or some aspect of what we’re doing or just cause you need to talk with somebody about history or Asia etc., you are most welcome. Required Texts: Chen, Janet et al. The Search for Modern China: A Documentary Collection 978-0-393-92085-7 3rd edition wwnorton Feng, Jicai, Ten Years of Madness: Oral Histories of China's Cultural Revolution 978-0835125840 China Books and Periodicals Hawkes, David Story of the Stone: or The Dream of the Red Chamber v. 1 978-0140442939 Penguin Mitter, Rana Modern China: A very short introduction 978-0199228027 Oxford UP Tanner, Harold, China: A History V 2. From the Great Qing Empire through The People's Republic of China, (1644 - 2009) 978-1-60384-204-4 Hackett Yu, Hua, China in Ten Words 978-0307739797 vintage http://ocw.mit.edu/ans7870/21f/21f.027/opium_wars_01/ow1_essay.pdf Course Description This course is an exploration of modern Chinese history, focusing on the period from 1840 to the present.
    [Show full text]
  • Course Description This Course Is an Exploration of Modern Chinese History, Focusing on the Period from 1840 to the Present
    1 Hist 4433 – Modern China Instructor: Ihor Pidhainy Office: Technology Learning Center (TLC) #3245 Location: Melson Hall 207 Office Hours: MW 9:30-10:30; 1:00-2:00 Time: MW 11:00-12:15 email: [email protected] Course Description This course is an exploration of modern Chinese history, focusing on the period from 1840 to the present. Following the political chronology of ruling houses and parties, we will explore the intellectual, political and economic responses that the Chinese experienced during this time. You will have an opportunity to explore these in depth through both readings of original documents (in translation) and secondary sources on the period. The method of teaching in this course will be a combination of lecture and discussion. It is expected that you will have read and thought about the assigned readings. In the classroom, you will have an opportunity to share these thoughts. Required Readings Janet Chen et al., The Search for Modern China: A Documentary Collection. Third Edition. Raina Mitter, Modern China: A Very Short Introduction, 2nd ed. Klaus Mühlhahn, Making China Modern: From the Great Qing to Xi Jinping Yu Hua, China in Ten Words Videos to be watched: China in Revolution I & II The Mao Years I & II Born Under a Red Flag I & II Course Objectives and Learning Outcomes Learning outcomes: By completion of the course, students 1. will demonstrate a knowledge of modern Japanese history 2. be able to discuss primary and secondary source approaches to the understanding of Modern Chinese history, at least in specifics of the course and its readings.
    [Show full text]
  • Big-Character Poster (大字报)
    The Mao Era in Objects Big-character Poster (大字报) Denise Y. Ho, Yale University Summary Big-Character-Posters served as forms of propaganda throughout the Mao era, and were especially prominent during the Cultural Revolution. This biography examines the history and legacy of the big-character-poster, especially the ways they were used by individuals to spread ideology and serve as a form of mass mobilisation. From Red Guards in the Cultural Revolution to students during the Umbrella Movement, big-character-posters are often seen as a bottom-up form of protest. However, oral histories and memoirs reveal that the process of writing them was more complicated, sometimes top-down and sometimes collectively authored. Introduction and Origins A big-character-poster may be defined as a type of political writing, expressed on paper —in handwritten characters—and posted in a public place; a wall covered with such posters established a forum for discussion and dissemination. Big-character-posters played a role in the Hundred Flowers Movement in 1956, during which individuals were encouraged to express their opinions on contemporary politics. In 1958, Mao Zedong wrote that ‘a big-character-poster is an extremely useful new weapon. It can be used anywhere as long as the masses are there…It has been widely-used, and should be used indefinitely.’1 Big-character-posters thus became instruments for mass mobilisation, especially during the Cultural Revolution (1966-1976). During that tumultuous period, they were used to expose enemies of the revolution, accuse them of crimes, and call for class struggle against them. Though the Big-Character-Poster is most often associated with the period of the Cultural Revolution, it had precedents in earlier periods.
    [Show full text]
  • Decoding China Dictionary
    THE DECODING CHINA DICTIONARY EDITED BY MALIN OUD AND KATJA DRINHAUSEN The Decoding China Dictionary Edited by Malin Oud and Katja Drinhausen With contributions by David Bandurski, Katja Drinhausen, Jerker Hellström, Malin Oud and Marina Rudyak Design concept and typesetting by Tommaso Facchin Illustrations by Anna Formilan Layout by Eve Rogers Contact Malin Oud [email protected] Copyright © 2021 belong to the individual authors as indicated under the respective chapters. The views expressed in this publication are the sole responsibility of the authors and do not reflect any institutional positions. TABLE OF CONTENTS INTERPRETING CHINA IN INTERNATIONAL COOPERATION AND DIPLOMACY 1 CIVIL SOCIETY (公民社会) 7 COOPERATION (合作) 11 CULTURE (文化) 14 DEMOCRACY (民主) 18 DEVELOPMENT (发展) 22 FREEDOM OF SPEECH / FREEDOM OF EXPRESSION (言论自由) 26 GOOD GOVERNANCE (良政善治) 30 HUMAN RIGHTS (人权) 34 MULTILATERALISM (多边主义) 38 PEACE (和平) 42 PUBLIC DIPLOMACY (公共外交) 46 RULE OF LAW (法治) 50 SECURITY (安全) 53 SOVEREIGNTY (主权，国权) 57 AUTHOR BIOGRAPHIES 60 RESOURCES AND RECOMMENDED FURTHER READINGS 62 INTERPRETING CHINA IN INTERNATIONAL COOPERATION AND DIPLOMACY China’s new position as a major world’s second largest economy, the global power is having a profound country has shown no inclinations to impact on international relations and embark on political reform but remains global governance. China has long an authoritarian one-party state. abandoned its previous foreign policy of Unfortunately, Europe’s recognition “keeping a low profile and biding one’s of China’s rise to global-power status time”, instead becoming an active has not been matched by much international actor and norm investment in knowledge about the entrepreneur.
    [Show full text]
  • Boredom, Shanzhai, and Digitisation in the Time of Creative China
    ASIAN VISUAL CULTURES De Kloet,De (eds) & Scheen Chow in the Time of Creative China Creative of Time the in Boredom, Edited by Jeroen de Kloet, Chow Yiu Fai, and Lena Scheen Shanzhai Boredom, Shanzhai, and Digitisation in the Time of Creative China , and Digitisation Boredom, Shanzhai, and Digitisation in the Time of Creative China Asian Visual Cultures This series focuses on visual cultures that are produced, distributed and consumed in Asia and by Asian communities worldwide. Visual cultures have been implicated in creative policies of the state and in global cultural networks (such as the art world, film festivals and the Internet), particularly since the emergence of digital technologies. Asia is home to some of the major film, television and video industries in the world, while Asian contemporary artists are selling their works for record prices at the international art markets. Visual communication and innovation is also thriving in transnational networks and communities at the grass-roots level. Asian Visual Cultures seeks to explore how the texts and contexts of Asian visual cultures shape, express and negotiate new forms of creativity, subjectivity and cultural politics. It specifically aims to probe into the political, commercial and digital contexts in which visual cultures emerge and circulate, and to trace the potential of these cultures for political or social critique. It welcomes scholarly monographs and edited volumes in English by both established and early-career researchers. Series Editors Jeroen de Kloet, University
    [Show full text]
  • Jing Li, Associate Professor of Chinese Language and Culture Musselman Library Gettysburg College
    Next Page Musselman Library 8-25-2017 Jing Li, Associate Professor of Chinese Language and Culture Musselman Library Gettysburg College Jing Li Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/nextpage Part of the Chinese Studies Commons, and the Library and Information Science Commons Share feedback about the accessibility of this item. Musselman Library and Li, Jing, "Jing Li, Associate Professor of Chinese Language and Culture" (2017). Next Page. 33. https://cupola.gettysburg.edu/nextpage/33 This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/nextpage/33 This open access blog post is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Jing Li, Associate Professor of Chinese Language and Culture Abstract In this first Next Page column of the 2017-18 academic year, Jing Li, Associate Professor of Chinese Language and Culture, shares recommendations for Chinese folktales that will help readers “see China in plural forms,” her favorite book to give as a gift, how she got her hands on magazines and comic books to read for fun during her childhood in China, and much more. Keywords Musselman Library, Gettysburg College, reading, books, interview Disciplines
    [Show full text]
  • Chinese Whispers History
    BOOK REVIEW • CHINA IN TEN WORDS have developed through past decades, in the pro- cess revealing forgotten contours of China’s recent Chinese whispers history. Novelist Yu Hua’s history of 10 words in China Green shoots As a novelist, Yu has a natural advantage in cap- is a revealing and deeply personal portrait of a turing the speci#c. "e book is organized like a complex country series of musical movements, each with soloists and small groups playing renditions on a theme. In China, this tactic would seem likely to result in cacophony, but Yu’s narrative device of the 10 hina’s history words keeps the storyline simple and focused. over the last "e 10 words are more than just commonly 50 years often used terms; many are central to Chinese identity. Cappears fractured and “People,” or renmin, for example, arguably has a disjointed beyond repair. broader signi#cance in Chinese than in English. Few if any continuities "e same word used in “People’s Republic of are apparent between China,” “People’s Square,” and renminbi (“the peo- the barefoot doctors and ple’s money”), renmin used to be a weighty phrase. big character posters of But since China’s reform and opening, “the people” the Cultural Revolution, has fractured into many di!erent identities: neti- and the gleaming sky- zens, stock traders, fund holders, migrant laborers scrapers and profusion and so on, Yu writes. “‘"e people’ has become of knock-o! products nothing more than a shell company, utilized by today. Most of the time, di!erent eras to position di!erent products in the Chinese simply gloss marketplace.” over their thorny past, "e discussion of renmin, which leads the book, preferring to focus on revolves around the pro-democracy rallies in Bei- the material wealth of jing in the spring of 1989, where Yu's experiences the present.
    [Show full text]
  • Wild China (Documentary)
    Take a virtual tour with these CHINA books and films set in China. Beijing Taxi (Documentary) The intimate lives of three taxi drivers are seen through a humanistic lens as they navigate a quickly morphing city, confronting modern issues and changing values in this documentary. AV AREA B China in Ten Words by Hua Yu (Non-Fiction) The first work of non-fiction available in English by the James Joyce Foundation Award-winning author is presented through a framework of ten phrases to offer insight into the nation’s modern economic gaps, cultural transformations and ubiquitous practices of deception. 985.18 Y Snow Flower and the Secret Fan by Lisa See (Fiction) An evocative story of friendship set against the backdrop of nineteenth-century China follows an elderly woman and her companion as they communicate their hopes, dreams, joys, and tragedies through a unique secret language. FIC SEE The Little Red Guard by Wenguang Huang (Non-Fiction) Traces a Communist Chinese family’s fifteen-year struggle to honor a grandmother’s dying wish to be buried in spite of a national ban of traditional Chinese practices, an effort that pitted family members against one another and risked their capture by authorities. 929.209 H Wild China (Documentary) Journey across China from the peaks of the Himalayas to the barren steppe, the sub-Arctic to the tropical islands, through deserts both searingly hot and mind-numbingly cold and see a dazzling array of mysterious, beautiful, wild and rare creatures. 508.51 W The Eye of Jade by Diane Wei Liang (Mystery) A highly charged tale set in modern Beijing follows a detective’s search for a missing artifact, in a case that illuminates less-favorable aspects of Chinese culture and the detective’s own family during the Cultural Revolution.
    [Show full text]
  • By Comparing Wolf Totem with China in Ten Words
    ISSN 1923-1555[Print] Studies in Literature and Language ISSN 1923-1563[Online] Vol. 20, No. 1, 2020, pp. 65-70 www.cscanada.net DOI:10.3968/11491 www.cscanada.org Two Enlightenments on Chinese Literature Going Out: By Comparing Wolf Totem With China in Ten Words GU Juan[a],* [a]Sichuan University of Arts and Science, Dazhou, China. * Corresponding author. INTRODUCTION Chinese literature going out and winning readers’ Received 31 December 2019; accepted 3 February 2020 Published online 26 February 2020 recognition all over the world have always been the dream of Chinese literary and translation circles. The translation and communication of Chinese literature is also one of the Abstract important strategies for China to improve its cultural soft China still has a serious cultural deficit in international power which is an import part of comprehensive national cultural exchanges, and few contemporary Chinese strength. However, only 6% of global translation works literature works are successfully translated and are translated from other languages into English each communicated in foreign countries. However, both Wolf year, while 50% of translation works are translated from Totem and China in Ten Words have been on Amazon’s list English into other languages, no translation works being of best sellers after their English versions were published among top 24 best sellers on American Amazon website in the United Kingdom and the United States. Based in recent times (Huang, 2008). Therefore, when overseas on comparison between them, this paper aims to find books such as Harry Potter and The Kite Runner became the similarities and differences between Wolf Totem and popular in China, the overseas travel of Chinese books China in Ten Words, and then get two enlightenments on was difficult.
    [Show full text]