What Is Assisted Living? Part One! Patrick J
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Jenny Lewis Feels Good. That Sounds Simple, but It's Been a Long Time
10/15/2015 Jenny Lewis Is Writing Songs Without Apology | Bitch Media MUSIC (/MUSIC) JENNY LEWIS (/TOPIC/JENNYLEWIS) by Hannah Steinkopf-Frank (/profile/hannah-steinkopf-frank) Published on August 25, 2015 at 10:48am Jenny Lewis feels good. That sounds simple, but it’s been a long time coming for the ‘90s child actor turned prolific musician. As a kid, Lewis starred in films like The Wizard and Troop Beverly Hills before pursing music. Her band Rilo Kiley was part of the wave of indie groups that defined the alternative music scene of the aughts. But in recent years, Lewis has faced a series of setbacks: the disbanding of Rilo Kiley, the death of her father, and chronic insomnia. https://bitchmedia.org/article/interview-jenny-lewis-music-and-voyager-feminism 1/9 10/15/2015 Jenny Lewis Is Writing Songs Without Apology | Bitch Media It was these experiences that provided the material for last year’s The Voyager (http://www.jennylewis.com/), her first solo release since 2008’s Acid Tongue. For Lewis, making The Voyager was freeing. Without the pressure of bandmates, she was able to have total control over her music, albeit with the occasional guidance of Beck and Ryan Adams. Lewis has also returned to her Hollywood roots and scored best-friend flick Very Good Girls and 2014 film Song One, which starred her friend Anne Hathaway. Lewis most recently wrote a song with boyfriend and collaborator Jonathan Rice for Meryl Streep’s rocker character, Ricki, in the new film Ricki and the Flash (http://www.imdb.com/title/tt3623726/). -
Jenny Lewis Acid Tongue Mp3, Flac, Wma
Jenny Lewis Acid Tongue mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Acid Tongue Country: US Released: 2014 Style: Country, Indie Rock, Country Rock MP3 version RAR size: 1442 mb FLAC version RAR size: 1775 mb WMA version RAR size: 1121 mb Rating: 4.5 Votes: 705 Other Formats: MP1 RA MP2 VOC DTS AC3 APE Tracklist Hide Credits Black Sand A1 Bass – Jason LaderCello – Ana LenchantinDrums – Barbara GruskaPiano, Vibraphone, 2:54 Vocals – Jenny LewisViolin – Paz Lenchantin, Wes Precourt Pretty Bird A2 Acoustic Guitar, Electric Guitar, Vocals – M. WardBass, Vocals – Jonathan Wilson*Drums – 3:47 Barbara GruskaVocals – Farmer Dave Scher, Jenny Lewis, Johnathan Rice The Next Messiah Acoustic Guitar, Vocals – Johnathan RiceBass – Davey FaragherDrums – Jason A3 BoeselElectric Guitar – Blake MillsVocals – Chris Robinson , Farmer Dave Sher*, Jenny 8:45 Lewis, Jonathan Wilson*, Vanesa Corbala, Zooey DeschanelVocals [Whisper] – Morgan NaglerVocals, Vocals [Whisper] – Benji Hughes Bad Man's World B4 Bass – Jason LaderCello – Ana LenchantinDrums – Barbara GruskaOrgan [Hammond B3] – 3:40 Farmer Dave Sher*Piano, Vocals – Jenny LewisViolin – Paz Lenchantin, Wes Precourt Acid Tongue B5 Acoustic Guitar, Vocals – Jenny LewisVocals – Chris Robinson , Farmer Dave Sher*, 3:50 Johnathan Rice, Jonathan Wilson* See Fernando Acoustic Guitar, Electric Guitar – Johnathan RiceBass – Davey FaragherDrums – Jason B6 3:34 BoeselSteel Guitar [Lap] – Farmer Dave ScherVocals – Jenny Lewis, Leslie Lewis , Vanesa Corbala Godspeed B7 Bass -
The Spectral Voice and 9/11
SILENCIO: THE SPECTRAL VOICE AND 9/11 Lloyd Isaac Vayo A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: Ellen Berry, Advisor Eileen C. Cherry Chandler Graduate Faculty Representative Cynthia Baron Don McQuarie © 2010 Lloyd Isaac Vayo All Rights Reserved iii ABSTRACT Ellen Berry, Advisor “Silencio: The Spectral Voice and 9/11” intervenes in predominantly visual discourses of 9/11 to assert the essential nature of sound, particularly the recorded voices of the hijackers, to narratives of the event. The dissertation traces a personal journey through a selection of objects in an effort to seek a truth of the event. This truth challenges accepted narrativity, in which the U.S. is an innocent victim and the hijackers are pure evil, with extra-accepted narrativity, where the additional import of the hijacker’s voices expand and complicate existing accounts. In the first section, a trajectory is drawn from the visual to the aural, from the whole to the fragmentary, and from the professional to the amateur. The section starts with films focused on United Airlines Flight 93, The Flight That Fought Back, Flight 93, and United 93, continuing to a broader documentary about 9/11 and its context, National Geographic: Inside 9/11, and concluding with a look at two YouTube shorts portraying carjackings, “The Long Afternoon” and “Demon Ride.” Though the films and the documentary attempt to reattach the acousmatic hijacker voice to a visual referent as a means of stabilizing its meaning, that voice is not so easily fixed, and instead gains force with each iteration, exceeding the event and coming from the past to inhabit everyday scenarios like the carjackings. -
Wild Dogs Come to Campus Sible?” “Why Is This Nasty Trend El Ro D E O S T a F F W R I T Er Let Go of the Sled,” Said Stradley
El Rancho High School • Volume 56 • Issue 3• Friday, November 21, 2008 www.erusd.k12.ca.us/elrancho Ken Waldman, Poet or Musician? It Depends Bottled Drink him playing the fiddle. “I have Sale to Resume on being to I have been to over 160 Monday schools in thirty states. The big- gest challenge is making a sus- BY MA R I cr UZ CAST R O -SP E N cer tainable income,” said Waldman. EL ROD E O STAFF WR IT er The teachers as well as the presenter hoped the students took On Tuesday the sale of something from the presentation. bottled drinks was temporar- “I hope the presentation helped ily suspended due to three sepa- [the students] see Alaska as a real rate incidents in which bottles place by someone who has been were thrown into crowds. Fortu- there and lived there. [But also] nately, the students responsible get a better picture of what Alaska turned themselves in yesterday . is about rather than reading it from During the incident that a book,” said Sorenson. occurred on November 17th, “I hoped that everybody 2008 a female freshman was here would have gotten something hit with a bottled drink on the they wouldn’t normally through forehead requiring her a trip poetry. [For example] Oh I didn’t to the hospital for stitches. know you could write poems like “This type of behavior is that about Cheech and Chong [or] unprecedented at ERHS and is not about a plain crash,” said Waldman a reflection of the great students During the presentation that attend this school.”, said the Waldman did a couple of poetry Guidance Office in the memo and music workshops with the sent out Tuesday to the deans. -
The Culturati Caucus
2008 survey resPondents: Jeffrey Abramson, Doug Aitken, Akon, Florence Almozini, Kristen Amato, Patrick Amory, Kurt Andersen, Aziz Ansari, Darren Aronofsky, Jon Robin Baitz, Bob Balaban, Molly Barnett, Serena Bass, Chris Benz, Deborah Berke, Andrew Berman, Alice Bernstein, Jed W. Bernstein, Holly Block, Chris Boneau, Maureen Bray, Margaret Brown, Mary Lou Bunn, Michelle Byrd, Louis Cancelmi, Sara Caples, Peter Carey, Gabriele Caroti, David Carr, Robert Christgau, Patricia Clarkson, Karen Cooper, James Corner, Christopher Cox, Sloane Crosley, Gordon Dahlquist, Blythe Danner, Junot Díaz, Robert Elmes, Billy Finnegan, Christina Foxley, John Freeman, Michael Freeman, John Junot Díaz, Robert Elmes, Billy Finnegan, Christina Foxley, Christopher Cox, Sloane Crosley, Gordon Dahlquist, Blythe Danner, Corner, James Cooper, Clarkson, Karen Robert Christgau, Patricia Gabriele Caroti, David Carr, Carey, Caples, Peter Sara YOUTUBE VIDEO YOU BEST PLAY or MUSICAL What do the culture makers and shapers of New York WERE MOST LIKELY TO “I’ve seen a lot of think of this year’s crop of movies, political imperson- FORWARD THIS YEAR theater, but Farragut THE ations, museum shows, and YouTube clips? To find out, Hair 9% North has stayed we polled 129 people from across the arts—from Har- South Pacific 12% with me. It’s an CULTURATI vey Weinstein to the director of the Hip-Hop Dance In the Heights 9% emergence of a new, Conservatory. We were looking for what was best, but Passing Strange 18% young playwright, couldn’t help asking for opinions on other matters, too. The Seagull 10% and Chris Noth CAUCUS (Paul Rudd’s stock is up; Judd Apatow’s, not so much.) Speed-the-Plow 9% was venomous Below, this year’s wisdom of the smart crowd. -
Jenny Lewis Udgiver Nyt Album - the Voyager Er Ude Nu
2014-07-30 13:00 CEST JENNY LEWIS UDGIVER NYT ALBUM - THE VOYAGER ER UDE NU Six years after her last solo album and seven years since the dissolution of her former band, Rilo Kiley, singer songwriter, Jenny Lewis is returning with The Voyager, a collection of West Coast pop reminiscent of her earlier work. This is the former Rilo Kiley frontwoman’s third solo album and first in six years, following 2006’s Rabbit Fur Coat (with The Watson Twins) and 2008’s Acid Tongue. The Voyager is Lewis’s most deeply personal album to date, documenting her struggle to cope following the death of her estranged father in 2010 and the subsequent break-up of Rilo Kiley. The Voyager’s rootsy, golden glow comes courtesy of Lewis and the artists she chose to produce various tracks, including Ryan Adams (who, alongside Mike Viola, produced all but three of the tracks), Beck, and Lewis’ longtime collaborator Johnathan Rice. The Voyager finds the always relatable songwriter at her sharp-witted best, singing about her recent experiences with honesty and incisiveness. Her third solo album, The Voyager has been described as "her best solo effort to date" by American Songwriter and is out now. The first single, "Just One Of The Guys," was labeled a "breezy, catchy single about not fitting in with the boys' club" by Rolling Stone. Celebrated California singer-songwriter Jenny Lewis has premiered the video for her new single, "Just One of the Guys," appropriately for the guys on GQ.com. The smart, tongue-in-cheek video stars Lewis' actress friends Anne Hathaway, Brie Larson, Kristen Stewart, and Tennessee Thomas as her band, and marks Lewis' directorial debut. -
Jenny Lewis Opens up and Reaches out the AKRON BEACON JOURNAL Answer, but I Thought I’D Give It a Shot
8E • SUNDAY, AUGUST 3, 2014OLIVING MAHA WORLD-HERALD TV Q AND A BY RICH HELDENFELS Q: I bet I already know the Jenny Lewis opens up and reaches out THE AKRON BEACON JOURNAL answer, but I thought I’d give it a shot. What has happened to Tench, a member of ToM Petty’s band, the Q: I have noticed that actor Scott “White Collar,” another one of my On ‘The Voyager,’ the singer Heartbreakers, who plays organ on “The Wolf is in two different TV series favorite shows? confronts old troubles, blending Voyager.” “You can’t mention her in town this year in a primary role. One is A: I do not know what you bet without getting a positive response.” “The Night Shift” and the other is on. But USA Network has ordered bruising introspection with a sly And yet mainstream stardom never “Perception.” How is that possible a sixth and fi nal season of the quite materialized, even as younger L.A. that this is even done? When a comedy-drama. It will consist of six sense of humor acts Lewis had clearly influenced — such vieweR is into a series the vieweR episodes wrapping up the show. I as Haim, whose Danielle Haim once gets bonded to the characters in have not seen an airdate yet. THE LOS ANGELES TIMES played guitar in Lewis’ live band — began that series, and it makes it difficult Q: The death of James GarneR LOS ANGELES — Jenny Lewis vowed catching on at Top 40 radio. to see that actor in another series started me thinking about his start she’d never return to the San Fernando At her house, Lewis dismissed the idea in the same season. -
The New Television Masculinity in Rescue Me, Nip/Tuck, the Shield
Rescuing Men: The New Television Masculinity In Rescue Me, Nip/Tuck, The Shield, Boston Legal, & Dexter A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Pamela Hill Nettleton IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Mary Vavrus, Ph.D, Adviser November 2009 © Pamela Hill Nettleton, November/2009 i Acknowledgements I have had the extreme good fortune of benefitting from the guidance, insight, wit, and wisdom of a committee of exceptional and accomplished scholars. First, I wish to thank my advisor, Mary Vavrus, whose insightful work in feminist media studies and political economy is widely respected and admired. She has been an inspiring teacher, an astute critic, and a thoughtful pilot for me through this process, and I attempt to channel her dignity and competence daily. Thank you to my committee chair, Gilbert Rodman, for his unfailing encouragement and support and for his perceptive insights; he has a rare gift for challenging students while simultaneously imbuing them with confidence. Donald Browne honored me with his advice and participation even as he prepared to ease his way out of active teaching, and I learned from him as his student, as his teaching assistant, and as a listener to what must be only a tiny part of his considerable collection of modern symphonic music. Jacqueline Zita’s combination of theoretical acumen and pragmatic activism is the very definition of a feminist scholar, and my days in her classroom were memorable. Laurie Ouellette is a polished and flawless extemporaneous speaker and teacher, and her writing on television is illuminating; I have learned much from her. -
Durham E-Theses
Durham E-Theses Crisis and Prosperity: Status, Accountability and Time in Central Greece KNIGHT, DANIEL,MARTYN How to cite: KNIGHT, DANIEL,MARTYN (2011) Crisis and Prosperity: Status, Accountability and Time in Central Greece, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/896/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Abstract Crisis and Prosperity: Status, Accountability and Time in Central Greece Daniel Martyn Knight Doctor of Philosophy in Anthropology Department of Anthropology Durham University This thesis is concerned with how people negotiate periods of socio-economic crisis and prosperity in the town of Trikala, Thessaly, central Greece. Localised understandings of the global economic crisis are analysed in relation to history, social status and concepts of time. The complex interaction between people within global and local economic networks is also emphasised. -
The Documentary Handbook
The Documentary Handbook The Documentary Handbook takes a thematic approach to documentary, including chapters on the many myriad forms we watch today – from the cinematic releases of Michael Moore to low-budget internet efforts like Video Nation, from ‘shock docs’ to reality television. The Documentary Handbook is a critical introduction to the documentary film, its theory and changing practices. The book charts the evolution of the documentary from screen art to core television genre, its metamorphosis into many different types of factual TV programmes and its current emergence in forms of new media. It analyses those pathways and the transformation of means of production through economic, technical and editorial changes. The Documentary Handbook explains the documentary process, skills and job specifica- tions for everyone from industry entrants to senior personnel, and shows how the industrial evolution of television has relocated the powers and principles of decision-making. Through the use of professional ‘expert briefings’ it gives practical pointers about programme- making, from researching, developing and pitching programme ideas to their production and delivery through a fast-evolving multi-platform universe. Peter Lee-Wright is a documentary filmmaker with 30 years’ experience working for the BBC and Channel 4. He is currently Senior Lecturer in Media and Communications at Goldsmiths, University of London. His most recent writing includes critical overviews of sports documentary and trade union documentary in Encyclopedia of the Documentary Film (2005) and analysis of the changes taking place in multimedia news, notably in New Media, Old News (edited by Natalie Fenton, 2009). Media Practice Edited by James Curran, Goldsmiths, University of London The Media Practice handbooks are comprehensive resource books for students of media and journalism, and for anyone planning a career as a media professional. -
Students Play Brokers
SPORTS: President’s Scholar walks onto Features: Page 3 the CSUF gymnastics team, page 8 Turn your house into a OPINION: Ashley Madison Agency haunted attraction helps connect the unfaithful, page 4 Since 1960 Volume 87, Issue 30 Thursday October 23, 2008 DailyThe Student Voice of California StateTitan University, Fullerton DTSHORTHAND Campus Life Associated Students Inc. Lob- Avoiding cycles of violence by Corps is hosting an Asian/Pa- tated the workshop and encouraged cific Islander summit on Monday Guest speakers advise students to ask questions. in the TSU. students on how to notice “Reenactments are a powerful Speakers and students will dis- early signs of abuse way to show the dynamics of vio- cuss issues ranging from conflicts lent intimate relationships,” Passal- in the Asian/Pacific Islander com- BY Christian Brown acqua said. “This is the perfect edu- munity to dealing with diversity Daily Titan Staff Writer cational piece to offer.” and stereotypes. Attendees will [email protected] With more than two dozen stu- also discuss party allegiance with- dents and faculty members in at- in the community. In an effort to prevent domes- tendance, Chapman and Diaz emo- The purpose of this event is tic violence, the CSUF Women’s tionally depicted the autonomy of to address issues and concerns Center hosted two community intimate partner abuse. that Asians/Pacific Islanders have educators Tuesday who dramatized “These relationships are about about the upcoming election. an abusive, teenage relationship to power and control,” Chapman said. The event starts at 6 p.m. For help students recognize the differ- “These people (abusers) feel like more information call 714-278- ence between healthy and unhealthy power and control are their right to 3295 relationships. -
1 Other 'Europes'
Notes 1 Other ‘Europes’ 1 Mark Bassin, ‘Russia between Europe and Asia: The ideological construction of geographical space’, Slavic Review, vol. 50, no. 1 (Spring 1991), pp. 1–17, at pp. 6–7. 2 Alexander von Humboldt, Cosmos: A Sketch of a Physical Description of the Universe, trans. E. C. Otté, vol. 2 (New York: Harper, 1850), p. 118. 3 For a review, see Armagan Emre Çakir, ed., Fifty Years of EU-Turkey Relations (London and New York: Routledge, 2011). 4 ‘Charlemagne: Europe, Russia and in-between’, The Economist, 28 October 2006, p. 58. 5 Yu. K. Efremov, ‘Obsuzhdenie voprosa o granitse Evropy i Azii v Moskovskom filiale Geograficheskogo obshchestva SSSR’, Izvestiya Akademii Nauk SSSR: seriya geograficheskaya, no. 4 (1958), pp. 144–146, at pp. 144, 146. 6 ‘Gde konchaetsya Evropa?’, June 2010, at http://www.rgo.ru/2010/06/ gde- konchaetsya-evropa/, last accessed 5 July 2012. 7 ‘Obsuzhdenie voprosa o granitse Evropy i Azii’, Izvestiya Akademii Nauk SSSR: Seriya geograficheskaya, no. 4 (July–August 1963), pp. 154–155, at p. 155. For another discussion, see Michael Smith, ‘The European Union and a changing Europe: Establishing the boundaries of order’, Journal of Common Market Studies, vol. 34, no. 1 (March 1996), pp. 5–28. 8 Efremov, ‘Obsuzhdenie’, p. 144. 9 Herodotus, The History, trans. David Grene (Chicago and London: University of Chicago Press, 1987), p. 297 (the Rioni river was known at this time as the Phasis). 10 The Great Soviet Atlas put the entire Caucasus inside ‘Europe’, as far as the Turkish border with the USSR (Efremov, ‘Obsuzhdenie’, p.