DOCSLIB.ORG

Excerpts Depict West's Wartime Aid

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Excerpts Depict West's Wartime Aid 11--3o -7c) TH Sovfoto Nikita S. Khrushchev speaking to a survivor of the battle of Stalingrad after the city's liberation in 1943. Life article describes part of his role during World War H. Excerpts Depict West's Wartime Aid Following are excerpts terial aid we received in the cans. Just imagine how we from reminiscences attributed past from our adversaries of would have advanced from by Life magazine to Nikita the present doesn't have any Stalingrad to Berlin without S. Khrushchev concerning bearing on the situation of them! the Western allies' contribu- today. We shouldn't boast In addition we received tion in World War II. that we vanquished the Ger- steel, aluminum and food We must still give credit mans all by ourselves and products in great quantities. to the allies for their contri- that the allies moved in I can't give you the figures bution to the common cause. only for the kill. The English because they're all locked In order to avoid excessive helped us tenaciously and at away in Mikoyan's memory. haughtiness, the people and great peril to themselves. There were many jokes in the party of the Soviet Union They shipped cargo to Mur- the army, some of them off- must be properly informed. mansk and suffered huge color, about American Spam. Unfortunately our histor- losses. German submarines It tasted good nonetheless. ical works about World War lurked all along the way. I repeat, the allies gave us As Mikoyan confirmed to this help neither out of com- II have , perpetrated an illu- me after the war, we re- passion for our people, nor sion. They have been written ceived military equipment, out of respect for our poli- out of a false sense of pride ships and many supplies tical system, nor out of hope and out of a fear to tell the from the Americans. After for the victory of socialism. truth about our allies' con- Stalin's death, it seemed all They were facing a matter of tribution—all because Stalin our artillery [still] was their own life or death. They helped us so that our Soviet himself held an incorrect mounted on American equip- ment. I remember proposing, Army would not fail and so unrealistic position. He knew "Let's turn all the automo- that, supplied with modern the truth, but he admitted it tive equipment we're produc- weapons, we would pulverize only to himself in the toilet. ing over to the military the enemy and weaken our- Telling the truth needn't because all the tractor selves at the same time. have been a humiliation. Rec- mounts in our parade are ognizing the merits of our American-made." Almost all partners in the war need not the artillery in the G.D.R.. : have diminished our own [East Germany] was mount- merits. On the contrary, an ed on American Studebakers. objective statement would I wanted only to stress have raised us still higher how many cars and trucks in the eyes of all people, and, we received from the Ameri- it would not in the least have diminished our dignity. But in this case truthful- ness was unthinkable for Stalin. He tried to cover up our weaknesses. This was stupid. The enemy can al- ways see for himself and an- alyze on his own. It's also possible that Stalin feared openness about the history of the war might have back- fired on him personally. That's a different matter. I don't think it's ever too late for a new generation, which will soon replace the current leadership of our country, to cast objective light on the beginning of the war. We must study the past in order not to permit in our own time those mistakes which were permitted earlier. To acknowledge the ma- .
Load more

Recommended publications
  • Soviet Democracy
    SOVIET DEMOCRACY by Harry E Ward SOVIET RUSSIA TODAY New York 1947 NOTE ON THE AUTHOR Dr. Harry F. Ward is Professor Emeritus of Christian Ethics at Union Theological Seminary. He has spent considerable time in the Soviet Union and has writ- ten and lectured extensively on the Soviet Union. His books include In Place af Profit, Democracy and Social Change and The Soviet Spirit. The cover is by Lynd Ward, son of the author, dis- tinguished American artist who is known for his novels in pictures and for his book illustrations. - i 5.1 12.$fiW Photos, excem where otherwise in icated v cour- tesy of the ~xhibitsDepartment of the ~atiohai~oun- cil of American-Soviet Friendship. A PUB1,ICATION OF SOVIET RUSSIA TODAY 114 East ~2ndSt., New York i6, N. Y. PRINTED IN THE U.S.A. 209 CHAPTER I THE ECONOMIC BASE URING 1945 and 1946 the Soviet press carried on an extensive discussion of Soviet democracy-what it is D. and how it works. This discussion began as an edu- cational preparation for the election of the Supreme So- viet. It continued in response to much talk here about "dif- ferent ideas of democracy" that arose from disagreements in the United Nations and in the occupation of enemy coun- tries. Soviet writers point out that underneath such differ- ences over procedures is the historic fact that theirs is a so- cialist democracy. This, they tell their readers, makes it a higher form than capitalist democracy. They mean higher in the ongoing of the democratic process not merely as a form of government, but a cooperative way of life through which more and more of the people of the earth, by increas- ing their control over both nature and human society, emancipate themselves from famine, pestilence and war, as well as from tyranny.
    [Show full text]
  • The Novosti Press Agency Photograph Collection 21 Mirror Images: the Novosti Press Agency Photograph Collection*
    The Novosti Press Agency Photograph Collection 21 Mirror Images: The Novosti Press Agency Photograph Collection* JENNIFER ANDERSON RÉSUMÉ La collection de photographies de la Novosti Press Agency, conservée aux Special Collections and Archives de l’Université Carleton, est une ressource rare et fascinante. Les 70 000 photographies et les textes d’accompagnement, qui datent de 1917 à 1991, appartenaient autrefois au Bureau de la Soviet Novosti Press Agency (APN), situé sur la rue Charlotte à Ottawa, mais le personnel de la bibliothèque Carleton a dû récupérer ce matériel rapidement vers la fin de l’année 1991 avec la dissolution de l’Union soviétique et la fermeture du Bureau à Ottawa. Fondé en partie pour encourager les Occidentaux, en particulier les Canadiens, à voir l’URSS d’un meilleur œil, l’APN d’Ottawa distribuait ces photographies et ces communiqués de presse aux médias, aux or ganisations et aux individus à travers le Canada. La collec- tion offre aux historiens un aperçu de la construction de l’image que se donnait l’Union soviétique, les points de vues soviétiques of ficiels sur les relations interna- tionales pendant la Guerre froide et les ef forts pour adoucir les opinions anti-sovié- tiques au Canada. Dans son texte « Mirror Images », Jennifer Anderson soutient que la collection mérite d’être mieux connue des historiens de la Guerre froide au Canada et des historiens qui s’intéressent aux relations internationales et que le grand public pourrait aussi être intéressé par une exposition conçue autour de l’idéologie, de la perception et de la construction de l’identité pendant la Guerre froide.
    [Show full text]
  • 10 the Pharos/Summer 2012 Anton Chekhov in Medical School— and After
    10 The Pharos/Summer 2012 Anton Chekhov in medical school— and after An artist’s flair is sometimes worth a scientist’s brains – Anton Chekhov Leon Morgenstern, MD The author (AΩA, New York University, 1943) is Emeritus it significantly enlarged the scope of my observations and Director of the Center for Health Care Ethics and Emeritus enriched me with knowledge whose true worth to a writer Director of Surgery at Cedars-Sinai Medical Center in Los can be evaluated only by somebody who is himself a doctor; Angeles, and Emeritus Professor of Surgery at the David it has also provided me with a sense of direction, and I am Geffen School of Medicine at UCLA. sure that my closeness to medicine has also enabled me to avoid many mistakes.1p425 t is often overlooked, and sometimes forgotten, that Anton Chekhov, the noted Russian writer of short stories and plays, Medical school was a pivotal juncture in the delicate balance Iwas also a doctor. He was one of the principal authors in between the two careers. It made him into the doctor he was. what has been called the Golden Age of Russian Literature It helped him reach the goal of becoming the writer he was in the mid- and late-nineteenth century, along with Fyodor to be. Dostoevsky, Leo Tolstoy, and Ivan Turgenev. Chekhov was born in Taganrog, a port town founded by In 1879 at the age of nineteen, Anton Chekhov enrolled in Peter the Great on the Sea of Azov in Southern Russia. His the medical school of Moscow University.
    [Show full text]
  • Deploying the Dead: Combat Photography, Death and the Second World War in the USA and the Soviet Union
    KEVIN FOSTER Deploying the Dead: Combat Photography, Death and the Second World War in the USA and the Soviet Union s Susan Sontag has noted, ‘Ever since cameras were invented in 1839, photography has kept company with death’ (Sontag, 2003: 24). It has done so, principally, by taking its place on the world’s battlefields and, from the AUS Civil War onwards, bringing to the public graphic images of war’s ultimate truth. The camera’s unflinching witness to death helped establish photography’s authority as an apparently unimpeachable record of events. ‘A photograph’, Sontag observes, ‘passes for incontrovertible proof that a given thing happened’ (Sontag, 1977: 5). Yet the ‘truth’ of any photo is only ever conditional: ‘the photographic image … cannot be simply a transparency of something that happened. It is always the image that someone chose; to photograph is to frame, and to frame is to exclude’ (Sontag, 2003: 46). Photographers often worked, and continue to work, under close editorial direction with a detailed brief to collect specific images from designated areas in prescribed forms. The photographs they take are ‘Crafted through a maze of practices and standards, both explicit and implicit’ overseen by ‘photographers, photographic editors, news editors and journalists’ who collectively determine ‘how war can be reduced to a photograph’. The resulting images, Barbie Zelizer argues, ‘reflect what the camera sees by projecting onto that vision a set of broader assumptions about how the world works’ (Zelizer, 2004: 115). In this context it is clear that the photographic truth is less an elusive ideal than a consciously crafted product – it is manufactured, not discovered or revealed.
    [Show full text]
  • Philosophy and War World War II in the Balkans
    PHILOSOPHY AND WAR World War II in the Balkans Athens • Crete • Corfu • Albania • Dubrovnik September 22 – October 2, 2019 aboard the Iconic Sea Cloud Featuring Robert M. Citino, PhD Save up to $2,000 per couple when booked by March 31, 2019 Extend your journey with an optional two-night post-tour in Dubrovnik, Croatia Dear friend of the Museum and fellow traveler, Travel on the Iconic Sea Cloud, A Historical Journey a living legend and sailing icon. No other place in the world illustrates the intricate inter-relationship between war and politics in World War II With carefully restored original as does the Balkan Peninsula. This ancient region, famous as the birthplace of participatory democracy, lies On a Legendary Vessel cabins and magnificent marble at the crossroads of global politics, between Europe, the Middle East, and Africa. Any would-be conqueror fireplaces, this larger than life must control the Balkans in order to control the world. Alexander the Great knew it, Hitler knew it, and so vessel sets the perfect stage for too did Stalin, Churchill, and FDR. our exploration of The Balkans, an area where for centuries As a result, the region saw constant fighting. Greece, Yugoslavia, and Albania were the targets of large Axis civilizations have clashed, offensives. All of these countries developed active armed resistance to their German and Italian occupiers, democracy was born, and some inflicted punishing losses on Axis troops and material, and eventually found themselves plunged into civil of World War II’s most harrow- war once the occupiers left. Studying World War II without knowledge of the Balkans is inconceivable.
    [Show full text]
  • Paratyphoid Blamed on Ulster: a Nursing Odyssey
    Paratyphoid Blamed On Ulster: A Nursing Odyssey The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Hedley-Whyte, John, and Debra R. Milamed. 2008. Paratyphoid blamed on ulster: A nursing odyssey. Ulster Medical Journal 77(2): 119-126. Published Version http://www.ums.ac.uk/journal.html Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:5025797 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Ulster Med J 2008; 77 (2) 119-126 Medical History Paratyphoid Blamed On Ulster: A Nursing Odyssey John Hedley-Whyte, Debra R Milamed Accepted 1 December 2007 SUMMARY described by Gadeholt and Madsen who report on 1,324 cases occurring in Norway between 1912 and 1961. Thirty-four of The aim of the Modicum mission from the United States these patients with paratyphoid B died. All but eight of the was to determine the fate of the Western World, the Second surveyed 2,647 cases of typhoid and paratyphoid B were Front and the Manhattan Project plans for development of autopsied4. atomic weapons. The Modicum mission was appointed in March 1942 by Franklin Delano Roosevelt as President and WAR-TIME JOURNEYS Commander-in-Chief of the US forces. The journey via the On the 20th March 1942, Averell Harriman checked out of the Anglican Cathedral in Bermuda, to Gander, to London, to Dorchester Hotel in London and flew with Lord Beaverbrook Ulster was eventful.
    [Show full text]
  • Blue Skies, Red Panic Kaleidoscope
    BLUE SKIES, RED PANIC BLUE BLUE SKIES, RED PANIC BLUE SKIES, RED PANIC BLUE BLUE SKIES, RED PANIC BLUE FiftiesFifties in Europe in Europe Kaleidoscope Kaleidoscope is co-funded is co-funded by the by Connectingthe Connecting EuropeanEuropean Facility Facility programme programme of the of European the European Union, Union, contractcontract number number INEA/CEF/ICT/A2017/1568496 INEA/CEF/ICT/A2017/1568496 BLUE SKIES, RED PANIC BLUE KALEIDOSCOPE BLUEBLUE SKIES, SKIES, RED RED PANIC PANIC A photographicA photographic perspective perspective on on the the 1950s 1950s in inEurope Europe “The “The fifties fifties – they – they seem seem to haveto have taken taken place place on aon sunny a sunny afternoon afternoon that that asked asked nothing nothing of of on the 1950s in Europe perspective A photographic youyou except except a drifting a drifting belief belief in the in the moment moment and and its powerits power to satisfy”. to satisfy”. American American novelist novelist Elisabeth Elisabeth A photographic perspective HardwickHardwick masterfully masterfully worded worded the the view view on theon the iconic iconic age age of the of the baby-boom, baby-boom, the the Vespa, Vespa, the the poodle poodle A photographic perspective on the 1950s in Europe perspective A photographic skirtskirt and and the the laminated laminated kitchen kitchen that that has has settled settled obstinately obstinately in collective in collective memory. memory. In the In the decades decades on the 1950s in Europe perspective A photographic on the 1950s in Europe perspective A photographic thatthat followed, followed, the the very very real real threats threats posed posed by theby the Cold Cold War War and and the the atomic atomic bomb, bomb, have have seemed seemed on the 1950s in Europe A photographic perspective on the 1950s in Europe perspective A photographic to recedeto recede significantly.
    [Show full text]
  • Soviet Democracy
    University of Central Florida STARS PRISM: Political & Rights Issues & Social Movements 1-1-1947 Soviet democracy Harry F. Ward Find similar works at: https://stars.library.ucf.edu/prism University of Central Florida Libraries http://library.ucf.edu This Book is brought to you for free and open access by STARS. It has been accepted for inclusion in PRISM: Political & Rights Issues & Social Movements by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Ward, Harry F., "Soviet democracy" (1947). PRISM: Political & Rights Issues & Social Movements. 536. https://stars.library.ucf.edu/prism/536 SOVIET DEMOCRACY by Harry E Ward SOVIET RUSSIA TODAY New York 1947 NOTE ON THE AUTHOR Dr. Harry F. Ward is Professor Emeritus of Christian Ethics at Union Theological Seminary. He has spent considerable time in the Soviet Union and has writ- ten and lectured extensively on the Soviet Union. His books include In Place af Profit, Democracy and Social Change and The Soviet Spirit. The cover is by Lynd Ward, son of the author, dis- tinguished American artist who is known for his novels in pictures and for his book illustrations. - i 5.1 12.$fiW Photos, excem where otherwise in icated v cour- tesy of the ~xhibitsDepartment of the ~atiohai~oun- cil of American-Soviet Friendship. A PUB1,ICATION OF SOVIET RUSSIA TODAY 114 East ~2ndSt., New York i6, N. Y. PRINTED IN THE U.S.A. 209 CHAPTER I THE ECONOMIC BASE URING 1945 and 1946 the Soviet press carried on an extensive discussion of Soviet democracy-what it is D.
    [Show full text]
  • Czechoslovakia 1968 by Robert M
    Czechoslovakia 1968 By Robert M. Fresco Oscar’s Docs, 1964–85: The Front Lines at Home and Abroad program notes, 2011 Reprinted by permission of the author and the Academy of Motion Picture Arts and Sciences “Czechoslovakia 1968” almost died at birth B cen- sored out of existence by its very own parent, the United States Information Agency. It all began when the Soviet Union decided to end the ACzech Spring,@ and the tanks came suddenly rolling in. The Czechs responded by filming their own Arape@: every studio and television camera in the country captured what was taking place. The A frame enlargement of a tank rolling amidst a crowd of results were quickly boiled down to some two hours citizens gathered in the streets of Prague during the of raw footage, and 35mm fine grains were smug- “Czech Spring.” gled out to the world by sympathetic diplomats. film B and I believe I kept my word. My late partner, Denis Sanders and I were sum- moned to get on a plane post haste to view this The music was still being written as I flew back to amazing footage. It was amazing, and we advised Washington for the rough cutYand found myself the USIA to stop projecting it, throw it in a closet and confronted by a covey of grim-faced, middle-aged treasure the key until someone decided what to do Asuits@ wearing a uniform frown. Bruce Herschen- next. sohn, the executive overseeing documentaries, whispered that these were the USIA=s senior policy Months passed, we heard nothing, and we assumed makers, career bureaucrats with zero understanding the whole thing was a Aho-hum.@ of B or liking for B the film medium.
    [Show full text]
  • Joseph Stalin -- Britannica Online Encyclopedia
    10/4/2017 Joseph Stalin -- Britannica Online Encyclopedia Joseph Stalin Joseph Stalin, Russian in full Iosif Vissarionovich TABLE OF CONTENTS Stalin, original name Introduction (Georgian) Ioseb Dzhugashvili (born The young revolutionary December 18 [December Rise to power 6, Old Style], 1879, Gori, Lenin’s successor Georgia, Russian Empire The great purges [see Researcher’s Note]— Role in World War II died March 5, 1953, Moscow, Russia, U.S.S.R.), Last years secretary-general of the Assessment Communist Party of the Major Works Soviet Union (1922–53) and premier of the Soviet state (1941–53), who for a quarter of a century dictatorially Joseph Stalin, 1950. ruled the Soviet Union and transformed it into a major world power. Sovfoto During the quarter of a century preceding his death, the Soviet dictator Joseph Stalin probably exercised greater political power than any other �gure in history. Stalin industrialized the Union of Soviet Socialist Republics, forcibly collectivized its agriculture, consolidated his position by intensive police terror, helped to defeat Germany in 1941–45, and extended Soviet controls to include a belt of eastern European states. Chief architect of Soviet totalitarianism and a skilled but phenomenally ruthless organizer, he destroyed the remnants of individual freedom and failed to promote individual prosperity, yet he created a mighty military–industrial complex and led the Soviet Union into the nuclear age. Stalin’s biography was long obscured by a mendacious Soviet-propagated “legend” exaggerating his prowess as a heroic Bolshevik boy-conspirator and faithful follower of Lenin, the founder of the Soviet Union. In his prime, Stalin was hailed as a universal genius, as a “shining sun,” or “the staff of life,” and also as a “great teacher and friend” (especially of those communities he most savagely persecuted); once he was even publicly invoked as “Our Monument of Joseph Stalin in front of the town hall in Gori, Georgia.
    [Show full text]
  • Extended Labels for “From the Ashes”
    From the Ashes – Virtual Exhibition Extended Labels Captions and titles from Sovfoto are in italics. Curatorial comments and supplied titles are in bold. 2975: Anonymous photographer, Stalingrad in Ruins, gelatin silver print, n.d. This is the aftermath of the Battle of Stalingrad. These ruins are what the people of Stalingrad had to face when they returned to rebuild their city. 2964: Anonymous photographer, Builders’ Camp, gelatin silver print, June 1943. This is a camp in one district of Stalingrad where the builders lived while restoring the city. The people who came to restore the city included military rehabilitation detachments and volunteers from all parts of the country. They had to start from scratch, with no water or electricity. 2969: Anonymous photographer, Unloading of Timber, gelatin silver print, October 1944. Unloading timber sent from Archangel, in Northern Russia. 2968: Anonymous photographer, The Restored Port, gelatin silver print, August 1944. Produce of the Stalingrad collective farmers is being loaded onto a steam boat. One of the first tasks completed was to rebuild the demolished port. This photo shows the port, restored to a state where it can carry on work at a pre-war level. 2990: S. Gurary, Surveyors Working in the Blazing Sunshine, gelatin silver print, n.d. The best architects of the Soviet Union are working in the hot sun to design the new buildings and plan the streets in a new way. 3003: Anonymous photographer, Rebuilding Stalingrad, gelatin silver print, n.d. Before the war Stalingrad was a large industrial centre. It was known for its tractor works, its machine-engineering and cement plants and its shipyards, all built during the Five-Year plans.
    [Show full text]
  • Guide to the Carlos De Wendler- Funaro Gypsy Research Collection
    Guide to the Carlos de Wendler- Funaro Gypsy Research Collection NMAH.AC.0161 Sheila Salo 1986 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 3 Arrangement..................................................................................................................... 6 Biographical / Historical.................................................................................................... 2 Gypsies in the United States........................................................................................... 2 Bibliography of works cited.............................................................................................. 6 Bibliographic References................................................................................................. 6 Names and Subjects ...................................................................................................... 6 Container Listing ............................................................................................................. 8 Series 1: Materials
    [Show full text]