DOCSLIB.ORG

Vol. 76 Thursday, No. 116 June 16, 2011 Pages 35095–35300

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vol. 76 Thursday, No. 116 June 16, 2011 Pages 35095–35300 Vol. 76 Thursday, No. 116 June 16, 2011 Pages 35095–35300 OFFICE OF THE FEDERAL REGISTER VerDate Mar 15 2010 19:23 Jun 15, 2011 Jkt 223001 PO 00000 Frm 00001 Fmt 4710 Sfmt 4710 E:\FR\FM\16JNWS.LOC 16JNWS jlentini on DSK4TPTVN1PROD with FRWS II Federal Register / Vol. 76, No. 116 / Thursday, June 16, 2011 The FEDERAL REGISTER (ISSN 0097–6326) is published daily, SUBSCRIPTIONS AND COPIES Monday through Friday, except official holidays, by the Office of the Federal Register, National Archives and Records PUBLIC Administration, Washington, DC 20408, under the Federal Register Subscriptions: Act (44 U.S.C. Ch. 15) and the regulations of the Administrative Paper or fiche 202–512–1800 Committee of the Federal Register (1 CFR Ch. I). The Assistance with public subscriptions 202–512–1806 Superintendent of Documents, U.S. Government Printing Office, Washington, DC 20402 is the exclusive distributor of the official General online information 202–512–1530; 1–888–293–6498 edition. Periodicals postage is paid at Washington, DC. Single copies/back copies: The FEDERAL REGISTER provides a uniform system for making Paper or fiche 202–512–1800 available to the public regulations and legal notices issued by Assistance with public single copies 1–866–512–1800 Federal agencies. These include Presidential proclamations and (Toll-Free) Executive Orders, Federal agency documents having general FEDERAL AGENCIES applicability and legal effect, documents required to be published Subscriptions: by act of Congress, and other Federal agency documents of public interest. Paper or fiche 202–741–6005 Documents are on file for public inspection in the Office of the Assistance with Federal agency subscriptions 202–741–6005 Federal Register the day before they are published, unless the issuing agency requests earlier filing. For a list of documents FEDERAL REGISTER WORKSHOP currently on file for public inspection, see www.ofr.gov. The seal of the National Archives and Records Administration THE FEDERAL REGISTER: WHAT IT IS AND HOW TO USE IT authenticates the Federal Register as the official serial publication FOR: Any person who uses the Federal Register and Code of established under the Federal Register Act. Under 44 U.S.C. 1507, Federal Regulations. the contents of the Federal Register shall be judicially noticed. The Federal Register is published in paper and on 24x microfiche. WHO: Sponsored by the Office of the Federal Register. It is also available online at no charge at www.fdsys.gov, a service WHAT: Free public briefings (approximately 3 hours) to present: of the U.S. Government Printing Office. 1. The regulatory process, with a focus on the Federal The online edition of the Federal Register is issued under the Register system and the public’s role in the develop- authority of the Administrative Committee of the Federal Register as the official legal equivalent of the paper and microfiche editions ment of regulations. (44 U.S.C. 4101 and 1 CFR 5.10). It is updated by 6:00 a.m. each 2. The relationship between the Federal Register and day the Federal Register is published and includes both text and Code of Federal Regulations. graphics from Volume 59, 1 (January 2, 1994) forward. For more information, contact the GPO Customer Contact Center, U.S. 3. The important elements of typical Federal Register doc- Government Printing Office. Phone 202-512-1800 or 866-512-1800 uments. (toll free). E-mail, [email protected]. 4. An introduction to the finding aids of the FR/CFR sys- The annual subscription price for the Federal Register paper tem. edition is $749 plus postage, or $808, plus postage, for a combined WHY: To provide the public with access to information nec- Federal Register, Federal Register Index and List of CFR Sections Affected (LSA) subscription; the microfiche edition of the Federal essary to research Federal agency regulations which di- Register including the Federal Register Index and LSA is $165, rectly affect them. There will be no discussion of spe- plus postage. Six month subscriptions are available for one-half cific agency regulations. the annual rate. The prevailing postal rates will be applied to llllllllllllllllll orders according to the delivery method requested. The price of a single copy of the daily Federal Register, including postage, WHEN: Tuesday, July 12, 2011 is based on the number of pages: $11 for an issue containing 9 a.m.–12:30 p.m. less than 200 pages; $22 for an issue containing 200 to 400 pages; and $33 for an issue containing more than 400 pages. Single issues WHERE: Office of the Federal Register of the microfiche edition may be purchased for $3 per copy, Conference Room, Suite 700 including postage. Remit check or money order, made payable to the Superintendent of Documents, or charge to your GPO 800 North Capitol Street, NW. Deposit Account, VISA, MasterCard, American Express, or Washington, DC 20002 Discover. Mail to: U.S. Government Printing Office—New Orders, P.O. Box 979050, St. Louis, MO 63197-9000; or call toll free 1- RESERVATIONS: (202) 741–6008 866-512-1800, DC area 202-512-1800; or go to the U.S. Government Online Bookstore site, see bookstore.gpo.gov. There are no restrictions on the republication of material appearing in the Federal Register. How To Cite This Publication: Use the volume number and the page number. Example: 76 FR 12345. Postmaster: Send address changes to the Superintendent of Documents, Federal Register, U.S. Government Printing Office, Washington, DC 20402, along with the entire mailing label from the last issue received. VerDate Mar 15 2010 19:23 Jun 15, 2011 Jkt 223001 PO 00000 Frm 00002 Fmt 4710 Sfmt 4710 E:\FR\FM\16JNWS.LOC 16JNWS jlentini on DSK4TPTVN1PROD with FRWS III Contents Federal Register Vol. 76, No. 116 Thursday, June 16, 2011 Agriculture Department Defense Department See Animal and Plant Health Inspection Service See Air Force Department See Food and Nutrition Service See Army Department See Forest Service See Navy Department NOTICES NOTICES Agency Information Collection Activities; Proposals, Agency Information Collection Activities; Proposals, Submissions, and Approvals, 35185 Submissions, and Approvals: Meetings: Federal Acquisition Regulation; Cost or Pricing Data Deschutes Provincial Advisory Committee, 35185 Requirements and Information Other Than Cost or Pricing Data, 35218–35219 Air Force Department Federal Acquisition Regulation; Payment by Electronic NOTICES Fund Transfer, 35219 Privacy Act; Systems of Records, 35195–35197 Arms Sales Notifications, 35188–35191 Meetings: Animal and Plant Health Inspection Service Reserve Forces Policy Board, 35191 NOTICES Privacy Act; Systems of Records, 35191–35195 Agency Information Collection Activities; Proposals, Submissions, and Approvals: Department of Transportation Bovine Spongiform Encephalopathy; Importation of See Pipeline and Hazardous Materials Safety Animals and Animal Products, 35185–35186 Administration Pest Risk Analysis for Interstate Movement of Rambutan From Puerto Rico Into the Continental United States; Drug Enforcement Administration Availability, 35186–35187 NOTICES Importers of Controlled Substances; Applications, 35239– Army Department 35242 NOTICES Importers of Controlled Substances; Registrations:, 35242 Privacy Act; Systems of Records, 35197–35199 Manufacturers of Controlled Substances; Applications, 35242–35243 Children and Families Administration Manufacturers of Controlled Substances; Registrations, NOTICES 35243–35244 Agency Information Collection Activities; Proposals, Energy Department Submissions, and Approvals, 35219–35221 See Energy Efficiency and Renewable Energy Office Coast Guard See Federal Energy Regulatory Commission RULES Energy Efficiency and Renewable Energy Office Safety Zones: NOTICES Brandon Road Lock and Dam to Lake Michigan Including Agency Information Collection Activities; Proposals, Des Plaines River, Chicago River, etc., Cicago, IL, Submissions, and Approvals, 35199–35200 35106–35110 Waterway Closure, Atchafalaya River from Mile Marker Environmental Protection Agency 117 (Morgan City Railroad Bridge) to Mile Marker 0 PROPOSED RULES (Simmesport, LA), 35104–35106 Revisions to the California State Implementation Plan: PROPOSED RULES San Joaquin Valley Unified Air Pollution Control District, Validation of Merchant Mariners’ Vital Information; 35167–35169 Issuance of Coast Guard Merchant Mariner’s NOTICES Documents, 35173–35176 Determination of Adequacy for Municipal Solid Waste Validation of Merchant Mariners’ Vital Information; Landfills: Issuance of Coast Guard Merchant Mariner’s Licenses Ohio Research, Development and Demonstration Permit and Certificates of Registry, 35169–35173 Provisions, 35214–35215 NOTICES EPA Workshop on Sanitary Sewer Overflows and Peak Wet Agency Information Collection Activities; Proposals, Weather Discharges, 35215–35216 Submissions, and Approvals, 35228–35229 Meetings: Chartered Science Advisory Board; Public Commerce Department Teleconference, 35216–35217 See Industry and Security Bureau Executive Office of the President Commodity Futures Trading Commission See Presidential Documents PROPOSED RULES Protection of Cleared Swaps Customer Contracts and Export-Import Bank Collateral: NOTICES Conforming Amendments to the Commodity Broker Meetings: Bankruptcy Provisions; Correction, 35141–35162 Sub-Saharan Africa Advisory Committee, 35217 VerDate Mar<15>2010 19:24 Jun 15, 2011 Jkt 223001 PO 00000 Frm 00001 Fmt 4748 Sfmt 4748 E:\FR\FM\16JNCN.SGM 16JNCN jlentini on DSK4TPTVN1PROD with FRCN IV Federal Register / Vol. 76, No. 116 / Thursday, June 16,
Load more

Recommended publications
  • Andrea Abbate Annie Abbott Rose Abdoo Louisa
    CHARACTERS and COMEDIENNES ACADEMY PLAYERS DIRECTORY #196 BOOK PAGE: 1 Agency(310)Personal 273-0744(213)Jo for Anne theN11571500 466-5170ManagementInc.96 Performing Astrow (212) 582- Arts, RussianImprovisation,SusanMid-EastGerman5Accent,DANCETerryCOUNSELLOR-AT-LAW,THESEVENTHMAD ft.Accent,LEGALINTOCommercialAccent,FEATURED 3(818)(213)ROSEANNE Accent,NatheYOUNG LichtmanRESTLESSSpecial in.LA ABOUT Accent,New THEWITHAccent,M8530CreditsER EAGLESC.P.C. FrenchLAW 120783-3003653-7573Irish91 HEAVEN & Singer, WOODS,TVYork Italian Skills Associates/AND MEAgency YOUlbs.Company StageAccent, TV Southern- TVMidwest- Accent TV Accent, Film Stage THEBritish-AdultAccent, TV (213)NewFencing,Accent, 878-1155YorkGeddesSpecial Firearms, SpanishL9984Accent,833396 Agency Skills (312) Russian- Accent Singer, 787- 5C.L.Inc.Personal ft.CHICAGOCommercialGABRIEL'S 4(213)SEINFELDSpecial in.HenryCreditsH6173Singer Talent 200461-3971461-5699Management96 HOPE Ong SkillsFIRE Agencylbs. Agency TV TV AdultTV ANDREA ANNIE ROSE LOUISA ABBATE ABBOTT ABDOO ABERNATHY MOTHERBritishTHOMPSONSAccent,Ice(714) Skating,ONEFEATUREDSpecial Accent,Messages & SouthernM6668Credits INCHCHILD, 751-500796 Swimming, Skills New EXPRESS, FilmDIE, STAR Accent York- TV 5 ft.Cavaleri 8(818) in.L8722 122Adult 955-9300&96 Associates lbs. Mature (310)Cycling,5Sailing, ft.Commercial 274-93565GillaSpecial in.Swimming Equestrian,N0179 Scuba7820 Roos,13596 Skills Agencylbs. (212) Diving,Ltd. Guitar, Adult 727- IT'SMURDER,TALES APersonal MAD,(818)HenriWORLD OFM2916Credits SHE MAD, 784-0534Management96 BollingerTHE
    [Show full text]
  • Tom Fleischman CAS
    Career Achievement Award Recipient Tom Fleischman CAS CAS Award Nominees Production Equipment FOMO How the CAS Started Remembering Jim Alexander WINTER 2020 CINEMA AUDIO SOCIETY AWARDS NOMINEE OUTSTANDING ACHIEVEMENT IN SOUND MIXING MPSE GOLDEN REEL AWARDS NOMINEE FEATURE - ADR/DIALOGUE PHILIP STOCKTON, MPSE, EUGENE GEARTY, MARISSA LITTLEFIELD “EXQUISITELY MADE, EVERY DETAIL CAREFULLY CONSIDERED. IT FEELS UTTERLY TRANSPORTING.” NETFLIXGUILDS.COM CAS QUARTERLY, COVER 2 NETFLIX: THE IRISHMAN PUB DATE 12/30/19 BLEED: 8.625” X 11.125” TRIM: 8.375” X 10.875” CINEMA AUDIO SOCIETY AWARDS NOMINEE OUTSTANDING ACHIEVEMENT IN SOUND MIXING MPSE GOLDEN REEL AWARDS NOMINEE FEATURES FEATURE - ADR/DIALOGUE Production Sound Equipment Purchases . 20 PHILIP STOCKTON, MPSE, EUGENE GEARTY, MARISSA LITTLEFIELD Ever have a “Fear of Missing Out”? 147th AES Convention . 26 Career Achievement Recipient . 34 Re-recording mixer Tom Fleischman CAS CAS Filmmaker Award . 44 34 Director, producer, and writer James Mangold CAS Award Nominations . 46 Outstanding Product Nominees . 50 Student Recognition Award Finalists . 52 The Start of the CAS . 54 Bob Hoyt had a vision A Case Study in Multilanguage Production Sound . 60 Possession 54 The “Sound” of Genre Storytelling . 64 Mixing approaches infl uenced by genre Remembering a Legend . 68 Production sound mixer Jim Alexander “EXQUISITELY MADE, DEPARTMENTS EVERY DETAIL The President’s Letter . 4 From the Editor . 6 CAREFULLY CONSIDERED. 60 Collaborators . 9 Meet the people behind the words IT FEELS UTTERLY Technically Speaking
    [Show full text]
  • Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
    PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product.
    [Show full text]
  • The Operational Aesthetic in the Performance of Professional Wrestling William P
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The operational aesthetic in the performance of professional wrestling William P. Lipscomb III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Lipscomb III, William P., "The operational aesthetic in the performance of professional wrestling" (2005). LSU Doctoral Dissertations. 3825. https://digitalcommons.lsu.edu/gradschool_dissertations/3825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OPERATIONAL AESTHETIC IN THE PERFORMANCE OF PROFESSIONAL WRESTLING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by William P. Lipscomb III B.S., University of Southern Mississippi, 1990 B.S., University of Southern Mississippi, 1991 M.S., University of Southern Mississippi, 1993 May 2005 ©Copyright 2005 William P. Lipscomb III All rights reserved ii ACKNOWLEDGMENTS I am so thankful for the love and support of my entire family, especially my mom and dad. Both my parents were gifted educators, and without their wisdom, guidance, and encouragement none of this would have been possible. Special thanks to my brother John for all the positive vibes, and to Joy who was there for me during some very dark days.
    [Show full text]
  • BEA Program 2013
    elon.edu/communications BEA2016 Convention Program – BEA2016 Convention C School of Communications ONTENT • One of 18 private universities in the nation ARRIVING FALL 2016 accredited by ACEJMC IS One of the nation’s finest communications schools K • More than 1,200 students and 60 full-time deserves one of the nation’s finest facilities. ING faculty members Elon University broke ground in summer 2015 on two new buildings that will merge with two • Undergraduate majors in Journalism, existing buildings to create a Communications Strategic Communications, Cinema Commons in the heart of campus. & Television Arts, Communication Design and Media Analytics A grand atrium will connect the current facility with a new building that will feature a • A master’s program in Interactive Media 250-seat movie theatre. Student media will be converged, and one of the current studios Pioneered the Elon in LA program • will become transparent to an outdoor plaza. CONTENT IS KING: STORYTELLING ACROSS PLATFORMS Convention Program Chairʼs Welcome A very warm welcome to BEA 2016 from your 2016 Program Chair! Whether you’re a first timer or a seasoned BEA veteran, I know you’ll find much of interest in the numerous panels, programs and sessions we’ve crafted for you over the next few days. Our spotlight theme “Content is King: Storytelling Across Platforms” is extremely relevant in a world where we get and convey information across many different platforms…but sometimes can forget that we are still at heart, storytellers. Bringing the focus back to content allows us to explore the many different ways stories can be told across genres and platforms as well as in the classroom.
    [Show full text]
  • The Impact of Corporate Newsroom Culture on News Workers & Community Reporting
    Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Spring 6-5-2018 News Work: the Impact of Corporate Newsroom Culture on News Workers & Community Reporting Carey Lynne Higgins-Dobney Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Broadcast and Video Studies Commons, Journalism Studies Commons, and the Mass Communication Commons Let us know how access to this document benefits ou.y Recommended Citation Higgins-Dobney, Carey Lynne, "News Work: the Impact of Corporate Newsroom Culture on News Workers & Community Reporting" (2018). Dissertations and Theses. Paper 4410. https://doi.org/10.15760/etd.6307 This Dissertation is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. News Work: The Impact of Corporate Newsroom Culture on News Workers & Community Reporting by Carey Lynne Higgins-Dobney A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Urban Studies Dissertation Committee: Gerald Sussman, Chair Greg Schrock Priya Kapoor José Padín Portland State University 2018 © 2018 Carey Lynne Higgins-Dobney News Work i Abstract By virtue of their broadcast licenses, local television stations in the United States are bound to serve in the public interest of their community audiences. As federal regulations of those stations loosen and fewer owners increase their holdings across the country, however, local community needs are subjugated by corporate fiduciary responsibilities. Business practices reveal rampant consolidation of ownership, newsroom job description convergence, skilled human labor replaced by computer automation, and economically-driven downsizings, all in the name of profit.
    [Show full text]
  • Pressive and Photographs So Beautifully, He Is Extremely Strong in This Role,” Comments Masterson
    “YESTERDAY WAS A LIE” PRODUCTION INFORMATION A groundbreaking new noir film, YESTERDAY WAS A LIE is a “soulful and thought- provoking metaphysical journey” (Talking Pictures). Award-winning writer/director James Kerwin -- “one of these young guys on the edge of a digital revolution” (Soundwaves Cinema) -- crafts a thrilling, intricate detective drama that teases the boundaries of reality. Kipleigh Brown “exudes Bacall” (Slice of SciFi) as Hoyle, a girl with a sharp mind and a weak- ness for bourbon who finds herself on the trail of a reclusive genius (John Newton). But her work takes a series of unforeseen twists as events around her grow increasingly fragmented... discon- nected... surreal. With a sexy lounge singer (Chase Masterson) and a loyal partner (Mik Scriba) as her only allies, Hoyle is plunged into a dark world of intrigue and earth-shattering cosmological secrets. Haunted by an ever-present shadow (Peter Mayhew) whom she is destined to face, Hoyle discovers that the most powerful force in the universe -- the power to bend reality, the power to know the truth -- lies within the depths of the human heart. “Like Blade Runner before it, YESTERDAY WAS A LIE manages to meld film noir and science fiction into a fresh new world unlike anything we’ve seen be- fore” (iF Magazine). Also starring Nathan Mobley, Warren Davis, Megan Henning, Jennifer Slimko, and famed ra- dio personality Robert Siegel. 2 ABOUT THE PRODUCTION YESTERDAY WAS A LIE is the brainchild of writer/director James Kerwin, who made a splash in 2000 with his multi-festival-award-winning short film Midsummer.
    [Show full text]
  • SPRING 2013 Volume 7, Issue 1 SVG UPDATE 9 Sportspost:NY 36 12 League Technology Summit 26 Transport 36 Sports Venue Technology Summit
    ADVANCING THE CREATION, PRODUCTION, & DISTRIBUTION OF SPORTS CONTENT Spring 2013 • Volume 7, iSSUE 1 AN PUBLICATION SVG SPECIAL REPORT: THE BIG SHOW FROM THE BIG EASY Inside the Super Bowl XLVII Compound in New Orleans • SVG Update: In-Depth Recaps of Recent SVG Events • Sports Broadcasting Hall of Fame: The Class of 2012 • White Papers: The Promise of 4K, Streaming the Pac-12 Networks, and Workflow Automation in Sports plus Comprehensive 2013 NAB Preview & SVG Sponsor Update UPFRONT IN THIS ISSUE 4 FROM THE CHAIRMAN Even With 4K, the Future of Sports Video Is Better HD 6 THE TIp-off Standing Up For Your Rights SPRING 2013 VOLUME 7, ISSUE 1 SVG UPDATE 9 SportsPost:NY 36 12 League Technology Summit 26 TranSPORT 36 Sports Venue Technology Summit 42 SVG SPECIAL REPORT: THE BIG GAME FROM THE BIG EASY SPORTS BROADCASTING HALL OF FAME Class of 2012 Coverage begins on page 54 56 George Bodenheimer 64 Cory Leible 58 Ray Dolby 66 Paul Tagliabue 60 Frank Gifford 68 Jack Weir 62 Ed Goren 70 Jack Whitaker 72 WHITE PAPERS 80 72 Canon: The Promise of 4K 76 iStreamPlanet: Live Linear Streaming 80 Wohler: File-based Workflow Automation 3 2 1 8 4 PRODUCT NEWS 15 32 84 Remote Sports Production Gearbase 18 More trucks, more gear, more consolidation 111 87 NAB Preview 84 A comprehensive look at what SVG Sponsors will showcase in Las Vegas 122 Sponsor Update New technology, news, and innovations 87 138 SVG SPONSOR INDEX 144 THE FINAL BUZZER A Measured Response to 4K Hype? The SportsTech Journal is produced and published by the Sports Video Group.
    [Show full text]
  • Wirecast User Guide | 266727 December 2018
    User Guide User Guide for Mac 11.1 Wirecast User Guide | 266727 December 2018 3 Contents Preface 11 Copyright and Trademark Notice 11 MPEG-2 License Requirements 11 Customer Support 12 We'd Like to Hear from You! 12 Limited Warranty and Disclaimers 12 Warranty Remedies 12 Software Updates 13 Restrictions and Conditions of Limited Warranty 13 Limitations of Warranties 13 Introduction 15 Introduction 15 Topics 15 Wirecast Versions 15 Wirecast Workflow 16 Tutorials 17 Two Ways to Use this Application 17 Presenter Is Operator 17 Presenter Plus Operator 18 Startup 18 Main Window Layout 19 Using AutoLive 21 Preview 22 Master Audio 24 Main Shot List 25 Control/Status Bar 25 Layers 27 Layer Windows 27 Installation 29 Introduction 29 4 Contents Topics 29 Installing 29 Activating 30 Uninstalling 31 System Requirements 31 Tutorials 35 Introduction 35 Tutorials 35 Tutorial 1: Basic Concepts 36 Tutorial Prep 37 The Main Window 38 What Is a Shot? 38 Switching Between Shots 39 Transitions 40 Transition Speed 42 Go Button 42 Layers 43 Auto Live 45 Turn AutoLive Off 45 Multiple Changes 46 Preview 47 Tutorial 2: Editing Shots 51 Tutorial 3: Broadcasting 53 Streaming 53 Telestream Cloud Settings 54 Main Window 59 Introduction 59 Topics 59 Overview 59 Control/Status Bar 60 Preview/Live Broadcast Area 61 Countdown Clock Display 62 Transition Controls 63 Changing Transitions 63 Transition Speed 64 Go Button 64 Touch Bar (MacBook Pro only) 64 Add Shot Menu 65 Shot Selection Area 69 Changing Shots 69 Moving a Shot to Another Layer 71 Resizing the Shot Icons
    [Show full text]
  • Writing for Electronic Media
    Writing for Electronic Media WRITING FOR ELECTRONIC MEDIA BRIAN CHAMPAGNE KIERA FARRIMOND AND BRIANNA BODILY Writing for Electronic Media by Brian Champagne is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted. Writing for Electronic Media by Brian Champagne is licensed under CC-BY-NC-SA Contents Introduction 1 1. The Newsroom 7 2. Leads 25 3. Common Mistakes 33 4. Interviewing 40 5. VOs 49 6. VOSOTs 54 7. PKGs 59 8. Producing 71 9. Teases and Promos 94 10. Live Shots 100 11. Social Media 115 12. Working With Photographers 120 13. Radio 128 14. Sports 145 15. Motivation and Ethics 151 16. The Job Market 155 About the Authors 167 Glossary 169 Brian Champagne Introduction Your author and the Vice President. Welcome to Writing for Electronic Media, an OER textbook. OER stands for Open Educational Resource, which means it’s free for all to access. Since it is electronic, I will do what I can to keep it updated with the changing media. People’s viewing habits are changing as they migrate to mobile sources, social media, and kitten videos. Television News is still a dominant #1 source, and radio is still the safest way to stay informed in your car. 1 WRITING FOR ELECTRONIC MEDIA Hopefully, you already have some journalism background. This book does not teach the who, what, when, where, why, and how of reporting; its goal is to teach how to present the journalism you already know via electronic media, primarily television. We Write Differently A reporter who understands her medium knows she must write words to fit her video.
    [Show full text]
  • Rams Beavers
    15 CONFERENCE CHAMPIONSHIPS | 16 BOWL GAME APPEARANCES | 45 WEEKS IN THE POLLS SINCE 1994 | 26 ALL-AMERICANS 249 FIRST-TEAM ALL-CONFERENCE SELECTIONS | 3 COLLEGE FOOTBALL HALL OF FAME SELECTIONS | 1 JIM THORPE AWARD WINNER 2017 SCHEDULE Colorado State CSU vs. Oregon State Oregon State At A Glance Saturday, Aug. 26 • 12:30 p.m. MT RAMS Date: Saturday, Aug. 26 BEAVERS 0-0 (0-0 MW) 0-0 (0-0 PAC-12) OREGON STATE Time: 12:30 p.m. MT Fort Collins, Colo. • CBS Sports TV: CBS Sports Network Friday, Sept. 1 • 6 p.m. MT Radio: KARS 102.9 FM vs. COLORADO KDCO 1340 AM & 104.7 FM Denver, Colo. • Pac-12 Network Location: Fort Collins, Colo. Saturday, Sept. 9 • 1:30 p.m. MT Venue: CSU Stadium ABILENE CHRISTIAN Surface: FieldTurf Fort Collins, Colo. Capacity: 36,500 Saturday, Sept. 16 • 5 p.m. MT Series: Tied 1-1 at ALABAMA Tuscaloosa, Ala. • ESPN/ESPN2 COLORADO STATE THE MATCHUP OREGON STATE • Mike Bobo is entering his third year as the head coach at • Gary Andersen is entering his third year as the head coach Saturday, Sept. 30 • 10 p.m. MT Colorado State. He has led the Rams to bowl appearances in at Oregon State. The Beavers are 6-18 under Andersen. each of his first two seasons. • The Beavers went 4-8 last season, with a 3-6 mark in Pac-12 • CSU returns 16 starters from a year ago - 6 on offense, 8 on play. at HAWAI`I defense and a pair of specialists. Honolulu, Hawaii • Oregon State won its last two games of the season, beating • Statistically, the Rams return 93.9 percent of their rushing Arizona 42-17 and coming from behind to beat Oregon yardage, 95.5 percent of their passing yards and 88 percent of 34-24.
    [Show full text]
  • Grid Not Sold on Swampscott Trail Group’S La Voz Newspaper Facebook Page
    DEALS OF THE $DAY$ PG. 3 SATURDAY, OCTOBER 5, 2019 DEALS Parking goes OF THE Grid not sold on Swampscott$ DAtrailY$ By Bella diGrazia lling or altering of wetlands without a ing-Cook was that the PGnotice. 3 of intent mobile in Lynn ITEM STAFF permit issued by the commission. is premature, since the town acknowl- At the meeting, representatives from edges it is still determining the nal By Bella diGrazia SWAMPSCOTT — The town may the Massachusetts electric company design of the complete rail trail. The ITEM STAFF have to make changes to parts of its raised several de ciencies in the con- electric company also said that in the proposed rail trail plan after a number struction proposal presented by LEC proposal, there would not be enough LYNN — City residents and those visit- of issues were raised by National Grid. Environmental Consultants, Inc., the accessibility for NationalDEALS Grid utility ing the downtown area will nally be able Swampscott’s Conservation Commis- design consultant hired by the town. trucks or emergency vehicles. to pay for parking on their cellphones. sion held a public hearing in late Au- “There are signi cant issues we have The town’s designOF proposal THE that After securing a partnership with Pay- gust for the notice of intent submitted seen with the plan that is being imple- states a plan to relocate$ a stream$ in the ByPhone, a mobile phone app that allows for construction of the rail trail seg- mented now with respect to National Lexington Avenue/HumphreyDAY Street users to pay for parking meters and ex- ment running from Lexington Avenue Grid’s infrastructure,” said Nation- segment and leave the PGelectrical.
    [Show full text]