The Inheritance and Development and Innovation of Zhucheng Guqin in Shandong
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The Community Structure of Insects on the Stored Traditional Chinese Medicinal (TCM) Materials in Shandong Province, China
Proceedmqs of the 7th Internationol WOI kuu) Conference on Stored-product Protectum - Volume 1 The community structure of insects on the stored traditional Chinese medicinal (TCM) materials in Shandong Province, China Liu Guilm", Ye Baohua", LI Zhaohui", Zheng Fangqiang", Liang Xiaowerr , Liu Yongh2 and LI Changzheng! Abstract One hundred species of insects on the stored Traditional Methods Chinese Medicinal (TCM) matenals belonging to 10 orders and 43 farmhes were Identified m 20 regions of Shandong Survey methods Provmce , China The commumty structure of msects on the Survey reqions stored TCM matenals m different regions was analysed, Twenty representitrve survey regions involved are showing that the mam group m the commurutres was Yanzhou, Jmmg , Zhangdian , Omgdao , Dezhou, Yucheng, coleopterous msects (72 species, makmg up 72% of the LaIWU, Rizhao, Bmzhou, Weifang , Zhucheng, LmYI, total number of species) and Then was Iepidopterous insects Liaocheng, Changqmg, Zaozhuang, Laiyang, Dongymg, (9 species, accounting for 9 % of the total number of Iman, Heze and Taian The msect commumty structure of species) The number of coleopterous species m 20 regions Taian TCM matenal station was studied in detail in a ranges from -+ to 37, accountmg for 61 54 - 90 00% (80 72 tamporal sequence ± 7 67%) The dominant species m different regions Samplmg procedure were studied The results indicated that Sieqobucni Five quadrats were taken from each kmd of TCM paniceum (L) PlOOIO interpunciella (Hubner) and matenals One kilogram TCM matenal from each -
24 International Congress of CIRIEC
C i r i e c CIRIEC i n t e r n a t i o n a l I t a l i a 24th International Congress of CIRIEC Napoli Italia 30 settembre - 2 ottobre 2002 EMPLOYEE OWNERSHIP AND PROFIT SHARING AS POSITIVE FACTORS IN THE REFORM OF CHINESE STATE-OWNED ENTERPRISES George Tseo Pennsylvania State University (USA) Hou Gui Sheng Institute of Economics, Qingdao Institute of Chemical Technology (P.R.C.) Discussion paper WORKER PRESSURES IN THE ERA OF REFORM In China, state-owned enterprises (SOEs) dominate heavy industry and have long been renowned for extreme inefficiency. By the early 1990s, enterprise money losses and non- performing bank loans were threatening the continued stable development of nearly every province. For example, a finance department study in Liaoning Province indicated that 70% of the province's firms had hidden losses, which were on average 1.4 times greater than profits (Sender, 1993). By 2001, official publicized estimates of China's unpaid SOE debt reached $218 billion or 27% of total national bank lending (Chandler, 2002). Most Western analysts pegged the actual figures at double or more of these values. Ernst & Young estimated a total of $480 billion in unpaid SOE debts for 2001 or 44% of the national economy's $1.08 trillion output for that year (ibid). To try to staunch the loss of money the state has over the past decade and a half promoted enterprise reforms aimed at gradually eliminating lifetime employment guarantees for workers and cutting back on their vast array of social benefits (including food subsidies, very low cost housing, medical care, free vacations, child schooling, adult continuing education, etc.)1. -
Decision Memorandum for the Preliminary Results of the Antidumping Duty Administrative Review: Certain Steel Nails from the People’S Republic of China; 2018-2019
A-570-909 Administrative Review POR: 8/1/2018 - 7/31/2019 Public Document E&C/V: BB December 14, 2020 MEMORANDUM TO: Joseph A. Laroski Jr. Deputy Assistant Secretary for Policy and Negotiations FROM: James Maeder Deputy Assistant Secretary for Antidumping and Countervailing Duty Operations SUBJECT: Decision Memorandum for the Preliminary Results of the Antidumping Duty Administrative Review: Certain Steel Nails from the People’s Republic of China; 2018-2019 I. SUMMARY The Department of Commerce (Commerce) is conducting an administrative review of the antidumping duty (AD) order on certain steel nails (nails) from the People’s Republic of China (China) for the period of review (POR) from August 1, 2018 through July 31, 2019. We initiated this administrative review with respect to 308 companies.1 We subsequently selected two of these companies as mandatory respondents, Shandong Oriental Cherry Hardware Group Co. Ltd. (Shandong Oriental) and Tianjin Zhonglian Metals Ware Co., Ltd. (Zhonglian). We preliminarily determine that Zhonglian made sales of subject merchandise at prices below normal value (NV). In addition, we preliminarily determine that nine companies, including Zhonglian, are eligible for a separate rate, 10 companies had no shipments, and 287 companies, including Shandong Oriental, are part of the China-wide entity. Finally, we are rescinding this review with respect to The Stanley Works (Langfang) Fastening Systems Co., Ltd. and Stanley Black & Decker Inc. (collectively, Stanley). 1 We note that we inadvertently initiated a review of one company twice, once as “Tianjin Jinghai County Hongli Industry & Business Co., Ltd.“ and again as “Tianjin Jinghai County Hongli Industry and Business Co., Ltd.” We are treating these companies as the same entity for purposes of this segment of the proceeding. -
Voyager's Gold Record
Voyager's Gold Record https://en.wikipedia.org/wiki/Voyager_Golden_Record #14 score, next page. YouTube (Perlman): https://www.youtube.com/watch?v=aVzIfSsskM0 Each Voyager space probe carries a gold-plated audio-visual disc in the event that the spacecraft is ever found by intelligent life forms from other planetary systems.[83] The disc carries photos of the Earth and its lifeforms, a range of scientific information, spoken greetings from people such as the Secretary- General of the United Nations and the President of the United States and a medley, "Sounds of Earth," that includes the sounds of whales, a baby crying, waves breaking on a shore, and a collection of music, including works by Mozart, Blind Willie Johnson, Chuck Berry, and Valya Balkanska. Other Eastern and Western classics are included, as well as various performances of indigenous music from around the world. The record also contains greetings in 55 different languages.[84] Track listing The track listing is as it appears on the 2017 reissue by ozmarecords. No. Title Length "Greeting from Kurt Waldheim, Secretary-General of the United Nations" (by Various 1. 0:44 Artists) 2. "Greetings in 55 Languages" (by Various Artists) 3:46 3. "United Nations Greetings/Whale Songs" (by Various Artists) 4:04 4. "The Sounds of Earth" (by Various Artists) 12:19 "Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro (Johann Sebastian 5. 4:44 Bach)" (by Munich Bach Orchestra/Karl Richter) "Ketawang: Puspåwårnå (Kinds of Flowers)" (by Pura Paku Alaman Palace 6. 4:47 Orchestra/K.R.T. Wasitodipuro) 7. -
A List of Qin Recordings with a Spring Theme
North American Guqin Association, P O Box 7113, Fremont, CA 94537-7113 Web site: http://www.guqin.org, email: [email protected], voice/fax: 8668419139 ext 1555 NAGA Master Class Session 4 Recordings of qin pieces with “spring” in the title Teacher: Wang Fei Date: April 17th, 2005 Chun Xiao Yin (Song for a Spring Dawn): 1. Anonymous: Ten Chinese Qin Classics, CDM-1074 (DoReMi, Guangzhou, 1998) (CD) 2. Anonymous: Ten Chinese Qin Classics, HDCD-1121 (Zhonghua Wenyi Chubanshe, 2001) ISRC: CN-A49-01-313-00 (CD) 3. Anonymous: Classic of Chinese Music: Guqin, ISRC CN-M29-94-306-00 (1994, Beijing) (CD) 4. Anonymous: Xiao’ao Jian Hu, ISRC CN-A65-01-649-00/A.J6 (Jiuzhou Yinxiang Chuban Gongsi) 5. Gong Yi: The Midnight Crow, RC-931007C (1993, ROI, Hong Kong) (CD) 8. Gong Yi: Guqin Special Feature, CD422 998-2 (Hong Kong, 1989) (CD) 6. Gong Yi: Shan Shui Qing, GN 9202-2 (1991, Taiwan) (CD) 7. Guan Pinghu: Favourite Qin pieces of Guan Pinghu, RB-951005-2C (1995, ROI, Hong Kong) (Double CD) 8. Li Kongyuan: Shi-shang Liu Quan, 200098268 (2000, Ling Hsuan Enterprises, Taibei) (CD) 9. Sun Guisheng: Yang Guan San Die, JRAF-1241 (1992, Taiwan) 10. Sun Guisheng: Yang Guan San Die, TYCD-0238, ISRC CN-A49-97-360-00 (CD) Yu Lou Chun Xiao (Spring Dawn at the Jade Tower): 1. Chen Wen: Xianwai zhi Yin, CCM 8103-2 (2000, Qing Shan Yishu Gongzuo-shi, Taipei) (CD) 2. Gong Yi: Qin Xiao Yin - Dialogue between Fisherman and Wood-cutter, SMCD- 1008 (1995, Wind/Solar, Taiwan) (CD); with Luo Shoucheng (xiao) Prepared by master class assistant Julian Joseph April 15th, 2005 North American Guqin Association, P O Box 7113, Fremont, CA 94537-7113 Web site: http://www.guqin.org, email: [email protected], voice/fax: 8668419139 ext 1555 3. -
ATTACHMENT 1 Barcode:3800584-02 C-570-107 INV - Investigation
ATTACHMENT 1 Barcode:3800584-02 C-570-107 INV - Investigation - Chinese Producers of Wooden Cabinets and Vanities Company Name Company Information Company Name: A Shipping A Shipping Street Address: Room 1102, No. 288 Building No 4., Wuhua Road, Hongkou City: Shanghai Company Name: AA Cabinetry AA Cabinetry Street Address: Fanzhong Road Minzhong Town City: Zhongshan Company Name: Achiever Import and Export Co., Ltd. Street Address: No. 103 Taihe Road Gaoming Achiever Import And Export Co., City: Foshan Ltd. Country: PRC Phone: 0757-88828138 Company Name: Adornus Cabinetry Street Address: No.1 Man Xing Road Adornus Cabinetry City: Manshan Town, Lingang District Country: PRC Company Name: Aershin Cabinet Street Address: No.88 Xingyuan Avenue City: Rugao Aershin Cabinet Province/State: Jiangsu Country: PRC Phone: 13801858741 Website: http://www.aershin.com/i14470-m28456.htmIS Company Name: Air Sea Transport Street Address: 10F No. 71, Sung Chiang Road Air Sea Transport City: Taipei Country: Taiwan Company Name: All Ways Forwarding (PRe) Co., Ltd. Street Address: No. 268 South Zhongshan Rd. All Ways Forwarding (China) Co., City: Huangpu Ltd. Zip Code: 200010 Country: PRC Company Name: All Ways Logistics International (Asia Pacific) LLC. Street Address: Room 1106, No. 969 South, Zhongshan Road All Ways Logisitcs Asia City: Shanghai Country: PRC Company Name: Allan Street Address: No.188, Fengtai Road City: Hefei Allan Province/State: Anhui Zip Code: 23041 Country: PRC Company Name: Alliance Asia Co Lim Street Address: 2176 Rm100710 F Ho King Ctr No 2 6 Fa Yuen Street Alliance Asia Co Li City: Mongkok Country: PRC Company Name: ALMI Shipping and Logistics Street Address: Room 601 No. -
Apparel & Textile Factory List
Woolworths Food Group-Active apparel and textile factories- April 2021 No. Factory Name Address Factory Type Commodity Scheme Expiry Date Country 1 JIANGSU HONGMOFANG TEXTILE CO., LTD EAST CIFU ROAD, EAST RUISHENG AVENUE,, DIRECT SOFTGOODS BSCI 23/04/2021 CHINA ECONOMIC DEVELOPMENT ZONE, SHUYANG COUNTY,,SUQIAN,JIANGSU,,CHINA 2 LIANYUNGANG ZHAOWEN SHOES LIMITED 2 BEIHAI ROAD,ECONOMIC DEVELOPMENT AREA, DIRECT SOFTGOODS SMETA 11/05/2021 CHINA GUANNAN COUNTY,,LIANYUNGANG,JIANGSU,, CHINA 3 ZHUCHENG YIXIN GARMENT CO., LTD NO. 321 SHUNDU ROAD,,ECONOMIC DEVELOPMENT DIRECT SOFTGOODS SMETA 13/07/2021 CHINA ZONE,,ZHUCHENG,SHANDONG,,CHINA 4 HRX FASHION CO LTD 1000 METERS SOUTH OF GUOCANG TOWN DIRECT SOFTGOODS SMETA 25/08/2021 CHINA GOVERNMENT,,WENSHANG COUNTY, JINING CITY, JINING,SHANDONG,,CHINA 5 PUJIANG KINGSHOW CARPET CO LTD NO.75-1 ZHEN PU ROAD, PU JIANG, ZHE JIANG, DIRECT HARDGOODS BSCI 24/12/2021 CHINA CHINA,,PUJIANG,ZHEJIANG,,CHINA 6 YANGZHOU TENGYI SHOES MANUFACTURE CO., LTD. 13 WEST HONGCHENG RD,,,FANGXIANG,JIANGSU,, DIRECT SOFTGOODS BSCI 22/10/2021 CHINA CHINA 7 ZHAOYUAN CASTTE GARMENT CO LTD PANJIAJI VILLAGE, LINGLONG TOWN,,ZHAOYUAN DIRECT SOFTGOODS BSCI 06/07/2021 CHINA CITY, SHANDONG PROVINCE,ZHAOYUAN, SHANDONG,,CHINA 8 RUGAO HONGTAI TEXTILE CO LTD XINJIAN VILLAGE, JIANGAN TOWN,,RUGAO, DIRECT HARDGOODS BSCI 07/12/2021 CHINA JIANGSU,,CHINA 9 NANJING BIAOMEI HOMETEXTILES CO.,LTD NO.13 ERST WUCHU ROAD,HENGXI TOWN,,, DIRECT SOFTGOODS SMETA 04/11/2021 CHINA NANJING,JIANGSU,,CHINA 10 NANTONG YAOXING HOUSEWARE PRODUCTS CO.,LTD NO.999, TONGFUBEI RD., CHONGCHUAN, DIRECT HARDGOODS SMETA 24/09/2021 CHINA NANTONG,,NANTONG,JIANGSU,,CHINA 11 CHAOZHOU CHAOAN ZHENGYUN CERAMICS QIAO HU VILLAGE, CHAOAN, CHAOZHOU CITY, DIRECT HARDGOODS SMETA 19/05/2021 CHINA INDUSTRIAL CO LTD GUANGDONG, CHINA,,CHAOZHOU,GUANGDONG,, CHINA 12 YANTAI PACIFIC HOME FASHION FUSHAN MILL NO. -
[Ton]Spurensuche : Ernst Bloch Und Die Musik
Klappe hinten U4 U4 Buchrücken U1 U1 Klappe vorne KOLLEKTION MUSIKWISSENSCHAFT KOLLEKTION MUSIKWISSENSCHAFT MATTHIAS HENKE KOLLEKTION MUSIKWISSENSCHAFT HERAUSGEGEBEN VON MATTHIAS HENKE HERAUSGEGEBEN VON MATTHIAS HENKE HERAUSGEGEBEN VON MATTHIAS HENKE BAND 1 FRANCESCA VIDAL (HG.) BAND 1 MATTHIAS HENKE, FRANCESCA VIDAL (HG.) Matthias Henke, Francesca Vidal (Hg.) TON SPURENSUCHE Si! – das Motto der Kollektion Musikwissen- [Ton]Spurensuche [ ] ERNST BLOCH UND DIE MUSIK [TON]SPURENSUCHE schaft ist vielfältig. Zunächst spielt es auf Ernst Bloch und die Musik die Basis der Buchreihe an, den Universi- tätsverlag Siegen. Si! meint aber auch ein musikalisches Phänomen, heißt so doch der Spuren – so ist nicht nur ein Band mit den poetisch ver- Leitton einer Durskala. Last, not least will Ankündigung: trackten Erzählungen von Ernst Bloch überschrieben. FRANCESCA (HG.) VIDAL | Si! sich als Imperativ verstanden wissen, als [Ton]Spuren durchwirken vielmehr sein gesamtes Werk. ERNST BLOCH BAND 2 ein vernehmbares Ja zu einer Musikwissen- Demnach erstaunt es nicht, wenn des Philosophen Ver- Sara Beimdieke schaft, die sich zu dem ihr eigenen Potential hältnis zur Musik vielfach Gegenstand wissenschaftlicher „Der große Reiz des Kamera-Mediums“ UND DIE MUSIK bekennt, zu einer selbstbewussten Diszipli- Erörterungen war. Allerdings näherte man sich diesem Ernst Kreneks Fernsehoper Ausgerech- narität, die wirkliche Trans- oder Interdiszip- fast immer auf Metaebenen. Philologische Detailarbeit, net und Verspielt linarität erst ermöglicht. die etwa die Genesis -
Study on the Guqin Teaching Method: “Inner Understanding Through Oral Teaching”
Open Journal of Social Sciences, 2019, 7, 138-146 http://www.scirp.org/journal/jss ISSN Online: 2327-5960 ISSN Print: 2327-5952 Study on the Guqin Teaching Method: “Inner Understanding through Oral Teaching” Ye Zhao Conservatory of Music, Nanjing Normal University, Nanjing, China How to cite this paper: Zhao, Y. (2019) Abstract Study on the Guqin Teaching Method: “In- ner Understanding through Oral Teaching”. “Inner understanding through oral teaching” is the main teaching method Open Journal of Social Sciences, 7, 138-146. that runs through Guqin for thousands of years. In order to inherit and pro- https://doi.org/10.4236/jss.2019.72011 tect traditional Guqin art originally in the modern society, it’s very important Received: January 12, 2019 to research this method which is used to teach Guqin in the ancient. It con- Accepted: February 16, 2019 sists of two teaching levels: “Oral” and “Mentality”: the combination of the Published: February 19, 2019 two promotes the inheritance and development of traditional Guqin. The teaching method of “inner understanding through oral teaching” is closely Copyright © 2019 by author(s) and Scientific Research Publishing Inc. related to the application of the word reduction spectrum, and it is not con- This work is licensed under the Creative tradictory to “viewing teaching”. In the current society, “inner understanding Commons Attribution International through oral teaching” is of great significance to the protection and inherit- License (CC BY 4.0). ance of Guqin. http://creativecommons.org/licenses/by/4.0/ Open Access Keywords Inner Understanding through Oral Teaching, Guqin 1. What Is the Connotation of the “Inner Understanding through Oral Teaching” “Inner understanding through oral teaching” is a teaching method formed under certain historical conditions and social and humanistic environment. -
Educating Through Music from an "Initiation Into Classical Music" for Children to Confucian "Self- Cultivation" for University Students
China Perspectives 2008/3 | 2008 China and its Continental Borders Educating Through Music From an "Initiation into Classical Music" for Children to Confucian "Self- Cultivation" for University Students Zhe Ji Electronic version URL: http://journals.openedition.org/chinaperspectives/4133 DOI: 10.4000/chinaperspectives.4133 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 July 2008 Number of pages: 107-117 ISSN: 2070-3449 Electronic reference Zhe Ji, « Educating Through Music », China Perspectives [Online], 2008/3 | 2008, Online since 01 July 2011, connection on 28 October 2019. URL : http://journals.openedition.org/chinaperspectives/4133 ; DOI : 10.4000/chinaperspectives.4133 © All rights reserved Articles s e Educating Through Music v i a t c From an “Initiation into Classical Music” for Children to Confucian n i “Self-Cultivation” for University Students e h p s c JI ZHE r e p Confucian discourse in contemporary China simultaneously permeates the intertwined fields of politics and education. The current Confucian revival associates the “sacred”, power and knowledge whereas modernity is characterized by a differentiation between institutions and values. The paradoxical situation of Confucianism in modern society constitutes the background of the present article that explores the case of a private company involved in promoting classical Chinese music to children and “self-cultivation” to students. Its original conception of “education through music” paves the way for a new “ethical and aesthetic” teaching method that leaves aside the traditional associations of ethics with politics. By the same token, it opens the possibility for a non-political Confucianism to provide a relevant contribution in the field of education today. -
FINAL-The Farthest PBS Credits 05-08-17 V2 Formatted For
The Farthest: Voyager in Space Written & Directed by Emer Reynolds Produced by John Murray & Clare Stronge Director of Photography Kate Mc Cullough Editor Tony Cranstoun A.C.E. Executive Producers John Rubin, Keith Potter Sean B Carroll, Dennis Liu Narrator John Benjamin Hickey Line Producer Zlata Filipovic Composer Ray Harman Researcher Clare Stronge Archive Researcher / Assistant Editor Aoife Carey Production Designer Joe Fallover Sound Recordist Kieran Horgan Sound Designer Steve Fanagan CGI Visual Effects Ian Benjamin Kenny Visual Effects Enda O’Connor Production Manager – Crossing the Line Siobhán Ward Post Production Manager Séamus Connolly Camera Assistants Joseph Ingersoll James Marnell Meg O’Kelly Focus Puller Paul Shanahan Gaffers Addo Gallagher Mark Lawless Robin Olsson Grip John Foster Ronin Operator Dan Coplan S.O.C. Propman Ciarán Fogarty Props Buyer Deborah Davis Art Department Trainee Sam Fallover Art Department Transport Brian Thompson Imaging Support Eolan Power Production Assistants Brian O’ Leary Conor O’ Donovan Location Research Andrea Lewis Hannah Masterson Production Accounts Siobhán Murray Additional Assistant Editing Martin Fanning Tom Pierce Robert O’Connor Colorist Gary Curran Online Editor Eugene McCrystal Executive Producer BBC Kate Townsend Commissioning Editor ZDF/arte Sabine Bubeck-Paaz FOR HHMI TANGLED BANK STUDIOS Managing Director Anne Tarrant Director of Operations Lori Beane Director of Production Heather Forbes Director of Communications Anna Irwin Art Director Fabian de Kok-Mercado Consulting Producers -
Chinese Music Across Generations – Case Studies of Conservatory Musicians in 20Th-Century China
Chinese Music across Generations – Case Studies of Conservatory Musicians in 20th-Century China Frank Kouwenhoven, Lin Chen and Helen Rees Abstract: This paper looks at ways in which some instrumental realms of traditional Chinese music have survived in or alongside modern music conservatory contexts, and how subsequent generations of musicians in China have dealt with the challenges of new teaching methods or performing styles. Four case studies will be presented here in some detail, with additional references to some other musicians recently interviewed. Frank Kouwenhoven introduces Li Guangzu,1 widely regarded as one of the founders of modern style pipa (lute) playing in China. Li never studied or taught at a music conservatory, but was very influential. Next, together with Lin Chen, Kouwenhoven traces the musical and spiritual development of Chinese guqin (seven-string zither) master Lin Youren (Lin Chen's father). He was among the first generation of qin students to be trained at a music conservatory and witnessed the clash of tradition with modernity first-hand. He struggled with it for much of his life. Thirdly, the fate of Cantonese instrumental ensemble music will briefly be traced via the stories of senior fiddle player Yu Qiwei (Hong Kong) and his son Yu Lefu (Guangzhou [Canton]). The latter built up an impressive career as a modern style erhu (two-stringed fiddle) virtuoso at the Xinghai Conservatory in Guangzhou, but he also began to teach the favorite traditional music of his father, trying to be “more traditional” than his dad. Such a smooth continuation of tradition is rare in Chinese conservatory contexts, but one further example of this is provided by Helen Rees; she looks at two Shanghai-based performers of the endblown bamboo flute xiao, an instrument too quiet and introspective to be favored by many conservatory students.