Educating Through Music from an "Initiation Into Classical Music" for Children to Confucian "Self- Cultivation" for University Students
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Response Report
DSIAC TECHNICAL INQUIRY (TI) RESPONSE REPORT Top Global Researchers and Organizations in Low Observable Material Science Report Number: DSIAC -2019-1188 Completed October 2019 DSIAC is a Department of Defense Information Analysis Center MAIN OFFICE 4695 Millennium Drive Belcamp, MD 21017-1505 443-360-4600 REPORT PREPARED BY: Taylor Hegeman Office: DSIAC DISTRIBUTION STATEMENT A. Approved for public release: distribution unlimited. Form Approved REPORT DOCUMENTATION PAGE OMB No. 0704-0188 Public reporting burden for this collection of information is estimated to average 1 hour per response, including the time for reviewing instructions, searching existing data sources, gathering and maintaining the data needed, and completing and reviewing this collection of information. Send comments regarding this burden estimate or any other aspect of this collection of information, including suggestions for reducing this burden to Department of Defense, Washington Headquarters Services, Directorate for Information Operations and Reports (0704-0188), 1215 Jefferson Davis Highway, Suite 1204, Arlington, VA 22202-4302. Respondents should be aware that notwithstanding any other provision of law, no person shall be subject to any penalty for failing to comply with a collection of information if it does not display a currently valid OMB control number. PLEASE DO NOT RETURN YOUR FORM TO THE ABOVE ADDRESS. 1. REPORT DATE (DD-MM-YYYY) 2. REPORT TYPE 3. DATES COVERED (From - To) 24-10-2019 Technical Research Report 4. TITLE AND SUBTITLE 5a. CONTRACT NUMBER FA8075-14-D-0001 Top Global Researchers and Organizations in Low Observable 5b. GRANT NUMBER Material Science 5c. PROGRAM ELEMENT NUMBER 6. AUTHOR(S) 5d. PROJECT NUMBER Taylor H. -
A List of Qin Recordings with a Spring Theme
North American Guqin Association, P O Box 7113, Fremont, CA 94537-7113 Web site: http://www.guqin.org, email: [email protected], voice/fax: 8668419139 ext 1555 NAGA Master Class Session 4 Recordings of qin pieces with “spring” in the title Teacher: Wang Fei Date: April 17th, 2005 Chun Xiao Yin (Song for a Spring Dawn): 1. Anonymous: Ten Chinese Qin Classics, CDM-1074 (DoReMi, Guangzhou, 1998) (CD) 2. Anonymous: Ten Chinese Qin Classics, HDCD-1121 (Zhonghua Wenyi Chubanshe, 2001) ISRC: CN-A49-01-313-00 (CD) 3. Anonymous: Classic of Chinese Music: Guqin, ISRC CN-M29-94-306-00 (1994, Beijing) (CD) 4. Anonymous: Xiao’ao Jian Hu, ISRC CN-A65-01-649-00/A.J6 (Jiuzhou Yinxiang Chuban Gongsi) 5. Gong Yi: The Midnight Crow, RC-931007C (1993, ROI, Hong Kong) (CD) 8. Gong Yi: Guqin Special Feature, CD422 998-2 (Hong Kong, 1989) (CD) 6. Gong Yi: Shan Shui Qing, GN 9202-2 (1991, Taiwan) (CD) 7. Guan Pinghu: Favourite Qin pieces of Guan Pinghu, RB-951005-2C (1995, ROI, Hong Kong) (Double CD) 8. Li Kongyuan: Shi-shang Liu Quan, 200098268 (2000, Ling Hsuan Enterprises, Taibei) (CD) 9. Sun Guisheng: Yang Guan San Die, JRAF-1241 (1992, Taiwan) 10. Sun Guisheng: Yang Guan San Die, TYCD-0238, ISRC CN-A49-97-360-00 (CD) Yu Lou Chun Xiao (Spring Dawn at the Jade Tower): 1. Chen Wen: Xianwai zhi Yin, CCM 8103-2 (2000, Qing Shan Yishu Gongzuo-shi, Taipei) (CD) 2. Gong Yi: Qin Xiao Yin - Dialogue between Fisherman and Wood-cutter, SMCD- 1008 (1995, Wind/Solar, Taiwan) (CD); with Luo Shoucheng (xiao) Prepared by master class assistant Julian Joseph April 15th, 2005 North American Guqin Association, P O Box 7113, Fremont, CA 94537-7113 Web site: http://www.guqin.org, email: [email protected], voice/fax: 8668419139 ext 1555 3. -
Chinese Zheng and Identity Politics in Taiwan A
CHINESE ZHENG AND IDENTITY POLITICS IN TAIWAN A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN MUSIC DECEMBER 2018 By Yi-Chieh Lai Dissertation Committee: Frederick Lau, Chairperson Byong Won Lee R. Anderson Sutton Chet-Yeng Loong Cathryn H. Clayton Acknowledgement The completion of this dissertation would not have been possible without the support of many individuals. First of all, I would like to express my deep gratitude to my advisor, Dr. Frederick Lau, for his professional guidelines and mentoring that helped build up my academic skills. I am also indebted to my committee, Dr. Byong Won Lee, Dr. Anderson Sutton, Dr. Chet- Yeng Loong, and Dr. Cathryn Clayton. Thank you for your patience and providing valuable advice. I am also grateful to Emeritus Professor Barbara Smith and Dr. Fred Blake for their intellectual comments and support of my doctoral studies. I would like to thank all of my interviewees from my fieldwork, in particular my zheng teachers—Prof. Wang Ruei-yu, Prof. Chang Li-chiung, Prof. Chen I-yu, Prof. Rao Ningxin, and Prof. Zhou Wang—and Prof. Sun Wenyan, Prof. Fan Wei-tsu, Prof. Li Meng, and Prof. Rao Shuhang. Thank you for your trust and sharing your insights with me. My doctoral study and fieldwork could not have been completed without financial support from several institutions. I would like to first thank the Studying Abroad Scholarship of the Ministry of Education, Taiwan and the East-West Center Graduate Degree Fellowship funded by Gary Lin. -
The Politics of Music and Identity
Yang: The Politics of Music and Identity 523 dieKunst kontrolliert, begrenzt undgearbeitetist,umsofreier istsie.«5 DarüberwirD mansichkaumwundern,wennman an andere vergleichbare FälleinStravinskijskomposi- torischemSchaffen denkt.(DieseEinstellungist eher im letztenamerikanischen Schaffen auffällig. In denpräkompositorischen Phasen isteinestrenge serielle Richtliniezuerken- nen, dieerstspätervom ›Handwerker‹frei behandeltwirDDurch Entscheidungen,die sich vor allem nach dem Hören richten.) DieIdee, nach bestimmten aufMetronombasis errechnetenZeitverhältnissenzukompo- nieren, diedamit in Minutenund Sekunden übertragbar sind,ist einVerfahren,das unsere Ohren zunächst kaum wahrnehmen: Im Schaffen ausder Zeit des Concerto weisen lediglichdie Symphonies eine vergleichbare Genauigkeitauf.Mit der Zeit wird aber dasInteressedes Kom- ponistenfür dasTimingimmer intensiver unDDie Abweichungenvon einergenauen Be- rechnung seltener,sodassder Komponistmit immerkomplexeren Proportionen arbeitet.Die formaleZeitgliederunginden oben erläutertenBeispielenbleibtzwarein paradigmatischer Fall fürdie Ordnung, dieStravinskij im Kompositionsprozess anstrebt.Analogzudem pro- minenterenFall der Symphonies belegt dasVorhandensein dieser Rechnungen eine generelle Tendenzvon Stravinskijs musikalischenUntersuchungender 1920er Jahre. Dieseund noch andere Faktoren erlauben uns, einaltes,aberimmer noch anzutreffendes Vorurteilzuüber- winden,und zwar dieVorstellung, Stravinskijs Musikder Zeit seilediglichein bloßer Rück- griffauf alte Modelle,formaldiskontinuierlich undaus -
Integrating the Thought of Mencius and Xunzi and the Problem of Modernizing Chinese Society
Journal of chinese humanities 6 (2020) 21–42 brill.com/joch Integrating the Thought of Mencius and Xunzi and the Problem of Modernizing Chinese Society Huang Yushun 黃玉順 Professor of Philosophy, Collaborative Innovation Center of Confucian Civilization, Shandong University, Jinan, China [email protected] Abstract How should people today deal with the teachings of Mencius 孟子 and Xunzi 荀子? This is a question of utmost importance in reviving Confucianism. The thought of Mencius and Xunzi has many inherent complexities and contradictions. After all, they have been revised, reconstituted, and reused alongside shifts in lifestyles and social struc- tures; their respective influence also waxed and waned accordingly. Xunzi’s teachings flourished during China’s transition from monarchical feudalism to imperial autocracy, an indication that Xunzi’s thinking has Legalist elements. The rulers in the imperial period adopted “sole veneration of Confucian learning” [du zun rushu 獨尊儒術], so the suspiciously Legalist teachings of Xunzi went into decline while the orthodox Confucian teachings of Mencius were on the rise. At the same time, Xunzi’s thought continued to play an important, perhaps even fundamental, role in hidden ways. This is the political path of being “openly Confucian, covertly Legalist” [yang ru yin fa 陽儒 陰法] practiced under autocratic authority. As Chinese society began to modernize, Xunzi’s teachings enjoyed a revival, revealing that some of its strains were compatible with modern Enlightenment ideas. Further, this modern revival of Xunzi occurred on the heels of a Confucian revival. The fact that the two then more or less continued to coexist indicates the need to rethink the two schools of thought in an integrated way. -
THE RECORD of the LANDS of YUE Introduction Is Chapter Describes Key Sites in the Kingdom of Yue, Including King Goujian's
'A6G*+B *+) THE RECORD OF THE LANDS OF YUE Introduction !is chapter describes key sites in the kingdom of Yue, including King Goujian’s capital, which was one of China’s oldest recorded planned cities.1 !is chapter emphasises the impact King Goujian had on the land- scape of this region: virtually every building mentioned is said to have been erected either for his personal use or as part of the war e"ort he ini- tiated to defeat the kingdom of Wu. In this text the authors repeatedly link landscape features of northern Zhejiang province to events from the life of the greatest king of Yue. However these attributions (in the absence of further evidence) must remain largely speculative. Numerous geograph- ical features and ancient buildings south of the Yangtze river have been linked to famous ?gures from the con#ict between Wu, Yue and Chu, and sometimes these attributions have been conclusively disproved.2 It is important to stress that unlike King Helü’s capital (modern Suzhou), 1 !e site of King Goujian’s capital is now the city of Shaoxing in Zhejiang province. !e name Shaoxing commemorates a turn in the fortunes of the Southern Song dynasty. In 0015, the capital of the Northern Song dynasty Bianliang ϰΔ (now known as Kaifeng –ݶǭ) fell to the Jurchen Jin dynasty. !e new emperor, Song Gaozong LJࠆlj (r. 0012 0051), moved south to evade capture, and established his capital at a series of southern dž (now known as Hangzhou ʹș), Pingjiang ȳϭ (modernט cities, including Lin’an ș) and Yuezhou ۚș (Shaoxing). -
Pinyin and Chinese Children's Phonological Awareness
Pinyin and Chinese Children’s Phonological Awareness by Xintian Du A thesis submitted in conformity with the requirements For the degree of Master of Arts Department of Curriculum, Teaching and Learning Ontario Institute of Studies in Education University of Toronto @Copyright by Xintian Du 2010 ABSTRACT Pinyin and Chinese Children’s Phonological Awareness Master of Arts 2010 Xintian Du Department of Curriculum, Teaching and Learning University of Toronto This paper critically reviewed the literature on the relationships between Pinyin and Chinese bilingual and monolingual children’s phonological awareness (PA) and identified areas of research worth of further investigation. As the Chinese Phonetic Alphabet providing pronunciation of the universal Chinese characters, Pinyin facilitates children’s early reading development. What research has found in English is that PA is a reliable indicator of later reading success and meta-linguistic training improves PA. In Chinese, a non-alphabetic language, there is also evidence that PA predicts reading in Chinese, which confirms the universality of PA’s role. However, research shows the uniqueness of each language: tonal awareness is stronger indicator in Chinese while phonemic awareness is stronger indicator in English. Moreover, Pinyin, the meta-linguistic training, has been found to improve PA in Chinese and reading in Chinese and possibly facilitate the cross-language transfer of PA from Chinese to English and vice versa. ii ACKNOWLEDGEMENTS I am heartily thankful to my supervisors Becky Chen and Normand Labrie, whose guidance and support from the initial to the final level enabled me to develop a thorough understanding of the subject and eventually complete the thesis paper. -
Japan and Liang Qichao's Research in the Field of National Learning
Liang Qichao's Japan and Research in Learning of the Field National Sang •r<• Bing Zhongshan University Minghui by Hu translated beginning twentieth studies the field of national the of the in From century, • [] learning scholarly (guoxue ) relations world. Japanese China had close with the in • f• N1 important pioneer learning, Liang (1873-1929) Qichao's national As in an career overlapped development learning. Indeed, Liang's the first with of national half of the learning studies in Japanese disconnected from the field of national be this cannot closely, Liang influence. Qichao's However, looked if the of interaction with world at Sinology exchange Japan in much intense less than the academic between China was was general. Sinology Liang's Furthermore, gradually Japan and in Japanese relations with increasing Liang passed. Sinology time Japanese distance This between and apart grew as Liang Studying Japanese resulted effective in when indifference the role died. Japan of in learning Liang's only identify foreign origins research national in enables of the not to us thinking, advantages disadvantages his foreign but also and of the elements. such to assess concerning Liang's There has been academic achievements limitations and controversy a since his time. became The after nebulous death. his It controversy ever own even more significant, though, Liang's is discern for Japan, academic ties this task will be try to to to and future beneficial scholars well. to us as Pioneer and 1. Founder Strictly speaking, Liang's began learning academic the field of national research in following Japan. exile his in four His life divided into itself be the 1898 stages: can Republican early revolution, Reform Movement, the the and his last 1911 and years; era, periods scholarship politics. -
The World of Music (New Series)
the world of music (new series) vol. 1 (2012) 1 Ensembles in the Contemporary Korean Soundscape Birgit Abels Editor Barbara Alge Co-Editor Hilary V. Finchum-Sung Guest Editor Helena Simonett Book Review Editor Dan Bendrups Recording Review Editor Frances Wilkins Website Review Editor VWB – Verlag für Wissenschaft und Bildung Berlin 2012 a journal of the department of musicology of the georg august university göttingen Vol. 1(2011) 1 CONTENTS Ensembles in the Contemporary Korean Soundscape Articles Hilary V. Ensembles in the Contemporary Korean Finchum-Sung Soundscape: Foreword . 7 Keith Howard SamulNori: The Drums (and Gongs) of Affection . 15 Dong-Eun Noh Modern Traditional Orchestra in North Korea: Communication and Renovation . 37 Mikyoung Park The Dynamics of Imitation and Creation: Study of Modern Orchestra of Korean Instruments . 59 Hee-sun Kim Performing History and Imagining the Past: Re-contextualization of Court Ensembles in Contemporary South Korea . 83 Jocelyn Collette Clark Searching for a Niche without a Genre: The Case of the Multi-National East Asian Traditional New Music Ensemble IIIZ+ . 105 Hilary V. Designing a Fresh Tradition: Young Kugak and Finchum-Sung Sonic Imaginings for a Progressive Korea . 123 Book Reviews (Helena Simonett, ed.) Kirsty Gillespie Richard Moyle, Songs from the Second Float: A Musical Ethnography of Taku Atoll, Papua New Guinea . 147 4 • the world of music 51(3) - 2009 Hwee-San Tan Tong Soon Lee, Chinese Street Opera in Singapore . 148 Ken Bilby Raquel Z. Rivera, Wayne Marshall, and Deborah Pacini Hernadnez (eds.), Reggaeton . 151 Alejandro L. Madrid Cathy Ragland, Música Norteña: Mexican Migrants Creating a Nation between Nations . -
Study on the Guqin Teaching Method: “Inner Understanding Through Oral Teaching”
Open Journal of Social Sciences, 2019, 7, 138-146 http://www.scirp.org/journal/jss ISSN Online: 2327-5960 ISSN Print: 2327-5952 Study on the Guqin Teaching Method: “Inner Understanding through Oral Teaching” Ye Zhao Conservatory of Music, Nanjing Normal University, Nanjing, China How to cite this paper: Zhao, Y. (2019) Abstract Study on the Guqin Teaching Method: “In- ner Understanding through Oral Teaching”. “Inner understanding through oral teaching” is the main teaching method Open Journal of Social Sciences, 7, 138-146. that runs through Guqin for thousands of years. In order to inherit and pro- https://doi.org/10.4236/jss.2019.72011 tect traditional Guqin art originally in the modern society, it’s very important Received: January 12, 2019 to research this method which is used to teach Guqin in the ancient. It con- Accepted: February 16, 2019 sists of two teaching levels: “Oral” and “Mentality”: the combination of the Published: February 19, 2019 two promotes the inheritance and development of traditional Guqin. The teaching method of “inner understanding through oral teaching” is closely Copyright © 2019 by author(s) and Scientific Research Publishing Inc. related to the application of the word reduction spectrum, and it is not con- This work is licensed under the Creative tradictory to “viewing teaching”. In the current society, “inner understanding Commons Attribution International through oral teaching” is of great significance to the protection and inherit- License (CC BY 4.0). ance of Guqin. http://creativecommons.org/licenses/by/4.0/ Open Access Keywords Inner Understanding through Oral Teaching, Guqin 1. What Is the Connotation of the “Inner Understanding through Oral Teaching” “Inner understanding through oral teaching” is a teaching method formed under certain historical conditions and social and humanistic environment. -
Eduquer Par La Musique De L'"Initiation Des Enfants À La Musique Classique" À La "Culture De Soi" Confucéenne Des Étudiants
Perspectives chinoises 2008/3 | 2008 La Chine et ses frontières continentales Eduquer par la musique De l'"Initiation des enfants à la musique classique" à la "culture de soi" confucéenne des étudiants Ji Zhe Édition électronique URL : http://journals.openedition.org/perspectiveschinoises/4323 ISSN : 1996-4609 Éditeur Centre d'étude français sur la Chine contemporaine Édition imprimée Date de publication : 1 août 2008 Pagination : 118-129 ISSN : 1021-9013 Référence électronique Ji Zhe, « Eduquer par la musique », Perspectives chinoises [En ligne], 2008/3 | 2008, mis en ligne le 01 juillet 2011, consulté le 06 mai 2019. URL : http://journals.openedition.org/ perspectiveschinoises/4323 © Tous droits réservés D o s s i e r Éduquer par la musique De l’« Initiation des enfants à la musique classique » à la « culture de soi » confucéenne des étudiants JI ZHE chinoises perspectives La politique et l’éducation sont indissociables dans les tentatives de promouvoir le confucianisme en Chine contemporaine. L’union alors célébrée du sacré, du pouvoir et du savoir s’inscrit en tension avec une modernité d’abord caractérisée par la différenciation des institutions et des valeurs. Partant de ce constat, l’article étudie le cas particulier d’une société engagée depuis 2000 dans l’initiation des enfants à la musique classique et dans la promotion de la « culture de soi » chez les étudiants. On découvre alors comment cette entreprise remplace l’axe éthico-politique de l’éducation traditionnelle par une orientation éthico-esthétique remettant à l’honneur un confucianisme repensé comme art apolitique. Voie royale et éducation De ce point de vue, la dissociation entre le confucianisme et transformatrice, paroles et le système éducatif et politique est bel et bien à l’origine de sons de sagesse son déclin, et de son destin actuel d’« âme errante» (3). -
Musical Taiwan Under Japanese Colonial Rule: a Historical and Ethnomusicological Interpretation
MUSICAL TAIWAN UNDER JAPANESE COLONIAL RULE: A HISTORICAL AND ETHNOMUSICOLOGICAL INTERPRETATION by Hui‐Hsuan Chao A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in The University of Michigan 2009 Doctoral Committee: Professor Joseph S. C. Lam, Chair Professor Judith O. Becker Professor Jennifer E. Robertson Associate Professor Amy K. Stillman © Hui‐Hsuan Chao 2009 All Rights Reserved ACKNOWLEDGEMENTS Throughout my years as a graduate student at the University of Michigan, I have been grateful to have the support of professors, colleagues, friends, and family. My committee chair and mentor, Professor Joseph S. C. Lam, generously offered his time, advice, encouragement, insightful comments and constructive criticism to shepherd me through each phase of this project. I am indebted to my dissertation committee, Professors Judith Becker, Jennifer Robertson, and Amy Ku’uleialoha Stillman, who have provided me invaluable encouragement and continual inspiration through their scholarly integrity and intellectual curiosity. I must acknowledge special gratitude to Professor Emeritus Richard Crawford, whose vast knowledge in American music and unparallel scholarship in American music historiography opened my ears and inspired me to explore similar issues in my area of interest. The inquiry led to the beginning of this dissertation project. Special thanks go to friends at AABS and LBA, who have tirelessly provided precious opportunities that helped me to learn how to maintain balance and wellness in life. ii Many individuals and institutions came to my aid during the years of this project. I am fortunate to have the friendship and mentorship from Professor Nancy Guy of University of California, San Diego.