Downloaded From: Usage Rights: Creative Commons: Attribution-Noncommercial-No Deriva- Tive Works 4.0

Total Page:16

File Type:pdf, Size:1020Kb

Downloaded From: Usage Rights: Creative Commons: Attribution-Noncommercial-No Deriva- Tive Works 4.0 Chappell, Georgina (2018) An investigation into the influence of the avant- garde, bohemia and modernism on women’s fashion and lifestyle, 1919 – 1929, with particular reference to Eve magazine. Masters by Research thesis (MA), Manchester Metropolitan University. Downloaded from: https://e-space.mmu.ac.uk/621949/ Usage rights: Creative Commons: Attribution-Noncommercial-No Deriva- tive Works 4.0 Please cite the published version https://e-space.mmu.ac.uk AN INVESTIGATION INTO THE INFLUENCE OF THE AVANT-GARDE, BOHEMIA AND MODERNISM ON WOMEN’S FASHION AND LIFESTYLE, 1919 – 1929, WITH PARTICULAR REFERENCE TO EVE MAGAZINE GEORGINA CHAPPELL A thesis submitted in fulfilment of the requirements of the Manchester Metropolitan University for the degree of Master of Arts (by Research) Manchester Fashion Institute, Manchester School of Art Manchester Metropolitan University October 2018 Page 1 of 162 ABSTRACT This study identifies the influence of the avant-garde, modernism and Bohemia on women’s lifestyle and fashion in the decade immediately following the First World War. Existing research concentrates on the influence individual art movements had, seen in styles, or changes seen in the commercial world. This research shows that influence was more wide-ranging than individual manifestations in style and, taken as a whole, was instrumental in the widespread uptake of what many felt to be shocking new fashions. This research discusses three main strands of importance. These were the merging of Bohemia and the avant-garde in the public’s mind, the influence of what is now called lifestyle modernism and the part played by Eve magazine. Eve helped to make the avant-garde seem approachable. It also managed to normalise such styles as cross- gender dressing whilst ensuring that they were still recognised as potentially shocking. The study features Eve’s introduction of an avant-garde construct, the first of the type, in the character of Eve. Several scholars talk extensively about these avant-garde constructs, but the persona of Eve is never considered in research on fictional role- models of the time. Throughout, the importance of a new attitude to life is highlighted. The research has concentrated on Eve magazine, as an under-researched and under- appreciated source from the period. It has established its importance at the time. It has also identified its nuanced avant-garde content as contributing to more widespread acceptance of the avant-garde. It has opened up the field of research by identifying a more wide-ranging influence on everyday life by the avant-garde than has been so far recognised, as well as the importance of Eve. Page 2 of 162 An investigation into the influence of the avant-garde, Bohemia and modernism on women’s lifestyle and fashion, 1919 – 1929, with particular reference to Eve magazine. Academic Aims 1. To examine the avant-garde content of Eve magazine alongside its standard fashion pages 2. To investigate the merging of the idea of Bohemia with the avant-garde in the public mind in the period 3. To assess the role of lifestyle modernism in influencing daily life and fashion Page 3 of 162 Contents 1 Introduction ........................................................................................................................... 5 1.1 The Study ............................................................................................................... 5 1.2 The Avant-Garde, Bohemia and Modernism .......................................................... 9 1.3 The Demise of Bohemia .......................................................................................12 1.4 Eve as Case Study ...............................................................................................18 2 Literature Review ................................................................................................................25 2.1 Art Influencing Fashion and Lifestyle ...................................................................25 2.2 The Influence of Specific Art Movements .............................................................32 2.3 Fashionable Life in London and Paris ..................................................................34 2.4 Other Influences ...................................................................................................35 3 Methodology .......................................................................................................................36 3.1 Process .................................................................................................................36 3.2 Literary Research .................................................................................................37 3.3 Archival Research ................................................................................................39 3.4 Limitations .............................................................................................................40 4 Bohemian and Avant-Garde Ideas in Eve ..........................................................................41 4.1 Bohemian Life in Eve ............................................................................................41 4.2 Bohemian Artifice .................................................................................................51 4.3 The Avant-Garde in Eve .......................................................................................54 5 Lifestyle Modernism ............................................................................................................67 5.1 Cocteau’s influence ..............................................................................................68 5.2 The Ordinariness of London Life ..........................................................................74 5.3 Interior Design ......................................................................................................77 5.4 Ballet .....................................................................................................................84 5.5 Clubs and Dancing ...............................................................................................90 5.6 Art-nègre influence on Lifestyle Modernism .........................................................93 6 The Promotion of Avant-Garde Types ................................................................................98 6.1 The Heroine in Fiction ..........................................................................................99 6.2 The Heroine in Fashion ......................................................................................102 6.3 The Real-life Avant-Garde Heroine ....................................................................113 7 Androgynous Style ............................................................................................................120 7.1 Avant-garde androgyny: cross-dressing .............................................................121 7.2 Degenerate Boys ................................................................................................123 7.3 Degenerate Women ...........................................................................................131 8 Conclusion ........................................................................................................................142 9 References ........................................................................................................................145 10 Illustration References ......................................................................................................153 11 Bibliography ...................................................................................................................... 156 Page 4 of 162 1 Introduction This study investigates the influence of the avant-garde on women’s fashion and lifestyles, with particular reference to the part played by Eve magazine in disseminating avant-garde ideas. The merging of the concepts of Bohemia and the avant-garde will be discussed. This will be followed by consideration of lifestyle modernism’s influence. It will be shown to have particularly favoured English sensibilities. The importance of avant-garde role-models is demonstrated, in particular Eve’s invention of an avant-garde character. Finally, Eve’s part in popularizing androgynous dress as an avant-garde attitude will be discussed. The nature of Bohemia as presented in Eve will be determined, along with the idea of a Bohemian or avant-garde attitude. 1.1 The Study The study is confined to 1919 – 1929. Breward warns against limiting study of fashion by means of ‘decadism’ which might be arbitrary and ‘unconnected to historical events’ (1995:185). An explanation for the chosen dates is therefore given. Eve began publication in November 1919 and ran until 1929. Other significant events make this period appropriate for the study. The First World War brought great change to women’s lives. Many joined the workforce, bringing greater financial independence (White, 1970:93). It has been argued that this, along with Suffragette activity, altered women’s lives to such an extent that changes in clothing should hardly surprise (Lussier, 2003:8). The Peace Conference began in Paris in January 1919, with the first Armistice Day following in November (Briggs, 1962:294). Winning the right to vote in 1918 added to a sense of renewal and freedom. The period includes much of the Ballets Russes’ activity, ending with the death of Diaghilev, who was amongst the most
Recommended publications
  • Percy Savage Interviewed by Linda Sandino: Full Transcript of the Interview
    IN PARTNERSHIP WITH AN ORAL HISTORY OF BRITISH FASHION Percy Savage Interviewed by Linda Sandino C1046/09 IMPORTANT Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road London NW1 2DB United Kingdom +44 [0]20 7412 7404 [email protected] Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators. THE NATIONAL LIFE STORY COLLECTION INTERVIEW SUMMARY SHEET Ref. No.: C1046/09 Playback No.: F15198-99; F15388-90; F15531-35; F15591-92 Collection title: An Oral History of British Fashion Interviewee’s surname: Savage Title: Mr Interviewee’s forenames: Percy Sex: Occupation: Date of birth: 12.10.1926 Mother’s occupation: Father’s occupation: Date(s) of recording: 04.06.2004; 11.06.2004; 02.07.2004; 09.07.2004; 16.07.2004 Location of interview: Name of interviewer: Linda Sandino Type of recorder: Marantz Total no. of tapes: 12 Type of tape: C60 Mono or stereo: stereo Speed: Noise reduction: Original or copy: original Additional material: Copyright/Clearance: Interview is open. Copyright of BL Interviewer’s comments: Percy Savage Page 1 C1046/09 Tape 1 Side A (part 1) Tape 1 Side A [part 1] .....to plug it in? No we don’t. Not unless something goes wrong. [inaudible] see well enough, because I can put the [inaudible] light on, if you like? Yes, no, lovely, lovely, thank you.
    [Show full text]
  • History Timeline from 13.7 Billion Years Ago to August 2013. 1 of 588 Pages This PDF History Timeline Has Been Extracted
    History Timeline from 13.7 Billion Years ago to August 2013. 1 of 588 pages This PDF History Timeline has been extracted from the History World web site's time line. The PDF is a very simplified version of the History World timeline. The PDF is stripped of all the links found on that timeline. If an entry attracts your interest and you want further detail, click on the link at the foot of each of the PDF pages and query the subject or the PDF entry on the web site, or simply do an internet search. When I saw the History World timeline I wanted a copy of it for myself and my family in a form that we could access off-line, on demand, on the device of our choice. This PDF is the result. What attracted me particularly about the History World timeline is that each event, which might be earth shattering in itself with a wealth of detail sufficient to write volumes on, and indeed many such events have had volumes written on them, is presented as a sort of pared down news head-line. Basic unadorned fact. Also, the History World timeline is multi-faceted. Most historic works focus on their own area of interest and ignore seemingly unrelated events, but this timeline offers glimpses of cross-sections of history for any given time, embracing art, politics, war, nations, religions, cultures and science, just to mention a few elements covered. The view is fascinating. Then there is always the question of what should be included and what excluded.
    [Show full text]
  • PICASSO Les Livres D’Artiste E T Tis R a D’ S Vre Li S Le PICASSO
    PICASSO LES LIVRES d’ARTISTE The collection of Mr. A*** collection ofThe Mr. d’artiste livres Les PICASSO PICASSO Les livres d’artiste The collection of Mr. A*** Author’s note Years ago, at the University of Washington, I had the opportunity to teach a class on the ”Late Picasso.” For a specialist in nineteenth-century art, this was a particularly exciting and daunting opportunity, and one that would prove formative to my thinking about art’s history. Picasso does not allow for temporalization the way many other artists do: his late works harken back to old masterpieces just as his early works are themselves masterpieces before their time, and the many years of his long career comprise a host of “periods” overlapping and quoting one another in a form of historico-cubist play that is particularly Picassian itself. Picasso’s ability to engage the art-historical canon in new and complex ways was in no small part influenced by his collaborative projects. It is thus with great joy that I return to the varied treasures that constitute the artist’s immense creative output, this time from the perspective of his livres d’artiste, works singularly able to point up his transcendence across time, media, and culture. It is a joy and a privilege to be able to work with such an incredible collection, and I am very grateful to Mr. A***, and to Umberto Pregliasco and Filippo Rotundo for the opportunity to contribute to this fascinating project. The writing of this catalogue is indebted to the work of Sebastian Goeppert, Herma Goeppert-Frank, and Patrick Cramer, whose Pablo Picasso.
    [Show full text]
  • Biographie De Pablo Picasso
    DOSSIER DE PRESSE 1 SOMMAIRE Introduction et informations pratiques 3 Une exposition, deux ensembles thématiques 5 « Picasso Côte d’Azur » « Picasso dans la Collection Nahmad » 7 La famille Nahmad, 50 années au service de l’art 9 Présentation des Commissaires 12 Le parcours scénographique 13 La Biographie de Picasso et dates repères 16 Les séjours de Picasso sur la côte d’Azur 1920-1939 21 Imagier Presse 27 Le Grimaldi Forum 37 Les Partenaires 39 2 INTRODUCTION Cet été, le Grimaldi Forum crée l’événement en produisant l’exposition « Monaco fête Picasso », un hommage rendu à l'occasion du 40ème anniversaire de la disparition de cet artiste mondialement reconnu. La volonté du Grimaldi Forum Monaco est d’offrir un regard inédit sur sa production artistique, révélant non seulement les liens privilégiés qu’il a entretenus avec la Côte d’Azur, mais également une sélection exceptionnelle d’œuvres majeures issues d’une collection privée remarquable. Deux ensembles thématiques illustrent cette exposition à travers 160 œuvres : « Picasso Côte d'Azur » emmènera les visiteurs autour d’Antibes-Juan-les-Pins, Golfe-Juan, Mougins, Cannes, dans cette région qui a tant attiré Pablo Picasso l’été, entre 1920 et 1946, et où la lumière méditerranéenne, la mer et le littoral furent pour lui des sources directes d’inspiration. « Picasso dans la Collection Nahmad » mettra en lumière les chefs-d’œuvre de l’artiste qui occupent une place essentielle dans cette collection unique au monde, de par son importance et sa qualité, constituée par Ezra et David Nahmad durant ces cinquante dernières années. Le commissariat de l’exposition est conjointement assuré par Jean-Louis ANDRAL, Directeur du Musée Picasso d’Antibes, Marilyn McCULLY, spécialiste reconnue de Picasso, et Michael RAEBURN, écrivain qui a collaboré avec elle sur de nombreux ouvrages consacrés à Pablo Picasso.
    [Show full text]
  • Beckett in Black and Red: the Translations for Nancy Cunard's Negro
    University of Kentucky UKnowledge French and Francophone Literature European Languages and Literatures 2000 Beckett in Black and Red: The Translations for Nancy Cunard's Negro Alan Warren Friedman University of Texas Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Friedman, Alan Warren, "Beckett in Black and Red: The Translations for Nancy Cunard's Negro" (2000). French and Francophone Literature. 10. https://uknowledge.uky.edu/upk_french_and_francophone_literature/10 IRISH LITERATURE, HISTORY, AND CULTURE Jonathan Allison, General Editor Advisory Board George Bornstein, University of Michigan Elizabeth Butler Cullingford, University of Texas James S. Donnelly Jr., University ofWisconsin Marianne Elliott, University of Liverpool Roy Foster, Hertford College, Oxford David Lloyd, Scripps College Weldon Thornton, University of North Carolina This page intentionally left blank BECI<ETT . In BLACIZ and The Translations for RED Nancy Cunard's NEGRO (1934) EDITED BY ALAN WARREN FRIEDMAN THE UNIVERSrrY PRESS OF KENIUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2000 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Club Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University.
    [Show full text]
  • Lights and Shadows in George Orwell's Homage to Catalonia
    Paul Preston Lights and shadows in George Orwell's Homage to Catalonia Article (Accepted version) (Refereed) Original citation: Preston, Paul (2017) Lights and shadows in George Orwell's Homage to Catalonia. Bulletin of Spanish Studies. ISSN 1475-3820 DOI: 10.1080/14753820.2018.1388550 © 2017 The Author This version available at: http://eprints.lse.ac.uk/85333/ Available in LSE Research Online: November 2017 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Lights and Shadows in George Orwell’s Homage to Catalonia PAUL PRESTON London School of Economics Despite its misleading title, Orwell’s Homage to Catalonia is almost certainly the most sold and most read book about the Spanish Civil War. It is a vivid and well-written account of some fragments of the war by an acute witness.
    [Show full text]
  • Echoes of the Gothic in Early Twentieth- Century Spanish Music
    Echoes of the Gothic in Early Twentieth- Century Spanish Music Jennifer Lillian Hanna ORCID: 0000-0002-2788-9888 Submitted in total fulfilment of the requirements of the Master of Music (Musicology/Ethnomusicology) November 2020 Melbourne Conservatorium of Music Faculty of Fine Arts and Music University of Melbourne ii Abstract This thesis explores traces of the Gothic in music and related artforms concerning Spain in the early twentieth century, drawing together a number of case studies with varied proximity to Manuel de Falla and his artistic milieu. A range of Gothic perspectives are applied to a series of musical works, repertories, constructions of race, modes of performance and stage personae, and this examination is preceded by an overview of Gothic elements in their nineteenth-century precursors. The connection between Granada’s Alhambra and the Gothic is based not only on architectural style, but also nocturnal and supernatural themes that can be traced back to the writings of Washington Irving. The idea of Alhambrism and Romantic impressions of the Spanish Gypsy, both of which are associated with the magical, primitive, mystic and nocturnal elements of the Gothic, are also related to constructions of flamenco and cante jondo. The Romantic idea of the Spanish gypsy evolved into primitivism, and attitudes that considered their culture archaic can be placed in a Gothic frame. Flamenco and the notion of duende can also be placed in this frame, and this idea is explored through the poetry and writings of Federico García Lorca and in his interaction with Falla in conceiving the Cante jondo competition of 1922.
    [Show full text]
  • Modem Women's Poetry 1910—1929
    Modem Women’s Poetry 1910—1929 Jane Dowson Submitted for the degree of Doctor of Philosophy at the University of Leicester. 1998 UMI Number: U117004 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U117004 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Modern Women9s Poetry 1910-1929 Jane Dowson Abstract In tracing the publications and publishing initiatives of early twentieth-century women poets in Britain, this thesis reviews their work in the context of a male-dominated literary environment and the cultural shifts relating to the First World War, women’s suffrage and the growth of popular culture. The first two chapters outline a climate of new rights and opportunities in which women became public poets for the first time. They ran printing presses and bookshops, edited magazines and wrote criticism. They aimed to align themselves with a male tradition which excluded them and insisted upon their difference. Defining themselves antithetically to the mythologised poetess of the nineteenth century and popular verse, they developed strategies for disguising their gender through indeterminate speakers, fictional dramatisations or anti-realist subversions.
    [Show full text]
  • California State University, Northridge Jean Cocteau
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE JEAN COCTEAU AND THE MUSIC OF POST-WORLD WAR I FRANCE A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Music by Marlisa Jeanine Monroe January 1987 The Thesis of Marlisa Jeanine Monroe is approved: B~y~ri~jl{l Pfj}D. Nancy an Deusen, Ph.D. (Committee Chair) California State University, Northridge l.l. TABLE OF CONTENTS Chapter Page ABSTRACT iv INTRODUCTION • 1 I. EARLY INFLUENCES 4 II. DIAGHILEV 8 III. STRAVINSKY I 15 IV • PARADE 20 v. LE COQ ET L'ARLEQUIN 37 VI. LES SIX 47 Background • 47 The Formation of the Group 54 Les Maries de la tour Eiffel 65 The Split 79 Milhaud 83 Poulenc 90 Auric 97 Honegger 100 VII. STRAVINSKY II 109 VIII. CONCLUSION 116 BIBLIOGRAPHY 120 APPENDIX: MUSICAL CHRONOLOGY 123 iii ABSTRACT JEAN COCTEAU AND THE MUSIC OF POST-WORLD WAR I FRANCE by Marlisa Jeanine Monroe Master of Arts in Music Jean Cocteau (1889-1963) was a highly creative and artistically diverse individual. His talents were expressed in every field of art, and in each field he was successful. The diversity of his talent defies traditional categorization and makes it difficult to assess the singularity of his aesthetic. In the field of music, this aesthetic had a profound impact on the music of Post-World War I France. Cocteau was not a trained musician. His talent lay in his revolutionary ideas and in his position as a catalyst for these ideas. This position derived from his ability to seize the opportunities of the time: the need iv to fill the void that was emerging with the waning of German Romanticism and impressionism; the great showcase of Diaghilev • s Ballets Russes; the talents of young musicians eager to experiment and in search of direction; and a congenial artistic atmosphere.
    [Show full text]
  • Mrs Dalloway, Women's Magazines and Virginia Woolf
    ‘This moment of June’: Mrs Dalloway, Women’s Magazines and Virginia Woolf Women in Literature / and Society - Edexcel and OCR AS/A Level A docx version of this document is available on the TES website here: https://www.tes.com/teaching-resource/mrs-dalloway-woolf-and-women-s- magazines-12404701 Historicist and feminist approaches are introduced through placing Mrs Dalloway in the context of women’s magazines to show how context can assist in determining the meaning in the book and expand on the theme of women in literature and society. This resource assists students to: • show knowledge and understanding of the ways that texts can be grouped and compared to inform interpretation • show knowledge and understanding of the contexts in which texts have been produced and received, and understanding of how these contexts influence meaning • understand the ways in which texts relate to one another and to literary traditions, movements and genres • understand the significance of cultural and contextual influences on readers and writers This resource has been developed in association with the AHRC-funded project ‘Time and Tide: Connections and Legacies’ directed by Catherine Clay, Associate Professor in Feminist and Literary Studies at Nottingham Trent University, UK. For more information about the project, visit the project website here. This project aims to introduce the history of Time and Tide and related interwar women’s periodicals to a wider public through a host of centenary celebrations including: a Souvenir Edition of Time and Tide, a Festival of Women Writers and Journalists, and an Exhibition of Interwar Women’s Magazines at the Women’s Library, LSE.
    [Show full text]
  • Le Train Bleu : Déraillement Stylistique Entre Danse Et Musique ? Le Train Bleu: Were Dance and Music Off the Rails? Jacinthe Harbec
    Document généré le 28 sept. 2021 22:32 Les Cahiers de la Société québécoise de recherche en musique Le Train bleu : déraillement stylistique entre danse et musique ? Le Train bleu: Were Dance and Music Off the Rails? Jacinthe Harbec Danse et musique : Dialogues en mouvement Résumé de l'article Volume 13, numéro 1-2, septembre 2012 Sous-titré « opérette dansée », le ballet Le Train bleu, élaboré à partir du livret de Jean Cocteau, de la musique de Darius Milhaud et de la chorégraphie de URI : https://id.erudit.org/iderudit/1012350ar Bronislava Nijinska, est une parodie burlesque de la nouvelle société moderne DOI : https://doi.org/10.7202/1012350ar des années 1920, axée sur l’hédonisme. Au lendemain de la création du 20 juin 1924, les critiques, tout en applaudissant les idées novatrices présentées dans Aller au sommaire du numéro l’argument, signalent une incohérence esthétique au sein de la production. Il est alors à se demander si la thématique de la modernité traitée sous l’angle de la frivolité poussée à son paroxysme a pu provoquer un déraillement stylistique entre le livret avant-gardiste, la musique passéiste à la Offenbach et Éditeur(s) la danse fondée essentiellement sur la pantomime. Avant de nous pencher sur Société québécoise de recherche en musique cette problématique, nous examinerons brièvement les divers constituants artistiques du ballet, pour ensuite jeter un regard stylistique et formel sur la composition. Par la suite, nous aborderons la question d’indépendance entre la ISSN musique, le texte et la danse, nous menant finalement à discuter de la disparité 1480-1132 (imprimé) stylistique et cinétique qui se crée entre la musique et la danse.
    [Show full text]
  • Historic Medical Perspectives of Corseting and Two Physiologic Studies with Reenactors Colleen Ruby Gau Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1998 Historic medical perspectives of corseting and two physiologic studies with reenactors Colleen Ruby Gau Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Home Economics Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Gau, Colleen Ruby, "Historic medical perspectives of corseting and two physiologic studies with reenactors " (1998). Retrospective Theses and Dissertations. 11922. https://lib.dr.iastate.edu/rtd/11922 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UME films the t®ct directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]