Gene Krupa & Buddy Rich

Total Page：16

File Type：pdf, Size：1020Kb

Gene Krupa The Original Drum Battle! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Original Drum Battle! Country: US Released: 1962 MP3 version RAR size: 1774 mb FLAC version RAR size: 1906 mb WMA version RAR size: 1269 mb Rating: 4.1 Votes: 540 Other Formats: MIDI APE MOD MPC MP4 AAC MP2 Tracklist Hide Credits Idaho A1 7:26 Written-By – Jesse Stone Sophisticated Lady A2 4:35 Written-By – Duke Ellington, Irving Mills, Mitchell Parish Flying Home A3 6:02 Written-By – Benny Goodman, Lionel Hampton Drum Boogie B1 9:20 Written-By – Gene Krupa, Roy Eldridge The Drum Battle B2 3:20 Drums – Buddy RichWritten-By – Norman Shrudlu* Perdido Alto Saxophone – Benny CarterBass – Ray BrownDrums – Buddy RichGuitar – Barney B3 3:30 KesselPiano – Oscar PetersonTenor Saxophone – Flip Phillips, Lester YoungTrumpet – Charlie Shavers, Roy EldridgeWritten-By – Ervin Drake, Hans J. Langsfelder*, Juan Tizol Credits Alto Saxophone – Willie Smith (tracks: A1 to B1) Drums – Gene Krupa (tracks: A1 to B2) Liner Notes – Leonard Feather Photography By [Cover] – Charles Stewart* Piano – Hank Jones (tracks: A1 to B1) Producer – Norman Granz Notes Recorded live at "Jazz At The Philharmonic" in Carnegie Hall, N.Y on September 13, 1952. Reissue of Verve MGV-8369 entitled "The Drum Battle." Gatefold cover. Barcode and Other Identifiers Matrix / Runout (Label Side A): V6-8484-S1 Matrix / Runout (Label Side B): V6-8484-S2 Other versions Category Artist Title (Format) Label Category Country Year Gene Krupa And Gene Buddy Rich - The Krupa Drum Battle - Gene MG V-8369 And Verve Records MG V-8369 US 1960 Krupa And Buddy Buddy Rich At JATP (LP, Rich Album) Gene Gene Krupa & V-8484, V Krupa & Buddy Rich - The Verve Records, Verve V-8484, V Canada Unknown 8484 (C) Buddy Original Drum Records 8484 (C) Rich Battle! (LP, Album) Gene Krupa & Gene Buddy Rich - The Book-Of-The-Month 40-5607, Krupa & 40-5607, Original Drum Records, Verve US Unknown V6-8484 Buddy V6-8484 Battle! (LP, Album, Records Rich RE) Gene Krupa And Gene Buddy Rich - The 314 Krupa Drum Battle - Gene 314 Verve Records, Verve 559810-2, And Krupa And Buddy 559810-2, Canada 1999 Records MGV-8369 Buddy Rich At JATP (CD, MGV-8369 Rich Album, RE, RM, dig) Gene Krupa & Gene Buddy Rich - The Krupa & 2304 308 Original Drum Verve Records 2304 308 Germany Unknown Buddy Battle! (LP, Album, Rich RE) Related Music albums to The Original Drum Battle! by Gene Krupa Gene Krupa - The Rocking Mr. Krupa Gene Krupa And Buddy Rich - Krupa And Rich The Gene Krupa Trio - The Gene Krupa Trio Various - Town Hall Concert 1945 Tony Bennett Meets Gene Krupa - Tony Bennett Meets Gene Krupa Benny Goodman And His Orchestra - This Is Benny Goodman Gene Krupa - The Exciting Gene Krupa Gene Krupa And His Orchestra - Gene Krupa Jazz At The Philharmonic - Norman Granz' Jazz At The Philharmonic Volume #11 Gene Krupa - Gene Krupa Gene Krupa - Gene Krupa In Disco Order Vol. 21, January 26, 1949 - March 20, 1950 The Gene Krupa Sextet - The Gene Krupa Sextet No. 2.

Copy Link

Recommended publications

The Hilltop 12-2-1983
Howard University Digital Howard @ Howard University The iH lltop: 1980-90 The iH lltop Digital Archive 12-2-1983 The iH lltop 12-2-1983 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_198090 Recommended Citation Staff, Hilltop, "The iH lltop 12-2-1983" (1983). The Hilltop: 1980-90. 87. http://dh.howard.edu/hilltop_198090/87 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1980-90 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. • I I Inside Ed Hill named new • The Hilltop gets assistant sports ' Today's Hilltop • reviewed information director -Page 12 -Pap IO ' • • • ' • 59th • The Nlllion'1 Larpot Birk Co!!qUte Newilj#'per Howud Unl•Ollity, W••ington, D.C. • ' FRIDAY, DlllMBER 2, 1983 • VOl.llME 66 NUMBER 12 • ' Externs help ease pain o exam strain• By DA YID HANCOCK to gel it," Christian said. Unlike the National Medical Boards Part I ment," Alim said. The infirmaries llilltop Staffwriter the Health Service, where the stu are selected. The externs are allow are not just for students who live in dent has to make an appointment to ed to distribute to students, if need the dorms, they are open to· all Final exams will be starting soon, see a physician, a student can go to ed , prescribed and non-prescribed students who ·have a medical pro and many Howard students will the .infirmary and have his needs drugs, free of charge.
[Show full text]
ELVIN JONES NEA Jazz Master (2003)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ELVIN JONES NEA Jazz Master (2003) Interviewee: Elvin Jones (September 9, 1927 - May 18, 2004) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: June 10-11, 2003 Repository: Archives Center, National Museum of American History Description: Transcript, 113 pp. Anthony Brown: “Today is June 10th, 2003 and we are sitting in the home of Elvin and Keiko Jones at 415 Central Park West in New York City. I’m sitting with Elvin Jones and his lovely, hospitable wife Keiko Jones. This interview is with Elvin Jones the incomparable jazz drummer, composer, bandleader, and humanitarian extraordinaire. And the proceedings are being recorded by Ken Kimery, my name is Anthony Brown. Present in the room are Keiko Jones and Elvin Jones. Elvin, if we can begin by you stating your full name and when you were born. Elvin Jones: My name is Elvin Ray Jones. I was born in Pontiac, Michigan in 1927; as one half of a twin, I was a twin! (chuckles). And my twin brother, we both had whooping cough, and he didn’t survive longer than 6 months. You know, I can remember the funeral and everything. Cause I used to tell my mother, I’d say “That little casket was right there!” and I’d point it out to her and she’d say, “That’s right.” (chuckles). Anthony Brown: Wow, so you say in about 6 months—he passed at about 6 months old? Elvin Jones: Right Anthony Brown: And what was the date of that birth? For additional information contact the Archives Center at 202.633.3270 or [email protected] Page | 1 Elvin Jones: September 9th 1927.
[Show full text]
Gesamtkatalog 2009 Jazz
The Originals GesamtkataloG 2009 Jazz leGendäre aufnahmen von deutsche Grammophon, decca und verve www.the-oriGinals-serie.de www.verve-oriGinals.de The Originals Als Mitte des vergangenen Jahrhunderts das Zeitalter der Langspielplatte begann, bedeutete dies eine Revolution in der damals schon 60-jährigen Geschichte des Tonträgers: Die Klangqualität verbesserte sich entscheidend und es wurde möglich, selbst die längsten Werke zu veröffentlichen. In den nun folgenden 35 Jahren bis zum Beginn der Alleinherrschaft der CD entstand eine Anzahl von Aufnahmen, die unerreicht blieben und bis heute Maßstäbe setzen. Viele wurden zum Mythos. Seit nunmehr elf Jahren zaubert die längst selbst zum Mythos gewordene Serie THE ORIGINALS einen Schatz nach dem anderen aus den Archiven klassischer Musik der Deutschen Grammophon und Decca, original in Optik und Klangverständnis, auf dem neuesten Stand in der technischen Qualität. Zielsetzung war und ist die umfassende Dokumen- tation dieses grandiosen Zeitalters der Plattengeschichte anhand seiner größten Aufnahmen, aber auch ein Katalog der wichtigsten Werke. Auch für Jazzfans gilt: Es geht nichts über die Originale. Deshalb präsentiert die Originals-Serie viele Schätze aus den Archiven von Verve, Impulse!, EmArcy, Mercury, Decca, A&M und anderen Labels von Universal Jazz. Einige der Alben der Reihe werden erstmals auf CD veröffentlicht. Die VERVE ORIGINALS bieten inzwischen schon weit über 100 Titel im Originalcover (Digipak) und Originalsound (24bit- Remastering). inhalT Jazz Interpreten A – Z 34 Hinweis: In diesem Gesamtkatalog für den Handel wird im Klassikteil jeder Titel im Katalog nur ein Mal aufgeführt. Ton- träger mit Werken von mehr als einem Komponisten sind unter dem Namen des erstgenannten Komponisten eingeordnet.
[Show full text]
Robert Hartford-Davis and British Exploitation Cinema of the 1960S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of East Anglia digital repository Corrupted, Tormented and Damned: Reframing British Exploitation Cinema and The films of Robert Hartford-Davis This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Michael Ahmed, M.A., B.A. PhD University of East Anglia Faculty of Film and Television Studies January 2013 Abstract The American exploitation film functioned as an alternative to mainstream Hollywood cinema, and served as a way of introducing to audiences shocking, controversial themes, as well as narratives that major American studios were reluctant to explore. Whereas American exploitation cinema developed in parallel to mainstream Hollywood, exploitation cinema in Britain has no such historical equivalent. Furthermore, the definition of exploitation, in terms of the British industry, is currently used to describe (according to the Encyclopedia of British Film) either poor quality sex comedies from the 1970s, a handful of horror films, or as a loosely fixed generic description dependent upon prevailing critical or academic orthodoxies. However, exploitation was a term used by the British industry in the 1960s to describe a wide-ranging and eclectic variety of films – these films included, ―kitchen-sink dramas‖, comedies, musicals, westerns, as well as many films from Continental Europe and Scandinavia. Therefore, the current description of an exploitation film in Britain has changed a great deal from its original meaning.
[Show full text]
December 1994
Features CHAD SMITH A lot's gone down in the four years since Blood Sugar Sex Magik demanded our collective attention. Now a new Red Hot Chili Peppers album and world tour is around the corner. Chili past, present, and future according to the ever- animated Chad Smith. • Adam Budofsky 20 CHARLI PERSIP Jazz giants like Dizzy Gillespie, Gil Evans, Rahsaan Roland Kirk, Billy Eckstein, Archie Shepp, and Eric Dolphy knew very well the value of Charli Persip's talents, even if they eluded the public at large. These days Persip is better than ever—and still pushing the barriers. • Burt Korall 26 INSIDE LP Next stop, Latin Percussion's Thailand factory, where at least one instrument you carry in your gig bag most likely originated. Learn how the world's largest manufacturer of hand percussion instruments gets the job done. 30 • Rick Van Horn Volume 18, Number 12 Cover Photo By Michael Bloom EDUCATION PROFILES EQUIPMENT 52 ROCK'N' 116 UP & COMING JAZZ CLINIC Jay Lane Ghost Notes BY ROBIN TOLLESON BY JOHN XEPOLEAS DEPARTMENTS 78 TEACHERS' FORUM 4 EDITOR'S No Bad Students OVERVIEW BY STEVE SNODGRASS 6 READERS' 88 ROCK PERSPECTIVES PLATFORM 38 PRODUCT Double-Bass-Illusion CLOSE-UP Ostinato 12 ASK A PRO New Drum Workshop BY ROB LEYTHAM Tony Williams, Products Dennis Chambers, BY RICK VAN HORN 92 AROUND and Scott Travis THE WORLD 44 NEW AND Tex-Mex 16 IT'S NOTABLE Border Drumming QUESTIONABLE Highlights From BY MITCH MARINE Summer NAMM '94 94 DRUMLINE BY RICK MATTINGLY 110 UNDERSTANDING RHYTHM 106 CRITIQUE NEWS Basic Reading: Part 1 Thad Jones/Mel
[Show full text]
MRHS Recommended Jazz Listening
Marriotts Ridge Summer Booster Camps Recommended Listening Jazz Compiled by Andrew Spang Big Bands Count Basie Orchestra April in Paris Lester Leaps In Atomic Basie April in Paris One O’clock Jump Gordon Goodwin’s Big Phat Band Swinging for the Fences Hunting Wabbits XXL Sing Sang Sung The Jazz Police The Tonight Show Band Vol. 1 In the Mood with Doc Severinsen Vol. 2 Take the A-Train Alto Sax Charlie Parker “Bird” April in Paris Lester Leaps In Atomic Basie April in Paris One O’clock Jump David Sandborn The Best of David Sandborn Play That Funky Music Upfront Bang Bang Since I Fell for You Cannonball Adderly Cannonball Adderly’s Finest Hour Mercy, Mercy, Mercy Kind of Blue So What Tenor Sax John Coltrane A Love Supreme A Love Supreme The Very Best of John Coltrane In a Sentimental Mood Lush Life Michael Brecker Michael BrecKer [Self-titled] Delta City Blues Tales from the Hudson Song for Bilbao Sonny Rollins My Favorite Things St. Thomas The Bridge Doxy Bari Sax Gerry Mulligan Getz Meets Mulligan in Hi-Fi Let’s Fall in Love Blues in Time Fall Out Tower of Power The Very Best of the Tower of What Is Hip? Power Down to the Nightclub Tower of Power Live! Soul with a Capital ‘S’ Trumpet Louis Armstrong The Best of Ella Fitzgerald and A Kiss to Build a Dream On Louis Armstrong Summertime What a Wonderful World Hello, Dolly! Dizzy Gillespie Bird and Diz A Night in Tunisia Night in Tunisia Salt Penuts Miles Davis Kind of Blue So What Bitches Brew ‘Round Midnight Freddie Freeloader Wynton Marsalis Standard Time, Vol.
[Show full text]
Discographie Leader/Co-Leader
Discographie Leader/Co-Leader 1947-1953 Urbanity Clef/Mercury NYC, September-October, 1947° & September 4, 1953¹. Tracks: Blues For Lady Day°; The Night We Called It A Day°; Yesterdays°; You're Blasé°; Tea For Two°; The Blue Room°; Thad's Pad¹; Things Are So Pretty In The Spring¹; Little Girl Blue¹; Odd Number¹. Personnel: Hank Jones: piano; Ray Brown¹: bass; Johnny Smith¹: guitar. Note: Reissued on Verve. 1955 The Trio Savoy NYC, August 4, 1955. Tracks: My Hearts Are Young; We Could Make Such Beautiful Music Together; We're All Together; Cyrano; Odd Number; There's A Small Hotel; My Funny Valentine; Now's The Time. Personnel: Hank Jones: piano; Wendell Marshall: bass; Kenny Clarke: drums. Note: Also issued as The Jazz Trio of Hank Jones. Quartet/Quintet Savoy NYC, November 1, 1955. Tracks: Almost Like Being In Love; An Evening At Papa Joe's; And Then Some; Summer's Gone; Don't Blame Me. Personnel: Donald Byrd: trumpet; Matty Dice: trumpet; Hank Jones: piano; Eddie Jones: bass; Kenny Clarke: drums. Bluebird Savoy NYC, November 1 & 3 & 29 & December 20, 1955. Tracks: Little Girl Blue; Bluebird; How High The Moon; Hank's Pranks; Alpha; Wine And Brandy. Personnel: Joe Wilder, Donald Byrd, Matty Dice: trumpet; Jerome Richardson: tenor sax, flute; Herbie Mann: flute; Hank Jones: piano; Wendell Marshall: bass; Eddie Jones: bass; Kenny Clarke: drums. 1956 Have You Met Hank Jones? Savoy NYC, July 9 & August 8 & 20, 1956. Tracks: Teddy's Dream; It Had To Be You; Gone With The Wind; Heart And Soul; But Not For Me; Have You Met Miss Jones?; You Don't Know What Love Is; How About You?; Body And Soul; Let's Fall In Love; Kanakee Shout; Solo Blues.
[Show full text]
TOMMY CLUFETOS the Journeyman Drummer Has Single-Mindedly Ignored Distractions
!N)NCREDIBLE0RIZE 0ACKAGE&ROM2OLAND /::934/--9#,5&%4/3s0!339/52#/,,%'%!5$)4)/. 7). 6ALUED!T/VER $ECEMBER 4HE7ORLDS$RUM-AGAZINE 353)%)"!22! !.$ 4(% -$02/0!.%, (/44/0)#3&/24/$!9´3$25--%2 #(!$3-)4( 7),,#!,(/5. *!3/.")44.%2 !,,)3/.-),,%2 (/2!#)/(%2.!.$%: 0!5,7%24)#/ 2/$-/2'%.34%). *%&&$!6)3 -/$%2.$25--%2#/- $!.)%,',!33 #(2)30%..)% 0%4%2%23+).% Volume 34, Number 12 CONTENTS 46 28 TOMMY CLUFETOS The journeyman drummer has single-mindedly ignored distractions Paul La Raia and focused solely on what’s important: the song, the groove, and slamming beats like his life depends on it. 34 REXSELL HARDY JR. At a young age, the future Mary J. Blige drummer knew he was preparing for big things. Today his résumé features some of the greatest artists on the R&B and gospel scenes, including Chaka Khan, Kirk Franklin, Keri Hilson, and Marvin Sapp. His mantra for success? Go hard, or go home. 43 THE 2011 MD PRO PANEL The Modern Drummer Pro Panel is an annually revolving group of internationally recognized player/commentators with one essential purpose: to help us master the physical and mental techniques of our noble instrument, the drumset. 46 SUSIE IBARRA Drummer/composer and 2011 MD Pro Panelist Susie Ibarra not only bucks tradition in “out” jazz, she boldly ignores the limits of a drum- 28 34 mer’s influence on the world stage. Alex Solca 58 COLLEGE BOUND! Planning on attending a music school? We illuminate many of the steps to take in order to apply and audition with success.
[Show full text]
Abdullah IBRAHIM: Peter IGELHOFF
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Abdullah IBRAHIM: "African River" Robin Eubanks -tb; John Stubblefield -ts,fl; Horace Alexander Young -ss,as,pic; Howard Johnson - tu,tp,bs; Abdullah Ibrahim -p; Buster Williams -b; Brian Abrahams -d; recorded June 01, 1989 in Englewood Cliffs, N.J. 59715 DUKE 88 8.14 Enja 79617 Abdullah Ibrahim aka Dollar Brand; see also there ------------------------------------------ Peter IGELHOFF: Gesang: Peter Igelhoff; Arrangement und Klavier: Peter Kreuder; recorded November 1935 in Berlin 107126 BABARA-M-BU 2.28 21030 Tel A1905 Peter Igelhoff mit Peter Kreuder und seinen Solisten; recorded January 1936 in Berlin 107119 ICH HAB'S 2.46 21092 Tel A1915 Gesang: Peter Igelhoff; Peter Kreuder mit seinen Solisten; recorded January 27, 1936 in Berlin 106608 WENN EIN JUNGER MANN GUT PFEIFEN KANN 2.34 21091 --- Gesang: Peter Igelhoff; Peter Kreuder mit seinen Solisten; recorded March 11, 1937 in Berlin 107640 SOMMERSPROSSEN 3.15 21849 Tel A2185 Peter Igelhoff -p,vo; mit kleinem Ensemble; recorded May 1937 in Berlin 105321 WENN ICH COWBOY WÄR 2.46 ORA 2010-2 Elec E.G.3969 Peter Igelhoff und sein Ensemble; recorded November 1937 in Berlin 106905 REIZEND 2.42 ORA2670-1 Elec EG6251 Peter Igelhoff mit seinem Ensemble; recorded December 1937 in Berlin 106938 ES LEBTE EINST IN HAMBURG AN DER ELBE 2.34 ORA 2500-1 Elec EG6164 106993 JOU-JOU 3.09 ORA 2501-1 --- Peter Igelhoff mit Ensemble; recorded
[Show full text]
C I N C I N N
JANUARY 2017 FANFARE CINCINNTI PGE 55 CINCINNATISYMPHONY.ORG JANUARY 2017 CINCINNATISYMPHONY.ORG PGE 21 PGE 34 PGE 37 PGE 41 PGE 59 PGE 69 Brahms Fest Brahms Fest ith Melissa Etheridge: Matthias Pintscher Christian Tetzlaﬀ Lollipops Family continues ith epic CSO Chamber One Night Only conducts performs Bartók Concert: Fourth Symphony Players MusicNO Green Eggs and Ham The happiness of coming home. An Exceptional Everyday Experience Interesting people make the best neighbors. At Twin Towers and Twin Lakes senior living communities, everyday moments are just a bit more special. A spirited conversation, a shared laugh, a smile as bright as a sunny day. It all adds up to an exceptional lifestyle. Find magic in the everyday. Call us to schedule a tour or visit us online at LEC.org. Twin Towers Twin Lakes 513.853.2000 513.247.1300 5343 Hamilton Avenue 9840 Montgomery Road Cincinnati, OH 45224 Cincinnati, OH 45242 Life Enriching Communities is affiliated with the West Ohio Conference of the United Methodist Church and welcomes people of all faiths. JANUARY 2017 CONTENTS CONCERTS 41 The CSO’s fourth annual groundbreaking collaboration with the MusicNOW Festival features two 21 CSO: Brahms Fest, Jan. 5/7 ambitious programs of contemporary 32 Guest artists: May Festival Chamber Ensemble, Robert Porco, director; SATB soloists works and performances by exciting artists of today. Find details about 34 CSO Chamber Players: Brahms Fest, Jan. 6 these Jan. 13–14 concerts and guest 37 Pops: Melissa Etheridge, Jan. 8 performers starting on page 41. 38 Guest artists: Melissa Etheridge, vocalist; , once Bob Bernhardt, conductor 56 Smokey Robinson pronounced by Bob Dylan as America’s 41 CSO: MusicNOW, Jan.
[Show full text]
Efnisyfirlit INNGANGUR 2
Efnisyfirlit INNGANGUR 2 GAMLI HEIMURINN 3 NÝI HEIMURINN 12 REVÍAN 21 TANGÓ 23 ÍSLAND – LÍFIÐ VIÐ STRÖNDINA 29 GLÆSTAR VONIR ÞRIÐJA ÁRATUGARINS 32 AFTUR TIL EVRÓPU – SÖNGFLOKKAR 37 HEIMSKREPPA FJÓRÐA ÁRATUGARINS 41 SÍÐARI HEIMSSTYRJÖLDIN 1939-1945 44 EFTIRSTRÍÐSÁRIN Á ÍSLANDI 47 TÓNLIST Á KÚBU 55 NIÐURLAG 59 LISTI YFIR HLUSTUNAREFNI 73 1 INNGANGUR Tónlist er margslungið fyrirbæri og teygir anga sína víða. Nefna má skapandi hugsun, tjáningu tilfinninga, list, listmeðferð, samhæfingu hugar og handa, stærðfræði, vísindi, samskipti fólks og síðast en ekki síst samruna ólíkra hugmynda. Því ósjaldan sækja skapandi listir styrk sinn í samspil ólíkra menningarheima. Þess vegna eru nýjungar í listum oft afsprengi fjölmenningar. Þannig hefur það verið frá fornu fari, allt frá dögum Mósebóka og Íslendingasagna. Þar sem helstu straumar Evrópumenningarinnar mættust varð Vínartónlistin til. Þá mótuðu landnemasamfélög Ameríku í deiglu sinni þá tónlist sem mestan svip setti á 20. öldina. Þar af leiðandi á hið fjölmenningarlega samhengi tónlistarsögunnar fullt erindi til samtímans. Ekki síst á tímum sem einkennast af meiri fólksflutningum en áður hafa þekkst og enginn sér fyrir endann á. Tónlist getur einnig verið tískufyrirbæri. Hugtakið dægurlag er t.a.m. notað yfir lag sem um tíma nýtur almannahylli, er yfirleitt vel danshæft og auðgripið, en gleymist fljótlega eftir að það skaut upp kollinum (Íslensk orðabók). Dægurmenningin tekur stöðugum breytingum og hver kynslóð ungmenna hefur sinn sérstaka tón, tungutak og stíl. Einnig þá flytjendur sem tekst öðrum betur að fanga tíðarandann og tjá þennan tón. Sigurður Einarsson, skáld og prestur, oft kenndur við Holt undir Eyjafjöllum komst svo að orði í Vísunni um dægurlagið (þjóðhátíðarlag Vestmannaeyja árið 1954): Þú hittir djúpan, dreyminn tón sem dulinn býr í fólksins sál, og okkar hversdags gleði og grát þú gefur söngsins væng og mál.
[Show full text]
Interkulturalni Odgoj U Nastavi Glazbe Općeobrazovnih Škola
Sveučilište Josipa Jurja Strossmayera u Osijeku Filozofski fakultet Amir Begić INTERKULTURALNI ODGOJ U NASTAVI GLAZBE OPĆEOBRAZOVNIH ŠKOLA DOKTORSKI RAD Osijek, 2017. University of Osijek Faculty of Humanities and Social Scienses Amir Begić INTERCULTURAL EDUCATION IN TEACHING MUSIC IN GENERAL EDUCATION SCHOOLS DOCTORAL THESIS Osijek, 2017. Sveučilište Josipa Jurja Strossmayera u Osijeku Filozofski fakultet Amir Begić INTERKULTURALNI ODGOJ U NASTAVI GLAZBE OPĆEOBRAZOVNIH ŠKOLA DOKTORSKI RAD Mentor: prof. dr. sc. Vlatko Previšić Osijek, 2017. University of Osijek Faculty of Humanities and Social Scienses Amir Begić INTERCULTURAL EDUCATION IN TEACHING MUSIC IN GENERAL EDUCATION SCHOOLS DOCTORAL THESIS Supervisor: prof. dr. sc. Vlatko Previšić Osijek, 2017. O MENTORU: Prof. dr. sc. Vlatko Previšić od 1973. do 2016. djelatnik je Filozofskog fakulteta Sveučilišta u Zagrebu u svim statusima (asistent, znanstveni asistent, docent, izvanredni profesor, redoviti profesor te redoviti profesor u trajnom zvanju). Od godine 2014. do 2016. obnašao je dužnost dekana Filozofskog fakulteta Sveučilišta u Zagrebu. Srednju Učiteljsku školu pohađao je i maturirao u Petrinji. Studirao je pedagogiju i sociologiju na Filozofskom fakultetu u Zagrebu (1968. – 1972.). Doktorirao je 1984. godine na Sveučilištu u Zagrebu disertacijom: Mogućnosti, pretpostavke i realizacija stvaralaštva u slobodnim aktivnostima učenika. Tijekom rada na Filozofskom fakultetu (Odsjeku za pedagogiju) predavao je više različitih nastavnih predmeta i kolegija: Sistematsku pedagogiju, Pedagogiju
[Show full text]