MRHS Recommended Jazz Listening

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MRHS Recommended Jazz Listening Marriotts Ridge Summer Booster Camps Recommended Listening Jazz Compiled by Andrew Spang Big Bands Count Basie Orchestra April in Paris Lester Leaps In Atomic Basie April in Paris One O’clock Jump Gordon Goodwin’s Big Phat Band Swinging for the Fences Hunting Wabbits XXL Sing Sang Sung The Jazz Police The Tonight Show Band Vol. 1 In the Mood with Doc Severinsen Vol. 2 Take the A-Train Alto Sax Charlie Parker “Bird” April in Paris Lester Leaps In Atomic Basie April in Paris One O’clock Jump David Sandborn The Best of David Sandborn Play That Funky Music Upfront Bang Bang Since I Fell for You Cannonball Adderly Cannonball Adderly’s Finest Hour Mercy, Mercy, Mercy Kind of Blue So What Tenor Sax John Coltrane A Love Supreme A Love Supreme The Very Best of John Coltrane In a Sentimental Mood Lush Life Michael Brecker Michael BrecKer [Self-titled] Delta City Blues Tales from the Hudson Song for Bilbao Sonny Rollins My Favorite Things St. Thomas The Bridge Doxy Bari Sax Gerry Mulligan Getz Meets Mulligan in Hi-Fi Let’s Fall in Love Blues in Time Fall Out Tower of Power The Very Best of the Tower of What Is Hip? Power Down to the Nightclub Tower of Power Live! Soul with a Capital ‘S’ Trumpet Louis Armstrong The Best of Ella Fitzgerald and A Kiss to Build a Dream On Louis Armstrong Summertime What a Wonderful World Hello, Dolly! Dizzy Gillespie Bird and Diz A Night in Tunisia Night in Tunisia Salt Penuts Miles Davis Kind of Blue So What Bitches Brew ‘Round Midnight Freddie Freeloader Wynton Marsalis Standard Time, Vol. 1 Autumn Leaves Blood on the Fields Caravan Trombone J. J. Johnson The Trombone Master Blue Trombone The Great Kai & J.J. Georgia on My Mind Frank Rosolino Fond Memories of FranK Rosolino Autumn Leaves The Trombone Album Take Me Out to the Ballgame Wycliffe Gordon BloozBluzeBlues 1st Thang Slidin’ Home Balooze Drums Buddy Rich Big Swing Face The Drum Battle The Drum Battle Birdland Norwegian Wood Max Roach Study in Brown Cherokee The Quintet: Jazz at Massey Hall Sandu (Live) Art Blakey ‘Round About Midnight, Vol. 1 Skylark Caravan Moanin’ (Live) Bass Ron Carter All Blues All Blues Bill Frisell, Ron Carter, Paul Motian You Are My Sunshine Jaco Pastorius Jaco Pastorius The Chicken The Birthday Concert (Live) Portrait of Tracy Stanley Clarke School Days School Days The Clarke / Duke Project Sweet Baby Piano Oscar Peterson Night Train Autumn Leaves Plays Pretty Blue Moon Bewitched, Bothered & Bewildered Bill Evans The Best of Bill Evans But Beautiful Portrait in Jazz Peace Piece Herbie Hancock Head Hunters Watermelon Man Future ShocK Cantaloupe Island Possibilities Rockit! Guitar Freddie Greene Jazz Guitar Legend One O’clock Boogie Count Basie: Greatest Hits Low Life Wes Montgomery Smokin’ at the Half Note Bumpin’ on Sunset Wes Montgomery’s Finest Hour Windy Pat Metheny Still Live (TalKing) Last Train Home Quartet A Night Away Vibes Lionel Hampton The Best of Lionel Hampton Flying Home Priceless Jazz Collection Take the A-Train Gary Burton Guided Tour Caminos Quartet Live! B and G (Midsummer’s Night Dream) Dave Samuels Del Sol Del Sol Spyro Gyra: Morning Dance Morning Dance Clarinet Benny Goodman The Essential Benny Goodman Sing, Sing, Sing The Famous 1938 Carnegie Hall Stompin’ at the Savoy Jazz Concert It’s Only a Paper Moon Artie Shaw Big Band Era Begin the Beguine The Essential Artie Shaw Stardust Eddie Daniels Eddie Daniels Collection Blackwood Blue Bossa Blue Bossa Last updated: July 24, 2015 /abs/ .
Recommended publications
  • Lucky Drummer from NYC Jazz to Johnny Carson
    Lucky Drummer From NYC Jazz to Johnny Carson by Ed Shaughnessy with Robyn Flans © 2012 Ed Shaughnessy ISBN 978-1-888408-16-4 REBEATS PUBLICATIONS 219 Prospect, Alma, Michigan 48801 www.Rebeats.com Cover design, index, gear diagrams by Rob Cook Discography typing by Nancy Stringer Printed in the United States of America All rights for publication and distribution are reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retreival systems without publisher’s written consent. Where it’s at.... MY CHILDHOOD 1 Growing up in Jersey THE GOOD OL’ DAYS—THE STAGE-SHOW ERA 5 The Paramount, Strand, Capital, and Loew’s State theaters SUNDAY JAMS 7 Big name theater musicians jamming in small ballrooms THE TEEN YEARS 9 Timpani in the school orchestra, getting hooked up with frst teachers BILL WEST 11 More than a great teacher, a way to make the New York scene ANOTHER MENTOR 13 Mo Goldenberg and the mallets POST-HIGH SCHOOL 14 Getting a NYC room to establish residency DIDN’T MAKE THE CUT 14 Fired from my frst professional job– not for musical reasons BOBBY BYRNE AND THE BIG EASY 14 Working with the trombonist in New Orleans BACK HOME 15 Back to NYC with Jack Teagarden and George Shearing THE ’50s 16 Experimental music with Teddy Charles, Miles Davis WATCHING FROM THE BALCONY—WATCHA GONNA BRING? 16 Coming of age in New York City CHARLIE VENTURA 17 Introduction to touring by the bop saxmaster, zoot suit pants A STAR IS BORN 19 My frst endorsement deal THE TIME I DIDN’T 20
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  • Jazz Record Buyer's Guide
    Chicago youngsters who dug Oliver, Noone, a Middle Eastern flavor; Flamenco and All Schroeder, piano; Milt Hinton bass; Cliff I . cmu Panama Francis, drums. and Armstrong on the south side. Blues reflect ■ strong Ravel influence. Rating: + Ar + lhe two instrumentalists who seem to Flamenco and Freeloader are both blues, This is a new label stemming from stand out on these sides and whose plating but each is of a different mood and con­ Grand Award and commandeered bv for­ is good listening, regardless of the year, ception Sketches is in (i/8. which achieves mer commercial bandleader Enoch I ight. arc Russell and Freeman Otherwise, as a rolling, highly charged effect, while Free­ There is definite concentration on an effort Thomas Wolfe said, "you can't go home loader is more in the conventional blues to improve sound reproduction, sound again. ’ Even musically. l he jazz excite­ vein, l he presence of kellv on / rceloader fidelity is achieved with multiple tvpes of ment is gone unless vou coniine your in- mav account partly for the difference be- microphones, custom typing the mikes to terest statistically to a period, certain tween the two. the particular instruments. jazz soloists exclusively. And that is not Miles’ 'playing throughout thc album is Doolev is a well known Dixieland horn too rewarding. poignant, sensitive, and, at times, almost man around New \otk who has bis own the The thing that amazes is that in morose:. his linear concept never falters. band, lhe striking back feature apparent­ two pictures on the back of the album Coltrane has some interesting solos; his ly is a crack at such bands as the Dukes cover, Condon looks younger in 1959 than angrv solo on Freeloader is in marked con­ of Dixieland that have made n on sound he did in 1939.
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  • The Hilltop 12-2-1983
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  • The Bordogni Jazz Project
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  • ELVIN JONES NEA Jazz Master (2003)
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  • The Modern Bass Trombone Repertoire: an Annotated List and Pedagogical Guide
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  • Teaching and Learning Jazz Trombone Dissertation
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