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1943 the Digital Conversion of This Burns Chronicle Was Sponsored by Southern Scottish Counties Burns Association
Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1943 The digital conversion of this Burns Chronicle was sponsored by Southern Scottish Counties Burns Association The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com THE ROBER T BURNS ANNUAL AND CHRONICLE 1943 THE BURNS FEDERATION KILMARNOCK 1943 Price Three Shillings and Nine Pence "BURNS CHRONICLE" ADVERTISER CRAIG'S RESTAURANTS for MORNING COFFEE SNACKS · LUNCHEONS AFTERNOON TEA The Rhul The Gordon 123 7-19 Sauchiehall Gordon Street Street Branches throughout the CIty JAMES CRAIG (GLASGOW). LTO •• Woodlands Road. GLASGOW "BURNS CHRONICLE" ADVERTISER JEAN ARMOUR BURNS HOUSES CASTLE STREET, MAUCHLlNE AYRSH I RE Established in 1915 by the Glasgow and District Burns Association These Houses were purchased, repaired, and gifted to the Association by the late Mr. Charles R. Cowie, J.P., of Glasgow. They comprise the Burns House (in which the poet and Jean Armour began housekeeping in 1788), Dr. John M'Kenzie's House, and "Auld Nanse Tinnock's" (the "change-house" of Burns's poem "The Holy Fair"); and provide comfortable acco~modation for nine old ladies, who live rent and rate free and receive a small pension. A portion of the Burns House has been arranged as a Museum, which now contains numerous authentic relics of Jean Armour and the poet: these include the Armour Family Bible and several manuscripts of Burns. An Endowment Fund' for the maintenance of the Houses and the provision of the pensions is being formed. -
ROBERT BURNS and FRIENDS Essays by W. Ormiston Roy Fellows Presented to G
University of South Carolina Scholar Commons Robert Burns and Friends Robert Burns Collections 1-1-2012 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy Patrick G. Scott University of South Carolina - Columbia, [email protected] Kenneth Simpson See next page for additional authors Publication Info 2012, pages 1-192. © The onC tributors, 2012 All rights reserved Printed and distributed by CreateSpace https://www.createspace.com/900002089 Editorial contact address: Patrick Scott, c/o Irvin Department of Rare Books & Special Collections, University of South Carolina Libraries, 1322 Greene Street, Columbia, SC 29208, U.S.A. ISBN 978-1-4392-7097-4 Scott, P., Simpson, K., eds. (2012). Robert Burns & Friends essays by W. Ormiston Roy Fellows presented to G. Ross Roy. P. Scott & K. Simpson (Eds.). Columbia, SC: Scottish Literature Series, 2012. This Book - Full Text is brought to you by the Robert Burns Collections at Scholar Commons. It has been accepted for inclusion in Robert Burns and Friends by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Author(s) Patrick G. Scott, Kenneth Simpson, Carol Mcguirk, Corey E. Andrews, R. D. S. Jack, Gerard Carruthers, Kirsteen McCue, Fred Freeman, Valentina Bold, David Robb, Douglas S. Mack, Edward J. Cowan, Marco Fazzini, Thomas Keith, and Justin Mellette This book - full text is available at Scholar Commons: https://scholarcommons.sc.edu/burns_friends/1 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy G. Ross Roy as Doctor of Letters, honoris causa June 17, 2009 “The rank is but the guinea’s stamp, The Man’s the gowd for a’ that._” ROBERT BURNS AND FRIENDS essays by W. -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
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ARTS COUNCIL CONTENTS C hairina;,'~ Introduction 4 The Arts Council of Great Britain, as a 5 publicly accountable body, publishes an Sui kA• 1r. -C;eneral's Preface 8 Annual Report to provide Parliament and Departmental Report s 14 the general public with an overview of th e Scotland year's work and to record ail grants an d Wales 15 guarantees offered in support of the arts . Council 16 Membership of Council and Staff 17 A description of the highlights of th e Advisory Panels and Committee s 18 Council's work and discussion of its policie s Staff 23 appear in the newspaper Arts in Action Annual Accounts 25 which is published in conjunction with thi s Funds, Exhibitions, SchewsandAuvrd~ Report and can be obtained, free of charge , from the Arts Council Shop, 8 Long Acre , London WC2 and arts outlets throughou t the country . The objects for which the Arts Council of Great Britain is established are : I To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; 3 To co-operate with governmen t departments, local authorities and othe r bodies to achieve these objects. CHAIRMAN'S INTRODUCTION and performing artists and of helping t o wherever possible both Mth local build up the audiences which must be th e authorities and with private sponsors. real support for the arts . It is the actua l event, the coming together of artist an d The Arts Council is very conscious that th e audience, which matters . -
Robert Burns and a Red Red Rose Xiaozhen Liu North China Electric Power University (Baoding), Hebei 071000, China
Advances in Social Science, Education and Humanities Research, volume 311 1st International Symposium on Education, Culture and Social Sciences (ECSS 2019) Robert Burns and A Red Red Rose Xiaozhen Liu North China Electric Power University (Baoding), Hebei 071000, China. [email protected] Abstract. Robert Burns is a well-known Scottish poet and his poem A Red Red Rose prevails all over the world. This essay will first make a brief introduction of Robert Burns and make an analysis of A Red Red Rose in the aspects of language, imagery and rhetoric. Keywords: Robert Burns; A Red Red Rose; language; imagery; rhetoric. 1. Robert Burns’ Life Experience Robert Burns (25 January 1759 – 21 July 1796) is a Scottish poet and lyricist. He is one of the most famous poets of Scotland and is widely regarded as a Scottish national poet. Being considered as a pioneer of the Romantic Movement, Robert Burns became a great source of inspiration to the founders of both liberalism and socialism after his death. Most of his world-renowned works are written in a Scots dialect. And in the meantime, he produced a lot of poems in English. He was born in a peasant’s clay-built cottage, south of Ayr, in Alloway, South Ayrshire, Scotland in 1759 His father, William Burnes (1721–1784), is a self-educated tenant farmer from Dunnottar in the Mearns, and his mother, Agnes Broun (1732–1820), is the daughter of a Kirkoswald tenant farmer. Despite the poor soil and a heavy rent, his father still devoted his whole life to plough the land to support the whole family’s livelihood. -
Burns Chronicle 1939
Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1939 The digital conversion of this Burns Chronicle was sponsored by Gatehouse-of-Fleet Burns Club The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com BURNS CHRONICLE AND CLUB DIRECTORY INSTITUTED 1891 PUBLISHED ANNUALLY SECOND SERIES : VOLUME XIV THE BURNS FEDERATION KILMARNOCK 1 939 Price Three shillings "BURNS CHRONICLE" ADVERTISER "0 what a glorious sight, warm-reekin', rich I"-BURNS WAUGH'S SCOTCH HAGGIS Delicious-Appetising-Finely Flavoured. Made from a recipe that has no equal for Quality. A wholesome meal for the Family . On the menu of every · important Scottish function-St. Andrew's Day, Burns Anniversary, &c., &c.-at home and abroad. Per 1/4 lb. Also in hermetically sealed tins for export 1 lb. 2/· 2 lbs. 3/6 3 lbs. 5/· (plus post) AlwaJ'S book 7our orders earl7 for these dates ST. ANDREW'S DAY CHRISTMAS DAY November 30 December 25 HOGMANAY BURNS ANNIVERSARY December31 Janu&l'J' 25 Sole Molc:er Coolced In the model lcltchen1 at HaftllCOn GEORGE WAUGH 110 NICOLSON STREET, EDINBURGH, 8 SCOTLAND Telephone 42849 Telearam1 and Cables: "HAGGIS" "BURNS CHRONICLE" ADVERTISER NATIONAL BURNS MEMORIAL COTTAGE HOME$, 1 MAUCHLINE, AYRSHIRE. i In Memory of the Poet Burns '! for Deserving Old People . .. That greatest of benevolent Institutions established In honour' .. of Robert Burns." -611,.11011 Herald. I~ I I ~ There are now twenty modern comfortable houses for the benefit of deserving old folks. The site is an ideal one in the heart of the Burns Country. -
Robert Burns and the University: Information Sheet
Robert Burns and the University: Information Sheet How to use this sheet This information sheet gives a brief description of Robert Burns’ connection with the University of Glasgow. Enquiries should be directed to the Duty Archivist, see contact details at the bottom of the page. Robert Burns (1759-1796), internationally celebrated and Scotland’s greatest poet, did not attend the University of Glasgow, due to financial circumstances, his father being unsuccessful as a tenant farmer. However, many of his family, friends and patrons, as well as many of the ‘characters’ in his poems did attend the University (date of matriculation given in brackets). Family, Friends & Patrons His eldest son, Robert Burns, junior (1802), the survivor of the first twins of Jean Armour. The brother Thomas Wallace (1741) of his friend, Mrs Dunlop of Dunlop. Patrick Miller (1743), the landlord of his Ellisland Farm. Alexander Hamilton (1756), the brother of his friend Gavin Hamilton. James Dalrymple of Orangefield, Ayrshire (1767), one of his early patrons and friends and a cousin of 14th earl of Glencairn on whose death he wrote the famous Lament. Characters William Auld (1728), “Daddy Auld” the minister of Mauchline, 1742-91. William Dalrymple, MA 1740, the “Dalrymple mild” of The Kirk’s Alarm, the minister of Ayr, 1746-1814 who baptised Burns. The husband, James M’Lehose (1767), uncle, John M’Laurin (1738) and cousins Alexander Craig and William Craig (1758) of “Clarinda”. The father, Claud Alexander (1739) and brothers Alexander Alexander (1761), Claud Alexander (1765) and Boyd Alexander (1770) of “the Bonnie Lass o’ Ballochmyle”. William M’Gill, MA 1753, the “Doctor Mac” of The Kirk’s Alarm, the minister of Ayr, 1761-1807. -
Jean Armour Oration 2015 What Creates the Character of a Town Such As Ours?
Jean Armour Oration 2015 What creates the character of a town such as ours? Like other provincial towns, Dumfries has many redeeming man-made features in its fine buildings, bridges and churches. Although important, they would not exist, without the people in whose memory they serve or indeed the blood sweat and tears shed in their construction. Without these influential people our town in consequence would be devoid of character. Can you imagine Dumfries without Burns' Statue or Devorgilla Brig?? When you think of all the famous characters who have left their mark historically in this town, why has Jean Armour (above all others) been captured in Bronze and at great expense, for what on the surface appears to be, merely playing the roll of a dutiful wife??? When Jean Armour was born, second eldest of 11, in Mauchline in 1765, who would have thought this daughter of an Ayrshire stonemason would be so influential in the success and celebrity of one of the greatest poets that ever lived? Apart from the rather fine bronze of Elizabeth Crichton at Easterbrook, the free standing monuments to influential women in Dumfries can be counted on the fingers of one hand. In fact, there is only one other statue of note and thanks to the Burns Howff Club and the generosity of many sponsors, we stand in front of it today. When Jean first met Burns in the Spring of 1785, she was immediately smitten by this handsome farmer /poet. When she chased his dog off her laundry on the drying green and jokingly scolded the poet, there was an instant and mutual attraction. -
RBWF Newsletter March 2019
The Robert Burns World Federation Newsletter Issue 37 March 2019 This newsletter reports on many Burns Suppers from far and wide reflecting participation by young and old alike. As the ‘Year of Young People’ draws to a close, it is encouraging to report the involvement of so many talented youngsters in Burns activities and I look forward to the May edition where I’ll be reporting on the Schools’ Festivals. It is fitting therefore to feature a profile of Lesley Macdonald the new Convenor of the Education Committee. Such has been the volume of articles reporting Burns Suppers that some submissions have had to be held over until the May newsletter or, unfortunately in some cases, left on the cutting floor, for which I apologise. I offer my grateful thanks to all those who have contributed to your newsletter. Ed In this Issue: Page Lines on the Falls of Fyers Near Loch Ness - Burns Collage 1 - Lasses Lunch 2 (Written with a pencil on the spot) - Burns Behind Bars 2 - Wreath-laying Ceremony in Edinburgh 3 Among the heathy hills and ragged woods - Largs Cronies Burns Supper 3 The roaring Fyers pours his mossy floods; - Burns Fun in Florida 4 Till full he dashes on the rocky mounds, - Ulster-Scots Welcome New Cumnock 4 Where, thro’ a shapeless breach, his stream resounds. - Ellisland Wins National Lottery Support 5 As high in air the bursting torrents flow, - St Andrews Burns Club Special Night 5 As deep recoiling surges foam below, - Refurbishment at Robert Burns Centre 6 Prone down the rock the whitening sheet descends, - Thornhill and District Celebrate 6 And viewless Echo’s ear, astonish’d, rends. -
Your Guide to the Classic Literature CD Version 4 Electronic Texts For
Your Guide to the Classic Literature CD Version 4 Electronic texts for use with Kurzweil 1000 and Kurzweil 3000. Your Guide to the Classic Literature CD Version 4. Copyright © 2003-2010 by Kurzweil Educational Systems, Inc. All rights reserved. Eleventh printing, January 2010. Kurzweil 1000 and Kurzweil 3000 are trademarks of Kurzweil Educational Systems, Inc., a Cambium Learning Technologies Company. All other trademarks used herein are the properties of their respective owners and are used for identification purposes only. Part Number: 125516 UPC: 634171255169 11 12 13 14 15 BNG 14 13 12 11 10 Printed in the United States of America. 25 Prime Park Way . Natick, MA 01760 . (781) 276-0600 2-0 Introduction Kurzweil Educational Systems is pleased to release the Classic Literature CD Version 4. The Classic Literature CD is a portable library of approximately 1,800 electronic texts, selected from public domain material available from Web sites such as www.gutenberg.net. You can easily access the CD’s contents from any of Kurzweil Educational Systems products: Kurzweil 1000™, Kurzweil 3000™ for the Apple® Macintosh® and Kurzweil 3000 for Microsoft® Windows®. Some examples of the CD’s contents are: Literary classics by Jane Austen, Geoffrey Chaucer, Joseph Conrad, Charles Dickens, Fyodor Dostoyevsky, Hermann Hesse, Henry James, William Shakespeare, George Bernard Shaw, Leo Tolstoy and Oscar Wilde. Children’s classics by L. Frank Baum, Brothers Grimm, Rudyard Kipling, Jack London, and Mark Twain. Classic texts from Aristotle and Plato. Scientific works such as Einstein’s “Relativity: The Special and General Theory.” Reference materials, including world factbooks, famous speeches, history resources, and United States law. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. The Literary Intervention in Architecture- The Making of Burns Cottage as a Writer’s House Te-Ju Chen MPhil – The University of Edinburgh – 2016 Declaration of Authorship By signing this declaration, I confirm that this thesis has been composed by me, the work is my own and has not been submitted for any other degree or professional qualification except as specified. The Author Te-Ju Chen i Abstract The concept of writers’ houses is a modern invention. Along with the growth of literacy popularity and the rise of modern writers, whose origins are no more of privileged class, their houses start to be pilgrimage destinations and places of interest. Most writers’ houses are protected for their connections with the writers rather than their architectural significance. -
Robert Burns's Satiric Poetry. Jane Bowling Kennerly Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1976 Robert Burns's Satiric Poetry. Jane Bowling Kennerly Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Kennerly, Jane Bowling, "Robert Burns's Satiric Poetry." (1976). LSU Historical Dissertations and Theses. 3026. https://digitalcommons.lsu.edu/gradschool_disstheses/3026 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image.