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Empty Cloud, the Autobiography of the Chinese Zen Master Xu
EMPTY CLOUD The Autobiography of the Chinese Zen Master XU YUN TRANSLATED BY CHARLES LUK Revised and Edited by Richard Hunn The Timeless Mind . Undated picture of Xu-yun. Empty Cloud 2 CONTENTS Contents .......................................................................................... 3 Acknowledgements ......................................................................... 4 Introduction .................................................................................... 5 CHAPTER ONE: Early Years ............................................................ 20 CHAPTER TWO: Pilgrimage to Mount Wu-Tai .............................. 35 CHAPTER THREE: The Journey West ............................................. 51 CHAPTER FOUR: Enlightenment and Atonement ......................... 63 CHAPTER FIVE: Interrupted Seclusion .......................................... 75 CHAPTER SIX: Taking the Tripitaka to Ji Zu Shan .......................... 94 CHAPTER SEVEN: Family News ................................................... 113 CHAPTER EIGHT: The Peacemaker .............................................. 122 CHAPTER NINE: The Jade Buddha ............................................... 130 CHAPTER TEN: Abbot At Yun-Xi and Gu-Shan............................. 146 CHAPTER ELEVEN: Nan-Hua Monastery ..................................... 161 CHAPTER TWELVE: Yun-Men Monastery .................................... 180 CHAPTER THIRTEEN: Two Discourses ......................................... 197 CHAPTER FOURTEEN: At the Yo Fo & Zhen Ru Monasteries -
Values in Heritage Management
Values in Heritage Management Values in Heritage Management Emerging Approaches and Research Directions Edited by Erica Avrami, Susan Macdonald, Randall Mason, and David Myers THE GETTY CONSERVATION INSTITUTE, LOS ANGELES The Getty Conservation Institute Timothy P. Whalen, John E. and Louise Bryson Director Jeanne Marie Teutonico, Associate Director, Programs The Getty Conservation Institute (GCI) works internationally to advance conservation practice in the visual arts—broadly interpreted to include objects, collections, architecture, and sites. The Institute serves the conservation community through scientific research, education and training, field projects, and the dissemination of information. In all its endeavors, the GCI creates and delivers knowledge that contributes to the conservation of the world’s cultural heritage. © 2019 J. Paul Getty Trust Library of Congress Cataloging-in-Publication Data Names: Values in heritage management (2017 : Getty Conservation Institute), author. | Avrami, Erica C., editor. | Getty Conservation Institute, The text of this work is licensed under a Creative issuing body, host institution, organizer. Commons Attribution-NonCommercial- Title: Values in heritage management : emerging NoDerivatives 4.0 International License. To view a approaches and research directions / edited by copy of this license, visit https://creativecommons Erica Avrami, Susan Macdonald, Randall .org/licenses/by-nc-nd/4.0/. All images are Mason, and David Myers. reproduced with the permission of the rights Description: Los Angeles, California : The Getty holders acknowledged in captions and are Conservation Institute, [2019] | Includes expressly excluded from the CC BY-NC-ND license bibliographical references. covering the rest of this publication. These images Identifiers: LCCN 2019011992 (print) | LCCN may not be reproduced, copied, transmitted, or 2019013650 (ebook) | ISBN 9781606066201 manipulated without consent from the owners, (epub) | ISBN 9781606066188 (pbk.) who reserve all rights. -
Guangxiao Temple (Guangzhou) and Its Multi Roles in the Development of Asia-Pacific Buddhism
Asian Culture and History; Vol. 8, No. 1; 2016 ISSN 1916-9655 E-ISSN 1916-9663 Published by Canadian Center of Science and Education Guangxiao Temple (Guangzhou) and its Multi Roles in the Development of Asia-Pacific Buddhism Xican Li1 1 School of Chinese Herbal Medicine, Guangzhou University of Chinese Medicine, Guangzhou, China Correspondence: Xican Li, School of Chinese Herbal Medicine, Guangzhou University of Chinese Medicine, Guangzhou Higher Education Mega Center, 510006, Guangzhou, China. Tel: 86-203-935-8076. E-mail: [email protected] Received: August 21, 2015 Accepted: August 31, 2015 Online Published: September 2, 2015 doi:10.5539/ach.v8n1p45 URL: http://dx.doi.org/10.5539/ach.v8n1p45 Abstract Guangxiao Temple is located in Guangzhou (a coastal city in Southern China), and has a long history. The present study conducted an onsite investigation of Guangxiao’s precious Buddhist relics, and combined this with a textual analysis of Annals of Guangxiao Temple, to discuss its history and multi-roles in Asia-Pacific Buddhism. It is argued that Guangxiao’s 1,700-year history can be seen as a microcosm of Chinese Buddhist history. As the special geographical position, Guangxiao Temple often acted as a stopover point for Asian missionary monks in the past. It also played a central role in propagating various elements of Buddhism, including precepts school, Chan (Zen), esoteric (Shingon) Buddhism, and Pure Land. Particulary, Huineng, the sixth Chinese patriarch of Chan Buddhism, made his first public Chan lecture and was tonsured in Guangxiao Temple; Esoteric Buddhist master Amoghavajra’s first teaching of esoteric Buddhism is thought to have been in Guangxiao Temple. -
Tracking B Odhidharma
/.0. !.1.22 placing Zen Buddhism within the country’s political landscape, Ferguson presents the Praise for Zen’s Chinese Heritage religion as a counterpoint to other Buddhist sects, a catalyst for some of the most revolu- “ A monumental achievement. This will be central to the reference library B)"34"35%65 , known as the “First Ances- tionary moments in China’s history, and as of Zen students for our generation, and probably for some time after.” tor” of Zen (Chan) brought Zen Buddhism the ancient spiritual core of a country that is —R)9$%: A4:;$! Bodhidharma Tracking from South Asia to China around the year every day becoming more an emblem of the 722 CE, changing the country forever. His modern era. “An indispensable reference. Ferguson has given us an impeccable legendary life lies at the source of China and and very readable translation.”—J)3! D54") L))%4 East Asian’s cultural stream, underpinning the region’s history, legend, and folklore. “Clear and deep, Zen’s Chinese Heritage enriches our understanding Ferguson argues that Bodhidharma’s Zen of Buddhism and Zen.”—J)5! H5<4=5> was more than an important component of China’s cultural “essence,” and that his famous religious movement had immense Excerpt from political importance as well. In Tracking Tracking Bodhidharma Bodhidharma, the author uncovers Bodhi- t r a c k i n g dharma’s ancient trail, recreating it from The local Difang Zhi (historical physical and textual evidence. This nearly records) state that Bodhidharma forgotten path leads Ferguson through established True Victory Temple China’s ancient heart, exposing spiritual here in Tianchang. -
Examining the Shaolin Fighting Lineage: History and Function of the East Asian Martial Arts Tradition
Examining the Shaolin Fighting Lineage: History and Function of the East Asian Martial Arts Tradition Introduction Fighting, and the fighting arts, have been practiced and explored by people in every part of the world, and the history of these martial styles is extensive. Various cultures develop different fighting styles, most of which come about for purposes which are purely practical. When looking at the fighting traditions originating in East Asia, it is clear that the overwhelming emphasis within these fighting styles was placed on practicality and application in real-world situations. However, at some point in China’s history, after the introduction of Buddhism around the 3rd century CE, a fighting style developed in the rural area around modern day Deng Feng city in Henan Province. Here, at the legendary Shaolin Temple, Buddhist monks developed a fighting style that was markedly different from other styles circulating at the time. While undeniably practical and applicable to real world situations, this fighting style also operated as a means of holistic exercise intended to give the monks a well- trained mind and body in preparation for seated meditation. Through the centuries, the martial arts practiced at Shaolin became increasingly more famous, and tales of the monks’ exploits spread throughout China. Ultimately the monks at Shaolin gained legendary status, and the stories associated with their Gongfu practice slowly 1 began to include elements of the supernatural, emphasizing both the monks’ martial prowess and their commitment to Buddhism. Tales began to circulate of unbeatable styles, or of unbeatable martial artists, who were able to become nearly invincible through their deep understanding of these mysterious practices. -
Advaita Vedanta and Zen Buddhism : Deconstructive Modes of Spiritual Inquiry / Leesa S
Advaita Vedānta and Zen Buddhism This page intentionally left blank Advaita Vedānta and Zen Buddhism Deconstructive Modes of Spiritual Inquiry Leesa S. Davis Continuum International Publishing Group The Tower Building 80 Maiden Lane 11 York Road Suite 704 London SE1 7NX New York NY 10038 www.continuumbooks.com © Leesa S. Davis 2010 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-0-8264-2068-8 Library of Congress Cataloging-in-Publication Data Davis, Leesa S. Advaita Vedanta and Zen Buddhism : deconstructive modes of spiritual inquiry / Leesa S. Davis. p. cm. ISBN-13: 978-0-8264-2068-8 (HB) ISBN-10: 0-8264-2068-0 (HB) 1. Advaita. 2. Vedanta. 3. Zen Buddhism. 4. Deconstruction. I. Title. B132.A3D38 2010 181'.482--dc22 2009043205 Typeset by Free Range Book Design & Production Limited Printed and bound in Great Britain by the MPG Books Group In Memoriam Patricia Mary Davis 1930–1987 This page intentionally left blank Contents Acknowledgements ix Abbreviations xi Introduction: Experiential Deconstructive Inquiry xiii Part One: Foundational Philosophies and Spiritual Methods 1. Non-duality in Advaita Vedānta and Zen Buddhism 3 Ontological differences and non-duality 3 Meditative inquiry, questioning, and dialoguing as a means to spiritual insight 8 The ‘undoing’ or deconstruction of dualistic conceptions 12 2. -
University of Groningen the Other Neng Kuiken, Cornelis
University of Groningen The other Neng Kuiken, Cornelis Jan IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2002 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Kuiken, C. J. (2002). The other Neng: Topography and hagiography of the Sixth Ancestor. [S.n.]. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 07-10-2021 The Other Neng 曹溪異祖 Dr. Kees Kuiken 荷蘭 高艮 博士 RIJKSUNIVERSITEIT GRONINGEN The Other Neng Topography and Hagiography of the Sixth Ancestor Proefschrift ter verkrijging van het doctoraat in de Godgeleerdheid en Godsdienstwetenschap aan de Rijksuniversiteit Groningen op gezag van de Rector Magnificus, dr. -
Six Banyan Temple
Six Banyan Temple [Introduction]- [The Hall of Heavenly Kings]-[The Six Banyan Pagoda]- [The Sakyamuni Hall]-[The Six Patriarch Hall] [Introduction] The Six Banyan Temple in Guangzhou is a 1400-year-old Buddhist monastery, dating from 537AD during China’s Southern and Northern Dynasties Period, when Buddhism in China was in its prime. Emperor Wu of the Liang Dynasty in South China was the most zealous devotee of Buddhism among all the emperors throughout the history of China. At that time, a Buddhist priest called Tanyu, who was a maternal uncle of Emperor Wu, was planning to bring the Buddhist relic they got in Cambodia to Guangzhou from Nanjing. To await the arrival of this Buddhist relic, the then governor of Guangzhou, Xiao Yu by name, specially had this temple built. The original structure of the temple was destroyed by fire in the middle of the 10th century during the early years of the Northern Song Dynasty. The existing temple was built in 989 and the pagoda was reconstructed in 1197. This temple has got different names. In 1100, when Su Dongpo, a celebrated writer and calligrapher of the Northern Song Dynasty, came to visit the temple and was asked to leave a piece of his calligraphy in the temple, he wrote down two Chinese characters "Liu Rong", meaning "Six Banyan" in English, because he was deeply impressed by the six banyan trees then growing in the temple. Since then the temple has been commonly known as the Six Banyan Temple and the pagoda, the Six Banyan Pagoda. Now the facsimiles of these two characters can still be seen engraved on the stone tablet in a corridor and on the slab over the lintel of the front door. -
The Other Neng
RIJKSUNIVERSITEIT GRONINGEN The Other Neng Topography and Hagiography of the Sixth Ancestor Proefschrift ter verkrijging van het doctoraat in de Godgeleerdheid en Godsdienstwetenschap aan de Rijksuniversiteit Groningen op gezag van de Rector Magnificus, dr. D.F.J. Bosscher, in het openbaar te verdedigen op donderdag 21 februari 2002 om 16.00 uur door Cornelis Jan Kuiken geboren op 11 oktober 1954 te Leeuwarden PROMOTORES: Prof. dr. J.N. Bremmer Prof. T.H. Barrett Ph.D. BEOORDELINGSCOMMISSIE: Prof. dr. H.T. Bakker Prof. dr. B.J. ter Haar Prof. dr. R.T. Segers ISBN: 90-71809-59-5 Prelude and Refuge 'If you want fiction, you must write the truth.' John Irving * 'VT QVASI EIVS CORPORALEM PRESENCIAM DEMONSTRARENT' Bertrand du Guesclin, Chronicle of St Denis (A.D. 1389), quoted in Carlo Ginzburg, Occhiacchi di legno * 'What matters? Stones or ideas?' David Hare, Via Dolorosa This study is titled 'The Other Neng' because it is not primarily concerned with the familiar hagiography of the Sixth Ancestor in the Chan or Zen patrilineage as it has taken shape in the Chinese tradition and as it has been appreciated by Japanese, Korean and western scholars of Buddhism. This study is even less concerned with the appraisal of the doctrinary innovations ascribed by these traditions to a supposedly illiterate saint whose 'trueeffigy'isstillveneratedinan outlying monastery in China's deep south, a site appropriatelyknownas'SouthChinaAbbey'. The problem investigated here is the cult of the praesentia realis of the late eighth-century holy man Huineng ofShaozhouinthelocalcontextofthatabbeywhichhas flourished as a 'Sixth Ancestor Theme Park' on the shore of Cao's Brook, some 30 kilometerssouthofthecityofShaoguan.Inepistemologicalterms,the praesentia realis of a saint at a pilgrimage site is a fiction. -
Buddhist Missionaries in the Era of Globalization
Tseng 2004.9.24 07:22 7146 Learman / BUDDHIST MISSIONARIES IN THE ERA OF GLOBALIZATION / sheet 1 of 256 Buddhist Missionaries in the Era of Globalization 256 IN THE ERA OF GLOBALIZATION / sheet 2 of 7146 Learman / BUDDHIST MISSIONARIES Topics in Contemporary Buddhism GEORGE J. TANABE, JR., EDITOR Establishing a Pure Land on Earth: The Foguang Buddhist Perspective on Modernization and Globalization STUART CHANDLER Buddhist Missionaries in the Era of Globalization LINDA LEARMAN, EDITOR Tseng 2004.9.24 07:22 256 TOPICS IN CONTEMPORARY BUDDHISM IN THE ERA OF GLOBALIZATION / sheet 3 of Buddhist Missionaries in the Era of Globalization EDITED BY LINDA LEARMAN 7146 Learman / BUDDHIST MISSIONARIES University of Hawai‘i Press Honolulu Tseng 2004.9.24 07:22 256 IN THE ERA OF GLOBALIZATION / sheet 4 of © 2005 University of Hawai‘i Press All rights reserved Printed in 100908070605654321 7146 Learman / BUDDHIST MISSIONARIES Library of Congress Cataloging-in- Publication Data Buddhist missionaries in the era of globalization / edited by Linda Learman. p. cm. — (Topics in contemporary buddhism) Includes bibliographical references and index. ISBN 0-8248-2810-0 (hardcover : alk. paper) 1. Globalization—Religious aspects—Buddhism. 2. Buddhism—Missions—History—20th century. 3. Buddhist missionaries. I. Learman, Linda, 1950– II. Series. BQ5925.B83 2005 294.3'72—dc22 2004006309 University of Hawai‘i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources Designed by Elsa Carl Printed by The Maple-Vail Book Manufacturing Group Tseng 2004.9.24 07:22 256 Contents IN THE ERA OF GLOBALIZATION / sheet 5 of Series Editor’s Preface George J. -
Obaku's Shofukuji-Temple
View metadata, citation and similar papers at core.ac.uk brought to you by CORE Obaku’s Shofukuji-temple: Some notes on an overlooked treasure of Nagasaki 著者 MARRA Claudia journal or The Journal of Nagasaki University of Foreign publication title Studies number 16 page range 203-218 year 2012-12-30 URL http://id.nii.ac.jp/1165/00000107/ Creative Commons : 表示 - 非営利 - 改変禁止 http://creativecommons.org/licenses/by-nc-nd/3.0/deed.ja 長崎外大論叢 第16号 Ōbaku’s Shōfukuji-temple Some notes on an overlooked treasure of Nagasaki Claudia MARRA Abstract Conveniently located about half way between Nagasaki JR station and the Museum of History and Culture, Shōfukuji should have no trouble attracting visitors, but unfortunately this architectural gem is widely overlooked, and not only by foreign tourists. The temple, which belongs to the Ōbaku-school of Zen Buddhism, was founded in 1677, sometime after the three other lucky temples which also later joint the Ōbaku-school. The three are: Kōfukuji, Fukusaiji and Sōfukuji1. But, while these temples appear in most tourist guidebooks, Shōfukuji, inspite of being listed as “Nagasaki Prefectural Designated Cultural Asset”, is hardly mentioned and the lacking or awkwardly put guideposts don’t help either. At least in the case of foreign visitors, this might be due to a pitiful lack of information about the history and significance of the temple and its founder Tesshin Dōhan. Trying to fill a bit of that information gap, I started research for this paper, but found many questions unanswered. Hopefully future studies will help to improve this situation and this paper inspires not only more research, but also more people to visit and support the preservation of that beautiful temple. -
Harmony and Compassion Conference Program
US-CHINA MUSIC INSTITUTE OF THE BARD COLLEGE CONSERVATORY OF MUSIC PRESENTS AN ONLINE CONFERENCE AND PERFORMANCE SERIES HARMONY AND COMPASSION MUSIC IN BUDDHIST RITUAL HARMONYTHURSDAY, AND COMPASSION APRIL 8 TO SATURDAY,1 APRILMUSIC 10, IN BUDDHIST 2021 RITUAL US-CHINA MUSIC INSTITUTE BARD COLLEGE CONSERVATORY OF MUSIC HARMONY AND COMPASSION Music in Buddhist Ritual Buddhism is a philosophy of life that aims to liberate living beings from suffering. Because of that, compassion is at the core of Buddhist teaching. Music plays an integral role in the practice of Buddhism, and has been said to “adorn the places where the Buddha preaches.” In difficult times, music can be especially powerful as a source of solace – and none more so than the music created to fulfill this special role in Buddhist practice. In the three days of the Harmony and Compassion conference, we hear from scholars, educators, composers, lamas, monks, and musicians. We will learn about the origins of Buddhist poetics, song, chant, and other forms. We will hear ceremonial music from temples in the regions of Northern China, Southern China, Taiwan, and Tibet, as well as Bhutan, and North America. We will hear chanting in solitude and in small groups, and instrumental music as large as a symphony orchestra in a concert hall, or as intimate as a duet for guqin and bamboo flute. The conference will close with a special music-filled event from the Kingdom of Bhutan, a message of healing from one of the happiest nations on earth. The US-China Music Institute was founded with the hope that our work would be able to bring people together through music.