Virabhadrasana

Total Page:16

File Type:pdf, Size:1020Kb

Virabhadrasana VIRABHADRASANA Introduction In Sanskrit " Vira" means Hero and " Bhadra" means Great. So Virabhadra means that the Warrior was the greatest , fierce warrior ever known in history. Lord Shiva was married to an amazing woman named Sati, The unfortunate part is that her father didn't approve of her being married to Shiva. Daksha, Sati's father made sure that Shiva was excluded from family events. This upset Sati very much, so she decided to throw herself into the Ceremonial fire. All About Virabhadra Grief was taking over Shiva , he did not realize how much her father's insults were hurting Sati constantly . He loved Sati so much, it just broke his heart that he would treat her like that. Out of Anger and sorrow, Shiva tore out one of his dreadlocks and threw it to the ground, Where he threw it down the earth literally opened up, and up came Virabhadra and Kali were born. Virabhadra was muscular, tall, fierce looking, his body was the color of stormy clouds. Virabhadra had three burning eyes, and hair that was on fire. He had a garland of skulls around his neck, and carried scary looking weapons. Virabhadra was the manifestation of Shiva's Grief and Anger. The warrior raised his arms up to Shiva and then bowed to him at his service, Virabhadra took warrior 1 while Shiva looked at him , Shiva said to lead the army against Sati's father and destroy him and all that is with him. So off the Warrior went with his huge sword and scary weapons, when he arrived at the family get together . Virabhadra began to behead Shiva's enemies, the battle continued until he found Daksha , this was the final act of violence, with no hesitation he cut off Daksha's head. The deeper meaning to the story , the Warrior Shiva creates is just a warrior but like Shiva, His real ego is the ego, The symbolism of him cutting the head off Daksha , is him cutting off the head of the ego.And Virabhadra is there to remind us all to be humble. So as you are doing this difficult posture, remember the story and it is called Warrior 1 for a reason. Tap into the inner warrior and conquer your ego and remember to always be humble in all situations, throughout your life. Benefits of Virabhadrasana The Physical Aspects : Warrior one gives a wonderful strengthening to the Hamstrings, Quads, Glutes, feet and that power that comes from the body and from the center of your being. Opens the chest as you lengthen from the hips to the fingertips, which improves respiration. The Emotional Aspects : Warrior 1 opens the heart which creates confidence and bravery within yourself. Just holding the Posture will give you a strong Warrior feeling that will make you feel like taking on the world. Also helping you become vulnerable by opening your chest and heart leaving you open to the world and others. The Mental Aspects : The Posture helps keep gaze or Drishti upward which builds concentration and strong focus , The posture is grounding which helps you always know you are grounded in space and time which helps you feel secure in the mind. .
Recommended publications
  • Externally Rotated Standing Poses D2
    Practice: Externally Rotated Standing Poses D2 Length of Lesson ● 90-120 min Materials ● Mats ● Props (blocks) ● Wall Learning Objectives ● To instruct and clarify the Universal Actions in externally rotated standing poses ● To clearly differentiate standing poses that are neutral in the hip versus poses that are externally rotated in the hip ● To teach the dual actions in an externally rotated pose ● Students will understand that the standing thigh is the thigh that is externally rotated in ardha chandrasana Assessment ● Through participation Practice Notes ● Peak: Ardha Chandrasana ● Emphasize the difference between poses that are working towards neutral the hip and poses that are working one of the legs in external rotation. ● Have students deeply work external rotation in each of these poses. ● Each externally rotated pose should reinforce the external action of the front hip. ● In each pose, teach the Universal Actions - particularly the Universal Paired Actions - in order to help students recognize them in a variety of positions. ● Reinforce the Diagonal Paired Actions in the externally rotated poses. Universal Simple Actions ● Root through the four corners of your feet ● Lengthen through the four sides of your waist ● Lengthen through the crown of your head ● Engage your core ● Spread your chest ● Soften your face © Rachel Scott 2018 1 ● Breath cueing Universal Paired Actions Feet ● Lift your inner arches up ● Hug your outer ankles in Pelvis ● Press the top of your thighs back (creates anterior pelvic tilt) ● Lengthen your sitting
    [Show full text]
  • Wrist Injuries Proper Alignment of the Hands and Balanced Muscle Tone in the Forearms Can Protect Vulnerable Wrists
    { asana solutions } Healing (and Preventing)Wrist Injuries Proper alignment of the hands and balanced muscle tone in the forearms can protect vulnerable wrists. By doug keller Few things put the brakes on a yoga practice like a wrist injury. And though it may seem like the injury is the result of your practice, the cause actually lies in the imbalanced way we use our wrists in daily life. Once we become aware of these imbalances, asana practice can become a powerful tool for correcting them. The health of our wrists depends upon such as virabhadrasana II (warrior 2), the strength and tone of the muscles we aim to keep the arms lifted and on the tops and bottoms of our fore- extended, thus opening the chest. No arms, as well as upon how thought- weight is placed on the hands, but fully we bear weight on our hands and holding the arms up makes the tops of wrists. Although damaging muscular the forearms and the shoulders, and r tension comes from repetitive use, even the sides of the neck, work all the e l l e wrist injuries themselves are usually harder. This effort shows itself in the K g u o caused by the way we put weight upon fingers, which often bend upward in an D : s n our hands. attempt to stretch fully, hardening the o i t a r t The top of the forearm—from the forearms where they are already chron- s u l l I back of the hand through the upper ically tense.
    [Show full text]
  • Virabhadrasana-1.Pdf
    VīrabhadrāsanaBy Arti IH. Mehta Guruji tells us time and again that while performing any āsana, observe what you are doing, observe what is happening - unknowingly. He always tells us to reflect on our actions. Most often than not, we are satisfied with doing the pose but we have to learn to do the āsana - wherein there is complete engrossment - i.e. a meditative state. Guruji does not use the word “meditation” but he has made us go into that state in whatev- er āsana we are doing in his presence. However, we are unable to achieve the same during our own practices. Guruji’s knowledge about the human body and mind is unimaginable. Without looking at the student, he can rightly state what exactly we are do- ing or not doing in any āsana. In this article, we have compiled how the mind and attention wanders and the common errors that we tend to make while doing Vīrabhadrāsana I, and, how to adjust ourselves to attain perfection in this āsana. This article has to be read in conjunction withLight on Yoga and Yoga in Action. Guruji says, “Vīrabhadrāsana I is the first step for all backbends. I f you do not know how to do Vīrabhadrāsana I correctly then you will never learn backbends in totality – even if you are doing them. But if you capture the total movement of Vīrabhadrāsana I, observing part by part, then you can transmit those adjustments from Vīrabhadrāsana I to the backbends. Iyengar Yoga News, Issue number 34, Spring 2019 iyengaryoga.org.uk Going into Vīrabhadrāsana I root of the tongue is your enemy as it goes into the C Spread the feet apart and turn the right leg out- throat and closes the windpipe making breathing wards and the left leg in.
    [Show full text]
  • Posture Flow from Artha Yoga Classes
    Posture flow from Artha Yoga Classes Warm up with Sun Salutations Or Table warm up sequence. Vinyasa Flow 1st sequence Incorporate breathing during the poses and as you move. Inhale as you expand, exhale as you contract or fold. Work within your own limits for each pose. From five pointed star pose Virabhadrasana I-Warrior 1 pose, right foot forward Arch back with left hand on back of left leg; right arm is up and arching overhead. Bring both arms parallel to floor, moving into Vrabhardrasana II - Warrior 2 pose with right foot forward, you may need to move left leg back slightly and bring left foot to a 30-degree angle. Move into Parsvottanasana - Extended Sideways Angle pose Straighten forward leg, move into Trikonasana - Triangle pose. Move into Five Pointed Star pose and repeat entire sequence on the other side. Vinyasa Flow 2nd sequence From five pointed star pose Virabhadrasana I-Warrior 1 pose, right foot forward. Straighten leg, bring arms behind and move into Parsvottanasana - Pyramid pose Virabhadrasana I-Warrior 1 pose. Virabhadrasan III - Warrior 3 pose Arch back with left hand on back of left leg, right arm is up and arching over head. Bring both arms parallel to floor, moving into Virabhadrasana II-Warrior 2 pose with right foot forward, you may need to move left leg back slightly and bring left foot to a 30-degree angle. Move into Ardha Chandrasana - Balancing half moon pose. Move into Virabhadrasana II-Warrior 2 pose pose. Five pointed star and repeat on the other side. Rest on your mat with head to one side.
    [Show full text]
  • Skanda Purana 81.100, Vamana Purana 10.000, Kurma Purana 17.000, Matsya Purana 14.000, Garuda Purana 18.000, Brahmanda Purana 12.000
    Bildnisse von Skanda, wie Er heute dargestellt wird. Für Ihnen unbekannte Begriffe und Charaktere nutzen Sie bitte mein Nachschlagewerk www.indische-mythologie.de. Darin werden Sie auch auf detailliert erzählte Mythen im Zusammenhang mit dem jeweiligen Charakter hingewiesen. Aus dem Englischen mit freundlicher Genehmigung von Siva Prasad Tata. www.hindumythen.de Dakshas Feindseligkeit gegenüber Shiva Sati, die Tochter von Daksha, heiratete Shiva. Daksha vollzog eine groß angelegte Opferzeremonie, zu der er alle wichtigen Persönlichkeiten einlud, doch seinen Schwiegersohn vergaß er. Als Sati davon hörte bat sie Shiva um Erlaubnis, teilzunehmen, ungern stimmte Er zu und schickte Seine Himmlischen Heerscharen zum Schutze Satis mit. Sati springt ins Opferfeuer Als Sati den Opferplatz erreichte sah sie wer alles eingeladen war, Götter, Weise und Asketen. Sie wurde sehr traurig darüber, dass ihr Vater ihren Gatten nicht eingeladen hatte. In Rage geriet sie, als sie feststellen musste, dass für Shiva auch kein Anteil des Opfers vorgesehen war, während andere Götter reich bedacht wurden. Als Daksha Sati bemerkte erklärte er ihr, warum er Shiva nicht eingeladen hatte: ‚Er ist die Verkörperung des Übels, der Herr der Geister, Kobolde und niederen Kräfte.’ Diese Demütigung ihres Gatten vor versammelter Gesellschaft erzürnte Sati dermaßen, dass sie sich entschloss ihrem Leben ein Ende zu setzen, sie sprang in das Opferfeuer. Alle waren starr vor Entsetzen. Als Shiva davon erfuhr schnitt Er sich ein paar Haare ab und schlug damit gegen einen Berg, ein Donnerschlag erschallte und Virabhadra manifestierte sich im Bruchteil einer Sekunde. Shiva befahl Virabhadra, den Tod Satis zu rächen. Mit einer gewaltigen Armee von Sturmgöttern macht er sich auf den Weg zu Dakshas Opferplatz und griff die versammelten Teilnehmer an.
    [Show full text]
  • Ashtanga Yoga Primary Series
    Ashtanga Yoga Primary Series Sun Salutation A Samasthiti Urdhva Uttanasana Chaturanga Dandasana Urdhva Mukha Adho Mukha Uttanasana Urdhva Samasthiti Namashkar A B Savan asana Savan asana B A Namashkar asana asana Sun Salutation B Samasthiti Utkatasana Uttanasana Chaturanga Dandasana Urdhva Mukha Adho Mukha Virabhadrasana Chaturanga Dandasana A B Savan asana Savan asana A Urdhva Mukha Adho Mukha Uttanasana Uttanasana Utkatasana Samasthiti Savan asana Savan asana B A 1 Standing Sequence Padangusth Padahasth Uttihita Parivrtta Utthita Parivrtta asana asana Trikonasana Trikonasana Parsvakonasana Parsvakonasana Prasarita Padottanasana Parsvottanasana A B C D Utthita Hasta Pasangusthasana Ardha Baddha Utkatasana Virabhadrasana A B D Padmottan A B asana 2 Seated Sequence Dandasana Passchimottanasana Purvattanasana A B C Ardha Baddha Triang Mukha Ek Janu Sirsasana Padma Paschimottan Pada Paschimottan A B C asana asana Marichyasana Navasana Bhujapidasana A B C D 3 Kurmasana Supta Kurmasana Garbha Kukkutasana Pindasana Baddha Konasana Upavishta Konasana Supta Konasana A B C A B A B Supta Parsvasahita Ubhaya Urdhva Mukha Setu Bandhasana A B Padangusth Paschimattan asana asana 4 Finishing Sequence Urdhva Paschmattanasana Salamba Halasana Karnapidasana Dhanurasana Sarvangasana Urdhva Pindasana Mathsyasana Uttana Padasana Sirsasana Urdhva Padmasana Dansasana Baddha Yoga Mudra Padmasana Utpluthih Savasana Padmasana 5 Ashtanga Yoga Primary Series Samasthiti Urdhva Uttanasana Chaturanga Dandasana Urdhva Mukha Adho Mukha Uttanasana Urdhva Samasthiti Namash-
    [Show full text]
  • Saivism in Odisha
    October - 2013 Odisha Review Saivism in Odisha Dr. Gourishankar Tripathy Origin of Saivism traced back to the period of and Saivas during that period at the manner in Harappa and Mohenjodaro centered round with which a Buddhist monument was converted into Vedic civilization. In India it is one of the oldest a phallic emblem. A tradition seems to have been forms of religions. From very early times, it would found in Ekamra Purana where it has been have existed in ODISHA. As attested to by described the history of Bhubaneswar from the archaeological monuments, origin of Saivism in orthodox stand-point. There was a deadfall war the then Orissa can be traced back to 4th- which is said to have taken place between demons 5th century A.D. with its changing fortune in and Gods on the bank of the river Gandhabati. history. By the 4th-5th century A.D. Saivism This river is now known as Gang flowing in the became the dominant form of religion of Orissa close proximity of Bhubaneswar. In this war when both Jainism and Buddhism have receded demons were defeated and the Gods came back to the background. victorious with the help of Mahadev Siva. By a In the Bhaskareswar temple at traditional account, it is supported by archaeological evidence. If we conclude that the Bhubaneswar, it has been observed a huge Siva th Linga which was originally a part of Asokan Pillar 5 century A.D. was the period of conflict, we built before Christ. From the close proximity of shall not be far from truth that the Buddhism was defeated by Saivism.
    [Show full text]
  • Asana Families
    Asanas "True yoga starts with radical self-acceptance. You are fully present with what is, observing the self without judgment. When the body knows that the mind is kind, it will open and release."1 Richard Faulds Asanas, or poses, are the third limb of the eight limb path of yoga. The primary role of asanas is to prepare the body and mind to be able to sit for meditation for long periods of time. Asanas open energy channels and chakras, allowing prana to flow more freely. Asanas can develop strength, flexibility, restore energy and a sense of wellbeing and may provide some relief from painful conditions. Asanas can be grouped into families of related poses. Families of yoga poses are listed below, along with their potential benefits, contraindications and variations, and where you might place a particular type of pose in a sequence.2,3 The lists are not exhaustive. Contraindications are conditions or factors that may serve as a reason to be cautious when attempting a pose. For example, a person with a hip replacement is contraindicated for hip openers that may dislodge their prosthetic hip joint. Yoga outreach classes are generally taught in a group setting where there can be a wide range of fitness and health levels, ages and flexibility. It is best to advise students to take responsibility for their own wellbeing and to pay attention to their bodies. Sensation is welcome, not pain. You might encourage students to find variety in their own poses, considering what the heart of a pose might be and asking for advice if they get stuck.
    [Show full text]
  • Biomechanics of Yoga
    Biomechanics of Yoga Presented by: Chair Person: Mr. Suman Bista Dr. Hemant Bhargav JRF, DST Project Assistant Professor, Department of Integrative Medicine Department of Integrative Medicine NIMHANS, Bangalore, India NIMHANS, Bangalore, India Introduction • Biomechanics involves: • study of the structure, function, and motion of the mechanical aspects of biological systems. • study of the effects of internal and external forces on the human body is called biomechanics. • Mechanical principles applied to the study of biological functions is called biomechanics. • Bones, Joints, Muscles, Ligaments, Tendons, Nerves etc. play equally important role in biomechanics of human body. • The application of mechanical laws to human body while practicing yoga posture is called biomechanics of Yoga. Different types of joint Joint Movements Muscle • There are about 640 muscles in human body. • There are three types of muscle tissue: cardiac, smooth, and skeletal. • Skeletal muscles are attached to bones, allowing body to move. • Joints move because skeletal muscles contract and move them. • Skeletal muscle is responsible for the movement of joints in asana. Group Action of Muscles Agonists: Group of muscles which contract to provide the force required to produce the movement. Antagonists: These muscles oppose the action of agonists and relax progressively for permitting the movement. Synergists: These groups of muscles work with agonists to provide a suitable activity and facilitates the movements Fixators: These muscles stabilize the bones of origin
    [Show full text]
  • Ashtanga List of Primary Series Postures
    Ashtanga list of Primary Series postures Surya Namaskar A Surya Namaskar B STANDING POSTURES 1. Padangusthasana (big toe pose) Forward Folds 2. Pada Hastasana (hands under feet) 3. Trikonasana (triangle) 4. Parivritta Trikonasana (revolved triangle) 5. Utthita Parsvakonasana (extended side angle) The Pairs / Two sets of Twins 6. Parivritta Parsvakonasana (revolved side angle) 7. Prasarita Padottanasana (wide leg forward fold) 8. Parsvottonasana (side intense stretch) Folding again 9. Utthita Hasta Padangusthasana (extended hand to big toe) Front of mat 10. Ardha Baddha Padma Uttanasana (half bound lotus intense stretch) balancing postures 11. Utkatasana (fierce pose) Your first vinyasas before and after Fierce 12. Virabhadrasana I (warrior) Pose/Chair pose since the Sun Salutations... 13. Virabhadrasana II (warrior) SEATED POSTURES 14. Dandasana (staff pose) Upright, forward and backwards 15. Paschimottanasana (3 X west intense stretch) 16. Purvottanasana (east intense stretch) After Purvottanasana you enter a vinyasa storm! They are raining down on you. Jump 17. Ardha Baddha Padma Paschimottanasana backs and forwards are everywhere (half you look. bound lotus version of paschimottanasana) Forward fold and holding foot variations. 18. Trianga Mukaikapada Paschimottanasana Hip, Knee and Ankle Family : (1 leg folded back, forward fold) Flex at the hip, extend at the hip, externally rotate the hip, then internally rotate the hip... 19. Janu Sirsasana (head to knee pose) A, B & C then the Janus. Four postures with a pattern of folding and 20. Marichyasana A, B C & D twisting. Marichi = Son of Brahma Scaling the summit of the Primary series next and then coast towards Savasana 21. Navasana (boat) X5 Downward Facing Dog to boat.
    [Show full text]
  • Arunachala! Thou Dost Root out the Ego of Tho$E Who Meditate on Thee in the Heart Oh Arunachafaf 3» Oh Undefiled, Abide Thou in My Heart So That
    Arunachala! Thou dost root out the ego of tho$e who meditate on Thee in the heart Oh Arunachafaf 3» Oh Undefiled, abide Thou in my heart so that there may be everlasting (A QUARTERLY) joy, Arunachala ! " Arunachala ! Thou dost root out the ego of those who meditate on Thee in the heart, Oh Arunachala ! " — The Marital Garland —The Marital Garland of Letters, verse 1 of Letters, verse 52 Vol. 13 OCTOBER 1976 No. IV Publisher : CONTENTS Page T. N. Venkataraman, EDITORIAL: Yoga .... 203 President, Board of Trustees, Silence (Poem) — ' Nandi9 206 Sri Ramanasramam, Advaita and Worship — S. Sankaranarayanan 207 Tiruvannamalai. The Direct Sadhana— Dr. M. Sadasbiva Rao 211 Two Trading Songs (Poem) — 1 Kanji9 . 214 Person or Self ? — Norman Fraser . 215 Some Taoist Phrases — Murdoch Kirby . 216 Editorial Board: Sri Bhagavan and the Mother's Temple Sri Viswanatha Swami — Sadbu Arunachala . 218 Sri Ronald Rose The Vimalafiirti Nirdesa Sutra Prof. K. Swaminathan — Looking at Living Beings — Tr. Charles Luk . 219 Sri M. C. Subramanian The Right to Fight (A Japanese Story) Sri Ramamani Related by Tera Sasomote . 220 Sri T. P. Ramachandra Aiyer Love — (After Kabir) (Poem) — Colin Oliver 224 Non-attachment in the Small Things * — Marie B. Byles . 225 Managing Editor : " If Stones Could Speak ..." V. Ganesan, — Wei Wu Wei 227 Mother's Moksha — " A Devotee " . 228 Sri Ramanasramam, The English Mystic : Richard of St. Victor Tiruvannamalai. — Gladys Dehm . 230 The Joy of the Being (Poem)—Kavana . 231 Erase Face in Amazing Grace — Paul rePS 233 My Visit to Sri Ramanasramam — Sarada . 234 Annual Subscription : On Love (Poem) — Christmas Humphreys .
    [Show full text]
  • Sanskrit & Root Terms
    Sanskrit name English translation Adho Mukha Svanasana Downward facing dog Adho Mukha Vrkasana Handstand Agnistambhasana Firelog Akarna Dhanurasana Archerʼs pose Anahatasana Heart opening pose Anjaneyasana Lunge Anantasana Couch pose Apanasana Knees to chest pose Ardha Baddha Padma Paschimottanasana Seated bound half lotus forward bend Ardha Baddha Padmottasana Standing bound half lotus forwardbend Ardha Chandrasana Half moon pose Ardha Matsyendrasana I Spinal Twist I Ardha Matsyendrasana II Spinal Twist II Ardha Dhanurasana Half Bow Astavakrasana Eight bend pose Baddha Konasana Bound angle pose Bakasana Crane pose, Crow pose Balasana Childʼs pose Bhekasana Frog pose Bhujangasana Cobra Bhujapidasana Shoulder pressing pose Bidalasana Cat pose Chatturanga dandasana Four Limbs stick/Staff pose Dandasana Staff/Stick pose Dhanurasana Bow pose Dwi Pada Sirsasana Two feet behind the head pose Dwi Pada Viparita Dandasana Two feet inverted staff pose Eka Hasta Bhujasana One handed arm pressure pose Eka Pada Bakasana One leg crane pose Eka Pada Rajakapotasana King Pigeon pose Eka Pada Sirsasana One foot behind the head pose Eka Pada Viparita Dandasana One foot inverted staff pose Galavasana -------------------------- Garbha Pindasana Embryo in the womb pose Garudasana Eagle pose 187 Sanskrit name English translation Gomukhasana Cow face pose Goraksasana Cowherd pose Halasana Plow pose Hanumanasana Split Janu Sirsasana Head to knee pose Kapotasana Pigeon Krauncasana Heron pose Kukkutasana Cock/rooster pose Kurmasana Tortoise pose Lolasana Swinging
    [Show full text]