ABSTRACT Rhetoric and Philosophy: Cicero's Model for Moral Education
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The Ramist Style of John Udall: Audience and Pictorial Logic in Puritan Sermon and Controversy
Oral Tradition, 2/1 (1987): 188-213 The Ramist Style of John Udall: Audience and Pictorial Logic in Puritan Sermon and Controversy John G. Rechtien With Wilbur Samuel Howell’s Logic and Rhetoric in England, 1500-1700 (1956), Walter J. Ong’s Ramus, Method, and the Decay of Dialogue (1958) helped establish the common contemporary view that Ramism impoverished logic and rhetoric as arts of communication.1 For example, scholars agree that Ramism neglected audience accomodation; denied truth as an object of rhetoric by reserving it to logic; rejected persuasion about probabilities; and relegated rhetoric to ornamentation.2 Like Richard Hooker in Of the Laws of Ecclesiastical Polity (I.vi.4), these scholars criticize Ramist logic as simplistic. Their objections identify the consequences of Ramus’ visual analogy of logic and rhetoric to “surfaces,” which are “apprehended by sight” and divorced from “voice and hearing” (Ong 1958:280). As a result of his analogy of knowledge and communication to vision rather than to sound, Ramus left rhetoric only two of its fi ve parts, ornamentation (fi gures of speech and tropes) and delivery (voice and gesture). He stripped three parts (inventio, dispositio, and memory) from rhetoric. Traditionally shared by logic and rhetoric, the recovery and derivation of ideas (inventio) and their organization (dispositio) were now reserved to logic. Finally, Ramus’ method of organizing according to dichotomies substituted “mental space” for memory (Ong 1958:280). In the context of this new logic and the rhetoric dependent on it, a statement was not recognized as a part of a conversation, but appeared to stand alone as a speech event fi xed in space. -
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin Text, Study Aids with Vocabulary, and Commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119 Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary Ingo Gildenhard https://www.openbookpublishers.com © 2018 Ingo Gildenhard The text of this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author(s), but not in any way that suggests that they endorse you or your use of the work. Attribution should include the following information: Ingo Gildenhard, Cicero, Philippic 2, 44–50, 78–92, 100–119. Latin Text, Study Aids with Vocabulary, and Commentary. Cambridge, UK: Open Book Publishers, 2018. https://doi. org/10.11647/OBP.0156 Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/845#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. -
Karen Moore Gaylan Dubose with Steven L. Jones
Karen Moore Gaylan DuBose with Steven L. Jones Latin Alive!Latin Reader: Alive! LatinReader: Literature Latin Literature from Cicero from to Cicero Newton to Teacher’sNewton Edition © Classical Academic Press, 2014 Version 1.0 ISBN: 978-1-60051-200-1978-1-60051-201-8 All rights reserved. This publication may not be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior written permission of Classical Academic Press. Classical Academic Press 2151 Market Street Camp Hill, PA 17011 www.ClassicalAcademicPress.com Scripture labeled “Vulgate” is taken from the Latin Vulgate. Subject Editor: Edward J. Kotynski Project Editor: Lauraine E. Gustafson Design: Lauraine E. Gustafson Banner image courtesy of Vector4Free/vecteezy.com Puzzle piece image courtesy of Vecto2000.com team/vecteezy.com pp. 76, 78: Image of Arria et Paetus sculpture by Pierre Lepautre and Jean-Baptiste Théodon courtesy of Neuceu via wikipedia.org pp. 79, 82: Image of Saint Catherine’s Monastery, Sinai, Egypt, courtesy of Berthold Werner via wikipedia.org p. 153: Image of Cambridge University Library courtesy of McAnt via wikipedia.org p. 161: Image of mosaic of a child playing with hoops courtesy of Prioryman via wikipedia.org p. 161: Image of Girl with a Hoop by Pierre-Auguste Renoir courtesy of AgnosticPreachersKid via wikipedia.org MVP.06.14 The excellent teacher will love students, kindle their imaginations, and instill a love of learning. Such a teacher, wrote Henry Adams, “affects eternity; he can never tell where his influence stops.” I have been blessed to have three such teachers in my life. -
Idealizing Humanitas in Cicero's De Oratore, Or, Why Herbert O. Morrison
Idealizing Humanitas in Cicero’s De oratore, or, why Herbert O. Morrison was wrong Taylor Putnam, 2016 Political Theory Research Workshop University of Toronto Working paper - please do not cite or circulate This paper draws primarily from material I intend to use in the introduction and first chapter of my dissertation, the latter of which will provide a more extensive account of Ciceronian humanitas against the backdrop of the waning Roman Republic. The larger dissertation project focuses on the concept of humanitas in the broader Roman context – traced through Cicero, Seneca the Younger, Tacitus, and Augustine - as a means to confront and challenge the modern understanding of “Humanity.” I greatly appreciate any and all feedback people are willing to share. Oh, my, get out of the way, please! It's burning and bursting into flames, and the - and it's falling on the mooring-mast and all the folks agree that this is terrible, this is one of the worst catastrophes in the world. […] It's–it's–it's the flames, […] oh, four- or five-hundred feet into the sky and it ... it's a terrific crash, ladies and gentlemen. It's smoke, and it's flames now ... and the frame is crashing to the ground, not quite to the mooring-mast. Oh, the humanity and all the passengers screaming around here. I told you, I can't even talk to people whose friends are on there. Ah! It's–it's–it's–it's ... o–ohhh! I–I can't talk, ladies and gentlemen. Honest, it's just laying there, a mass of smoking wreckage. -
Performance and Rhetoric in Cicero's Philippics * in Recent Years, the Idea Of
Performance and Rhetoric in Cicero's Philippics * In recent years, the idea of 'performance' has become a more and more important concept for the analysis of literary texts, even if the notion of 'performance' in literary criticism still does not denote a single agreed theory, but is a collective term referring to a number of different aspects and methods. The performance approach seems obvious for some literary genres, like drama and also oratory, for which performance is an essential char acteristic. In the case of orations, in antiquity already a detailed doctrine of the perfect performance was established, both in theory and practice. Building on this knowledge and trying to recover the quintessential context of a speech, people have successfully attempted to explore a Roman orator's potential and to contexrualize Roman orations by reconstructing the delivery of sample speeches.' However, there are further levels of performance to be looked at in a Roman speech if the term 'performance' is understood in a more specific way: there is not only the actio that determines the performance of a complete speech; the texts of transmitted speeches also exhibit passages where the wording shows that the orator bases his argument on the performance situation, particularly by making use of the active participation of the audience. Reactions from the audience are deliberately elicited by the orator, for instance by taking on certain roles; these techniques stem from his rhetorical training (for example, ethopoiia); however, considering and commenting on these reactions subsequently yield a performative dialogue with the audience, mirrored in the text. That opens up the opportunity to reconstruct a performance situation which goes beyond identifying how rhetorical techniques have been realized by the orator. -
Jon Garthoff
Jon Garthoff University of Tennessee Email: [email protected] Department of Philosophy Mobile: 773.236.6206 801 McClung Tower 555 W. Jackson Ave. #602 Knoxville TN 37996 USA Knoxville TN 37902 USA Employment Assistant Professor, University of Tennessee Department of Philosophy, August 2011- present. Director of Graduate Studies, August 2013-present. Assistant Professor, Northwestern University Department of Philosophy, September 2005-August 2011. Visiting Assistant Professor, University of Chicago Department of Philosophy, September 2007-December 2007. Postdoctoral Fellow, Judd and Marjorie Weinberg College of Arts and Sciences, Northwestern University, August 2004-August 2005. Education Ph.D. in Philosophy, University of California at Los Angeles, December 2004. Dissertation – The Embodiment of Morality. Committee: Prof. Barbara Herman (co-director), Prof. Seana Shiffrin (co-director), Prof. Calvin Normore (member), and Prof. Stephen Gardbaum (member). Proposition – Harms Without States: A Defense of the Possibility of Posthumous Harm. Committee: Prof. Seana Shiffrin (adviser) and Prof. Barbara Herman (second reader). A.B. in Philosophy summa cum laude, Princeton University, June 1997. Senior Thesis – Resisting Skepticism About Meaning. Committee: Prof. Scott Soames (adviser) and Prof. John Burgess (second reader). Areas of Expertise Principal Areas of Specialization: Ethical Theory, Political Philosophy, History of Ethical Theory and Political Philosophy. Further Areas of Research/Graduate Teaching Competences: Philosophy of Law, Philosophy of Mind, Metaethics. Undergraduate Teaching Competences: Epistemology, History of Philosophy, Applied Ethics. Current Research ‘Animal Punishment’, under review. ‘Decomposing Legal Personhood’, under review. ‘Worldview Adoption as a Special Psychology’, under review. Curriculum Vitae – Jon Garthoff – April 2016 Publications Essays ‘Against the Construction of Ethical Standing’. Forthcoming in Kant on Animals, Eds. -
A Study of Musical Rhetoric in JS Bach's Organ Fugues
A Study of Musical Rhetoric in J. S. Bach’s Organ Fugues BWV 546, 552.2, 577, and 582 A document submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Keyboard Division of the College-Conservatory of Music March 2015 by Wei-Chun Liao BFA, National Taiwan Normal University, 1999 MA, Teachers College, Columbia University, 2002 MEd, Teachers College, Columbia University, 2003 Committee Chair: Roberta Gary, DMA Abstract This study explores the musical-rhetorical tradition in German Baroque music and its connection with Johann Sebastian Bach’s fugal writing. Fugal theory according to musica poetica sources includes both contrapuntal devices and structural principles. Johann Mattheson’s dispositio model for organizing instrumental music provides an approach to comprehending the process of Baroque composition. His view on the construction of a subject also offers a way to observe a subject’s transformation in the fugal process. While fugal writing was considered the essential compositional technique for developing musical ideas in the Baroque era, a successful musical-rhetorical dispositio can shape the fugue from a simple subject into a convincing and coherent work. The analyses of the four selected fugues in this study, BWV 546, 552.2, 577, and 582, will provide a reading of the musical-rhetorical dispositio for an understanding of Bach’s fugal writing. ii Copyright © 2015 by Wei-Chun Liao All rights reserved iii Acknowledgements The completion of this document would not have been possible without the help and support of many people. -
De Oratore I
D E O R A T O R E BO O" 1 TRA N S L A TED IN TO E N G LIS H W ITH A N IN T R O DU C TIO N B Y P E N . MOOR M . , . A . A S S I S T A N T M A S T E R A T C L I F T O N C O L L E G E filamj um a nti 1 8 BU RY S TREET W C , . L O N D O N 1 8 9 2 IN TR O D U C TIO N H T E t hre e b o o k s De Ora tore seem to have been B . C 5 5 written by Cicero in the year . It was n t o n s o f a time when, owi g the i crea ing power the fo r Triumvirs, there was little room any political activity o n o f his the part Cicero . On recall from exile in the preceding year he had conceived som e hopes o f again taking a leading part in political life but owing partly to the lukewarmness o f some and the downright faith o f o f lessness others his old supporters, which made it impossible for him to resume his o l d place at the head o f s ro the optimates, and partly to the clo er union p du ced between Pom peia s and Caesar by the conference s at Luca, he thought it more advi able to withdraw f m s a s inva ri ro public life and con ole himself, was his 1 w able custom , with literary work . -
The Sophistic Roman: Education and Status in Quintilian, Tacitus and Pliny Brandon F. Jones a Dissertation Submitted in Partial
The Sophistic Roman: Education and Status in Quintilian, Tacitus and Pliny Brandon F. Jones A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: Alain Gowing, Chair Catherine Connors Alexander Hollmann Deborah Kamen Program Authorized to Offer Degree: Classics ©Copyright 2015 Brandon F. Jones University of Washington Abstract The Sophistic Roman: Education and Status in Quintilian, Tacitus and Pliny Brandon F. Jones Chair of Supervisory Commitee: Professor Alain Gowing Department of Classics This study is about the construction of identity and self-promotion of status by means of elite education during the first and second centuries CE, a cultural and historical period termed by many as the Second Sophistic. Though the Second Sophistic has traditionally been treated as a Greek cultural movement, individual Romans also viewed engagement with a past, Greek or otherwise, as a way of displaying education and authority, and, thereby, of promoting status. Readings of the work of Quintilian, Tacitus and Pliny, first- and second-century Latin prose authors, reveal a remarkable engagement with the methodologies and motivations employed by their Greek contemporaries—Dio of Prusa, Plutarch, Lucian and Philostratus, most particularly. The first two chapters of this study illustrate and explain the centrality of Greek in the Roman educational system. The final three chapters focus on Roman displays of that acquired Greek paideia in language, literature and oratory, respectively. As these chapters demonstrate, the social practices of paideia and their deployment were a multi-cultural phenomenon. Table of Contents Acknowledgements ........................................................................... 2 Introduction ....................................................................................... 4 Chapter One. -
St. Thomas Aquinas, Dramatist?
Studia Gilsoniana 5:1 (January–March 2016): 109–133 | ISSN 2300–0066 Eric McLuhan Bloomfield, Ontario Canada ST. THOMAS AQUINAS, DRAMATIST? William Shakespeare is generally credited with inventing the standard five-act play, which has served as a mainstay for dramatists for five centuries and continues to do so in ours. Evidently, however, the five-act tradition does not begin with Shakespeare: it dates at least from early Roman drama. Thomas W. Baldwin found that the five acts were oft used in Roman theatre and searched critical history to discover terms that describe that tradition.1 He traced the matter as far back as Horace who, in the Ars Poetica (Epistula ad Pisones), urged the use of exactly five acts for a drama: neve minor neu sit quinto productior actu fabula quae posci volt et spectanda reponi.2 It was not original with Horace, however. He adapted the notion directly from a declaration by his contemporary, Cicero, that every act of rhetoric had an inherent five-division structure. Somewhat earlier, © Eric McLuhan, 2016. 1 Thomas W. Baldwin, Shakespeare’s Five-act Structure: Shakespeare’s Early Plays on the Background of Renaissance Theories of Five-act Structure from 1470 (Champaign, Illinois: University of Illinois Press, 1963). 2 Lines 189–190: Let a play which would be inquired after, and though seen, repre- sented anew, be neither shorter than nor longer than the fifth act. 110 Eric McLuhan others, including both Terence and Plautus, had used the five-act struc- ture in their plays.3 Between Shakespeare and Horace, we find St. -
Jon Garthoff
Jon Garthoff University of Tennessee Email: [email protected] Department of Philosophy Mobile: 1.773.236.6206 801 McClung Tower 555 W. Jackson Ave. #602 Knoxville TN 37996 USA Knoxville TN 37902 USA Employment Associate Professor, University of Tennessee Department of Philosophy. August 2017-present. Director of Graduate Studies, University of Tennessee Department of Philosophy. August 2018-present. Faculty Fellow, University of Tennessee Humanities Center. August 2017-July 2018. Assistant Professor, University of Tennessee Department of Philosophy. August 2011-July 2017. Director of Graduate Studies, University of Tennessee Department of Philosophy. August 2013-July 2017. Assistant Professor, Northwestern University Department of Philosophy. September 2005-August 2011. Visiting Assistant Professor, University of Chicago Department of Philosophy. September 2007-December 2007. Postdoctoral Fellow, Weinberg College of Arts and Sciences, Northwestern University. September 2004-August 2005. Education Ph.D. in Philosophy, University of California at Los Angeles, December 2004. Dissertation – The Embodiment of Morality. Committee: Prof. Barbara Herman (co-director). Prof. Seana Shiffrin (co-director). Prof. Calvin Normore (member). Prof. Stephen Gardbaum (member). Proposition – Harms Without States: A Defense of the Possibility of Posthumous Harm. Committee: Prof. Seana Shiffrin (adviser). Prof. Barbara Herman (second reader). A.B. in Philosophy summa cum laude, Princeton University, June 1997. Senior Thesis – Resisting Skepticism About Meaning. Committee: Prof. Scott Soames (adviser). Prof. John Burgess (second reader). Areas of Expertise Principal Areas of Specialization: Ethical Theory, Political Philosophy, History of Ethical Theory and Political Philosophy. Further Areas of Research/Graduate Teaching Competences: Philosophy of Law, Philosophy of Mind, Metaethics. Undergraduate Teaching Competences: Epistemology, History of Philosophy, Applied Ethics. -
The Civic Education of Cicero's Ideal Orator
[Expositions 8.1 (2014) 122–144] Expositions (online) ISSN: 1747–5376 The Civic Education of Cicero’s Ideal Orator JOSEPH A. DILUZIO Baylor University Scarcely five years after the Roman people hailed him as “father of the fatherland” for his role in saving the Republic from a revolutionary plot, Cicero was banished from Rome. A violent and demagogic tribune, backed by a cabal of ruthless senators including Julius Caesar and Pompey the Great, had arranged for his removal. Though he would return the following year, Rome’s leading orator increasingly found himself politically hamstrung and the republican system plagued by dysfunction. Intent on remedying the ills of the Republic, Cicero took to writing philosophy. He began, significantly enough, with On the Ideal Orator (de Oratore), the first of three dialogues written over five years, all of which aimed to defend and encourage the teaching of republican values among the Roman nobility. All senators were orators capable of addressing the courts, the Senate, and popular meetings; through their speeches, they set policy, advocated justice, shaped public opinion, and won popular acclaim. Since the end of the second century BC, however, Rome’s republican consensus had faltered, and a number of powerful orators had used their education and natural abilities to stir unrest for their own political ends. Cicero had noted this fact in the introduction to his youthful de Inventione, a rhetorical handbook. Despite the differences in style and content, the prologue of de Inventione adumbrates several themes that would feature prominently in his later de Oratore, among them, the essential role of oratory in establishing and sustaining the Republic and the need for orators to possess wisdom and eloquence (Inv.