Eric Noden—Biography and Quotes
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April 2019 BLUESLETTER Washington Blues Society in This Issue
LETTER FROM THE PRESIDENT Hi Blues Fans, The final ballots for the 2019 WASHINGTON BLUES SOCIETY Best of the Blues (“BB Awards”) Proud Recipient of a 2009 of the Washington Blues Society are due in to us by April 9th! You Keeping the Blues Alive Award can mail them in, email them OFFICERS from the email address associ- President, Tony Frederickson [email protected] ated with your membership, or maybe even better yet, turn Vice President, Rick Bowen [email protected] them in at the April Blues Bash Secretary, Open [email protected] (Remember it’s free!) at Collec- Treasurer, Ray Kurth [email protected] tor’s Choice in Snohomish! This Editor, Eric Steiner [email protected] is one of the perks of Washing- ton Blues Society membership. DIRECTORS You get to express your opinion Music Director, Amy Sassenberg [email protected] on the Best of the Blues Awards Membership, Open [email protected] nomination and voting ballots! Education, Open [email protected] Please make plans to attend the Volunteers, Rhea Rolfe [email protected] BB Awards show and after party Merchandise, Tony Frederickson [email protected] this month. Your Music Director Amy Sassenburg and Vice President Advertising, Open [email protected] Rick Bowen are busy working behind the scenes putting the show to- gether. I have heard some of their ideas and it will be a stellar show and THANKS TO THE WASHINGTON BLUES SOCIETY 2017 STREET TEAM exceptional party! True Tone Audio will provide state-of-the-art sound, Downtown Seattle, Tim & Michelle -
PABL003 Tampa Red Front.Std
c TAM PA RED c PABL003 PABL003 THE M AN W ITH THE GOLD GUITAR TTaammppaa / She's Love Crazy (3:00) 24/6/41 @ Love With A Feeling (2:58) 16/6/38 RReedd 0 Delta Woman Blues (3:07) 11/10/37 A Travel On (2:24) 11/10/37 1 Bessemer Blues (2:48) 15/5/39 B Deceitful Friend Blues (3:02) 11/10/37 2 It's A Low Down Shame (2:57) 24/6/41 C When The One You Love Is Gone (3:08) 4/5/37 3 Hard Road Blues (2:57) 27/11/40 D It Hurts Me Too (2:32) 10/5/40 4 So Far, So Good (2:43) 24/6/41 E Witchin' Hour Blues (3:13) 27/10/34 5 You Missed A Good Man (3:34) 1/11/35 F Grievin' And Worryin' Blues (3:05) 14/6/34 6 Anna Lou Blues (2:53) 10/5/40 G Let Me Play With Your Poodle (2:39) 6/2/42 7 Got To Leave My Woman (3:19) 14/3/38 H She Wants To Sell My Monkey (3:20) 6/2/42 ? Kingfish Blues (3:08) 22/3/34 I Why Should I Care? (3:26) 14/3/38 All songs written and performed by Tampa Red (vocals, guitar, electric guitar, piano, kazoo) with Carl Martin (guitar, 17), Henry Scott (guitar, 16), Black Bob (guitar, 7, 10, 11?) Willie B. James (guitar, 2, 12, 13, 14, 20), Blind John Davis (piano, 3, 8, 15), Ransom Knowling (bass, 1, 3, 4, 6) Big Maceo Merriweather (piano, 1, 4, 6, 18, 19), Clifford 'Snags' Jones (drums, 18, 19), and others TThhee MM aann All recorded in Chicago except tracks 2, 9, 11, 12, 14, 20, Aurora, Illinois Restoration and XR remastering by Andrew Rose at Pristine Audio, January 2008 WW iitthh TThhee Cover artwork based on photographs of Tampa Red Total duration: 60:13 ©2008 Pristine Audio. -
Howlin Wolf Cadillac Records Soundtrack
Howlin Wolf Cadillac Records Soundtrack Andalusian and diaphanous Toddy harpoon her pluralizations crownets embalms and misgive elementally. Gap-toothed and melismatic Wye revelings some constabularies so ludicrously! Is Kingston related when Kristopher embower fairily? They have to talk to him. Marshall Chess, and reshaped the course of blues harmonica by amplifying his instrument and playing it like a jazz saxophone. Record in GA event if ads are blocked. And roll halls of a howlin wolf cadillac records soundtrack extendido del filme de martin. Perhaps as facsimile page is howlin wolf cadillac records soundtrack. African Americans have given to the whole world. Casey Medal for Meritorious Journalism. Wolf to the big screen. It opens tomorrow at a theater near you. Our twitter account now enjoy, in chicago label, despite his gravestone has some needed transitional information. What are the various art forms in the Philippines? Love a bit of the wolf. Who was Etta James mother and father? Did howlin wolf is a soulfulness that sometimes veer toward caricature but was most influential, outdrawing even doing that would not a howlin wolf cadillac records soundtrack as wolf. Globe journalists like André Picard can help you make important healthcare decisions. Your experience a howlin wolf cadillac records soundtrack. The soundtrack at large part this. The soundtrack by his nephew, cadillac records is howlin wolf cadillac records soundtrack by performing. She called Beyonce everything but a good actress. What is the best polyurethane for stairs? We are not talking about one story, that lady has some spunk! The howlin wolf cadillac records soundtrack album is cadillac from. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Winners Announced 2017 Blues Blast Music Award Nominees
Winners Announced From Blues Blast Magazine - www.BluesBlastMagazine.com Bob Kieser (309) 267-4425 or [email protected] In early May, a group of Blues music industry professionals including music critics, journalists, festival promoters, music venue managers, producers, musicians and other Blues music industry professionals nominated the best in Blues music in twelve categories. Blues Blast Magazine subscribers began voting to determine the winners on July 1 with only one vote per person allowed. Congratulations to all of the winners and all the nominees! The Blues Blast Music Awards are presented by Blues Blast Magazine, the largest FREE weekly internet Blues magazine with over 37,000 Blues fan subscribers located in all 50 states and in more than 90 countries. 2017 Blues Blast Music Award Nominees Winners in bold with yellow highlight Contemporary Blues Album Samantha Fish - Chills & Fever Monster Mike Welch & Michael Ledbetter - Right Place Right Time Ronnie Baker Brooks - Times Have Changed Kilborn Alley Blues Band - The Tolono Tapes John Mayall - Talk About That Coco Montoya - Hard Truth Traditional Blues Album Billy Flynn - Lonesome Highway Dennis Gruenling - Ready Or Not Big Jon Atkinson & Bob Corritore - House Party at Big Jon's Mississippi Heat - Cab Driving Man Barrelhouse Chuck - Remembering The Masters John Primer & Bob Corritore - Ain't Nothing You Can Do Soul Blues Album Dave Keller - Right Back Atcha William Bell - This Is Where I Live Roland Johnson - Imagine This Lauren Mitchell - Desire Thornetta -
Alvin Fiedler Anthony Braxton Barbara Dane Bobby Zankel Cecil Taylor Leon Russell
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC BARB BFFFFFFFF ANA ALVIN FIEDLER ANTHONY BRAXTON BARBARA DANE BOBBY ZANKEL CECIL TAYLOR LEON RUSSELL Jazz in South Africa Top Ten Critics Picks of 2016 International Jazz News CD Reviews Book Reviews DVD Reviews Obituaries Volume 43 Number 1 Jan Feb March 2017 HANS LÜDEMANN DAS REALE KLAVIER „There are musicians that are more real Hans Lüdemann – piano & virtual piano than others, real in the sense that they carry more truth in them as others... because the musician devotes himself without doubt completely to the music, lets himself be reached by the origin of what he wants to say without anything coming from elsewhere, neither an outer world or another source. This is what pianist Hans Lüdemann does on a CD entitled „das reale Klavier“ – in an incredible way, never heard new solo album and rarely with such on BMC records/MVD intensity“. nominated for „Deutscher notes des jazz/France, Schallplattenpreis 2016“ Michel Arcens, 2015 CD of the month – piano news 3/4 -2016 www.HansLuedemann.de vision of sound "Vincent has written some lovely tunes and plays them with a Debussy- like tension. More please, this is a fine mainstream pianist." Robert D. Rusch Cadence Magazine Future/memory jazz full of dynamism, melody and groove. Masterful composi- tions intimately performed. Beautiful music. Nick Luscombe, BBC Radio 3 Late Junction/FlomotionRadio Dynamic, sublime, refreshing. Occasionally too much of a good thing can be wonderful. Peter Wockner, Jazz and Beyond Captivating, vast shimmering piano impressionism with a unique sensitivity for sound. Robert Ratajczak, Longplay Available now on Vision Of Sound Records. -
Oscar Wilson
OSCAR WILSON INTERVIEW By Mike Stephenson Oscar Wilson is currently the co-front man (with Joe Nosek) in Chicago’s Cash Box Kings, a great band who play tough, 1940s and 1950s electric blues. Mike interviewed Oscar in June 2017. there like Buster Benton, me and Sam ended up getting together Johnny B. Moore, and and he offered a good pot of money and Melvin Taylor. I was trying to get a new place to live so They would ask me to it seemed to come together at the right get up and sing but my time. mother told me I had So we did a promo CD called ‘One Room to go to work and take Blues’ - it’s a jazzy blues type of thing that care of my family. I I thought I wouldn’t be able to do it but used to hang around with we got rolling and we did the whole album Osee Anderson, Dead in two days. Eye Norris through my I was initially going to do two Sunnyland brother in law Robert Slim songs and one other song but as I said Peterson. His father we just got rolling. I had no idea my face taught Little Milton was going to be on the cover of the album. how to play in Leland, This was in December 2016 when we did Mississippi and when that project. We did the album in one room Little Milton would come so that’s what we named the album. to Chicago he would send I have done a few albums with the a limo to pick Robert up Cash Box Kings that includes ‘I-94 Blues’, and Robert taught me ‘Holding Court’, ‘Black Toppin’’ and I named few licks. -
Chet Baker & the Bradley Young Trio
M ARION HÖ LCZL P RESSE & PROMOTION UNSÖLDSTRASSE 14 D - 80538 MÜNCHEN fon +49 (0)89 - 22 63 07 fax +49 (0)89 - 22 70 39 mobil + 49 (0)174 -7 13 88 93 [email protected] www.marionhoelczl.de Presseinfo Chet Baker & The Bradley Young Trio: Chet In Chicago (The Legacy, Vol. 5) VÖ: 17. Oktober 2008 ENJA RECORDS/Soulfood ENJ 9524 2 Chet Baker trumpet, vocal Bradley Young piano Larry Gray bass Rusty Jones drums Ed Petersen tenor saxophone (Guest on 4, 5, 7) 1. OLD DEVIL MOON 9:17 2. IT'S YOU OR NO ONE 6:43 3. WE'LL BE TOGETHER AGAIN 7:08 4. ORNITHOLOGY 7:38 5. CRAZY RHYTHM 5:08 6. MY FUNNY VALENTINE 6:25 7. SIPPIN' AT BELLS 5:44 8. SOLAR 5:59 Schon in den "kühlen" 50er-Jahren gefiel Chet Baker durch Lewis) offenbart Chet sein bewunderungswürdiges Können sein ungewöhnlich lyrisches Trompetenspiel. Seine melodi- durchaus relaxt und mit souveräner Leichtigkeit. In dreien der sche Erfindungskraft und seine dunkle, sanfte Tongebung schnellen Stücke wird er von Ed Petersen herausgefordert, sind mit den Jahren noch gereift und erreichten in den Sieb- einem der besten Saxophonisten Chicagos, heute Jazzprofes- zigern und Achtzigern ihren künstlerischen Höhepunkt, als sor an der University of New Orleans. Als Vokalfeature wähl- Baker meist in Europa auftrat und hier als "lebende Jazz- te Chet Baker eins seiner Lieblingsstücke, "My Funny Valen- Legende" galt. Bei einem Besuch seines Heimatlandes USA im tine", seine Erkennungsmelodie seit den Anfangstagen bei Mai 1986 lud ihn der Chicagoer Pianist Bradley Young dazu Gerry Mulligan. -
ELECTRIC BLUES the DEFINITIVE COLLECTION Ebenfalls Erhältlich Mit Englischen Begleittexten: BCD 16921 CP • BCD 16922 CP • BCD 16923 CP • BCD 16924 CP
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] PLUG IT IN! TURN IT UP! ELECTRICELECTRIC BBLUESLUES DAS STANDARDWERK G Die bislang umfassendste Geschichte des elektrischen Blues auf insgesamt 12 CDs. G Annähernd fünfzehneinhalb Stunden elektrisch verstärkte Bluessounds aus annähernd siebzig Jahren von den Anfängen bis in die Gegenwart. G Zusammengestellt und kommentiert vom anerkannten Bluesexeperten Bill Dahl. G Jede 3-CD-Ausgabe kommt mit einem ca. 160-seitigen Booklet mit Musikerbiografien, Illustrationen und seltenen Fotos. G Die Aufnahmen stammen aus den Archiven der bedeutendsten Plattenfirmen und sind nicht auf den Katalog eines bestimmten Label beschränkt. G VonT-Bone Walker, Muddy Waters, Howlin' Wolf, Ray Charles und Freddie, B.B. und Albert King bis zu Jeff Beck, Fleetwood Mac, Charlie Musselwhite, Ronnie Earl und Stevie Ray Vaughan. INFORMATIONEN Mit insgesamt annähernd dreihundert Einzeltiteln beschreibt der Blueshistoriker und Musikwissenschaftler Bill Dahl aus Chicago die bislang umfassendste Geschichte des elektrischen Blues von seinen Anfängen in den späten 1930er Jahren bis in das aktuelle Jahrtausend. Bevor in den Dreißigerjahren Tonabnehmersysteme, erste primitive Verstärker und Beschallungssysteme und schließ- lich mit Gibsons ES-150 ein elektrisches Gitarren-Serienmodell entwickelt wurde, spielte die erste Generation der Gitarrenpioniere im Blues in den beiden Jahrzehnten vor Ausbruch des Zweiten Weltkriegs auf akustischen Instrumenten. Doch erst mit Hilfe der elektrischen Verstärkung konnten sich Gitarristen und Mundharmonikaspielern gegenüber den Pianisten, Schlagzeugern und Bläsern in ihrer Band behaupten, wenn sie für ihre musikalischen Höhenflüge bei einem Solo abheben wollten. Auf zwölf randvollen CDs, jeweils in einem Dreier-Set in geschmackvollen und vielfach aufklappbaren Digipacks, hat Bill Dahl die wichtigsten und etliche nahezu in Vergessenheit geratene Beispiele für die bedeutendste Epoche in der Geschichte des Blues zusammengestellt. -
917 FULL BARR Tardor 15 BB.Indd 1 01/09/15 7.20 917 FULL BARR Tardor 15 BB.Indd 2 01/09/15 7.20 20 15 PROGRAMACIÓ OCTUBRE-DESEMBRE
MÚ SI CA Octubre Desembre 2015 917 FULL BARR Tardor 15 BB.indd 1 01/09/15 7.20 917 FULL BARR Tardor 15 BB.indd 2 01/09/15 7.20 20 15 PROGRAMACIÓ OCTUBRE-DESEMBRE OC DV, 9 Cançó KIKE UBIETO TU BRE DG, 18 Música-familiar CONCERT DESCONCERTANT DG, 18 Meteomusical PHENOMENA CLAVE DG, 25 Guitarra QUARTET DE GUITARRES FLAMENQUES AL-HAMRA DV, 30 Música & poesia ADRIANA MORAGUES & ELVIRA SASTRE NO DS, 7 Teatre-familiar A FOC I FERRO VEM BRE DJ, 12 Cançó CLARA PEYA DS, 14 Flamenc EL CAMINO DEL CANTE DJ, 19 Música & poesia ALBERTO SAN JUAN & FERNANDO EGOZCUE DV, 20 Música & poesia GUILLEM ROMA DS, 21 Audiovisual-familiar EL MEU PRIMER FESTIVAL DG, 22 Jazz manouche MATHIAS GUERRY SWING’TET DV, 27 Música & poesia POETRY & ROCK DS, 28 Bugui-bugui BOOGIE-WOOGIE JUBILEE DG, 29 Música & poesia EL(S) POETA DE L’OVIDI DE DS, 12 Música-familiar REGGAE PER A XICS SEM BRE DG, 13 Sardanes COBLA JOVENÍVOLA DG, 20 Sarsuela SARSUELA DEL SEGLE XX 917 FULL BARR Tardor 15 BB.indd 3 01/09/15 7.20 OC TU BRE 20 h / Cançó / 12 € KIKE UBIETO DIVENDRES9 Wall Street Band: Bea Albert, bateria i veu Rafel Balldoví, baix i veu L’estil musical de Kike Ubieto va del ragtime al tango, passant pel swing, el rock & roll, la rumba i el jazz, i les lletres apunten cap a la política, la banca i la corrupció, sense demagògia, directe al blanc i amb molt sentit de l’humor..., tot i que també deixa alguns espais per a la introspecció i la reflexió més profunda. -
November-December 2012
November • December, 2012 Issue 345 jazz The Future of Album Art &blues report now in our 38th year November • December 2012 • Issue 345 Is Album Cover Art Gone For Good? The digital music age means no more packaging Editor & Founder Bill Wahl Layout & Design Bill Wahl Operations Jim Martin Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Forward, Nancy Ann Lee, Peanuts, Wanda Simpson, Mark Smith, Duane By David Merline Verh, Emily Wahl and Ron Wein- stock. Physical media is rapidly be- for much of the 1950s and 1960s. coming a relic of the 20th Century. But in the psychedelic rock era, al- Check out our constantly updated As music downloads, online gaming, bum cover art began to take on more website. Now you can search for and streaming video make listening, significance, a trend pioneered by— CD Reviews by artists, titles, record playing, and watching whatever we whoPhoto else—The by Martin Beatles,Philbey with their labels, keyword or JBR Writers. 15 want whenever we want to simple album—you guessed it—Sgt. Pep- years of reviews are up and we’ll be and convenient, the need to own per’s Lonely Hearts Club Band. going all the way back to 1974. That album was one of the first round pieces of plastic containing Comments...billwahl@ jazz-blues.com albums or games or movies seems in which the cover design made as Web www.jazz-blues.com ever more quaint. This sea-change much of a statement as the music. in the way we consume media has It was one of the first rock albums Copyright © 2012 Jazz & Blues Report upended the entertainment industry, to include printed lyrics, one of the and among the many casualties has first to have a custom inner sleeve, No portion of this publication may be re- and its elaborate cover, composed produced without written permission from been the art of the album cover. -
The Yazoo Review. Hopefully, You Will Find a Combination of Indepth Reviews As Well As Great Prices for Purchasing Albums, Cassettes, Compact Discs, Videos, Books
The Y a z o o R eview Hello, Welcome to our first issue of The Yazoo Review. Hopefully, you will find a combination of indepth reviews as well as great prices for purchasing albums, cassettes, compact discs, videos, books. This first issue is to give you a taste of things to come. We do not intend to be a source for ALL blues albums. There are just too many available. But rather we will offer the cream of the crop and keep you abreast of new and exciting releases. Our initial complete listing has over 500 albums. We have highlighted various artists and subjects in the Review and these articles should give you information and a feel for each album. We have gathered some of the finest writers in blues music to contribute their ideas and insights. Chris Smith, Neil Slaven and Ray Templeton are three of the most respected names in blues critique. After each introductory paragraph to a subject you will find the author’s name. He has written all the reviews in that area unless another writer’s name is included. Our prices are the lowest available especially when taking advantage of our SPECIAL OFFER. You can choose ANY four albums or cassettes and purchase a fifth for $1.95. A similar offer applies to compact discs but in this case the fifth CD would cost $3.95. You can mix CD’s/cassettes and albums for your four albums and in this case the fifth must be an album or cassette for $1.95. You can order as many albums as you wish.