FP 10.3 Fall1990.Pdf (3.320Mb)
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Levinas and the New Woman Writers: Narrating the Ethics of Alterity
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 12-10-2018 Levinas and the New Woman Writers: Narrating the Ethics of Alterity Anita Turlington Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Turlington, Anita, "Levinas and the New Woman Writers: Narrating the Ethics of Alterity." Dissertation, Georgia State University, 2018. https://scholarworks.gsu.edu/english_diss/210 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. LEVINAS AND THE NEW WOMAN WRITERS: NARRATING THE ETHICS OF ALTERITY by ANITA TURLINGTON Under the Direction of Leeanne Richardson, PhD ABSTRACT This study applies the ethical theories of Emmanuel Levinas to the novels and short stories of the major New Woman novelists of the fin de siècle in England. Chapter One introduces the study and its theoretical framework. Chapter Two discusses how New Woman writers confront their protagonists with ethical dilemmas framed as face-to-face encounters that can be read as the moment of ethics formation. They also gesture toward openness and indeterminacy through their use of carnivalesque characters. In Chapter Three, Levinas’s concepts of the said and the saying illuminate readings of polemical passages that interrogate the function of language to oppress or empower women. Chapter Four reads dreams, visions, allegories, and proems as mythic references to a golden age past that reframe the idea of feminine altruism. -
Download The
GENIUS, WOMANHOOD AND THE STATISTICAL IMAGINARY: 1890s HEREDITY THEORY IN THE BRITISH SOCIAL NOVEL by ZOE GRAY BEAVIS B.A. Hons., La Trobe University, 2006 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) October 2014 © Zoe Gray Beavis, 2014 Abstract The central argument of this thesis is that several tropes or motifs exist in social novels of the 1890s which connect them with each other in a genre, and which indicate a significant literary preoccupation with contemporary heredity theory. These tropes include sibling and twin comparison stories, the woman musician’s conflict between professionalism and domesticity, and speculation about biparental inheritance. The particulars of heredity theory with which these novels engage are consistent with the writings of Francis Galton, specifically on hereditary genius and regression theory, sibling and twin biometry, and theoretical population studies. Concurrent with the curiosity of novelists about science, was the anxiety of scientists about discursive linguistic sharing. In the thesis, I illuminate moments when science writers (Galton, August Weismann, William Bates, and Karl Pearson) acknowledged the literary process and the reading audience. I have structured the thesis around the chronological appearance of heredity themes in 1890s social novels, because I am arguing for the existence of a broader cultural curiosity about heredity themes, irrespective of authors’ primary engagement with scientific texts. Finally, I introduce the statistical imaginary as a framework for understanding human difference through populations and time, as evidenced by the construction of theoretical population samples – communities, crowds, and peer groups – in 1890s social fictions. -
Mona Caird's the Daughters of Danaus (1894) As A
UNIVERSITE D’ ANTANANARIVO ECOLE NORMALE SUPERIEURE DEPARTEMENT DE FORMATION INITIALE LITTERAIRE CENTRE D’ETUDE ET DE RECHERCHE EN LANGUE ET LETTRE ANGLAISES MEMOIRE DE CERTIFICAT D’ APTITUDE PEDAGOGIQUE DE L’ ECOLE NORMALE (C.A.P.E.N ) MONA CAIRD’S THE DAUGHTERS OF DANAUS (1894) AS A REFLECTION OF THE EARLY ASPECTS OF FEMINISM IN BRITAIN PRESENTED BY : RAHARIJHON Mbolasoa Nadine DISSERTATION ADVISOR Mrs RABENORO Mireille Date de soutenance : 22 Décembre 2006 ACADEMIC YEAR : 2005-2006 When you accuse me of not being * When you accuse me of not being Like a woman I wonder what like is And how one becomes it I think woman is what Women are And as I am one So must that be included In what woman is So, there fore, I am like by Pat Van Twest. ___________________________________________________________________________ * HEALY, Maura, Women , England, 1984, Longman p. 28 ACKNOWLEDGEMENTS We address our deep gratitude to : - Mrs RABENORO Mireille, our dissertation advisor, for her precious contribution to the elaboration of this dissertation - Mrs RAZAIARIVELO A. for her advice which were so useful for the achievement of this work. - Mr RAZAFINDRATSIMA E. for he is the one who inspired us the very topic of this dissertation. - Mr Manoro Regis, our teacher and the head of English Department at E.N.S. for his kindness, his patience, and above all his helpful advice. - All our teachers at the English Department of E.N.S. for their support and follow-up while through on the five years’ training. - Our dearest parents and our sister for the kind support they brought to us during all this time. -
The Comics of Alison Bechdel from the Outside In
The Comics of Alison Bechdel From the Outside In Edited by Janine Utell University Press of Mississippi / Jackson CONTENTS ACKNOWLEDGMENTS IX THE WORKS OF ALISON BECHDEL XI INTRODUCTION Serializing the Self in the Space between Life and Art JANINE UTELL XIII I. IN AND/OR OUT: QUEER THEORY, LESBIAN COMICS, AND THE MAINSTREAM THE HOSPITABLE AESTHETICS OF ALISON BECHDEL VANESSA LAUBER 3 “GIRLIE MAN, MANLY GIRL, IT’S ALL THE SAME TO ME” How Dykes to Watch Out For Shifted Gender and Comix ANNE N. THALHEIMER 22 DISSEMINATING QUEER THEORY Dykes to Watch Out For and the Transmission of Theoretical Thought KATHERINE PARKER-HAY 36 BECHDEL’S MEN AND MASCULINITY Gay Pedant and Lesbian Man JUDITH KEGAN GARDINER 52 VI CONTENTS MO VAN PELT Dykes to Watch Out For and Peanuts MICHELLE ANN ABATE 68 II. INTERIORS: FAMILY, SUBJECTIVITY, MEMORY DANCING WITH MEMORY IN FUN HOME ALISSA S. BOURBONNAIS 89 “IT BOTH IS AND ISN’T MY LIFE” Autobiography, Adaptation, and Emotion in Fun Home, the Musical LEAH ANDERST 105 GENERATIONAL TRAUMA AND THE CRISIS OF APRÈS-COUP IN ALISON BECHDEL’S GRAPHIC MEMOIRS NATALJA CHESTOPALOVA 119 THE EXPERIMENTAL INTERIORS OF ALISON BECHDEL’S ARE YOU MY MOTHER? YETTA HOWARD 135 INCHOATE KINSHIP Psychoanalytic Narrative and Queer Relationality in Are You My Mother? TYLER BRADWAY 148 III. PLACE, SPACE, AND COMMUNITY DECOLONIZING RURAL SPACE IN ALISON BECHDEL’S FUN HOME KATIE HOGAN 167 FUN HOME AND ARE YOU MY MOTHER? AS AUTOTOPOGRAPHY Queer Orientations and the Politics of Location KATHERINE KELP-STEBBINS 181 CONTENTS VII INSIDE THE ARCHIVES OF FUN HOME SUSAN R. -
![European Journal of American Studies, 11-2 | 2016, « Summer 2016 » [En Ligne], Mis En Ligne Le 11 Août 2016, Consulté Le 08 Juillet 2021](https://docslib.b-cdn.net/cover/0640/european-journal-of-american-studies-11-2-2016-%C2%AB-summer-2016-%C2%BB-en-ligne-mis-en-ligne-le-11-ao%C3%BBt-2016-consult%C3%A9-le-08-juillet-2021-770640.webp)
European Journal of American Studies, 11-2 | 2016, « Summer 2016 » [En Ligne], Mis En Ligne Le 11 Août 2016, Consulté Le 08 Juillet 2021
European journal of American studies 11-2 | 2016 Summer 2016 Édition électronique URL : https://journals.openedition.org/ejas/11535 DOI : 10.4000/ejas.11535 ISSN : 1991-9336 Éditeur European Association for American Studies Référence électronique European journal of American studies, 11-2 | 2016, « Summer 2016 » [En ligne], mis en ligne le 11 août 2016, consulté le 08 juillet 2021. URL : https://journals.openedition.org/ejas/11535 ; DOI : https:// doi.org/10.4000/ejas.11535 Ce document a été généré automatiquement le 8 juillet 2021. Creative Commons License 1 SOMMAIRE The Land of the Future: British Accounts of the USA at the Turn of the Nineteenth Century David Seed The Reader in It: Henry James’s “Desperate Plagiarism” Hivren Demir-Atay Contradictory Depictions of the New Woman: Reading Edith Wharton’s The Age of Innocence as a Dialogic Novel Sevinc Elaman-Garner “Nothing Can Touch You as Long as You Work”: Love and Work in Ernest Hemingway’s The Garden of Eden and For Whom the Bell Tolls Lauren Rule Maxwell People, Place and Politics: D’Arcy McNickle’s (Re)Valuing of Native American Principles John L. Purdy “Why Don’t You Just Say It as Simply as That?”: The Progression of Parrhesia in the Early Novels of Joseph Heller Peter Templeton “The Land That He Saw Looked Like a Paradise. It Was Not, He Knew”: Suburbia and the Maladjusted American Male in John Cheever’s Bullet Park Harriet Poppy Stilley The Writing of “Dreck”: Consumerism, Waste and Re-use in Donald Barthelme’s Snow White Rachele Dini The State You’re In: Citizenship, Sovereign -
Annual Report 2012/13
Annual Report 2012/13 NSW Women’s Refuge Movement Inc. ABN 51 326 110 595 For a copy of the full Financial Report or additional copies of this report, please contact us. Office of the NSW WRM PO Box 3311 REDFERN NSW 2016 Email: [email protected] Telephone: 02 9698 9777 Graphic design Erin Snelgrove | [email protected] | 0410 421 901 Contents Letter from the Chief Executive Officer 2 Our Herstory 4 In Memorium 5 Our Principles 6 Working Party 8 Business Centre Report 10 Office Report 11 Managed Services Bathurst Women & Children’s Refuge 16 Bourke Women & Children’s Safe House 22 Delvena Women’s Refuge 26 Dolores Single Women’s Refuge 30 Elsie Women’s Refuge 34 Forbes Women’s Refuge 40 Kempsey Women’s Refuge 44 Wagga Wagga Women & Children’s Refuge 52 Wilcannia Women & Children’s Safe House 58 Wimlah Women & Children’s Refuge 62 Woy Woy Women & Children’s Service 70 Consolidated Independant Auditor’s Report 72 Acknowledgments 94 NSW Women’s Refuge Movement Annual Report 2012/13 NSW Women’s 1 Letter from the Chief Executive Officer This year has been filled with family violence. Thanks go to those opportunity and change. women who went before us - the change agents who built the NSW Most importantly, I believe we Women’s Refuge Movement - we have achieved clarity of purpose. stand on a proud foundation. I commenced the privileged role of CEO in September 2012 and Members also supported the full have led the team through a truly separation of the organisation’s transformative phase. -
July Newsletter 16 Jul 12.Indd
Vol 23, No.3 — July 2012 NEWSLETTER To keep women’s words. women’s works, alive and powerful —Ursula LeGuin ELSIE WALKS INTO HISTORY n 28 May 2012, Clover Moore MP, Lord Mayor of Sydney, Society, held on Sunday 10 March 1974 at the NSW Teachers’ Onamed a short path along the western boundary of Glebe Federation auditorium then in Sussex Street, Sydney. There was Public School Sydney between Derwent Street and Glebe Point very little crisis accommodation for women in Sydney and women Road, Elsie Walk. It honours the establishment of Australia’s often remained in violent homes and relationships, there being first women’s refuge. The events leading up to the founding few or no alternatives. Police rarely intervened in what they called of Elsie Women’s Refuge are documented in Anne Summers’ ‘domestics’ and there were no laws against domestic violence. autobiography, ducks on the pond (1999), but another rich source The Refuge struggled to survive and manage for a few months of information is our Library. Sydney Women’s Liberation Newsletter with a staff of volunteers, donations and local community and commercial support. The illegal occupation was addressed when the federal government bought the Westmoreland Street houses as part of the Glebe Housing Scheme. By November 1974, five full-time positions were being advertised for Elsie. Subsequently, refuges were opened across the Sydney metropolitan area and across the country in every state and territory. Elsie moved to more spacious premises in Derwent Street, Glebe in 1975. However, its future and that of other refuges was uncertain following the dismissal of the Whitlam Labor government in 1975. -
The Politics of Passion
Feminism and the Generational Divide Feminism and the Generational Divide: An exploration of some of the debates Penelope Robinson University of Newcastle, Australia Abstract: In recent times, a generational divide has emerged within feminism with discussion often centred on the differences between Baby Boomer feminists and younger women, regularly referred to as Generation X. This paper seeks to understand the intergenerational tensions by exploring the debates as they are played out in a number of popular texts. Karl Mannheim’s theory of generation is mobilised in order to deepen our understanding of generations. His work has the potential to broaden the feminist generational debates beyond the well-worn stereotypes and offer new ways of thinking about generational discourse. Paper: What disturbs me most is the prospect of a generation gap emerging in our agenda. – Anne Summers, Letter to the Next Generation We sat at the table howling with laughter. ‘It’s a dialogue between generations,’ said Angela Z-, wiping away the tears. ‘It’s not a dialogue,’ I said, blowing my nose. ‘It’s a fucking war’. – Helen Garner, The First Stone Over the last decade, feminist discussion in Australia has often erupted into a generational battle, with Baby Boomers and Generation X engaging in a fierce debate, fraught with finger pointing, misunderstanding and stereotypes. The rift within feminism began to emerge in the mid-90s when well-known feminists lamented the direction young women were taking the women’s movement. Anne Summers (1993) conveyed her disappointment that the feminist struggles fought by her generation were not being carried into the future by young women, while Helen Garner (1995) in her book The First Stone,expressed her dismay towards two university students who filed sexual harassment complaints against their College Master with the police. -
For Better Or for Worse: Coming out in the Funny Pages Bonnie Brennen Marquette University, [email protected]
Marquette University e-Publications@Marquette College of Communication Faculty Research and Communication, College of Publications 10-1-1995 For Better or For Worse: Coming Out in the Funny Pages Bonnie Brennen Marquette University, [email protected] Sue A. Latky University of Iowa Published version. Studies in Popular Culture, Vol. 18, No. 1 (October 1995): 23-47. Publisher Link. © 1995 Popular Culture Association in the South. Used with permission. Bonnie Brennen was affiliated with SUNY at the time of publication. Sue A. La(ky and Bonnie Brennen For Better or For Worse: Coming Out in the Funny Pages Among the most significant occasions in the lives of gay men and lesbians is the one in which they realize that their sexual orientation situates them as "other." One aspect of this process, known as coming out, is the self-acknowledgement ofbeing gay or lesbian, while another aspect consists of revealing this identity to family members and friends. During her 1980s fieldwork with lesbians and gay men in San Francisco, anthropologist Kath Weston observed that "no other topic generated an emotional response comparable to coming out to blood (or adoptive) relatives" (1991, 43). She wrote: When discussion turned to the subject of straight family, it was not unusual for interviews to be interrupted by tears, rage, or a lengthy silence. "Are you out to your parents?" and "Are you out to your family?" were questions that almost inevitably arose in the process of getting to know another lesbian or gay person. ( 43) In Spring of 1993, such a "coming out" process was played out in North American newspapers through Canadian artist Lynn Johnston's syndicated comic strip, For Better or For Worse. -
The Australian Woman Movement, 1880–1914: Sexuality, Marriage and Consent
The Australian woman movement, 1880–1914: Sexuality, marriage and consent REBECCA PRESTON Abstract The Australian woman movement (1880–1914) played a central role in shaping contemporary sexual discourse and contributing to the eventual recognition of female sexual pleasure in Australia. While most historiography has focused on the more well-known suffrage campaigns, this essay explores feminist attempts to enhance women’s sexual autonomy through reforming existing sexual relations, particularly in marriage, and contesting contemporary medical discourse which defined male sexuality as ‘hydraulic’, namely automatically aroused, and female sexuality as ‘hysterical’. The early Australian feminists publicly challenged Victorian constructions of sexuality and sought to redefine male–female sexual relations by abolishing the double standard of sexual morality. Studying the woman movement through the lens of sexuality is important, as issues of sexuality were inextricably linked to more well- known political and economic campaigns for suffrage, citizenship and equal pay. Feminist campaigns to reform sexuality in both the public and private spheres were also central to broader political debates concerning the health and future of Australia’s population, and the declining birth and marriage rate. A study of feminist campaigns to reform domestic sexual relations, primarily through enhancing women’s autonomy in the marital bedroom, and campaigns to improve public sexual relations through regulating prostitution, raising the age of consent and reducing the occurrence of venereal disease through education, reveals the complex interactions between various sectors of colonial society, including feminist organisations, the medical profession, the Australian government, the military and religious groups. As such, this study provides a more nuanced understanding of late nineteenth- and early twentieth-century Australian political and social life. -
Twentieth Century Queer Comics Michael Murphy Washington University in St Louis
Washington University in St. Louis Washington University Open Scholarship Neureuther Book Collection Essay Competition Student Contests & Competitions 2003 Zap! Pow! Out!: Twentieth Century Queer Comics Michael Murphy Washington University in St Louis Follow this and additional works at: https://openscholarship.wustl.edu/nbcec Recommended Citation Murphy, Michael, "Zap! Pow! Out!: Twentieth Century Queer Comics" (2003). Neureuther Book Collection Essay Competition. 17. https://openscholarship.wustl.edu/nbcec/17 This Essay is brought to you for free and open access by the Student Contests & Competitions at Washington University Open Scholarship. It has been accepted for inclusion in Neureuther Book Collection Essay Competition by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. 16th Annual Carl Neureuther Student Book Collection Competition Graduate Category – 1st Place Author: Michael J. Murphy Zap! Pow! Out!: Twentieth-Century Queer Comics Some years ago I began collecting books in the area of what we would now recognize as ‘gay and lesbian studies’ and have today amassed a personal library numbering in the hundreds of books. The collection began organically—not as an effort to produce a collection per se, but to serve as a personal reference library supporting my academic writing and to compensate for haphazard and sometime overtly-homophobic library collections practices which caused many of the titles to be inaccessible to me. Reflecting my broader interests and academic training in visual culture and the history and theory of gender and sexuality, a large part of my library is devoted to gay and lesbian popular visual culture (film, photography, illustration, advertising, television, etc.) Probably its most unusual and interesting aspect is a group of books of and about queer comics. -
A Current Listing of Contents Di
a current listing of contents dI Volume 7 I Number 4 Winter 1988 Published by Susan Searing, Women's Studies Librarian University of Wisconsin System 112A Memorial Library 728 State Street Madison, Wisconsin 53706 (608) 263- 5754 a current listing of contents Volume 7, Number 4 Winter 1988 Periodical 1i terature is the cutting edge of women's scholarship, feminist theory, and much of women's culture. Feminist Periodicals: A Current Listing of Contents is published by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicals wi 11 serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' famil iarity with a wide spectrum of feminist periodicals; and to provide the requisite bibliographic information should a reader wish to subscribe to a journal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table of contents pages from current issues of major feminist journals are reproduced in each issue of Feminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of FP. The annotated listing provides the following information on each journal : Year of first publication. Frequency of pub1 icati on. U.S.