SPEP Issue 2001.Vp

Total Page:16

File Type:pdf, Size:1020Kb

SPEP Issue 2001.Vp VISIBILITY AND HISTORY GIORGIO AGAMBEN AND THE EXEMPLARY Steven D. DeCaroli In the third chapter of The Coming Com- dresses this same process by referencing munity, Giorgio Agamben turns his attention Hegel’s discussion of sense-certainty in the to the “example” insofar as it stands in rela- opening chapter of the Phenomenology of tion to “the antinomy of the individual and Spirit. Here, sense-certainty’s immediate en- the universal” that has its origin in language.1 counter with being is compromised the mo- The familiar antinomy to which Agamben ment consciousness attempts to speak this refers arises when, in the act of calling some- relation, that is to say, the moment language thing a tree, or a plow, or bitter, the empirical attempts to preserve sense-certainty’s imme- singularity of that thing is transformed into a diate relation to being it inevitably mediates member of a class defined by a property held that relation.3 Raw, unclassified being which in common. Language is forever positing the is the object of sense-certainty is, therefore, universal in place of, or as a substitute for, abruptly transformed into the ideal being the singular that it wishes quite literally to proper to language. keep in mind. “The word ‘tree’,” Agamben For Agamben, in Language and Death,in writes, “designates all trees indifferently, in- The Coming Community, and indeed, in his sofar as it posits the proper universal signifi- work as a whole, it is this moment of trans- cance in place of singular, ineffable trees,”2 formation from ineffable object to object of and in so doing transforms singularities into thought, and a host of other similarly struc- members of a class. Language is perpetually tured transformations, that are of interest. caught between the universality of its gener- More specifically, it is those instances where alized expressions and the empirical singu- a transition gets hung-up, where it lingers on larity of those denominated entities which, a threshold, where it hesitates and thereby re- while they are the ultimate ground of this veals itself as purely transitional, that en- generalization, are always somehow inade- gages Agamben’s attention. For it is in those quately represented by it. case where an object is neither thoroughly The passage of an entity into language inaccessible to cognition (and inaccessibil- proceeds by way of a conceptualization ity takes various forms, e.g., the noumenal, which is familiar to philosophy, for in its being-in-itself, chaos, etc.), nor thoroughly most elementary form judgment (and here I appropriated by cognition through its ideal- am thinking of determinative judgment ization in language, that Agamben identifies rather than reflective judgment) is the capac- moments where the singular reveals itself in ity to grasp the particular as an instance of a its singularity, that is to say, as something general rule—a relation Kant repeatedly de- which is essentially un-common. For scribes as analogous to the application of a Agamben, it is in these hesitant moments of law. But the general categories which sub- transition that unclaimed figures appear— sume particular objects remain fundamen- the refugee, the werewolf, the sacred, the tally at odds with the irreducible singularity camp, Bartleby, and most germane to this of the particular instances which language, discussion, the exemplary. In each case, es- and by extension thought, attempts to grasp. sence is not a forgone conclusion. But de- In Language and Death, Agamben ad- spite the lack of an essential commonality, PHILOSOPHY TODAY SPEP SUPPLEMENT 2001 9 what gathers each of these cases together is ally “shows alongside” itself. Or equally precisely their enduring potential to be oth- evocative, the German, Bei-spiel, literally erwise: to be wolf, to be stateless, to be sa- that which “plays alongside” itself.5 The ex- cred, to be one who does not write. ample provides its own criteria of inclusion When Agamben turns to demons, or to ha- and, therefore, remains ambiguously along- los, to limbo, or to wolf-men, it is to suggest side the class of which it is most representa- that when the human has lost its qualities it is most capable of forming a community which tive. In both of these etymological deriva- refuses any criteria of belonging. The task of tions the example is presented as the form of the many brief, almost aphoristic chapters in a singular object that remains neither fully The Coming Community is to begin to con- included in a class nor full excluded from it. ceive of such a community, a community That is to say, it remains transitional. that lays no claim to identity, a community in If the pursuit of philosophy is tradition- which singularities, not bound by a common ally for the a priori, and if the debates sur- property, communicate nonetheless. And it rounding the a priori have largely been those is in pursuit of such singularities, that waged between nominalist and realist, not Agamben speaks of the example. over the necessity of the principles demon- The example remains distinct, one singu- strated, but over whether or not the catego- larity among others, while at the same time it ries that describe this necessity exist in real- stands in for them as a whole. The example, ity or in name alone, then the example stands Agamben maintains, is one single case, but somewhat outside of this debate, not because yet is called upon to stand in for a class of it is not real or because it is not known by a similar objects. In other words, the example name, but because it is not bound by the sta- is at one and the same time a member of a set bility of a category—whether linguistic or and the defining criteria of that set. He actual. To say that Muhammad is a member writes, of a class called prophet, or to say that the Farnese Hercules is a member of a class One concept that escapes the antinomy of called beauty, may be true in a quite limited the universal and the particular has long sense, but it certainly does not explain the been familiar to us: the example. In any potency these unique figures possess in their context where it exerts its force, the exam- role as examples. Thus, while Agamben’s ple is characterized by the fact that it holds discussion of the example is framed linguis- for all cases of the same type, and, at the tically, even grammatically—illustrating same time, it is included among these. It is how the example, in its singularity, epito- one singularity among others, which, how- mizes a conceptual category that it exceeds, ever, stands for each of them and serves for and to which it does not quite belong—I will all....Neither particular nor universal, the consider the example in a somewhat differ- example is a singular object that presents ent context. Rather than attend to the linguis- tic appearance of the exemplary, I will con- itself as such, that shows its singularity.4 cern myself with its historical manifestations and, in particular, I will con- The example, it seems, possesses a capacity sider the normative capacity that deeply to indicate itself, to refer to itself, not characterizes the historical appearance of through a conceptualization of its properties, exemplary objects, individuals and events. but, as Agamben suggests, through an in- Whereas philosophy has traditionally structive showing. Thus, we are directed to placed an emphasis on necessity, pursuing the Greek word, para-digma, through which the demonstrative validity of principles not the example comes to mean that which liter- contingent on time or place, seeking truths PHILOSOPHY TODAY 10 unencumbered by historical ties, the exam- for us in history, will always accomplish ple, by contrast, is fully historical. Its ap- more than any universal precepts we have pearance in the form of an object, or an received from priests or philosophers.7 event, or a person—the Apollo Belvedere, for instance, or the French Revolution, or a My point here is certainly not to suggest that Messiah—is both historical and irreducibly Kant has abandoned his commitment to the singular, yet each case very often assumes a legislative function of reason or to the uni- powerful normative capacity. The question versal validity of the faculties, but rather, to for much theoretical work, particularly in the suggest that there are moments even in Kant, areas of aesthetics and politics, but also for particularly with respect to aesthetic judg- the philosophical historians of the eigh- teenth century and certainly in the more ment, where the work of abstract thought speculative work of religious traditions— must give way to something more historical. Thomas à Kempis’s Imitation of Christ co- And because even in Kant the historical ap- mes to mind—has been not only to recognize pearance of an example is recognized as in- the normative potency of examples, but to strumental in acquiring a sense of taste, that determine how one ought to respond to them. is to say, in acquiring the ability to make Unlike moral rules or normative principles, sound judgments even when no general rule what the example promises cannot be ade- is at our disposal, it is worth considering the quately legislated and, therefore, one’s re- implications of this concept in more detail. sponse to the exemplary cannot be a simple Consequently, I would like to take up this form of rational obedience—a mere adher- challenge by augmenting the work of ence to reasonable principles. Debates in Giorgio Agamben whose explicit writings eighteenth-century aesthetics, for instance, on the exemplary, while limited and inter- are brimming with such considerations, par- mittent, are both evocative in their own right, ticularly with respect to the cultivation of and suggestive of a wider inquiry that, to the good taste.
Recommended publications
  • Andrea Corsali and the Southern Cross
    Andrea Corsali and the Southern Cross Anne McCormick Hordern House 2019 1 In 1515 Andrea Corsali, an Italian under the patronage of the Medici family, accompanied a Portuguese voyage down the African coast and around the Cape of Good Hope, en route to Cochin, India. On his return Corsali’s letter to his patron describing the voyage was published as a book which survives in only a handful of copies: CORSALI, Andrea. Lettera di Andrea Corsali allo Illustrissimo Signore Duca Iuliano de Medici, Venuta Dellindia del Mese di Octobre Nel M.D.XVI. [Colophon:] Stampato in Firenze per Io. Stephano di Carlo da Pavia. Adi. xi.di Dicembre Nel. M.D.XV1. This book included the earliest illustration of the stars of the Crux, the group of stars today known as the Southern Cross. This paper will explore the cultural context of that publication, along with the significance of this expedition, paying attention to the identification and illustration of the stars of the Southern Cross; in particular, I shall investigate why the book was important to the Medici family; the secrecy often attaching to geographical information acquired during the Age of Discovery; Andrea Corsali’s biography; and printing in Florence at this period; and other works issued by the printer Giovanni Stefano from Pavia. Corsali’s discoveries, particularly the ground-breaking astronomical report and illustration of the Southern Cross off the Cape of Good Hope, remained a navigational aid to voyages into the Southern Ocean and on to The East and the New World for centuries to follow, and ultimately even played a part in the European discovery of Australia.
    [Show full text]
  • La Lingua Litteraria Di Guarino Veronese E La Cultura Teatrale a Ferrara Nella Prima Metà Del XV Secolo
    Annali Online di Ferrara - Lettere Vol. 2 (2009) 225/256 DOMENICO GIUSEPPE LIPANI La lingua litteraria di Guarino Veronese e la cultura teatrale a Ferrara nella prima metà del XV secolo 1. Etichette e identità L’etichetta è una comoda scorciatoia per riconoscere in un bailamme di oggetti simili lo scarto che irriducibilmente li diversifica, per dare conto di identità plurime ad un primo sguardo, per trovare con rapidità ciò che già si sta cercando. Per questo le etichette riportano l’estremamente peculiare, lo specifico, il distintivo. Ma le etichette, non a caso, si appiccicano, perché sono estranee e superficiali. Quando si voglia non trovare ma veramente cercare, le etichette sono inservibili. La storia del teatro ne è piena. Giusto per fare degli esempi, alle origini della ricomparsa del teatro in Occidente c’è l’etichetta dramma liturgico e all’opposto cronologico, prima dell’esplosione novecentesca, la nascita della regia. Etichette, per l’appunto, che, attaccate per indicare, hanno finito per ridurre al silenzio ogni complessità culturale sottostante. Della sperimentazione teatrale a Ferrara nel Quattrocento, di quella stagione di grande fermento culturale e di radicato progetto politico si è spesso riferito usando l’etichetta di festival plautini, creando così il vuoto prima, dopo e in mezzo alle messe in scena di Plauto e Terenzio. Come se i tempi brevi di quegli eventi spettacolari non fossero intrecciati ai tempi lunghi della vita culturale cittadina. Come ricordava Braudel, però, «tempi brevi e tempi lunghi coesistono e sono inseparabili»1 e voler vedere gli uni prescindendo dagli altri significa fermarsi alla superficie dell’etichetta.
    [Show full text]
  • Flavio Biondo's Italia Illustrata
    Week V: Set Reading – Primary Source Flavio Biondo, on the revival of letters, from his Italia illustrata Editor’s Note: Flavio Biondo (1392-1463), also (confusingly) known as Biondo Flavio, was born in Forlì, near Bologna, but much of his career was spent at the papal curia, where he worked as secretary to successive Popes. At the same time, he wrote works of history and of topography. The Italia illustrata, which he worked on in the late 1440s and early 1450s, was intended to describe the geography of the regions of Italy but, in doing so, Biondo discoursed on the famous men of each region and, in the context in the section of his home region of the Romagna, provided a brief history of the revival of letters in his own lifetime. Those who truly savour Latin literature for its own taste, see and understand that there were few and hardly any who wrote with any eloquence after the time of the Doctors of the Church, Ambrose, Jerome and Augustine, which was the moment when the Roman Empire was declining – unless among their number should be put St Gregory and the Venerable Bede, who were close to them in time, and St Bernard, who was much later.1 Truly, Francesco Petrarca [Petrarch], a man of great intelligence and greater application, was the first of all to begin to revive poetry and eloquence.2 Not, however, that he achieve the flower of Ciceronian eloquence with which we see many in our own time are decorated, but for that we are inclined to blame the lack and want of books rather than of intelligence.
    [Show full text]
  • Miscellanies’ in England
    The Circulation and Use of Humanist ‘Miscellanies’ in England DAVID RUNDLE Accepted for publication in C. Revest ed., L’essor de la rhétorique humaniste: réseaux, modèles et vecteurs [Mélanges de l’École française de Rome – Mogen Âge, cxxviii] (2016) [The version presented below has the advantage over the published version of having full footnoting, rather than endnotes with author-date citations, followed by a bibliography. At the same time, it has the disadvantage of not providing the two images included in the published article] At inordinatam istam et confusaneam, quasi silvam aut farraginem perhiberi, quia non tractim et continenter sed saltuatim scribimus et vellicatim tantum abest uti doleamus ut etiam titulum non sane alium quam Miscellaneorum exquisiverimus Politian, preface to Miscellaneorum centuria una (1489) MISCELLANY n.s. A mass formed out of various kinds Samuel Johnson, A Dictionary of the English Language (1755) You might be forgiven for assuming from the title that this brief article can be an exhaustive survey of everything there is to know on its topic. After all, England is often presented as living beyond the infection zone which submitted to the studia humanitatis, at least in its first generations, a land where a couple of princes and only a few more bishops showed any interest in the intellectual novelties being wrought in Italy. It is true that the Britanni – penitus toto orbe divisi – offered up far fewer young men than the Germans to be educated at the universities of the peninsula and there to succumb to the new literary fashions. It is also the case that the English presence at the papal curia was less substantial than for those nations which were both more populous and physically closer to the epicentre of western Christendom.
    [Show full text]
  • Tradição E Transformação
    TRADIÇÃO E TRANSFORMAÇÃO A HERANÇA LATINA NO RENASCIMENTO GRUPO REPÚBLICA DAS LETRAS ESTUDO DE TEXTOS RENASCENTISTAS EM LATIM ORGANIZADORES: ELAINE CRISTINE SARTORELLI, RICARDO DA CUNHA LIMA, ROBSON TADEU CESILA, TIAGO AUGUSTO NÁPOLI TRADIÇÃO E TRANSFORMAÇÃO A HERANÇA LATINA NO RENASCIMENTO +80$1,7$6 SÃO PAULO, 2018 SUMÁRIO Agradecimentos 9 Homenagens a Alexandre Prudente Piccolo 13 1. Os Novos Mundos e a Nova Vida do Latim no Renascimento 23 Ricardo da Cunha Lima I. Poesia: Intertextualidade, gênero e Mito 2. Xântias e Fílis, um Amor Lírico à Moda Épica: Modulações na Ode 2.4 de Horácio 45 Alexandre Prudente Piccolo 3. “Para o Fantasma de Marcial”: Emulação e Agudeza no Epigrama Inglês dos Séculos XVI e XVII 61 Lavinia Silvares 4. Lira e Lamento: Safo de Lesbos no De Mulieribus Claris de Giovanni Boccaccio e nas Heroides de Ovídio 99 Talita Janine Juliani 5. Epic Challenges. Basinio da Parma’s Cyris and the Discourse of Genre in Early Humanistic Elegy 121 Christoph Pieper 6. D’Adriana à Ariadna : La Représentation Mythologique de l’Épouse dans l’Œuvre Poétique de Giovanni Pontano (1429-1503) 149 Hélène Casanova-Robin II. Prosa: Filosofia e Literatura de Viagem 7. Preenchendo Lacunas: Paganismo e Antipaganismo no De Voluptate Proemium de Lorenzo Valla 195 Ana Letícia Adami 8. Uma Língua “Velha” para uma Realidade “Nova”: Neologismos Latinos para a Expressão de Realidades Desconhecidas aos Olhos Europeus 227 Bruno Maroneze & Thissiane Fioreto 9. Aeternae Mentis Numen atque Consilium: as Historiae Indicae de Iohannes Petrus Maffeius 245 Leni Ribeiro Leite Abstracts 264 Lista de autores da presente edição 269 Índice de nomes próprios 273 P EPIC CHALLENGES.
    [Show full text]
  • George of Trebizond and Humanist Acts of Self-Presentation
    University of Kentucky UKnowledge Theses and Dissertations--History History 2013 Honor, Reputation, and Conflict: George of Trebizond and Humanist Acts of Self-Presentation Karl R. Alexander University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Alexander, Karl R., "Honor, Reputation, and Conflict: George of Trebizond and Humanist Acts of Self- Presentation" (2013). Theses and Dissertations--History. 14. https://uknowledge.uky.edu/history_etds/14 This Doctoral Dissertation is brought to you for free and open access by the History at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--History by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies.
    [Show full text]
  • Guarino's Views on History and Historiography
    GUARINO'S VIEWS ON HISTORY AND HISTORIOGRAPHY Ian Thomson Indiana University, Bloomington Guarino da Verona (1374-1460) was the most influential educator of the second generation after Petrarch (d. 1374). His career as a teacher of the Latin and Greek humanities began at Florence (1410-14), developed at Venice (1415-19) and Verona (1420-29), and culminated at Ferrara (1430- 60), where after five years as tutor to Leonello d'Este he became Public Professor of Rhetoric in 1436. 1 He also taught many private students (socii or contubernales) in his own boarding school (contubernium). To this "workshop of eloquence," compared by his student Lodovico Carbone to the Trojan horse from which poured forth princes without number/ came students of all ages, including some from England, France, Spain, Portugal, Germany, Poland, Hungary, and even Cyprus. 3 In the middle decades of the fifteenth century, it was undoubtedly the most famous center of humanist education in Europe. Like Vittorino da Feltre, his only peer as a teacher, Guarino never wrote a treatise on education. We must, therefore, rely on the reminiscences of pupils and friends, as well as the few remarks about education that Guarino made in his letters, for what we can deduce about his teaching theory and practice. This article deals with his views on the writing of history and the place of history in a liberal education. For the first our main source is a letter4 he wrote in 1446 to his ex-pupil, Tobia dal Borgo, who had been appointed historiographer to Sigismondo Malatesta of Rimini. Its contents are interesting not only as the mature reflections of the greatest professor of his time, but as a blend of what have been called the "rhetorical" and "scientific" approaches to the writing of history.
    [Show full text]
  • Pisanello Oil Paintings
    Pisanello Oil Paintings Pisanello [Italian painter, 1395-1455] Portrait of a Princess of the House of Este Oil on canvas, 46947-Pisanello-Portrait of a Princess of the House of Este.jpg Oil Painting ID: 46947 | Order the painting Portrait of Emperor Sigismund of Luxembourg Oil on canvas, 46948-Pisanello-Portrait of Emperor Sigismund of Luxembourg.jpg Oil Painting ID: 46948 | Order the painting Portrait of Leonello d'Este Oil on canvas, 46949-Pisanello-Portrait of Leonello d'Este.jpg Oil Painting ID: 46949 | Order the painting The Virgin and Child with Saints George and Anthony Abbot Oil on canvas, 46950-Pisanello-The Virgin and Child with Saints George and Anthony Abbot.jpg Oil Painting ID: 46950 | Order the painting Vision of St Eustace Oil on canvas, 46951-Pisanello-Vision of St Eustace.jpg Oil Painting ID: 46951 | Order the painting Total 1 page, [1] Pisanello (Nationality : Italian painter, 1395-1455) Pisanello (c. 1395 - probably 1455), known professionally as Antonio di Puccio Pisano or Antonio di Puccio da Cereto, also erroneously called Vittore Pisano by Giorgio Vasari, was one of the most distinguished painters of the 1/2 early Italian Renaissance and Quattrocento. He was acclaimed by poets such as Guarino da Verona and praised by humanists of his time who compared him to such illustrious names as Cimabue, Phidias and Praxiteles. Pisanello is known for his resplendent frescoes in large murals, elegant portraits, small easel pictures, and many brilliant drawings. He is the most important commemorative portrait medallist in the first half of the 15th century. He was employed by the Doge of Venice, the Pope in the Vatican and the courts of Verona, Ferrara, Mantua, Milan, Rimini, and by the King of Naples.
    [Show full text]
  • The Revival of Greek Studies in the West I 14Th – 15Th Cent
    The Revival of Greek Studies in the West I 14th – 15th cent. Ioannis Deligiannis Democritus University of Thrace • Introduction – Greek in the Middle Ages • The Early Humanism (14th cent.) • 15th cent. – Greek language teaching and learning methods • Chrysoloras’ Erotemata • Guarino da Verona and Battista Guarini • ms. Vat. Urb. Gr. 121 – Italian humanists who studied and/or translated Greek • Guarino Guarini da Verona • Leonardo Bruni • Vittorino da Feltre • Sassolo da Prato • Francesco Filelfo • Lapo da Castiglionchio the younger • Francesco Griffolini d’Arezzo • Lorenzo Valla • Marsilio Ficino • Angelo Poliziano • Other Italian translators Greek in the Middle Ages • Middle Ages Europe: Greek not generally known. • Interest in Latin translations of Greek texts: – Boethius (5th ex. – 6th in.): Aristotle. – John Scottus Eriugena (9th cent.): Gregory of Nyssa, Gregory of Nazianzus, and Maximus the Confessor. – Burgundio of Pisa (12th cent.): John of Damascus, John Chrysostom, Galen. – James of Venice (12th cent.): Aristotle. – Henricus Aristippus (12th cent.): Plato, Euclid, Ptolemy, Aristotle, Gregory of Nazianzus. • 13th cent: a better acquaintance with Greek. • Southern Italy remained the main bridge between Greeks and Latins. • Bartholomew of Messina: Aristotle. • Robert Grosseteste: revision of Burgundio’s translation of John of Damascus, and translations of other works of his, of Dionysius the Areopagite, Aristotle; articles from the Suda Lexicon. • Roger Bacon: wrote a Greek grammar for Latins, significant for the revival of the Greek studies in the West. • William of Moerbeke: translation of Aristotle or revision of existing translations; literal and faithful; classic in the 14th cent. He also translated mathematical treatises (Hero of Alexandria and Archimedes), commentaries of Simplicius, Proclus, etc.
    [Show full text]
  • Paulo Maiora Canamus / 89 SUKANTA CHAUDHURI This Is Not a Passing Phase Succeeded by a Happier Age
    Paulo maiora canamus / 89 SUKANTA CHAUDHURI This is not a passing phase succeeded by a happier age. There is fear of more violence to come, in a passage of dense political allusion: Paulo maiora canamus: Hoc superi prohibete nefas: non caedibus hydram Crescentem innumeris patriae sed viscera ferro Appetet, The Transcendence of Pastoral hesperio satiari sanguine gliscit. (Boiardo 674) in the Neo-Latin Eclogue (May the gods forbid such an evil as this, that the sword comes to be plunged into our fatherland's entrails rather than into the hydra, growing with countless acts of slaughter: it is avid to be glutted with western blood.') The fourth of Boiardo's ten Latin eclogues begins with an invocation to Urania, though in rather apologetic vein: Alongside Boiardo's invocation of Urania, heralding a paradoxical vein of political and martial pastoral, we may place an invocation to Calliope in Tu, dea, ... "Amyntas," the first Eclogue by the Dutch Catholic poet Jakob de Slupere or Uranie, mecum silvas habitare casasque Sluperius. This is the more remarkable as there is no epic material in de Ne pudeat... (Boiardo 673) Slupere's poem. Its core is a love-lament, set in an elaborate narrative and reported at several removes, of the shepherd Amyntas, whose beloved Aegle (Let it not shame you, goddess Urania, to dwell with me in country cottages.) is married to the unsavoury Pamphagus. This pastoral lament is set within a real-life, or at least realistic, journey by the poet and his friends. The clear After all, says the poet, Apollo too tended cattle.
    [Show full text]
  • The Wealth of Wives: a Fifteenth-Century Marriage Manual
    FRANCESCO BARBARO The Wealth of Wives: A Fifteenth-Century Marriage Manual • Edited and translated by MARGARET L. KING Iter Academic Press Toronto, Ontario Arizona Center for Medieval and Renaissance Studies Tempe, Arizona 2015 Iter Academic Press Tel: 416/978–7074 Email: [email protected] Fax: 416/978–1668 Web: www.itergateway.org Arizona Center for Medieval and Renaissance Studies Tel: 480/965–5900 Email: [email protected] Fax: 480/965–1681 Web: acmrs.org © 2015 Iter, Inc. and the Arizona Board of Regents for Arizona State University. All rights reserved. Printed in Canada. Library of Congress Cataloging-in-Publication Data Barbaro, Francesco, 1390-1454, author. [De re uxoria. English] The wealth of wives : a fifteenth-century marriage manual / Francesco Barbaro ; edited and translated by Margaret L. King. pages cm -- (The other voice in early modern Europe ; 42) (Medieval and renaissance texts and studies ; volume 485) ISBN 978-0-86698-540-6 (alk. paper) 1. Marriage--Early works to 1800. I. King, Margaret L., 1947– II. Title. III. Series: Other voice in early modern Europe ; 42. IV. Series: Medieval & Renaissance Texts & Studies (Series) ; v. 485. HQ731.B2413 2015 306.8109’01--dc23 2015027681 Cover illustration: Licinio, Bernardino (c.1489–before 1565), Portrait of the Family of the Artist’s Brother. Galleria Borghese, Rome, Italy. Scala / Art Resource, NY. ART28297. Cover design: Maureen Morin, Information Technology Services, University of Toronto Libraries. Typesetting and production: Iter Inc. Introduction The Other Voice In 1415, the young and still unmarried Francesco Barbaro (1390–1454) wrote the revolutionary treatise The Wealth of Wives (De re uxoria) that posits the value a wife contributes to a marriage as the mother of offspring.1 It is revolutionary because it identifies the mother—a woman, not a man; an interloper in the house- hold, not its patriarch—as the critical figure for the rearing of the young and, consequently, for the social and cultural reproduction of the noble family.
    [Show full text]
  • Legacy of the Humanists
    EUROPE Legacy of the Humanists EUROPEAN UNION NATIONAL INSTITUTES FOR CULTURE – EUNIC EUROPE – LEGACY OF THE HUMANISTS Humanitas hat makes human beings unique? This question was Wtaken up again during the Renaissance period upon For him, it was the rationality of language that differentiated humansreading thefrom works all other of the living Roman beings; writer it needed Cicero (106–43to be applied BCE). and precise manner, since the nurturing of the intellect saidin a refinedto be the nourishment of human dignity (humanitas humanitas implies,– and this over is andexpressed above thethrough modern language use of the– is ); term “humanity”, the aspect of „man as defined by his comprehensive intellectual wisdom“. Language, in its proper application,uch linguistic should and aim philosophical for truth and remarks the common touched good. a Scontemporary nerve amongst the Renaissance scholars, for the reigning academic and cultural drift of the times had reduced language to a practical framework which withhad to socio-political be structured, changes classified the and question definable; of human freedom dignity of tookthought on aand particular aesthetic dynamic, growth especiallywere not called during for. this Along period studia humanitatis,of transition. Based on the Classical archetype one now undertook studies that defined Man, the so-called individual wasthat now had called far-reaching upon to consequences.apply his reason For, and his language,along with to the question dissolution authority of existing and traditional thought patterns knowledge, the to form one’s own opinion, to take political responsibility, of the world through one’s own curiosity and to convey the same,to bring and in tothe open value one’s of one’s mind own in all experience, possible manner to get an beyond idea existing limits.
    [Show full text]