Dry Stone Wall Building
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Stone Source Glossary of Terms.Indd
GLOSSARY OF TERMS This glossary provides you with commonly used terms for each of our material UPDATED ON: 9.13.2012 categories. The guide is divided into 5 sections: • Natural Stone • Porcelain tile + Ceramic tile • Glass Tile • Engineered Stone • Wood New York Boston Chicago Los Angeles New Jersey Washington DC Natural Stone Porcelain Tile Glass Tile Engineered Stone Reclaimed Wood 1 of 21 - stone source Glossary of terms GLOSSARY OF TERMS: Natural stone These are the terms most commonly used in relation to Natural Stone: Bleed Staining caused by corrosive metals, oil-based putties, mastics, caulking, or Abrasion resistance sealing compounds. The ability of a material to resist surface wear. Book Matched Absorption Layout wherein slabs are cut to create a mirror image of each other. The relative porosity of the material. Materials with low absorption will be less prone to staining. Materials with high-absorption may not be suitable for all applications, specifically kitchen countertops that come into regular contact with oils or pigmented acidic liquids such as wine or balsamic vinegar. Acid etching Materials that contain calcium or magnesium carbonate (marble, travertine, limestone and onyx) will react to acidic foods such as lemons or tomatoes. This reaction will result in a change in surface sheen, otherwise referred to as “acid etching”. Lighter stones and honed surfaces will typically diminish the appearance of acid etching. Antiqued finish Brushed finish A finish with a worn aged appearance, achieved by mechanically rubber- A smooth finish achieved by brushing a stone with a coarse rotary-type wire brushing the tile. brush. Buttering / Back buttering bullnose edge The process of slathering the back of a stone tile with thinset material to ensure (see edge profiles on page 8) proper mortar coverage. -
CPCCST3003A Split Stone Manually
CPCCST3003A Split stone manually Release: 1 CPCCST3003A Split stone manually Date this document was generated: 26 May 2012 CPCCST3003A Split stone manually Modification History Not Applicable Unit Descriptor Unit descriptor This unit specifies the outcomes required to split stone using a range of methods for both hard and soft stone. Application of the Unit Application of the unit This unit of competency supports the achievement of skills and knowledge to split stone manually, which may include working with others and as a member of a team. Licensing/Regulatory Information Not Applicable Pre-Requisites Prerequisite units CPCCOHS2001A Apply OHS requirements, policies and procedures in the construction industry Approved Page 2 of 11 © Commonwealth of Australia, 2012 Construction & Property Services Industry Skills Council CPCCST3003A Split stone manually Date this document was generated: 26 May 2012 Employability Skills Information Employability skills This unit contains employability skills. Elements and Performance Criteria Pre-Content Elements describe the Performance criteria describe the performance needed to essential outcomes of a demonstrate achievement of the element. Where bold unit of competency. italicised text is used, further information is detailed in the required skills and knowledge section and the range statement. Assessment of performance is to be consistent with the evidence guide. Approved Page 3 of 11 © Commonwealth of Australia, 2012 Construction & Property Services Industry Skills Council CPCCST3003A Split stone manually Date this document was generated: 26 May 2012 Elements and Performance Criteria ELEMENT PERFORMANCE CRITERIA 1. Plan and prepare. 1.1. Work instructions and operational details are obtained using relevant information, confirmed and applied for planning and preparation purposes. -
Building the Lighthouse on Montague
SELF-GUIDED TOUR 2 BUILDING THE LIGHT This self-guided tour focuses on the construction of the Lighthouse on Montague Island - in particular the work of the stonemasons. PERHAPS BEGIN THIS TOUR SITTING ON THE STEPS LEADING UP TO THE TOWER... LOOK... at the tower: • Observe how it “grows” from the rock... • Appreciate its proportions suggesting strength, durability and watchfulness. • Notice the courses of blocks, the windows, the overhangs, the balcony and the lantern room at the top. CONSIDER... This Lighthouse has been operating continuously since 1881 - staffed until September 1986, and then automatically since 1986. The Australian Maritime Safety Authority (AMSA) now maintains the tower and light, totally funded by the shipping and insurance industries. GUIDE TO YOUR TOUR SIGNIFICANT DATES: 1873 Decision for a “First Order, Fixed and Flashing Light” on Montague Island 1877 Monies allocated within NSW budget – James Barnet, Colonial Architect, designs the lighthouse and buildings. 1878 – October Tenders let – Musson and Co wins the tender. 1879 – June? Musson surrenders his contract 1880 – July Fresh tenders called – William H. Jennings of Sydney wins the tender. 1880 – September Visitors impressed with Jennings’ Progress. 1881 – October Work completed by Jennings, 4 months ahead of schedule. 1881 – November 1st Lighthouse is formally opened by the NSW Marine Board THE DESIGN OF THE LIGHT STATION AND TOWER. James Barnet, the Colonial Architect from 1865 to 1890, was responsible for some 15 lighthouses in NSW, in particular during the period 1875-1885. Other lighthouses he designed include the Macquarie Light on Sydney’s south head, after Greenway’s tower experienced problems; Cape Byron; Norah Head; and the nearby Greencape light, south of Eden. -
How to Build a Dry Stone Wall an Instructional Guide for Beginners
Do- It-Yourself: How to Build a Dry Stone Wall An instructional guide for beginners © Copyright Stephen Burton and licensed for reuse under this Creative Commons License. By: Stephen T. Kane Table of Contents: INTRODUCTION………………………………………………….3 TOOLS, EQUIPMENT, AND SUPPLIES………………………4 GROUNDWORK…………….…………………………………….7 FOUNDATION…………………………………………………….8 COURSING.…………………………………………………………9 COPING.……………………………………………………………10 GLOSSARY………………………………………………………..11 Introduction: Whether for pure aesthetics or practical functionality, dry stone walls employ the craft of carefully stacking and interlocking stones without the use of mortar to form earthen boundaries, residential foundations, agricultural terraces, and rudimentary fences. If properly constructed, these creations will stand unabated for countless years, requiring only minimal maintenance and repairs. The ability to harness the land and shape it in a way that meets one’s needs through stone walling allows endless possibility and enjoyment after fundamental steps and basic techniques are learned. How to Build a Dry Stone Wall provides a comprehensive reference for beginners looking to start and finish a wall project the correct way. A list of essential resources and tools, a step-by-step guide, and illustrations depicting proper construction will allow readers to approach projects with a confidence and a precision that facilitates the creation of beautiful stonework. If any terminology poses an issue, simply reference the glossary provided in the back of the booklet. NOTE: Depending on property laws and building codes, many areas do not permit stone walls. Check with respective sources to determine if all residential rules and regulations will abide stonework. Also, before building anything on a property line, always consult your neighbor(s) and get their written consent. -
Stillwater Stoneworks Las Vegas Fabricator & Sculptor Approaches Stone from a Different Angle TEVE Hitman Does Not by Stacy B
www.slipperyrockgazette.net VOLUME 19, ISSUE 231 THE BEACON OF THE STONE INDUSTRY OCTOBER 2013 Stillwater Stoneworks LAS VEGAS FABRICATOR & SCULPTOR APPROACHES STONE FROM A DIffERENT ANGLE TEVE Hitman does not by Stacy B. Williams like to call himself an artist, because he says Photos by Johnny Vizina not all art has to be functional. But the man with the philosophy behind Stillwater Stonework maintains a fluid bal- ance of artistry, functionality and crafts- manship in his finished products. He just approaches things from a different angle. His stone furniture and home accent pieces are one-of-a-kind creative, and his philoso- phy comes from a deep reservoir of passion, ambition and, well, water. He grew up on the New Jersey coast and water has always been the source of influence and inspiration in his stonework. Hitman has been sculpting since he was a boy and made his first surfboard at age 10. “There is constant movement in water,” Above: 3-tiered round patio table, 42˝ diameter. Hitman says, and he seeks to activate some Stone: 3cm Giallo Antigua on a steel-threaded of that movement with the stone he uses and reinforced ceramic pillar. in the sculptures he makes. Left: Kitchen counters and coordinating cladding Each project is approached with innovation from a honey-colored slab of Giallo Antigua. and fluidity according to the client’s desires Backsplash is coordinated Ivory and Noche trav- and space. Whether he is installing a white ertine. Note the matching cake stand made from a column of Giallo with Black Granite base and top. -
Siege Machines Will Spare No Effort to Storm the Town and Its Defenders
RULEBOOK (WORK IN PROGRESS) 1 THE CONVICTED INTRODUCTION The Convicted is a cooperative board game for 1-4 players. In The Convicted players become convicts who were given a second chance to expiate their crimes. In order to prove their true de- votion for the ruler, they need to colonize new lands in the name of the king. They start building their headquarters – town – with just a handful of footman, and a few structures. Through the development of fortifi cations, buildings, researching new technolo- gies, gathering resources and training recruits they can transform their colony into an impenetrable fortress. Alas, the new world is full of indigenous inhabitants who by any means possible try to get rid of unwanted colonizers. Countless hordes of barbarians, forest people, ferocious monsters and wolf men with their beasts and siege machines will spare no effort to storm the town and its defenders. The whole game-play consists of a campaign of 10 matches, 90 minutes each (15 hours total). After each match the game is saved on the Save Sheet. That gives the possibility to divide the whole campaign to as many parts as we need. The goal of each game is to survive all of the enemy assault waves. CONTENTS GAME COMPONENTS Symbols and defi nitions 3 • Game board Components overview 4 • Rulebook Setting up the game 7 • 26 building tokens • 28 building cards Selecting the Heroes 7 • 40 fortifi cation tokens Setting up the components 7 • 12 moat tokens The course of the game 8 • 12 ditch tokens • 4 enemy cards Round structure 8 • 19 technology cards I. -
DRY STONE WALLS Fig
INFORM DRY STONE WALLS Fig. 1: Two regional variations showing how local geology influences walling style. Composition of dry stone walls DRY STONE WALLS Dry stone construction is an ancient This INFORM guide aims to broaden building technique, where the walls are the awareness of the importance constructed from carefully positioned and complexity of dry stone walling interlocking stones placed on top of in Scotland, and it outlines common each other without the use of mortar. causes of deterioration and the Pressure from the stones at the top maintenance required to prolong the and the way the stones are interlocked life of such walls. ensures the self-supporting stability of the wall. However, there is more to the Dry stone walls, or drystane dykes as construction of a dry-stone wall than known in Scotland, are an integral part randomly setting stone upon stone; of the built heritage and landscape the skill required to properly construct of Scotland. They perform several a wall without mortar that will last for functions, such as to delineate several hundred years is considerable. boundaries, to corral livestock and to provide shelter for wildlife. Despite The construction of the wall depends the many thousands of miles of dry on the quantity and types of stone stone walling which can be seen available. Although today it is possible forming field boundaries and related to source quarried stone, walls would structures, it is a much neglected have originally been constructed with and misunderstood part of the built stones found on local ground. There heritage. Both their construction are regional variations in the type of and repair are complex tasks that stone used for dry stone walls, as the should not be undertaken lightly; It local geology varies from one place is recommended that any large-scale to another, dictating the shape and repair is performed by a competent or size of available stone, as well as the accredited dyker. -
Outline of Dry-Stone Retaining Wall
12TH INTERNATIONAL BRICK/BLOCK Masonry c O NF E RE NC E OUTLlNE OF DRY-STONE RETAINING WAll CONSTRUCTION IN BRITAIN AND FRANCE 1 2 2 P.J. Walker , J.c. Morel and B.villemus 'Dept. Architecture & Civil Engineering, University of Bath, Bath, BA2 7AY, UK ' DGCB, ENTPE, Rue M.Audin, 69518 Vaulx en Velin, FRANCE ABSTRACT During the nineteenth and early twentieth centuries a large number of dry-stone re taining walls were built as part of new road networks in Britain and France. Though many of these walls continue to perform quite satisfactorily, many fail simple stability checks. Maintenance authorities are typically confronted with a large number of ageing and distressed walls and an apparent increasing rate of deterioration in recent years. Initially the paper outlines the form of construction, distribution and extent of these walls in Britain and France. Failure mechanisms, including bulging, and causes of deterioration are discussed. General guidance for inspection and assessment of walls are included. Methods of repair and strengthening, which include pressure poin ting, soi! nailing, reconstruction, and buttressing are summarised as well. The Univer sity of Bath and ENTPE are currently undertaking on-going research programs aimed at improving structural integrity assessment of dry-stone walls. Initial findings from field work, model testing and numerical mode/ling are also included in the paper. Key words: Assessment, dry-stone, retaining walls, maintenance, repair. 1909 INTRODUCTION Dry-stone walls are built largely without the use of mortar by stacking uncut sto ne rubble blocks. Built by skilled masons and they rely on careful selection and positioning of stones for their integrity. -
A Short Text-Book on Masonry Construction, In- Cluding Descriptions of the Materials Used, Their Preparation and Arrangement in Structures
WORKS OF PROF. M. A. HOWE PUBLISHED BY JOHN WILEY & SONS, Inc. Masonry. A short Text-book on Masonry Construction, in- cluding Descriptions of the Materials Used, their Preparation and Arrangement in Structures. 8vo, ix +160 pages. 115 figures. Cloth, $1.50 net. Foundations. A short Text-book on Ordinary Foundations, including a brief Description of the Methods Used for Difficurt Foundations. 8vo, vii + 110 pages. 56 figures. Cloth, $1.25 net. Influence Diagrams for the Determination of Maximum Moments in Trusses and Beams 8vo, vii+65 pages, 42 figures. Cloth, $1.25 net. The Design of Simple Roof=trusses in Wood and Steel. With an Introduction to the Elements of Graphic Statics. Third edition, revised and enlarged. 8vo, vi+173 pages, 124 figures and 3 folding plates. Cloth, $1.80 net. Retaining-walls for Earth. Including the theory of Earth-pressure as Devel- oped from the Ellipse of Stress. With a Short Treatise on Foundations. Illustrated with Ex- amples from Practice. Sixth edition, revised and enlarged. 12mo, xv +194 pages, 110 figures. Cloth, $1.25 net. A Treatise on Arches. Designed for the use of Engineers and Students in Technical Schools. Second edition, revised and enlarged. 8vo, xxv +369 pages, 74 figures. Cloth, $4.00 net. Symmetrical Masonry Arches. Including Natural Stone, Plain concrete and Rein- forced concrete arches, for the use of Technical Schools, Engineers and Computers .in Designing Arches according to the Elastic Theory. Second edition, revised and enlarged. 8vo, xxiv -r245 pages. Profusely illustrated with figures in the text and folding plates. Cloth, $2.50 net. -
Application for Permit for Memorial
NORTH HERTFORDSHIRE DISTRICT COUNCIL North Hertfordshire District Council, PO Box 10613, Nottingham NG6 6DW DX 324201, Nottingham 59 Telephone: (01462) 474000 APPLICATION FOR PERMIT FOR MEMORIAL All stonemasonry work carried out on New or Refurbished memorials MUST be fitted by a registered Stonemason to the regulation Industry Standards and written proof provided within the relevant timescale. Section A – Applicant Details Applicant (Stonemason): …………………………….……………………………………………………… Full Address: ………………………………………………………..………………………………………… Email:………………………………………………………….. Telephone No:…………………………….. Stonemason Signature …………………………………….. Date: ……………………………………… Please ensure all sections are completed in FULL and the Grave Grant Owner details have been accurately checked and confirmed as this may result in the application being returned. Please email completed application to [email protected] Section B - Plot Details Cemetery location: …………………………………….. Grave space number: …………………………. We, the Stonemason have seen evidence of the Grave Grant Owner’s Deed We, the Stonemason have contacted NHDC to confirm the Grave Grant Owner Details. We, the Stonemason confirm this is a Child Memorial. Section C – For Completion by the Grave Grant Owner(s) ONLY Grave Space Number: ………………………………………………………………………………………………. Signed Grant Owner (1): ……………………………………..Print name:……………………………………… Full Address (1): …………………………………………………………………………………………………….. Contact number (1): …………………………………Email (1): ………………………………………………… Signed Grant Owner (2): …………………………………….Print name:……………………………………… -
Dry Stone Retaining Wall Specifications .PDF
SECTION 04600 DRY STONE WALL RETAINING SYSTEM PART 1 - GENERAL DESCRIPTION Work includes furnishing and installing a coursed dry stone retaining wall to be installed to the lines and grades designated on the project’s final construction drawings or as directed by the Architect/Engineer. Included here are the standards of coursed dry stone wall construction, as they should be shown on the construction drawings. 1.02 RELATED SECTIONS A. Section 02220 – Earthwork 1.03 DEFINITIONS: A. A Dry Stone Retaining Wall is a type of gravity wall. It is built without any mortar, and relies on the mass of the stones and the friction between them to retain soil. B. Terminology for Dry Stone Walls as used in these specifications: 1. Footing: The prepared surface on which the wall is built 2. Foundation Stones: Large Stones in the bottom of the wall, forming the first course. 3. Lift: A portion of wall vertically above or below a course with through stones. The First Lift Starts on top of the foundation stones and goes up to the first course of through stones. The second lift is the next in height and so on. The number of lifts is determined by the height of the wall. 4. Through Stones: Long stones used to tie the face of the wall back to the stones behind. Through stones are typically placed in level courses with a specified horizontal distance between them. The courses of through stones define the top and bottom of the lifts. 5. Wall Stones: Stones seen in the face of the completed wall. -
Italian Stoneworkers in America – Stonemasonry in Curitiba, Paraná (Brazil)
Italian stoneworkers in America – stonemasonry in Curitiba, Paraná (Brazil) Antonio Liccardo & Carlos Alberto Pereira Universidade Federal do Paraná and Universidade Federal de Ouro Preto - Brazil Interfaces of stonemasonry research • History • Culture • Geology • Mineral extraction • Mining engineering • Geography Stonemasonry technique is an ancient craft which came to Brazil from Europe with Portuguese and Spanish settlers. In Curitiba has also been developed through Italian colonization, producing stone works for pavements, walls, fountains, landmarks and monuments. Stonemasonry is considered to be an activity which is declining to extinction. Curitiba presents, besides countless works constructed with this technique, stonemason-artisans still in activity. Curitiba – most european of brazilian capitals • Curitiba is a city with about 2 million people, located in Southern Brazil • It was founded in 1693, but its development as a modern city began at the end of the 19th century because of geopolitical factors, and coincided with the beginning of the immigration Italian migration to Brazil • Italian immigration in Brazil occurred from 1860 until the 1940s • From 1875 until 1895 the migration of workers connected to urban services started, as builders, potters and, among them, stonemasons Greca family working stones in 1894 Researches about italian emigration show an exodus of stonemasons and stoneworkers in cities known for this activity, mainly in the Veneto region. Italian descendants working granite – Curitiba - 1928 General geology