Peter Lanyon's Biography
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10/03/2020 | Casabella
Mensile Data 03-2020 Pagina 90/93 Mira Foglio 2 / 4 presso lo IUAV solo dal 1959, era disattenzione per la letteratura (cfr. per esempio le utilità, intorno agli anni Trenta, del sinora conosciuta solo per parti conservazione fisica dell'eredità informazioni fornite dal libro "suburbio" fiorentino, cioè la chiuse in se stesse: il dell'architettura italiana del Deutsche Architekten in «fascia del territorio comunale coinvolgimento con il Futurismo e Novecento. Großritannien di A. Schätzke del acquisito a seguito della riforma i suoi protagonisti —Marinetti, 2014). I coniugi Pritchard, Coates, i amministrativa del 1865 e del Depero, Dormal; l'importante ciclo loro amici e sodali erano socialisti e piano di ampliamento redatto e di lavori per il Partito Nazionale fautori di stili di vita estremamente diretto da Giuseppe Poggi», Fascista padovano del 1937-40 tolleranti, a iniziare dal culto perla quando Firenze fu capitale. La —tra altre, le sedi dei gruppi rionali libertà sessuale. Anche per queste scelta del Pucci è sempre quella di fascisti Bonservizi e Cappellozza, ragioni Lawn Road Flats divenne il privilegiare i giardini per il loro quest'ultima provvista di un Teatro "centro" di una intensa vita eoltre a «significato "orticolo"», «pregio all'aperto dei Diecimila, l'unico Gropius, Breuer, Moholy-Nagy, originale» della sua opera. Dei 283 "teatro di masse" realizzato in Adrian Stokes anche Agatha casi trattati, ne spiccano tre: la villa Italia, demolito negli anni Christie, il cui vicino di casa, Arnold e giardino dei Demidoff, la cui -
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BEST OF CORNWALL 2020 Marianne Stokes, née Priendlsberger 1855 - 1927 Lantern Light, 1888 Oil on canvas, 82.5 x 102 cm Penlee House Gallery & Museum Purchased by private treaty from Mr & Mrs Allan Amey with assistance from The Art Fund, The MLA/V&A Purchase Grant Fund and the Friends of Penlee A brief and incomplete history of ... art and artists in Cornwall By Andrea Breton Cornwall has always appealed to the creative type; a land of mists and megaliths, it combines a wide variety of landscape, from perfectly sanded coves to dramatic cliffs and breakers; bleak, haunted moors to lush vegetal valleys. There are picturesque harbours and grand country houses set in vast acreages. There are impressive landmarks from the past such as Tintagel Castle, St Michael’s Mount and more standing stones and Neolithic sites than you can shake a stick at. They exist happily alongside the present day futuristic domes of Eden, the stately grey bulk of Tate St Ives, old Mine chimneys (sensibly bestowed with World Heritage status) and the spoil heaps of the clay pits near St Austell. 35 BEST OF CORNWALL 2020 However there is more to Cornwall’s appeal than It was clear that luck landmarks. It is the geographical distance to the rest of was needed. Fortunately, the England; the quirk of geology which makes Cornwall Victorian age was coming somewhat longer than it is wide. Surrounded by the sea, and with it the age of steam it gives the county an all enveloping bright light, allegedly powered travel and the artists’ a couple of lux higher than the mainland. -
CORNWALL.] FAR 946 ( L,OST OFFICE FARMERB Continued
[CORNWALL.] FAR 946 ( l,OST OFFICE FARMERB continued. Kittow John, Higher Penrest, Lezant, Laity William, Tregartha, St. Hilary, Kempe Jas. Rosemanowas,St.Stythians Launceston Marazion Kempe John, Trolvis, St. Stytbians Kittow Jonathan, St. Clether, Launcstn Laity W.Tregiffian, St.Buryan,Penznce Kempthorne Charles, Carythenack, Kittow R. W estcot, Tremaine, Launcstn Laity W. Trerose, Mawnan, Falmouth Constantine, Penryn Kittow T.Browda,Linkinhorne,Callngtn Lake Daniel, Trevalis, St. Stythians Kempthorne James, Chenhall, Mawnan, Kittow Thomas, Tremaine, Launceston Lamb William & Charles, Butler's Falmouth KittowT. Uphill, Linkinhorne,Callingtn tenement, Lanteglos-by-Fowey,Fowy Kempthorne J. Park, Illogan,Camborne Kittow W. Trusell, Tremaine,Launcestn Lamb Charles, Lower Langdon, St. Kendall Mrs. Edwd. Treworyan, Probus KneeboneC.Polgear,Carnmenellis,Rdrth Neot, Liskeard Kendall J. Honeycombs, St.Allen,Truro Kneebone Joseph, Manuals, St. Columb Lamb H. Tredethy, St. Mabyn, Bodmin Kendall Richard, Zelah, St.Allen,Truro Minor Lamb J .Tencreek, St.Veep, Lostwithiel Kendall Roger, Trevarren, St. Mawgan, KneeboneRichard, Hendra, St. Columb Lambrick J.Lesneage,St.Keverne,Hlstn St. Columb Minor Lambrick John, Roskruge,St.Anthony- Kendall SilasFrancis,Treworyan, Probus Knee bone T. Reginnis,St. Paul,Penzance in-M eneage, Helston Kendall Thoma..'l, Greenwith common, Kneebone Thos. South downs, Redruth Lamerton Wm. Botus Fleming, Hatt Perran-arworthal Kneebone W. Gwavas,St.Paul,Penzance Laming Whitsed, Lelant, Hay le KendallThomas,Trevarren,St.Mawgan, Knight James, Higher Menadue, Lux- Lampshire W.Penglaze, St.Alleu,Truro St. Columb ulyan, Bodmin Lander C. Tomrose, Blisland, Bodmin Kendall 'Villiam, Bodrugan, Gorran Knight J. Rosewarrick,Lanivet,Bodmin Lander C. Skews, St. Wenn, Bodmin Kendall William, Caskean, Probus Knight }Jrs. J .Trelill,St.Kew, Wadebrdg Lander J. -
The Lanyons of Lanyon, Madron an Incident in the Family History
THE LANYONS OF LANYON, MADRON AN INCIDENT IN THE FAMILY HISTORY N the fourteenth century there dwelt in the Manor House of Trega- I minion a family bearing that name. This house was some four miles from Lanyon Manor. Joyce Tregaminion and his wife Joan had three children, Richard, the only son and heir, and two daughters named Sibyl and Isabel. The latter married John Robyn als. Luky, said to be a "bond tenant to the Princess of Wales" and this act—"the marital subordination of a free woman to an unfree husband"—resulted in later years in the loss to the family of much of their estates. But that is another story. Sibyl married a John de Lynyen of Lanyon Manor, and either at the end of the year 1344 or beginning of 1345 she visited her old home. As the word "late" is used in speaking of her mother, Joan, she might have just died. When returning to Lanyon Manor, and for some reason we are not given, Sibyl took "some goods and jewels" of her mother's and "carried" them away to her home. It may be that Sibyl's husband, John, knew nothing of bis wife's wrong conduct until she was charged with this felony—by whom we are not told—but, whether ignorantly or knowingly, be was bound by both love and chivalry to give her his protection and the shelter of his home (though the law deemed him an "accessory to a felony") and to face the penalty of his lands becoming forfeit, and he himself outlawed, should the Courts' verdict go against him. -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETH-CENTURY ART COLLECTION SCIIEMES AND TIIEIR IMPACT ON LOCAL AUTHORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISH ART IN BRITAIN VOLUME If Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA.CT.................................................................................. ii ACKNOWLEDGEMENTS •........••.••....••........•.•.•....•••.......•....•...• xi CHAPTER 1:INTRODUCTION................................................. 1 SECTION 1 THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS.......................................................................... -
Creative Industries Consortium
Post of Gallery Manager – Penwith Gallery, St Ives The Penwith Society of Arts was founded in 1949 by a group of artists in St. Ives, under the distinguished leadership of Ben Nicholson, Barbara Hepworth and Bernard Leach; it now has a unique complex of buildings in Back Road West, including public galleries, artists’ studios and workshops. A charitable company – Penwith Galleries Ltd – was created to arrange the programme of exhibitions, execute all gallery business and manage the entire complex. The galleries present year-round exhibitions by Members and Associates of the society, as well as exhibitions by other artists from Cornwall and artists from further afield. The New Gallery and the Studio Gallery are available for hire when our programme permits. The Penwith is an unrivalled resource for the arts in Cornwall and is part of a unique cluster of visual arts activity in the town, working with other partners such as Tate St Ives, Porthmeor Studios, the St Ives School of Painting, the St Ives Archive and a range of other galleries. Gallery Manager Penwith Galleries Ltd (PGL) is now recruiting for the new post of full-time Gallery Manager. We expect that she or he will be an experienced administrator with a real interest in and enthusiasm for art as well as experience in finance, marketing and sales. The new Manager should demonstrate the ability to oversee effectively our gallery operations and our employees. Applicants must have the management skills to control the gallery’s budget, manage and schedule the gallery staff, plan gallery schedules, set deadlines and so on. -
Responsibilities for Flood Risk Management
Appendix A - Responsibilities for Flood Risk Management The Department for the Environment, Food and Rural Affairs (Defra) has overall responsibility for flood risk management in England. Their aim is to reduce flood risk by: • discouraging inappropriate development in areas at risk of flooding. • encouraging adequate and cost effective flood warning systems. • encouraging adequate technically, environmentally and economically sound and sustainable flood defence measures. The Government’s Foresight Programme has recently produced a report called Future Flooding, which warns that the risk of flooding will increase between 2 and 20 times over the next 75 years. The report produced by the Office of Science and Technology has a long-term vision for the future (2030 – 2100), helping to make sure that effective strategies are developed now. Sir David King, the Chief Scientific Advisor to the Government concluded: “continuing with existing policies is not an option – in virtually every scenario considered (for climate change), the risks grow to unacceptable levels. Secondly, the risk needs to be tackled across a broad front. However, this is unlikely to be sufficient in itself. Hard choices need to be taken – we must either invest in more sustainable approaches to flood and coastal management or learn to live with increasing flooding”. In response to this, Defra is leading the development of a new strategy for flood and coastal erosion for the next 20 years. This programme, called “Making Space for Water” will help define and set the agenda for the Government’s future strategic approach to flood risk. Within this strategy there will be an overall approach to the assessing options through a strong and continuing commitment to CFMPs and SMPs within a broader planning framework which will include River Basin Management Plans prepared under the Water Framework Directive and Integrated Coastal Zone Management. -
Work Placement Handbook
Work Placement Handbook 2012 CONTENTS • Background to Falmouth Art Gallery • Falmouth Art Gallery’s Work placement Policy • Work placement Benefits • Getting the most from the placement • Guidelines General Safety Health Object Handling Supervision • Staff Lists • Forms Falmouth Art Gallery Falmouth Art gallery is a service funded by Falmouth Town Council. It is an accredited museum and complies with standards laid down for the Registration of Museums in the United Kingdom and works in partnership with: Age Concern, The Art Fund, Arts Council England, Brightwater Holidays, Combined Universities of Cornwall, Cornwall and Devon Media, Cornwall College, Cornwall Council Conservation Department, Cornwall Heritage Trust, CSV RSVP, Earls Retreat, Falmouth Arts Society, Falmouth BIDS, Falcare (formerly Mencap), Falmouth Marine School, Falmouth Stroke Club, Heritage Lottery Fund, Hine Downing Solicitors, Jason Thomas Dance Company, Kerrier Pupil Referral Unit, Kids in Museums, Langholme, Little Parc Owles Trust, Local schools, MLA (Museums, Libraries and Archives Council), MLA/V&A Purchase Grant Fund, Museums Association, National Maritime Museum Cornwall, Newquay Zoo, Penlee House Gallery & Museum, Royal Cornwall Museum, Royal Cornwall Polytechnic Society, Sully’s Picture Framing Penryn, Susie Group (victims of domestic abuse), Swamp Circus, Tate St Ives, The Tanner Trust, Truro and Penwith College, U3A, University College Falmouth, University of Exeter, Wayfarers,The West End Group – Murdoch and Trevithick Centre, The WILD Young Parents Group Falmouth Art Gallery The Origins of the Collection The first Falmouth Art Gallery was opened in Grove Place in 1894 under the Directorship of William Ayerst Ingram and Henry Scott Tuke. It featured their own work along with that of Sophie Anderson, Richard Harry Carter, Charles Davidson, Topham Davidson, Winifred Freeman and Charles Napier Hemy. -
The Death of Cornish
THE DEATH OF CORNISH P. A. S. POOL Price: 4op THE DEATH OF CORNISH (1600- 1800) by P. A. S. POOL, M.A., F.S.A. President of the Royal Institution of Cornwall Hon. Research Fellow, Institute of Cornish Studies 1975 Obtainable from the Author at 37 Morrab Road, Penzance Peter Dalwood, 5 Chapel Street, Penzance The County Museum, River Street, Truro AUTHOR'S NOTE This booklet contains the text of my Address to the International Congress of Celtic Studies at Penzance in April 1975. Some addi• tions and corrections have been made, and full references given, but the spoken form has been retained. My best thanks are due to Professor Charles Thomas, Director of the Institute of Cornish Studies, for inviting this contribution, and to Mr. Oliver J. Padel, Research Fellow, for his most helpful comments on my text. I am deeply grateful to Lord St. Levan and to the Royal Institution of Cornwall for use of the portraits of Dolly Pentreath and William Gwavas, and to Mr. R. D. Penhallurick for drawing the map. Above all, I am conscious of my debt to the late Robert Morton Nance, so much of whose research is included in these pages, and whose life's work made it possible for me to end a survey of a tragic phase in the history of Cornish on a note of hope rather than despair. Abbreviations used in footnotes: CWBF O.J. Padel, The Cornish Writings of the Boson Family, 1975. JRIC Journal of the Royal Institution of Cornwall (NS, New Series). OC Old Cornwall (Journal of the Federation of Old Cornwall Societies). -
Election of Parish Councillors for Altarnun Parish Council on Thursday 6 May 2021
RETURN OF RESULT OF UNCONTESTED ELECTION Cornwall Council Election of Parish Councillors for Altarnun Parish Council on Thursday 6 May 2021 I, Kate Kennally, being the Returning Officer for the Parish of ALTARNUN PARISH COUNCIL at an Election of Parish Councillors for the said Parish report that the latest time for delivery of notices of withdrawal of candidature, namely Thursday 8 April 2021, having passed, the persons whose names appear in the accompanying list stood validly nominated and were duly elected without a contest. Name of Candidate Home Address Description (if any) BLOOMFIELD (address in Cornwall) Chris BRANCH 3 Penpont View, Five Lanes, Debra Ann Altarnun, Launceston, Cornwall, PL15 7RY COLES 17 St Nonnas Close, Altarnun, Lauren Launceston, PL15 7RU DOWLER (address in Cornwall) Craig Nicholas GREEN The Dovecote, Tredoggett Farm, Carl Stuart Altarnun, Launceston, Cornwall, PL15 7SA HOSKIN The Bungalow, Trewint Marsh, Tom Launceston, Cornwall, PL15 7TF KENDALL (address in Cornwall) Jason John MARSH 1 Todda Close, Bolventor, PL15 Health And Social Care Managing Leah Michelle 7FP Director SMITH (address in Cornwall) Polly Jane SMITH (address in Cornwall) Wesley Arthur Dated Tuesday 13 April 2021 Kate Kennally Returning Officer Printed and published by the Returning Officer, 3rd Floor, South Wing, County Hall, Treyew Road, Truro, TR1 3AY RETURN OF RESULT OF UNCONTESTED ELECTION Cornwall Council Election of Parish Councillors for Antony Parish Council on Thursday 6 May 2021 I, Kate Kennally, being the Returning Officer for the Parish of ANTONY PARISH COUNCIL at an Election of Parish Councillors for the said Parish report that the latest time for delivery of notices of withdrawal of candidature, namely Thursday 8 April 2021, having passed, the persons whose names appear in the accompanying list stood validly nominated and were duly elected without a contest. -
Michael Kidner Interviewed by Penelope Curtis
NATIONAL LIFE STORIES ARTISTS’ LIVES Michael Kidner Interviewed by Penelope Curtis & Cathy Courtney C466/40 This transcript is copyright of the British Library Board. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road London NW1 2DB 020 7412 7404 [email protected] This transcript is accessible via the British Library’s Archival Sound Recordings website. Visit http://sounds.bl.uk for further information about the interview. © The British Library Board http://sounds.bl.uk IMPORTANT Access to this interview and transcript is for private research only. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road London NW1 2DB 020 7412 7404 [email protected] Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators ( [email protected] ) © The British Library Board http://sounds.bl.uk The British Library National Life Stories Interview Summary Sheet Title Page Ref no: C466/40/01-08 Digitised from cassette originals Collection title: Artists’ Lives Interviewee’s surname: Kidner Title: Interviewee’s forename: Michael Sex: Male Occupation: Dates: 1917 Dates of recording: 16.3.1996, 29.3.1996, 4.8.1996 Location of interview: Interviewee’s home Name of interviewer: Penelope Curtis and Cathy Courtney Type of recorder: Marantz CP430 and two lapel mics Recording format: TDK C60 Cassettes F numbers of playback cassettes: F5079-F5085, F5449 Total no. -
Aspects of Modern British Art
Austin/Desmond Fine Art GILLIAN AYRES JOHN BANTING WILHELMINA BARNS-GRAHAM DAVID BLACKBURN SANDRA BLOW Aspects of DAVID BOMBERG REG BUTLER Modern ANTHONY CARO PATRICK CAULFIELD British Art PRUNELLA CLOUGH ALAN DAVIE FRANCIS DAVISON TERRY FROST NAUM GABO SAM HAILE RICHARD HAMILTON BARBARA HEPWORTH PATRICK HERON ANTHONY HILL ROGER HILTON IVON HITCHENS DAVID HOCKNEY ANISH KAPOOR PETER LANYON RICHARD LIN MARY MARTIN MARGARET MELLIS ALLAN MILNER HENRY MOORE MARLOW MOSS BEN NICHOLSON WINIFRED NICHOLSON JOHN PIPER MARY POTTER ALAN REYNOLDS BRIDGET RILEY WILLIAM SCOTT JACK SMITH HUMPHREY SPENDER BRYAN WYNTER DAVID BOMBERG (1890-1957) 1 Monastery of Mar Saba, Wadi Kelt, near Jericho, 1926 Coloured chalks Signed and dated lower right, Inscribed verso Monastery of Mar Saba, Wadi Kelt, near Jericho, 1926 by David Bomberg – Authenticated by Lillian Bomberg. 54.6 x 38.1cm Prov: The Artist’s estate Bernard Jacobson Gallery, London ‘David Bomberg once remarked when asked for a definition of painting that it is ‘A tone of day or night and the monument to a memorable hour. It is structure in textures of colour.’ His ‘monuments’, whether oil paintings, pen and wash drawings, or oil sketches on paper, have varied essentially between two kinds of structure. There is the structure built up of clearly defined, tightly bounded forms of the early geometrical-constructivist work; and there is, in contrast, the flowing, richly textured forms of his later period, so characteristic of Bomberg’s landscape painting. These distinctions seem to exist even in the palette: primary colours and heavily saturated hues in the early works, while the later paintings are more subtle, tonally conceived surfaces.