ST IVES PRINTMAKING 1949-2002 Austin/Desmond Fine Art

St Ives Printmaking 1949-2002 PAUL FEILER TERRY FROST NAUM GABO DAVID HAUGHTON ROGER HILTON BRYAN INGHAM ALEXANDER MACKENZIE DENIS MITCHELL BEN NICHOLSON JOHN WELLS 1. PAUL FEILER £2,000.00 B. 1918

Balcony With Beach, 1954 Lithograph Signed and dated in pencil lower right. Printed on white wove paper, from the numbered edition of 20 impressions. With margins. 30.2 x 45.5 cm 2. TERRY FROST £3,750.00 1915-2003

Untitled, Double Quay, 1952 Linocut Signed and dated lower right. Printed by the artist on wove paper. There was a proposed edition of fifty impressions printed in black only. Although early numbered copies exist, the full edition was never realised. A small number of colour variants proofs were printed. With margins. 15 x 15 cm

Ref: Austin/Desmond Contemporary Books, Terry Frost: Prints 1948-1990, 1990, No.7-8 Dominic Kemp, Terry Frost Prints: A Catalogue Raisonné, Lund Humphries, 2010, No.7

Coll: Tate Gallery, recorded as Boat Shapes (printed in black and brown) P07982 3. TERRY FROST £3,000.00 1915-2003

Scammel, Banbury, 1967 Drypoint with hand colouring and collage Signed and dated lower right. Printed on heavy wove paper by the artist, Banbury. An extremely rare, and possibly unique early state. The plate was extensively reworked. No edition. 27.8 x 21.2 cm

Ref: Dominic Kemp, Terry Frost Prints: A Catalogue Raisonné, Lund Humphries, 2010, No.31 4. TERRY FROST £2,600.00 1915-2003

Quadrant and Circles, 1967 Etching Signed and dated lower right. Printed by the artist at the University of Reading. On heavy wove paper. No edition, a few proofs exist. 21.2 x 27.5 cm

Ref: Dominic Kemp, Terry Frost Prints: A Catalogue Raisonné, Lund Humphries, 2010, No.40 5. TERRY FROST £2,400.00 1915-2003

April, 1984 Linocut with hand colouring Signed, titled and dated lower left, signed and dated verso. Printed by the artist on wove paper, at his Newlyn studio. A hand coloured proof . Edition of 5 (printed in black only). 29.5 x 20.8 cm

Ref: Dominic Kemp, Terry Frost Prints: A Catalogue Raisonné, Lund Humphries, 2010, No.83

6. TERRY FROST £2,200.00 1915-2003

Untitled, c.1983/89 Linocut with hand colouring Signed and dated lower right Printed by the artist on wove paper at his Newlyn studio, No edition. A reworking of Kemp No.81. 23 x 23 cm

Ref: Dominic Kemp, Terry Frost Prints: A Catalogue Raisonné, Lund Humphries, 2010, No.81 7. NAUM GABO £6,500.00 1890-1977

The Lyre Bird (Opus Four), 1950 Monotype Signed and titled in pencil, printed from an end-grain wood block on thin wove paper. With margins. 15.9 x 13.7 cm

Ref: Gabo Estate WE 299 8. DAVID HAUGHTON 1924-1991

St Just, 1960 Etching Signed in pencil lower right. Printed on wove paper. Published by the artist/St Georges Gallery Prints. Edition of 10. 30 x 50 cm

Lit: Norman Levine, David Haughton’s St. Just, The Painter and Sculptor, Vol. 4 No.2, Summer 1961 9. PATRICK HERON 1920-1999

Assisi, 1953 Etching with drypoint Signed and date d in pencil; signed in the plate top left. Inscribed in pencil verso: Eric: Christmas 1953/Here is a print of my first (and, so far, only) etching. I hope you like it. It’s subject – reverse of course – is the church at Assisi with Giotto and Chimabue frescoes and in the crypt of which is the tomb od St Francis./See you in the New Year./Pat. Extremely rare. No edition. 19.2 x 27 cm 10. PATRICK HERON £1,600.00 1920-1999

Grey and Black Stripes,1958 Lithograph Unsigned proof. Printed on white wove paper by Stanley Jones at Fore St Studios, St. Published by the artist. Edition of 25. Full margins. 52.1 x 41.6 cm

Exh: Tate Gallery, Artists at Curwen, 1977, Cat. 296

Lit: Pat Gilmore, Artists at Curwen, Tate Gallery Publications, 1977, Pg. 145

Coll: Tate Gallery (DP.6287) 11. PATRICK HERON £1,600.00 1920-1999

Grey and Brown Stripes, 1958 Unsigned proof. Printed on white wove paper by Stanley Jones at Fore St Studios, St. Ives. Published by the artist. Edition of 25. Full margins. 52.1 x 41.6 cm

Lit: Pat Gilmore, Artists at Curwen, Tate Gallery Publications, 1977, Pg. 145

Coll: Tate Gallery (DP.6710)

12. PATRICK HERON £5,000.00 1920-1999

Interlocking Pink and Vermilion with Blue, 1970 Screenprint Signed and dated lower right. Printed by Chris Prater at Kelpra Studios on wove paper. Published by Waddington Galleries. Edition of 100. Full margins 59.4 x 78.7 cm

Coll: Tate Gallery (P04275) 13 .PATRICK HERON £5,000.00 1920-1999

Interlocking Scarlet and Pink in Deep Green, 1970 Screenprint Signed and dated lower right. Printed by Chris Prater at Kelpra Studios on wove paper. Published by Waddington Galleries in an edition of 100. Full margins 59 x 78.5 cm

Coll: Tate Gallery (P04276)

14. PATRICK HERON £6,000.00 1920-1999

Monotype VI,1994 Monotype Signed , titled and dated verso. Printed to the edge of the sheet by the artist at the Camden Arts Centre. A group of approx. 8 variations of this image were produced at a workshop during Patrick Heron: Big Paintings exhibition, Sept.- Nov. 1994. 75 x 57 cm 15. ROGER HILTON £2,200.00 1911-1975

Untitled (Nudes and Dog), 1945-49 Etching. Printed on laid paper by the artist. A very rare proof, only one other proofed copy known. With margins. 13 x 17.8 cm

Prov: The Artist’s brother 16. ROGER HILTON £1,400.00 1911-1975

Put it in Your Pipe - Up You, 1974 Lithograph Initialed and dated lower right, inscribed Artist's Proof. Drawn by the artist onto a zinc lithographic plate supplied by Peter Barton who arranged the printing. On lightweight cartridge paper. Published by the artist, edition of 12. With margins. 41.5 x 32 cm

Coll: Tate Gallery (P07481) 17. ROGER HILTON £1,200.00 1911-1975

Untitled (Seated nude), 1974 Lithograph Initialled and dated in the plate. Drawn by the artist onto a zinc lithographic plate supplied by Peter Barton who arranged the printing. Inscribed verso Mr Barton Tmx 20 ½ flat Gold. On lightweight cartridge paper. Published by the artist Edition of 12. With margins. 31 x 45 cm

Coll: Tate Gallery (P07480) 18. BRYAN INGHAM 1936-1997

Morning, 1978/79 Etching Signed , titled and dated in pencil . Printed by the artist on cream wove paper. Edition of 75. Full margins 49 x 64 cm

Lit: John Russell Taylor, Bryan Ingham: Sculpture and Related Prints & Drawings, The Book Gallery, St Ives, 1996. 19. BRYAN INGHAM £800.00 1936-1997

Stilleben Worpsvede (2), (pink and green), 1984 Etching, aquatint with hand-colouring Initialed, dated and inscribed viii/xii in pencil. Printed and published by the artist, on white wove paper. With margins. 12.5 x 7.5 cm 20. BRYAN INGHAM £800.00 1936-1997

Red and Blue Still Life, 1985 Etching ,aquatint with hand-colouring Initialed , dated and inscribed iv/xii in pencil. Printed and published by the artist, on white wove paper. With margins. 16.5 x 9 cm 21. PETER LANYON £9,000.00 1918-1964

In the Trees, 1951 Screenprint Printed by the artist on thin pale green paper. A colour variant proof. Edition of 8. Trimmed to edge of image. 21.5 x 19.4 cm

Prov: The Reba and Dave Williams Collection

Lit: Carey/Griffiths, Avant-garde British Printmaking 1914-1960, British Museum Publications, 1990, No.165

Coll: The British Museum (1990, 0127.5) Tate Gallery (P11093) 22. PETER LANYON £900.00 1918-1964

Figure Study, c.1958 Etching Signed and titled in pencil by Shelia Lanyon; with the PL studio stamp lower right. From the posthumous edition of 25. On white wove paper. With margins. 17.5 x 10.7 cm 23. ALEXANDER MACKENZIE £2,000.00 1923-2002

Drawing May 14, 1956 Monotype and collage Signed and titled in ink. Constructed using four layered and/or collaged paper sheets, each with printed and drawn surfaces. Worked to the edge of the top sheet. 37 x 41.5 cm

Prov: Michael Snow 24. ALEXANDER MACKENZIE £1,800.00 1923-2002

Hillside, 1973 Hard and soft-ground etching. Signed and dated in pencil. Printed on white wove paper at the Penwith Gallery print workshop. Edition of 50.This is plate 6 from a portfolio of fifteen images produced by members of the Penwith Society of Artists to contribute to the cost of the new Penwith gallery and museum in 1973. Full margins. 27 x 45 cm 25. ALEXANDER MACKENZIE £1,200.00 1923- 2002

Scrimshaw, 2002 Etching and aquatint Signed and dated lower right in pencil. Printed by Hugh Stoneman on Velin Arches Blanc 270gram paper. Published by Austin/Desmond Fine Art . Edition of 20. Full margins. 14.5 x 30 cm 26. ALEXANDER MACKENZIE £1,200.00 1923- 2002

Winter Fields, 2002 Etching and aquatint Signed and dated lower right in pencil. Printed by Hugh Stoneman on Velin Arches Blanc 270gram paper. Published by Austin/Desmond Fine Art. Edition of 20. Full margins. 14.5 x 20.5 cm 27. DENIS MITCHELL £2,200.00 1912-1993

Flags, 1951 Colour woodcut Signed and dated in pencil lower middle; signed, titled and dated on the original frame backing board. Printed by the artist on thin cartridge paper. Unknown edition (if any). No margins. 27 x 25 cm 28. BEN NICHOLSON £2,500.00 1894-1982

Paros with Balcony, November 1965 Etching Unsigned proof. Printed by Ateliers Lafranca, Lonarno. Published by Ganymed and Marlborough. Unrecorded edition size. Full margins. 18.5 x 24.8 cm

Prov: The François Lafranca Collection

Ref: Lafranca, Ben Nicholson: Etchings printed by Lafranca, No. 8, this copy illustrated 29. BEN NICHOLSON £3,000.00 1894-1982

Olympia, 1965 Etching Signed and dated lower right. Printed by Ateliers Lafranca, Lonarno, on Zerkall Bütten paper. Published by Thames & Hudson, London. Edition of 50. Full margins. 18.3 x 22.6 cm

Ref: Lafranca, Ben Nicholson: Etchings printed by Lafranca, No. 10

30. JOHN WELLS 1907-2000

Topsail, 1950 Engraving with plate tone Signed and dated lower right; inscribed Trial Proof /25 lower left. Dedicated in pencil verso To Gillie from John Wells . An extremely rare early state, printed before the reworked ‘early impression’ in the British Museum collection and the later state in the Tate Gallery collection. Printed by the artist on wove paper. Proposed edition of 25, this total may include all states and proofs. There was a later restrike of the plate in 1996. Printed by the artist. Full margins. 14 x 12 cm

Prov: Henry Gilbert, owner of the Wills Lane Gallery, St. Ives and a close friend of the artist

Coll: British Museum (2002, 0324.21) Tate Gallery (P77130) 31. JOHN WELLS 1907-2000

Cliff Figure, 1950 Engraving Signed in pencil lower right; dated and inscribed T.P. (Trial Proof) in pencil lower left. Dedicated in pencil verso To Gillie from John Wells . A very rare impression of the 1st state (of 3). Proposed edition of 25, this total may include all states and proofs. There was a later restrike of the plate in 1996. Printed by the artist. Full margins. 11.5 x 15 cm

Prov: Henry Gilbert, owner of the Wills Lane Gallery, St. Ives, and a close friend of the artist

Coll: British Museum (2002, 0324.72/73/74) Tate Gallery (P77132)

32. JOHN WELLS £1,200.00 1907-2000

Untitled (Red Abstract), 1959 Monotype Signed and dated lower right. Printed by the artist on light wove paper. No Margins. 18 x 22.5 cm

Exh: Mottisfont House, New Connections: Modern British Art at Mottisfont, Hampshire, April – June 2011 33. BRYAN WYNTER 1905-1975

Prawn Cocktail, 1949 Lithograph Signed and dated in pencil. Printed on light wove paper, in an intended edition of fifty impressions. With margins. 20 x 30 cm

Exh: Michael Parkin Gallery, 1925-1975, No.148, 1985 34. BRYAN WYNTER £2,200.00 1905-1975

Untitled (Abstract), 1958 Lithograph Signed and dated in pencil. Printed on wove paper by Stanley Jones, at Fore St Studios, St. Ives on behalf of the Curwen press. Edition of 50. Full Margins. 48.5 x 32.5 cm