Re Ids Api Eturn to 1(8 Bahle Described "Eyeball to Eyeball Plan
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2018 Medal Winners Sorted by Class
2018 MEDAL WINNERS SORTED BY CLASS VODKA DOUBLE GOLD MEDAL / BEST VODKA ■ NEFT Vodka, Austria 49% ABV RETAIL PRICE: $30 www.neftvodka.com DOUBLE GOLD MEDAL ■ Absolut Raw Vodka, Travel Retail Exclusive, Sweden 41.5% ABV RETAIL PRICE: $26 www.absolut.com DOUBLE GOLD MEDAL ■ Casa Maestri Original Premium Handcrafted 1965 Vodka, France 40% ABV RETAIL PRICE: $20 www.mexcor.com DOUBLE GOLD MEDAL ■ CpH Vodka, Køge, Denmark 44% ABV RETAIL PRICE: $40 www.cphvodka.com DOUBLE GOLD MEDAL ■ Party Animal Vodka, USA 40% ABV RETAIL PRICE: $23 www.partyanimalvodka.com DOUBLE GOLD MEDAL ■ Polar Ice Arctic Extreme Vodka, Ontario, Canada 45% ABV RETAIL PRICE: $28 www.corby.ca DOUBLE GOLD MEDAL ■ Simple Vodka, Idaho, USA 40% ABV RETAIL PRICE: $25 DOUBLE GOLD MEDAL ■ Svayak Premium Vodka, Belarus 40% ABV RETAIL PRICE: $4 www.mzvv.by DOUBLE GOLD MEDAL ■ The Walter Collective Vodka, Washington, USA 40% ABV RETAIL PRICE: $28 www.thewaltercollective.com DOUBLE GOLD MEDAL ■ Underground Spirits Signature Vodka, Australia 40% ABV RETAIL PRICE: $80 www.undergroundspirits.co.uk GOLD MEDAL ■ Bedlam Vodka, North Carolina, USA 40% ABV RETAIL PRICE: $22 www.bedlamvodka.com GOLD MEDAL ■ Caledonia Spirits Barr Hill Vodka, Vermont, USA 40% ABV RETAIL PRICE: $58 www.caledoniaspirits.com GOLD MEDAL ■ Charleston Distilling King Charles Vodka, South Carolina, USA 40% ABV RETAIL PRICE: $25 www.charlestondistilling.com GOLD MEDAL ■ Deep Ellum All-Purpose Vodka, Texas, USA 40% ABV RETAIL PRICE: $21 GOLD MEDAL ■ EFFEN® Original Vodka, Holland 40% ABV RETAIL PRICE: $30 www.beamblobal.com -
THIS DISPOSITION IS NOT CITABLE AS PRECEDENT of the TTAB Mailed
THIS DISPOSITION IS NOT CITABLE AS PRECEDENT OF THE TTAB Mailed: January 13, 2005 UNITED STATES PATENT AND TRADEMARK OFFICE ________ Trademark Trial and Appeal Board ________ In re S LLC, assignee of John Scott Dinsdale ________ Serial No. 78048188 _______ Gregg Reed of Kluger, Peretz, Kaplan & Berlin, P.L. for applicant. Paula M. Mahoney, Trademark Examining Attorney, Law Office 113 (Odette Bonnet, Managing Attorney). _______ Before Walters, Chapman and Drost, Administrative Trademark Judges. Opinion by Chapman, Administrative Trademark Judge: The application involved herein was filed on February 13, 2001 by John Scott Dinsdale (a Canadian citizen, residing in California) to register on the Principal Register the mark GUARO for goods amended to read “alcoholic spirits made from sugar cane, in the nature of brandy and vodka” in International Class 33. The application is based on Mr. Dinsdale’s assertion of a bona fide intention to use the mark in commerce. Ser. No. 78048188 The Examining Attorney has refused registration under Section 2(e)(1) of the Trademark Act, 15 U.S.C. §1052(e)(1), on the ground that applicant’s mark GUARO, when used on applicant’s goods, is merely descriptive thereof. There is a second basis for refusal in the application. Specifically, registration has been refused based on applicant’s failure to comply with the Examining Attorney’s requirement for a “complete translation of the non-English word comprising the mark.” (Office action dated March 18, 2003, p. 2.) When the requirement for a complete translation of the mark and the refusal to register were made final, applicant appealed. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Information & Bibliothek
DVD / Blu-Ray-Gesamtkatalog der Bibliothek / Catálogo Completo de DVDs e Blu-Rays da Biblioteca Abkürzungen / Abreviações: B = Buch / Roteiro; D = Darsteller / Atores; R = Regie / Diretor; UT = Untertitel / Legendas; dtsch. = deutsch / alemão; engl. = englisch / inglês; port. = portugiesisch / português; franz. = französisch / francês; russ. = russisch / russo; span. = spanisch / espanhol; chin. = chinesisch / chinês; jap. = japanisch / japonês; mehrsprach. = mehrsprachig / plurilingüe; M = Musiker / M úsico; Dir. = Dirigent / Regente; Inter. = Interprete / Intérprete; EST = Einheitssachtitel / Título Original; Zwischent. = Zwischentitel / Entretítulos ● = Audio + Untertitel deutsch / áudio e legendas em alemão Periodika / Periódicos ------------------------------- 05 Kub KuBus. - Bonn: Inter Nationes ● 68. Film 1: Eine Frage des Vertrauens - Die Auflösung des Deutschen Bundestags. Film 2: Stelen im Herzen Berlins - Das Denkmal für die ermordeten Juden Europas. - 2005. - DVD: 30 Min. : farb. ; dtsch., engl., franz., span., + mehrspr. Begleitbuch ; dtsch., russ., chin. UT ; NTSC ; V+Ö. (KuBus , 68) ● 69: Film 1: Im Vorwärtsgang - Frauenfußball in Deutschland. Film 2: Faktor X - Die Fraunhofer-Gesellschaft und die digitale Zukunft. - 2005.- DVD: 30 Min. : farb. ; dtsch., engl., franz., span., + mehrspr. Begleitbuch ; dtsch., russ., chin. UT ; NTSC ; V+Ö. (KuBus ; 69) ● 70. Film 1: Wie deutsch darf man singen? Film 2: Traumberuf Dirigentin. - 2006. - DVD: 30 Min. : farb. ; dtsch., engl., franz., span., + mehrspr. Begleitbuch ; dtsch., russ., chin. UT ; NTSC ; V+Ö. (KuBus ; 70) ● 71. Film 1: Der Maler Jörg Immendorff. Film 2: Der junge deutsche Jazz. - 2006. - DVD: 30 Min. : farb. ; dtsch., engl., franz., span., + mehrspr. Begleitbuch ; dtsch., russ., chin. UT ; NTSC ; V+Ö. (KuBus ; 71) ● 72. Film 1: Die Kunst des Bierbrauens. Film 2: Fortschritt unter der Karosserie. - 2006. - DVD: 30 Min. : farb. ; dtsch., engl., franz., span., + mehrspr. -
The New York Herald. Whole No
THE NEW YORK HERALD. WHOLE NO. 8769. MORNING EDITION-TUESDAY, SEPTEMBER 11, 1860.-TRIPLE SHEET. PRICE TWO CENTS. CALIFORNIA MINKS. CALIFORNIA MINKS AMrSKMKVra. AMVdRMKNTN. AMUHKMBNTfl AMVtiKMHN'I'S. PTtHB ATTORNEY OKNKRAJ. AND THRMKW ALU ADEN. mund Randolph was. and U, their standing oounael In Califor¬ theatre _LO*8 GARDEN. nia. were retalaed bv thoae AURA^KEKNWR TllKATRB or Mimic -tbovatork-oortmm. X Talk* Hod. J. 8. Black, Aitorner U«MrAl Dnltad Mam- They claimants to obtain fro »the WALLACE'SMr. WALLACE /mm M. KUob Lnm a LAURA KKKNE'8 THEATRE. hiiric t...In of the lmmrn»* aiicceea, mm Rib.A ease of that mine, which lolled Males tta patent for that ranoho. They claimed Al- Mr. LMSTE& WALLACE Munu ORKAT Academy eonaeqnance hbrtof Matameut of the madeo for their ol and the Btap 8U0CEM compliance Willi uumeruiut application* for an early i Uf persoa may substantiate by an examination of the vola- private tenia Dtatrtet Ooart ap- NOTICE LAST F'UR NIGHTS _ OREaT huctemi mlnoua tegtlmooy now before tte United Rtalaa oourtt In OaU- Wproved that elaim. The very same gentlemen are employed MB. W Al.LACK last four nights . GRBAt BUCOkWN IL TROVATOBK. Xurnle shows:. Hou, and paid by the public money, to sne out an Injunction announce to hi. paimn. and Ih. pub*, .enemlly LAST FOUR NIGHTS gkkat ructbhh , , oh cost and In the name of the United LAST For the director* beg to announce LA TRAVIATA for Thundag That la IMA when California waa a provtooe of Mextoo, ^¦r Htuss. restraining ^Beji^lo R NIGHTS UKKaT 8UCVBMH evening next *nd for Andrea a Mexican ofhonr, travelling la tha country, the owners at Aimaden from working, because the mine be¬ ABOVE ESTABLISHMENT LAHT FOUR NIGHTS GREAT RUOCRdS Caallllero, oa a to the to THIK (TDRBDAY) BVENIXQ. -
Drinks & Cocktails
DRINKS & COCKTAILS BEACH BESTS (Served On The Rocks) Diablo Rojo (Rum or Vodka with te rojo and limon) Junquillal Sunset (Tequila, orange juice, grenadine and a splash of soda) Pura Vida Punch (Spieced Rum, Malibu, tropical juices) Re-Pete (Malibu and Mirinda) Mer-mAID (Vodka, Blue Curacao and fresh limonaid) Great Canadian Caesar (Made with clamato juice and all the fixings) COSTA RICAN FAVS (Served On The Rocks) Agua de Mangle (Rum, Tamarindo juice, fresh limon juice) Caipirinha (Cacieque mulled with fresh limon & sugar) Chili Guaro Shot (Our take on the Costa Rican favorite) Margarita (Tequila, Triple Sec, fresh limon juice & simple syrup) Mojito (White Rum, fresh mint, fresh limon juice & simple syrup) BLENDED COCKTAILS Mango Tango Meltdown (Ameretto, Spieced Rum, mango & strawberry) Pina Colada (White Rum, coconut milk, coconut cream, pineapple juice) Margarita (Tequila, Triple Sec, fresh limon juice & simple syrup) Mojito (White Rum, fresh mint, fresh limon juice & simple syrup) Daiquiri (White Rum, strawberry & limon) Ask for Mixed Cocktails Sodas, juices, fresh limonaid, ice coffee, coffee, tea also available Curated Whiskey Selections Available Ask your server for options FLIP OVER FOR WINE & BEER WINES & BEERS SANGRIA Red or White (wine, juice, triple sec, mixed fruits and a splash of soda) RED WINES Cabernet Sauvignon Merlot Pinot Noir Malbec WHITE WINES Chardonnay Sauvignon Blanc Pinot Grigio DOMESTIC Pilsen Imperial Imperial Silver Imperial Light CRAFT NATIONAL Donmingo 7 Blueberry Wheat (Tano Manso) Domingo 7 Amber Bock (Buho) Domingo 7 Floripondia (Blossom Ale) Domingo 7 #7 Golden Ale Domingo 7 Lagarta Domingo 7 IPA Conejo Mago FLIP OVER FOR DRINKS & COCKTAILS. -
The Realities of Looting in the Rural Villages of El Petén, Guatemala
FAMSI © 1999: Sofia Paredes Maury Surviving in the Rainforest: The Realities of Looting in the Rural Villages of El Petén, Guatemala Research Year : 1996 Culture : Maya Chronology : Contemporary Location : Petén, Guatemala Site : Tikal Table of Contents Note to the Reader Introduction Purpose, Methodology, and Logistics Geographical Setting Rainforest Products and Seasonal Campsites Who are the Looters? Magic and Folklore Related to Looting Voices in the Forest Tombs with Riches, Tombs with Magic Glossary of local words Local Knowledge about Maya Art and History Local Classification of Precolumbian Remains Local Re-Utilization of Archaeological Objects Destruction vs. Conservation. What are the Options? Cultural Education in Guatemala The Registration of Archaeological Patrimony Acknowledgements List of Figures Sources Cited Abbreviations Note to the Reader The present article is intended to be used as an informational source relating to the role of local villagers involved in the process of looting. For reasons of privacy, I have used the letters of the Greek alphabet to give certain individuals fictitious names. Words that refer to local mannerisms and places related to the topic, which are in the Spanish or Maya languages, are written in italics. The names of institutions are in Spanish as well, and abbreviations are listed at the end of the article. The map is shown below. Submitted 02/01/1997 by : Sofia Paredes Maury 2 Introduction This study was supported in part by funds from the Foundation for the Advancement of Mesoamerican Studies, Inc. (FAMSI, Crystal River, FL). It is an introductory research that focuses on the extraction and commercialization of Precolumbian artifacts by the rural villagers of El Petén, and the role of the community and site museums in Guatemala. -
The Shoah on Screen – Representing Crimes Against Humanity Big Screen, Film-Makers Generally Have to Address the Key Question of Realism
Mémoi In attempting to portray the Holocaust and crimes against humanity on the The Shoah on screen – representing crimes against humanity big screen, film-makers generally have to address the key question of realism. This is both an ethical and an artistic issue. The full range of approaches has emember been adopted, covering documentaries and fiction, historical reconstructions such as Steven Spielberg’s Schindler’s List, depicting reality in all its details, and more symbolic films such as Roberto Benigni’s Life is beautiful. Some films have been very controversial, and it is important to understand why. Is cinema the best way of informing the younger generations about what moire took place, or should this perhaps be left, for example, to CD-Roms, videos Memoi or archive collections? What is the difference between these and the cinema as an art form? Is it possible to inform and appeal to the emotions without being explicit? Is emotion itself, though often very intense, not ambivalent? These are the questions addressed by this book which sets out to show that the cinema, a major art form today, cannot merely depict the horrors of concentration camps but must also nurture greater sensitivity among increas- Mémoire ingly younger audiences, inured by the many images of violence conveyed in the media. ireRemem moireRem The Shoah on screen – www.coe.int Representing crimes The Council of Europe has 47 member states, covering virtually the entire continent of Europe. It seeks to develop common democratic and legal princi- against humanity ples based on the European Convention on Human Rights and other reference texts on the protection of individuals. -
TROPICAL COCKTAILS Casa Club SANGRIA FROZEN DAIQUIRIS
TROPICAL COCKTAILS Pura Vida - Guaro - Triple Sec - Cranberry Juice - $7 Guaro Sour - Guaro Cacique - Lemon Juice – Sugar - $6 Mojito - Ron Blanco – Mint - Lemon Juice - Club Soda – Sugar - $7 Caipirinha - Cachaça 51 - Lemon Juice – Sugar - $6 Punta Catedral – Guaro – Cas Purée – Pineapple - Cilantro - $6 Bahama Mama - Rum - Tropical Fruit Punch - Coconut Cream - $9 Banana Bungee - Rum - Creme de Banana - Coconut Cream - Evaporated Milk - $10 Pacific Breeze - Vodka -Triple Sec – Lemonade - Sprite - $8 Bird of Paradise - Vodka - Peach Liqueur – Pineapple - Cranberry Juice - $9 Mai Tai - Rum - Triple Sec – Amaretto – Tropical Fruit Blend - $11 Cosmopolitan - Vodka - Cranberry Juice - Triple Sec - Lime Juice - $7 Cosmopolitan Deluxe – Vodka – Cranberry Juice – Grand Marnier - $9 Luna’s Iced Tea – Absolut Vodka – Peach Liqueur – Iced Tea - $9 Gaia Sunset – Guaro – Banana Liqueur – Pineapple & Orange Juice – Grenadine - $11 Guajito – Guaro – Midori – Lemon Juice - Sugar – Mint - $9 BBC – Bailey’s & Banana Liqueurs – Fresh Banana – Coconut Cream - $9 Mudslide – Bailey’s & Kahlua Liqueurs – Vodka – Vanilla Ice Cream - $9 Casa Club SANGRIA By The Pitcher - Red or White - $25 FROZEN DAIQUIRIS Your Choice Of: Lemon – Strawberry - Blackberry Guanábana – Banana – Mango – Pineapple – Papaya – Passion Fruit - $6 MARGARITAS Coconut Margarita - Silver Tequila – Triple Sec – Coconut Cream - $9 Blackberry Margarita – Blackberry Purée – Cointreau – Silver Tequila – Triple Sec - $9 Gold Margarita - Gold Tequila - Triple Sec – Grand Marnier - $11 Frozen Mango -
El Ritual Tropical Cocktails
El Ritual Tropical Cocktails Fantasia Tropical Malibu rum, green mint liqueur, orange juice & pineapple juice Ron malibu, licor de menta verde, jugo de naranja y jugo de piña Hilton Papagayo Guaro cacique, amaretto liqueur, cranberry juice & pineapple juice Guaro cacique, licor amaretto, jugo de cranberry y jugo de piña Mojito Bacardi blanco, lemon wedges, crushed mint leaves, sugar & soda water Bacardi blanco, cuadritos de limón, hierba buena, azúcar y soda Caipirinha Cachaça, lemon juice & brown sugar Cachaça, jugo de limón y azúcar moreno Papagayo Special Bacardi blanco, lizano amaretto, orange juice & sprite Bacardi blanco, amaretto lizano, jugo de naranja y sprite Bahama Mama Bacardi blanco, coconut cream, fruit punch, banana & grenadine Bacardi blanco, crema de coco, jugo de frutas, banana y granadina Pura Vida Guaro cacique, orange juice & green mint liqueur Guaro cacique, jugo de naranja y licor de menta verde Hawaiian Cocktail Gordon’s gin, cointreau, orange juice & pineapple juice Ginebra gordon’s, cointreau, jugo de naranja y jugo de piña Magic Parrot Smirnoff vodka, blue curacao liqueur, banana liqueur & orange juice Vodka smirnoff, licor de blue curacao, licor de banana, y jugo de naranja Monte del Barco Malibu rum, pineapple juice, & cranberry juice Ron malibu, jugo de piña y jugo de cranberry Prices do not include 10% Service Charge & 13% Sales Tax El Ritual International Cocktails Mint Julep Jack daniel’s, mint leaves & sugar Jack daniel’s, hojas de menta y azúcar refinada Sangria Red wine, brandy, orange juice, lemon -
Knowing and Being Known: Sexual Delinquency, Stardom, and Adolescent Girlhood in Midcentury American Film
University of Kentucky UKnowledge Theses and Dissertations--English English 2014 KNOWING AND BEING KNOWN: SEXUAL DELINQUENCY, STARDOM, AND ADOLESCENT GIRLHOOD IN MIDCENTURY AMERICAN FILM Michael Todd Hendricks University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Hendricks, Michael Todd, "KNOWING AND BEING KNOWN: SEXUAL DELINQUENCY, STARDOM, AND ADOLESCENT GIRLHOOD IN MIDCENTURY AMERICAN FILM" (2014). Theses and Dissertations--English. 14. https://uknowledge.uky.edu/english_etds/14 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
Park Science Volume 26, Number 2, Fall 2009
Fall 2009 • Volume 26 • Number 2 www.nature.nps.gov/ParkScience PARK SCIENCE • VOLUME 26 • NUMBER 2 • FALL 2009 National Park Service PARKScience U.S. Department of the Interior Natural Resource Program Center Integrating Research and Resource Management in the National Parks Office of Education and Outreach PARKScience Integrating Research and Resource Management in the National Parks Volume 26 • Number 2 • Fall 2009 www.nature.nps.gov/ParkScience ISSN 0735–9462 From the Editor Published by U.S. Department of the Interior National Park Service Natural Resource Program Center Lakewood, Colorado Continuity Director, National Park Service Jon Jarvis Associate Director, Natural Resource I am thrilled to publish a case study about a resource inventory and Stewardship & Science Bert Frost condition assessment of desert springs at Saguaro National Park. The Director, Natural Resource Program Center authors credit the fi rst edition of Park Science with inspiration for this George Dickison work. Published in 1980, this inaugural issue highlighted the intensive 11- Editor day gathering of researchers and resource managers to “take the pulse” of Jeff Selleck Natural Resource Program Center, Offi ce of Education a wilderness drainage lying mostly within Olympic National Park. Three and Outreach years later the pulse model was adopted at Sequoia–Kings Canyon na- Associate Editor tional parks, where it was repeated in 1994 to illuminate resource changes Katie KellerLynn Writer-Editor, Colorado State University (cooperator) over that period. I was lucky to be a participant in the second Sequoia pulse study, covering the story as the new editor of Park Science. I know Contributing Editor Betsie Blumberg how stimulating the pulse approach can be on account of its daily surveys, Writer-Editor, Pennsylvania State University (cooperator) nightly group progress reports, and the opportunities for professional Copyeditor/Proofreader growth through meaningful collaboration and fi eldwork.