Fastness Properties of Silk Fabric Dyed with Extraction of Psoralea Corylifolia (L) Vidhya
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The Maiwa Guide to NATURAL DYES W H at T H Ey a R E a N D H Ow to U S E T H E M
the maiwa guide to NATURAL DYES WHAT THEY ARE AND HOW TO USE THEM WA L NUT NATURA L I ND IG O MADDER TARA SYM PL O C OS SUMA C SE Q UO I A MAR IG O L D SA FFL OWER B U CK THORN LIVI N G B L UE MYRO B A L AN K AMA L A L A C I ND IG O HENNA H I MA L AYAN RHU B AR B G A LL NUT WE L D P OME G RANATE L O G WOOD EASTERN B RA ZIL WOOD C UT C H C HAMOM IL E ( SA PP ANWOOD ) A LK ANET ON I ON S KI NS OSA G E C HESTNUT C O C H I NEA L Q UE B RA C HO EU P ATOR I UM $1.00 603216 NATURAL DYES WHAT THEY ARE AND HOW TO USE THEM Artisans have added colour to cloth for thousands of years. It is only recently (the first artificial dye was invented in 1857) that the textile industry has turned to synthetic dyes. Today, many craftspeople are rediscovering the joy of achieving colour through the use of renewable, non-toxic, natural sources. Natural dyes are inviting and satisfying to use. Most are familiar substances that will spark creative ideas and widen your view of the world. Try experimenting. Colour can be coaxed from many different sources. Once the cloth or fibre is prepared for dyeing it will soak up the colour, yielding a range of results from deep jew- el-like tones to dusky heathers and pastels. -
Guide to Dyeing Yarn
presents Guide to Dyeing Yarn Learn How to Dye Yarn Using Natural Dyeing Techniques or some of us, the pleasure of using natural dyes is the connection it gives us with the earth, using plants and fungi and minerals from the environment in our Fhandmade projects. Others enjoy the challenge of finding, working with, and sometimes even growing unpredictable materials, then coaxing the desired hues. My favorite reason for using natural dyes is just plain lovely color. Sometimes subtle and always rich, the shades that skilled dyers achieve with natural dyestuffs are heart- breakingly lovely. No matter what inspires you to delve into natural dyes, this free eBook has some- thing for you. If you’re interested in connecting with the earth, follow Lynn Ruggles as she combines her gardening and fiber passions, or join Brighid’s Dyers as they harness alternative energy with solar dyeing. To test and improve your skills, begin with Dag- mar Klos’s thorough instructions. But whatever your reason, be sure to enjoy the range of natural colors on every page. One of Interweave’s oldest publications, Spin.Off inspires spinners to make beautiful yarn and find enchanting ways to use it. In addition to the quarterly magazine, we also host the spinning community spinningdaily.com, complete with blogs, forums, and free patterns. In our video workshop series, the living treasures of the spinning world share their knowledge. We’re devoted to bringing you the best spinning teachers, newest spinning techniques, and most inspiring ideas—right to your mailbox, your computer, and your very fingertips. -
WCMT Report a Lucille Junkere
The Yorùbá Blues Lucille Junkere 2016 TABLE OF CONTENTS Acknowledgments 1 Introduction 2 UK Collections 3 Lagos 5 Abẹòḱ uta 9 Ìbàdàn 14 Dyeing 15 Osogbo 17 Recommendations 19 References 20 Picture Credits 23 Glossary 25 Acknowledgments The Winston Churchill Memorial Trust and the Heritage Crafts Association for the wonderful opportunity to travel to Nigeria to study Yorùbá indigenous àdìrẹ making. Nigeria Chief (Mrs) Nike and her husband Reuban Okundaye for their generous support and encouragement and staff from Nike Art Gallery and Foundation in Lagos. Professor Olusẹgun Okẹ, Doig Simmonds (UK) and Pat Oyelọla editors of Adire Cloth in Nigeria Àdire makers and dyers including Gàníyù Kàrímù , Baba Salieu, Jumoke Maryam Akinyemi, and Baba alaro from Àdùnní Art, Olalekan Adegun Adesoye and apprentice from Ade Omo Ade Art Gallery and staff, teachers and students from the Nike Center for Art and Culture, Òṣogbo Mayowa Kila for Yorùbá translation Curator Ige Akintunde Olatunji and colleagues from the National Museum of Abeokuta Professors Oladele O. Layiwola and Ohioma Ifounu Pogoson and Oluwatoyin A. Odeku from the Institute of African Studies My wonderful Lagos hosts Baba Winfield, Chef Craig and Ms Carmen. UK Yorùbá language classes Ṣola Otiti Staff and curators of the UK Museum African collections for supporting my research visits. The British Museum, The Horniman Museum, The Economic Botany Collection at Kew Gardens, The Pitt Rivers Museum, The Royal Albert Memorial Museum, The Victoria and Albert Museum Duncan Clarke from Adire African Textiles 1 Introduction Before the development of synthetic dyes in The literal translation of the word àdìrẹ is the mid-nineteenth century, dyes were to tie and to dye, a description of the extracted from natural sources such as original and oldest resist pattern making plants, animals and minerals (Areo and technique. -
Laboratory Guide Industrial Chemistry
LA BO R A T O R Y G U I D E IN DU ST R IA L C H EMIST RY BY R ALLEN ROGE S, PH . D. I STR CTOR IN INDUSTRIAL CHEH ISTRY PRATT INSTITU TE OOKL N U , , B R YN ; I EHB EE AKERICAN CHEMICAL SOCIETY; SOCIETY OF CH MCAL INDUSTRY; AHE RICAN LEATH ER CHEMI STS ASSOCIATION N E W Y O R K D N O T R N D C MP N Y . V A N S A O A E ' 23 MURRAY AND 1 908 27 WA RR N Srs . o ri ht 1 08 C py g , 9 D AN N TRAND MP Y BY . V OS CO AN The filimflon Pre ss N w ood Mass . FACT S WHICH SHOULD BE REMEMBERED l Do r igh t and you will be succe ssfu . k wh i h i for u n d do i with smil c o . Do th e tas s se t be e y , a t a e im r r Do not be a t e se ve . ’ Do not use your ne igh bor s standa rd solution for accurate de te r i m nations . D n rr w r o ot bo o appa atus . Ke e our de sk and a aratus cle an if ou h o e to obta in satis p y pp , y p r facto y re sults . Alwa h ow l d n e in o r de sk and use th e m wh e n ys ave a t e an spo g y u , r h d you le a ve fo t e ay . -
Mordanting Methods for Dyeing Cotton Fabrics with Dye from Albizia Coriaria Plant Species
International Journal of Scientific and Research Publications, Volume 4, Issue 10, October 2014 1 ISSN 2250-3153 Mordanting Methods for Dyeing Cotton Fabrics with Dye from Albizia Coriaria Plant Species Loum Janani *, Lukyambuzi Hillary **, Kodi Phillips *** * Lecturer in Department of Textile and Ginning Engineering, Busitema University, PO Box, 236, Tororo, Uganda. ** Department of Textile and Ginning Engineering, Busitema University, PO Box, 236, Tororo, Uganda. *** Department of Chemistry, Kyambogo University, PO Box 1, Kampala Abstract- The study investigated the effects of different methods Most natural dyes need chemical species called mordants of application of selected mordants on dyeing woven cotton with for binding the dye to fabrics to improve color fastness. dyes from the stem bark of Albizia coriaria. The methods of Mordants help in binding of dyes to fabric by forming a chemical application of mordants used includes; pre-mordanting, bridge from dye to fiber thus improving the staining ability of a simultaneous mordanting and post-mordanting. The effects on dye with increasing its fastness properties [7]. The color fastness cotton analyzed are color fastness to; light, washing, wet and dry and characteristics of natural dyes on fabrics are influenced by rubbing and color characteristics on CIELab color coordinates. the mordanting method applied whose effects vary with the Aqueous extraction method was used to extract the dye. Some source of the dye. selected mordants were used for dyeing viz; alum, ferrous In Uganda, great potential exists for natural dyes from dye- sulphate1, and iron water. In the control dyeing without the use yielding plants. In a recent study, it has been reported that several of mordants, very good fastness were registered with the plant species in Uganda possess dye-yielding properties [8]. -
In-Situ Fabric Coloration with Indigo Synthesized in Flow
This is a repository copy of In-situ fabric coloration with indigo synthesized in flow. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/137959/ Version: Accepted Version Article: Haaf, MP, Piemonte, KM, McQuade, DT et al. (2 more authors) (2019) In-situ fabric coloration with indigo synthesized in flow. Coloration Technology, 135 (2). pp. 127-132. ISSN 1472-3581 https://doi.org/10.1111/cote.12383 © 2018 The Authors. Coloration Technology © 2018 Society of Dyers and Colourists. This is an author produced version of a paper published in Coloration Technology. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ In-situ fabric coloration with indigo synthesized in flow Michael P. Haaf,a* Katrina M. Piemonte,a D. Tyler McQuade,b Lucy Cotton,c Richard S. Blackburnc aIthaca College Department of Chemistry, Ithaca, NY 14850, USA; *Tel: +1 607-274-7978; E-mail: [email protected]; bVirginia Commonwealth University Department of Chemical and Life Science Engineering, Richmond, VA 23285, USA; cSchool of Design, University of Leeds, Leeds LS2 9JT, United Kingdom. -
Dyeing and Colour Fastness of Natural Dye from Citrus Aurantium on Lyocell Fabric DOI: 10.35530/IT.071.04.1686
Dyeing and colour fastness of natural dye from Citrus aurantium on Lyocell fabric DOI: 10.35530/IT.071.04.1686 NAVEED TAYYAB AWAN ASHRAF JAVEED RASHDI YASEEN SAYED ABBAS MUDASSAR REHMAN FAISAL FRAZ AHMAD WEI WANG AWAIS MUHAMMAD ABSTRACT – REZUMAT Dyeing and colour fastness of natural dye from Citrus aurantium on Lyocell fabric The use of natural dyes for textiles has attained attention due to their ecology, minimum impact on the environment and pollution. Therefore the objective of this study is to dye Lyocell fabric with natural dye extracted from orange peel for comparative analysis of colour efficiencies (K/S), CIE L*a*b* values and the colour fastness properties. The mordants applied were ferrous (II) sulphate and copper (II) sulphate. For the extraction of the dye, the aqueous extraction method was used. The pre-mordanting method was used and the dyeing effect on Lyocell fabric was analyzed at concentrations of 2% and 4%. It was observed that the mordant type employed had an influence on the colour efficiency and the colour coordinates of fabric dyed with Citrus aurantium dye. The colour efficiency (K/S: 4) and colour fastness to washing, light, rubbing and perspiration in all the dyed samples were better and excellent (grade 4–5) at 4% concentration. In overall results, the pre-mordanting method at 4% concentration gives the best results of colour efficiency and colour fastness properties. The performance analysis of colour fastness was also statistically significant at the 0.05 level. Keywords: natural dyes, orange peel, Lyocell, extraction, mordant, colour fastness Vopsirea și rezistența culorii colorantului natural din Citrus aurantium pe țesătura din Lyocell Utilizarea coloranților naturali pentru materialele textile a atras atenția datorită aspectelor legate de ecologie, impactul minim asupra mediului și poluare. -
Fundamentals of Natural Dyes and Its Application on Textile Substrates Virendra Kumar Gupta
Chapter Fundamentals of Natural Dyes and Its Application on Textile Substrates Virendra Kumar Gupta Abstract The meticulous environmental standards in textiles and garments imposed by countries cautious about nature and health protection are reviving interest in the application of natural dyes in dyeing of textile materials. The toxic and allergic reactions of synthetic dyes are compelling the people to think about natural dyes. Natural dyes are renewable source of colouring materials. Besides textiles it has application in colouration of foods, medicine and in handicraft items. Though natural dyes are ecofriendly, protective to skin and pleasing colour to eyes, they are having very poor bonding with textile fibre materials, which necessitate mordant- ing with metallic mordants, some of which are not eco friendly, for fixation of natural dyes on textile fibres. So the supremacy of natural dyes is somewhat sub- dued. This necessitates newer research on application of natural dyes on different natural fibres for completely eco friendly textiles. The fundamentals of natural dyes chemistry and some of the important research work are therefore discussed in this review article. Keywords: colour fastness, dyeing, extraction of natural dyes, natural dyes 1. Introduction After the advent of mauveine by Henry Perkin in 1856 and subsequent commer- cialization of synthetic dyes had replaced natural dyes, and since then consumption and application of natural dyes for textiles got reduced substantially. In present scenario environmental consciousness of people about natural products, renewable nature of materials, less environmental damage and sustainability of the natural products has further revived the use of natural dyes in dyeing of textile materials. -
Extraction and Application of Avocado Dyes on Eco- Friendly Fabrics Using Batik Technique
Report of the Minor Research Project Sponsored by UGC Principle Investigator: Dr. S. KAUVERY BAI Project Fellow: Pavitra S Associate Professor, Department of Textiles and Clothing Smt. VHD Central Institute of Home Science, (Autonomous) Seshadri Road, Bengaluru Extraction and Application of Avocado Dyes on Eco- Friendly Fabrics Using Batik Technique. Introduction Colour Attracts and holds attention.....humans have been attracted to colour and have devised ways to add colour to all things, and this has evolved into a science long before chemical dyes were discovered. Natural dyes have been used in early cave paintings as the first form of documented expression or communication. Later these dyes were applied as tattoos; permanent and temporary before showing up on textiles. All the murals depicting textiles in painting found in the caves at Ajanta and Ellora as well as the various paintings documenting the past, show coloured garments. A wide variety of natural materials were used in combination to get different colours, not only were these dyes, ‘clean colours’ but also were bright and fast when used on all kinds of natural fabrics. India is a country famous for its textiles especially dyed, printed, embroidered and intricately woven fabrics. When studying Natural dyes, it is seen that certain colours were automatically considered those of the privileged class, as they were available only at a high cost since the natural sources itself were found in limited quantities, e.g. Tyrian purple. Natural dyes are colours obtained from plant, animal or mineral sources. These natural matters are made to undergo various processes to extract colour from them. -
Improving the Colour Fastness of the Selected Natural Dyes on Cotton (Improving the Sunlight Fastness and Washfastness of the Eucalyptus Bark Dye on Cotton)
IOSR Journal of Polymer and Textile Engineering (IOSR-JPTE) e-ISSN: 2348-019X, p-ISSN: 2348-0181, Volume 1, Issue 4 (Sep-Oct. 2014), PP 27-30 www.iosrjournals.org Improving the Colour Fastness of the Selected Natural Dyes on Cotton (Improving the sunlight fastness and washfastness of the eucalyptus bark dye on cotton) R.Prabhavathi1, Dr.A.Sharada Devi2 & Dr. D. Anitha3 Department of Apparel and Textiles, College of Home Science, Acharya N.G Ranga Agricultural University (ANGRAU)Saifabad, Hyderabad -30, India. Part-V Abstract: This paper reports the improving the colourfastness of the natural dye with dye fixing agents, extraction of the colourants from natural sources; effects of different mordants and mordanting methods; selection of fixing agents; dyeing variables; post-treatment process and analysis of colour improvement parameters with fixing agents for cotton dyed with natural dye; assessed colour improvement with colourfastness test. Key words: Eucalyptus Bark natural dye, fixing agents, coloufastness, shade variations with dye fixing agents I. Introduction: In India, dyes from natural sources have ancient history and can trace their route to antiquity. It is interesting to note that India is one of the few civilizations to perfect the art of fixing natural dye to the cloth. Indian textiles were greatly valued and sought after for their colours and enduring qualities. Like most ancient Indian arts and crafts, part of the knowledge and expertise of natural dyes has traditionally passed down from the master crafts man to his disciples. Even though scientists have paid considerable attention in the post independence period to study the plants in relation to their pharmaceutical use, very little attention was paid to study the plants as sources of dyes and colourants. -
Fastness Properties Assessment on Dyed Fabrics Machines Used Are
Fastness properties Assessment on Dyed fabrics Machines used are • XENOSTER • This is used to test the light fastness of the dyed fabric. • colour fastness to light, IS‐2454‐85 by xenotester; • WASH WHEEL • Model Make: Thermolab • This is used to test the washing fastness of the dyed fabric. • colour fastness to washing, IS‐687‐79 by wash wheel • Perspirometer • Model Make: Sashmira • This instrument is used for the testing of perspiration fastness of the dyed fabric. • colour fastness to perspiration, IS‐971‐83 by perspirometer. • CROCK METER: • Model Make: Ravindra Engg. • This instrument is used for testing the rubbing fastness of the dyed fabric • colour fastness to rubbing, IS‐766‐88 by crockmeter; Xenometer machine Evaluation of Fastness Properties • Evaluation of fastness properties of a dye is done by measuring washing, light, rubbing and perspiration fastness values using Wash wheel, Xenoster, Crock meter and Prespirometer respectively. Methods for evaluating these properties are as follows: • Fastness to washing (IS 765:79) • A 10 x 4 cm swatch of the dyed fabric is taken and is sandwiched between two adjacent fabrics and stitched. The sample and the adjacent fabric were washed together. Five different types of washing are specified as different washing methods. • The solution should be preheated to the required temperature of washing. The liquor ratio should be 1: 50. After soaping treatment, the specimen is removed, rinse twice in cold water and then in cold running tap water. Squeezed and dried in air at a temperature not exceeding 60°C. the value is evaluated with the help of grey scales. -
Some Studies on Dyeing Properties of Cotton Fabrics with Crocus Sativus (Saffron) (Flowers) Using an Ultrasonic Method
AUTEX Research Journal, Vol. 9, No1, March 2009 © AUTEX SOME STUDIES ON DYEING PROPERTIES OF COTTON FABRICS WITH CROCUS SATIVUS (SAFFRON) (FLOWERS) USING AN ULTRASONIC METHOD M.M. Kamel, H.M. Helmy, and N.S. El Hawary National Research Centre, Textile Research Division, Dokki, Cairo, Egypt, E-mail: [email protected] Abstract: Cotton fabrics were dyed with natural colouring matter extracted from Crocus sativus (saffron) using a traditional heating method and a power ultrasonic method. Factors affecting the dyeing properties such as pH values, salt concentration, temperature, duration of dyeing bath, and ultrasonic power were studied. Environmentally friendly mordants were used in pre-mordanting, post-mordanting, and simultaneous-mordanting methods. The fastness properties including light, washing, and perspiration of dyed and mordanted fabrics were assessed. Colour strength (K/S) was measured for dyed and dyed mordanted cotton fabrics. Key words: Dyeing, cotton fabrics, saffron, ultrasonic energy 1. Introduction powder in 100 ml water at the boil for one hour, after which the solution was filtered off and left to cool down. There are only two or three places in the world where Crocus sativus (saffron) grows. Kashmir has the proud privilege of 2.2.2. Dyeing methods being one of these places. The Crocus sativus (saffron) plant Dyeing of cotton fabrics using traditional method is very small and its flower is the only part which is seen above the ground. The blooming time of this flower is autumn. Cotton fabric samples (0.5 g each) were dyed with the natural Crocus sativus (saffron) has a unique sweet smell and it is colouring matter extracted from Crocus sativus (saffron) at a used in dyeing and cooking [13].