GENDER STUDIES Chapter Showcase | 2021 LEXINGTON BOOKS An Imprint of Rowman & Littlefield LEXINGTON BOOKS CHAPTER SHOWCASE FROM THE EDITOR While our world might have drastically changed over the last few months, one thing remains unchanged: gender and sexuality continue to shape our sense of self and our access to and experience of the world. Recent scholarship has continued to broaden our understanding of the fluidity and variability within these categories, and both public discourse and academic debates have contributed to an increased awareness about life and death beyond the heteronormative order. The expanding gender studies list at Lexington Books captures and contributes to some of these invigorating debates with dynamic, high-caliber, interdisciplinary research for scholars and students. Drawing on innovations in areas like posthumanist studies, materialist feminism, science and technology studies, queer theory, and transnational feminisms as well as engaging more broadly with key insights from other disciplines like political science, philosophy, sociology, cultural studies, and media studies, Lexington Books titles feature groundbreaking academic thought. At Lexington Books, we strive to assemble established and emerging scholarly voices from a broad range of national and cultural contexts. The chapters in this collection provide a sense of the breadth and depth covered by our offerings. Ranging from theoretical engagements with transnational feminism and trans identities to representations of the monstrous feminine in science fiction and from feminist agency in YA literature to the relationship between changing concepts of masculinity and the global rise of populism, the topics discussed in these pieces highlight what is at stake in current debates about feminism, gender, and sexuality. All of our titles share their commitment to intellectual rigor and engaging analysis, and they draw on both established and innovative concepts and theoretical approaches to offer thought-provoking ways to make sense of our experiences and identities. As we continue to expand our offerings in gender studies, I invite you to publish your next scholarly book with Lexington Books. We publish monographs, edited collections, and revised dissertations by emerging and established scholars, including interdisciplinary and multidisciplinary works. Lexington Books offers an expedited decision-making process, peer review, and a rapid production process to ensure that your research is published quickly. We publish high-quality books with full-color covers and we market our new titles aggressively around the globe. Our titles are regularly reviewed in scholarly journals and have received significant awards and honors for academic scholarship and excellence in publishing. To submit a proposal for a book project, please review our submission guidelines and email a full prospectus to me at [email protected]. I look forward to hearing from you. Sincerely, JUDITH LAKAMPER, PhD Associate Acquisitions Editor LEXINGTON BOOKS contents 4–46 Leslie Bary, “Border Trouble: Anzaldúa’s Margins,” Intersectional Feminism in the Age of Transnationalism Voices from the Margins, edited by Olga Bezhanova and Raysa E. Amador 47–63 Sarah Stang, “Vengeful Monsters, Shapeshifting Cyborgs, and Alien Spider Queens: The Monstrous-Feminine in Netflix’s Love, Death & Robots,” in Gender, Supernatural Beings, and the Liminality of Death: Monstrous Males/Fatal Females, edited by Rebecca Gibson and James M. VanderVeen 64–97 Stevie N. Berberick, “Reframing Sex: Bodies in Motion,” in Reframing Sex: Unlearning the Gender Binary with Trans Masculine YouTube Vloggers 98–123 Laura Mattoon D’Amore, “Hunting Wolves: Violence, Agency, and Empowerment in Jackson Pearce’s Retold Fairytales Young Adult Fantasy Series,” in Vigilante Feminists and Agents of Destiny: Violence, Empowerment, and the Teenage Super/heroine 124–145 Didem Unal, “The Masculinist Restoration Project in the Rhetoric of Anti-Gender Movements: The Case of Turkey,” in The Culture and Politics of Populist Masculinities, edited by Outi Hakola, Janne Salminen, Juho Turpeinen, and Oscar Winberg The pagination of the original chapters has been preserved to enable accurate citations of these chapters. These chapters are provided for personal use only and may not be reproduced in any form or by any electronic or mechanical means without permission of the publisher. All rights reserved. Leslie Bary, “Border Trouble: Anzaldúa’s Margins,” Intersectional Feminism in the Age of Transnationalism Voices from the Margins, edited by Olga Bezhanova and Raysa E. Amador (Lanham, MD: Lexington Books 2021), 41–83. All rights reserved. Chapter 1 Border Trouble Anzaldúa’s Margins Leslie Bary Yo no soy americano pero comprendo el inglés —Traditional, Zacatecas/California Por más que la gente me juzgue texano Yo les aseguro que soy mexicano —Pepe Guízar Ay ay ay, soy mexicana de este lado —Anzaldúa Gloria Anzaldúa’s Borderlands/La Frontera: The New Mestiza,1 a key lit- erary and theoretical contribution to Chicana literature as well as feminist, borderlands, and queer studies, among other disciplines, gained immediate broad popularity in the United States with the multiculturalism of the 1990s.2 It is now a classic of decolonial studies, well cited in the English-speaking world and available in Spanish translation since 2016. The work generates wide-ranging discussions, and much has been written on the implications of Anzaldúa’s hybrid subject for solidarity. Borderlands/La Frontera’s hyper- canonical status and its progressive diffusion across the globe have created something of an echo-effect in scholarship, as its relevance to a new geo- graphical area, or another field or project is discovered, and the text is intro- duced to a new audience. Anzaldúa’s writing from This Bridge Called My Back3 forward, and Chicana feminism more broadly, are meant to be trans- disciplinary and to invoke global solidarity, as Sonia Saldívar-Hull explains 41 4 Lexington Books Gender Studies Chapter Showcase Bezhanova and Amador_9781793619433.indb 41 09-12-2020 15:59:15 42 Leslie Bary in her introduction to the second edition of Borderlands/La Frontera4 and in her landmark work Feminism on the Border.5 Yet this broad appeal means that a good deal of writing on Anzaldúa is intended to introduce and explain more than to analyze or critique. Some contexts and aspects of Anzaldúa’s book, including the connections it makes with sacred, maternal spaces and ancient, non-Western knowledge, as well as its implicit response to Octavio Paz’s discussion of the figure of Malintzin in El laberinto de la soledad6 have by now been very well, even exhaustively interpreted. Many liberal scholars and first worlders, as well as some of those who position themselves further on the left or speak from the global South, see the text as revealing and affirming, and consider the plural self it posits a healing alternative to modern subjectivity. As her col- laborator AnaLouise Keating7 and numerous other scholars have pointed out, Anzaldúa’s borderlands are not only loci of geopolitical struggle and cultural layering, but also generative spaces “where activism and spirituality converge to produce new knowledge”8 in the interest of cultural and psychic healing, as well as decolonization at other levels. Central to this project is the act of “crossing,” challenging one’s perspective, shattering the modern/colonial subject, and opening horizons, to enable a dialogic reconfiguration of our faltering world. Anzaldúan “border gnosis”9 has had resonance far beyond both the United States “Third World” contexts addressed in This Bridge Called My Back and the US-Mexico borderlands evoked in Borderlands/La Frontera. Critics have considered Anzaldúa’s philosophy in relation to Caribbean thought,10 and her relevance to decolonial projects and transnational feminism in France11 and Spain.12 Her writing sheds light on the borderlands formed by the Pale of Settlement and later, the Soviet Union and the West,13 and is used as coun- terpoint in work on the India-Pakistan border14 and the Israel-Palestine one.15 This enthusiasm has to do in part with the mainstreaming of intersectional feminism and anticolonialism, the importance of the hybrid subject in post- colonial theory, the broad applicability of the border metaphor, and the near universalism of nepantla,16 especially as elaborated in Anzaldúa’s later work, as a space of cultural and spiritual transformation. Walter Mignolo has attributed to Anzaldúa the creation of “a space-in- between from where to think rather than a hybrid space to talk about, a hybrid thinking-space of Spanish/Latin American and Amerindian legacies as the condition of possibility for Spanish/Latin American and Amerindian post- colonial theories.”17 The hybrid “thinking-space,” however, is less new for Latin America, and even for the United States, than this quotation suggests. The anonymous composers of the Popol Vuh, as well as Guamán Poma de Ayala, Juan Francisco Manzano, Silviano Santiago, and W. E. B. DuBois, just to name a few, all thought from hybrid spaces, although the first four Lexington Books Gender Studies Chapter Showcase 5 Bezhanova and Amador_9781793619433.indb 42 09-12-2020 15:59:15 Border Trouble 43 did not write in English. All of their work reveals what Mignolo calls the “colonial difference” and “works toward [its] restitution.”18 Of course, all of these figures enact and interpret hybridity and“ in-betweenness” differently, and Anzaldúa’s nepantla