Radio 3 Listings for 13 – 19 September 2008 Page 1 of 19
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Relatório Anual De Atividades 2008
Relatório Anual de Atividades 2008 1 FUNDAÇÃO OSESP Concertos A Orquestra Sinfônica do Estado de São Paulo – OSESP apresentou 99 concertos sinfônicos, em 2008, tendo iniciado suas atividades para o público em 06 de março e encerrado a temporada em 31 de dezembro. Os concertos de câmara dos grupos mantidos pela Fundação Osesp, que englobam Câmara, Quartetos, “Um Certo Olhar”, Coro e Convidados, totalizaram 41 apresentações. O público total dos concertos da OSESP (sinfônicos e câmara), na Sala São Paulo, foi de 149,7 mil pessoas em 2008, nem constante crescimento (+ 4,7% sobre 2007; + 25,2% sobre 2006). A programação e o respectivo público seguem abaixo: Capacidade Índice de Datas Programa/Regente/Solista Público Total * Ocupação 06/03, 07/03, 08/03 SSP 01: John Neschling, reg - Mahler: Sinfonia nº 2 3.837 3.657 95% 13/03, 14/03, 15/03 SSP 02: Rodolfo Fischer, reg - Nicolas Koeckert, violino 4.119 3.217 78% 20/03, 21/03, 22/03 SSP 03: John Neschling, reg - Olga Kern, piano 4.119 4.028 98% 27/03, 28/03, 29/03 SSP 04: Xian Zhang, reg - Prokofiev: Ivan, o terrível 3.837 3.502 91% 03/04, 04/04, 05/04 SSP 05: Sir Peter Maxwell Davies, reg - Mozart, Haydn e Davies 4.119 3.540 86% 10/04, 11/04, 12/04 SSP 06: John Neschling, reg - Arnaldo Cohen, piano 4.119 4.018 98% 17/04, 18/04, 19/04 SSP 07: John Neschling, reg - Arnaldo Cohen, piano 4.119 3.977 97% 24/04, 25/04, 26/04 SSP 08: John Neschling, reg - Jean-Philippe Collard, piano 4.119 3.429 83% 01/05, 02/05, 03/05 SSP 09: Victor Hugo Toro, reg - Boris Belkin, violino 3.837 3.679 96% 08/05, 09/05, -
The Art of Making Mistakes
The Art of Making Mistakes Misha Alperin Edited by Inna Novosad-Maehlum Music is a creation of the Universe Just like a human being, it reflects God. Real music can be recognized by its soul -- again, like a person. At first sight, music sounds like a language, with its own grammatical and stylistic shades. However, beneath the surface, music is neither style nor grammar. There is a mystery hidden in music -- a mystery that is not immediately obvious. Its mystery and unpredictability are what I am seeking. Misha Alperin Contents Preface (by Inna Novosad-Maehlum) Introduction Nothing but Improvising Levels of Art Sound Sensitivity Fairytales and Fantasy Music vs Mystery Influential Masters The Paradox: an Improvisation on the 100th Birthday of the genius Richter Keith Jarrett Some thoughts on Garbarek (with the backdrop of jazz) The Master on the Pedagogy of Jazz Improvisation as a Way to Oneself Main Principles of Misha's Teachings through the Eyes of His Students Words from the Teacher to his Students Questions & Answers Creativity: an Interview (with Inna Novosad-Maehlum) About Infant-Prodigies: an Interview (with Marina?) One can Become Music: an Interview (with Carina Prange) Biography (by Inna Novosad-Maehlum) Upbringing The musician’s search Alperin and Composing Artists vs. Critics Current Years Reflections on the Meaning of Life Our Search for Answers An Explanation About Formality Golden Scorpion Ego Discography Conclusion: The Creative Process (by Inna Novosad-Maehlum) Preface According to Misha Alperin, human life demands both contemplation and active involvement. In this book, the artist addresses the issues of human identity and belonging, as well as those of the relationship between music and musician. -
Festival De Musique À Maguelone
festival de musique à maguelone Cathédrale de Maguelone 33 e édition musiqueancienneamaguelone.com Le XXXIII e Festival de musique à Maguelone est organisé par l’association “Les Muses en Dialogue” avec le concours du Ministère de la culture et de la communication de la Région Languedoc-Roussillon - Midi-Pyrénées du Département de l’Hérault de Montpellier Méditerranée Métropole de la Ville de Villeneuve-lès-Maguelone en collaboration avec l’association des Compagnons de Maguelone en partenariat avec e-mecenes.com partenaires média Un regard sur les saisons passées English Concert Pascal Montheilhet Blandine Rannou Chistophe Coin Chichester Cathedral Choir Jérome Hantaï Ensemble Marin Mersenne Ensemble vocal Capilla Flamenca La Grande Ecurie et la Chambre du Roy Olivier Baumont Neapolis Ensemble Ensemble instrumental Oltremontano Concerto Rococo La Simphonie du Marais Ensemble Jachet de Mantoue Ensemble Accordone Chœurs Orthodoxes Ensemble Huelgas Fretwork Barthold Kuijken du Monastère de Zagorsk La Colombina Yasumori Imamura Wieland Kuijken Chœur du Patriarcat Russe Pierre Hantaï Eric Bellocq Ensemble Odhecaton The Tallis Scholars Les Talens Lyriques Ensemble William Byrd Claire Lefilliâtre Vincent Dumestre Musica Antiqua de Cologne Patrizia Bovi, Gigi Casabianca Stéphanie-Marie Degand Enrico Baiano Chœurs Liturgiques A Deux Violes Esgales Violaine Cochard Ensemble Clematis Arméniens d’Erevan Il Seminario Musicale Ensemble Amarillis Medusa Ensemble Organum Brigitte Tramier Amandine Beyer Ensemble Micrologus La Fenice Hopkinson Smith Marianne -
Radio 3 Listings for 10 – 16 October 2020 Page
Radio 3 Listings for 10 – 16 October 2020 Page 1 of 11 SATURDAY 10 OCTOBER 2020 Duo concertante in G major Benjamin Grosvenor (piano) Alexandar Avramov (violin), Ivan Peev (violin) Royal Scottish National Orchestra SAT 01:00 Through the Night (m000n6mk) Elim Chan (conductor) Nordic landscapes 05:47 AM Decca 4850365 Johann Sebastian Bach (1685-1750) https://www.deccaclassics.com/en/catalogue/products/chopin- Grieg and Sibelius from Auckland, New Zealand. Jonathan 4 Lieder from the Schemelli songbook (BWV.443, 468, 470 & piano-concertos-grosvenor-11989 Swain presents. 439) Bernarda Fink (mezzo soprano), Domen Marincic (gamba), Arion: Voyage of A Slavic Soul 01:01 AM Dalibor Miklavcic (organ) Songs by Rimsky-Korsakov, Dvořák, Tchaikovsky, John Anthony Ritchie (1921-2014) Rachmaninov, Janáček & Novák Suite No. 1 for Strings 05:57 AM Natalya Romaniw (soprano) Auckland Philharmonia Orchestra, Daniel Blendulf (conductor) Wolfgang Amadeus Mozart (1756-1791) Lada Valešová (piano) Piano Trio in B flat major, K 502 Orchid Classics ORC100131 01:16 AM Amatis Piano Trio https://www.orchidclassics.com/releases/orc100131-natalya- Edvard Grieg (1843-1907) romaniw-lada-valesova/ Piano Concerto in A minor, op. 16 06:20 AM Alessio Bax (piano), Auckland Philharmonia Orchestra, Daniel Johannes Brahms (1833-1897) Veress: String Trio & Bartók: Piano Quintet Blendulf (conductor) Hungarian dances for piano duet (Nos.1; 11; 13; 17; 8) Vilde Frang (violin) Noel Lee (piano), Christian Ivaldi (piano) Barnabás Kelemen (violin) 01:45 AM Lawrence Power (viola) Alexander Scriabin (1871-1915) 06:33 AM Nicolas Altstaedt (cello) Prelude for the Left Hand, op. 9/1 Valborg Aulin (1860-1928) Alexander Lonquich (piano) Alessio Bax (piano) Quartet for strings in F major (1884) Alpha ALPHA458 Tale String Quartet https://outhere-music.com/en/albums/veress-string-trio-bartok- 01:48 AM piano-quintet-alpha458 Jean Sibelius (1865-1957) Symphony No. -
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2006-2007 SEASON BOSTON SYM PHONY RCH ESTRA JAMES LEVINE MUSIC DIRECTOR BERNARD HAITINK SEIJI OZAWA MUSIC DIRECTOR LAUREATE ******>» Lead a richer life. «k 4fm fc^^^^^*! John Hancock is proud to support the Boston Symphony Orchestra, A CD Manulife Financial Company w / h// # A World-Class Alcohol and Drug Treatment Program 111!; View from The McLean Center, Princeton, MA E McLEAN CENTER IS A T FERNSIDE A comprehensive residential treatment program. Expertise in treating co-occurring psychiatric disorders. Highly discreet and individualized care for adults. Exceptional accommodations in a peaceful, rural setting. McLean Hospital: A Legacy of Compassionate Care and Superb Clinical Treatment www.mclean.harvard.edu • 1-800-906-9531 McLean Hospital is a psychiatric teachingfacility PARTOERS. ofHarvard Medical School, an affiliate of Healthcare Massachusetts General Hospital and a member of Partners HealthCare. REASON #57 extremely targeted cancer treatment There are lots of reasons to choose Beth Israel Deaconess Medical Center for your major medical care. Like the Keith C. Field CyberKnife® Center, home to the only CyberKnife in Massachusetts. This revolutionary, non-invasive system uses image-guided robotics to deliver radiation treatments with unprecedented accuracy. From advanced cancer care to world class sports medicine, you'll always find precisely the care you need at Beth Israel Deaconess. Find out more at www.bidmc.harvard.edu or call 1-800-667-5356. A teaching hospital of Beth Israel Deaconess Harvard Medical School Medical Center Affiliated | Hospital of the Red Sox with Joslin Clinic | A Research Partner of Dana-Farber/Harvard Cancer Center Official Boston James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 126th Season, 2006-2007 Trustees of the Boston Symphony Orchestra, Inc. -
ADORATIO.-Over-Heiligen-Martelaren-En-Geliefden.Pdf
Inhoudstafel Voorwoord | Philip Heylen 9 Laus Polyphoniae 2017 | dag aan dag 13 Introductie | Bart Demuyt 23 Essays Verering van de maagd Maria en het Kind in muziek uit de middeleeuwen en de renaissance | David J. Rothenberg 29 Romance met de roos: de minnekunst in het middeleeuwse en renaissancelied | Jane Alden 125 Een andere Petrarca: Italiaanse renaissancemuziek en Petrarca’s poëzie | Marc Vanscheeuwijck 195 Trahe me post te: muziek, gemeenschap en devotie in het vroegmoderne katholicisme | Daniele V. Filippi 305 Concerten VR 18/08/17 20.00 Stile Antico 41 ZA 19/08/17 10.00 IYAP-concertwandeling 53 11.00 Alexandra Aerts, Lieselot De Wilde & Sofie Vanden Eynde 83 16.00 Alexandra Aerts, Lieselot De Wilde & Sofie Vanden Eynde 83 20.00 Patrizia Bovi, Fadia Tomb El-Hage & Friends 85 22.15 Huelgas Ensemble 101 ZO 20/08/17 10.00 IYAP-concertwandeling 53 11.00 Alexandra Aerts, Lieselot De Wilde & Sofie Vanden Eynde 83 16.00 Alexandra Aerts, Lieselot De Wilde & Sofie Vanden Eynde 83 20.00 Cappella Pratensis, Flanders Boys Choir & Wim Diepenhorst 115 4 5 MA 21/08/17 13.00 Ensemble Leones 141 Radio-uitzending, cursussen, lezingen 20.00 Mala Punica 151 KlaraLive@LausPolyphoniae 27 22.15 Stile Antico 149 Ad tempo taci | filmdocumentaire met Marco Beasley 175 Petrarca & music | lezing door Marc Van Scheeuwijck 217 DI 22/08/17 13.00 VivaBiancaLuna Biffi & Pierre Hamon 165 Mariadevotie en heiligenverering in de late middeleeuwen | cursus 253 20.00 Vox Luminis 179 Isola Idola | muziekvakantie voor kinderen & jongeren 303 22.15 Zefiro Torna & Frank -
Introduction
Avant. The Journal of the Philosophical-Interdisciplinary Vanguard Volume II, Number T/2011 avant.edu.pl/en ISSN: 2082-6710 Introduction Jan Iwańczyk, Witold Wachowski What musical past is represented by Ensemble Micrologus? What are its Middle Ages, its Renaissance? Imagined, accurate, probable, reconstructed, stylized…? Someone familiar with interpretations of early modern music and artistic activity of this music group may claim that such answers are formulated from a distorted perspective, as if looking at a museum cabinet. Let’s imagine a musician as a researcher. A researcher who administers music matter to their listeners and who looks for exploratory inspirations among living people and in contemporary forms of musical expression. According to our interviewee, Patrizia Bovi, a co-founder of Micrologus: in this type of practice, music is brought up to date automat- ically. Music notations from medieval codices are only one source, limited in itself. With- out exaggeration, it can be said that genuine interpreters of early modern music do not aim to reconstruct but to bring it to life. They are honest and do not intend to renounce their individuality; they would even say that doubts and not certainties are [their] best allies. Ensemble Micrologus is an famous Italian group who specialising in medieval music. Micrologus has been founded in 1984 by Patrizia Bovi (vocals, harp), Adolfo Broegg (lute, psaltery, citola), Goffredo Degli Esposti (flute, bombarde, bagpipes) and Gabriele Russo (viela, rebec, lyre). The grouphas researched its playing techniques through study of original sources and through vestiges in traditional music today. The musicians use reconstructions of early instruments60. -
Cover CW 470 June 2017
CONCERTINA WORLD Magazine of the International Concertina Association since 1952 CW 470 June 2017 Information/interviews/techniques/ events/music supplement Subscriptions run from 1 January each year Photos with the article “Music of Ireland” by Bill Crossla nd Concertina World Editor: 1 Index Pauline de Snoo, tel. 0031 73 54 79837 2 Editorial Goudenregenstraat 5, 5482 CW Schijndel, Netherlands 3 Internet Video Jukebox 11 Email: [email protected] 5 Virtual Folk Club 5 or [email protected] 12 John Holman Obituary Committee Chairman and Concertina World 13 Eighteen months in the life of the Correspondent: Yorkshire Concertina Club Paul Walker 17 The anglo concertina music of Ireland Email: [email protected] or [email protected] – a Rough Guide 25 Minutes of the AGM 22 April 2017 Membership Secretary: Martin Henshaw, tel. 01767 627 566 Oak End, 23A Bedford Road Northill, Biggleswade, Beds, SG18 9AH Contributors: Bill Crossland, Colin Dipper, Email: [email protected] Helen Graham, Pauline de Snoo, Paul Walker and Colin Whyles. Treasurer: Paul McCann Email: [email protected] Center magazine: removable A4 szie Librarian/Archivist: pages Music Supplement and article on Jeremy Hague Email: [email protected] ICA archive: contributions by Paul Walker (John Kirkpatrick) and John Wild Secretary: Colin Whyles Email: [email protected] Webmaster: Michel van der Meiren Photos cover see article page 27. Email: [email protected] Other committee members: Roger Gawley; Graham Heffernann; Jon McNamara; Gill Noppen-Spacie. Subscriptions run from 1 January to 31 December. Membership subscriptions are due on 1 January of each year. Membership UK 20 GBP, Europe 23 GBP, USA 26 GBP. -
The Early Guitar
Early Music Review BOOKS relatively concrete and straightforward to interpret, but the consideration of ‘why’ music was politically useful rests on Troubadour Poems from the South of France less tangible concepts. Butler argues that, for Elizabethans, Translated by William D. Paden and Frances Freeman music had three types of political purpose: the analogy Paden. between political and audible harmony; the association of D. S. Brewer 2014 . xiii + 278pp pb. musical knowledge and skill with high levels of education ISBN 978 1 84384 408 2 and social status; and its use as a means of persuasion. These themes form consistent threads throughout her his contains 126 poems from the 10th century to study. Petrarch. I had a book some years ago which gave As Butler makes clear at the outset, there is virtually Tthe music and first verse in Occitan and English, no surviving music on which to base her work. There but I cannot now find it. As a musician, I regret that the are a few more than a dozen extant musical settings of syllables do not match those of the original, though I lyrics from performances associated with the Elizabethan sympathise that any attempt to match the rhymes will court, and even these settings cannot equivocally be said disrupt the meaning. My days of learning the language to have been the versions performed at those events. This started in 1960-61 at Magdalene College, just at the time is, therefore, not a consideration of how composers used John Stevens was doing the same thing, though I spent musical techniques to deliver political aims, but rather an more time then and later on Latin poetry of the period. -
Bellowhead „Burlesque“ (Westpark Music 87132)
Bellowhead „Burlesque“ (Westpark Music 87132) “Astonishing. I mean, I’ve had a drink but this sounds to me like a landmark ... Bellowhead are taking the music forward with a flair and urgency rarely heard in these parts and I, for one, can’t wait for them to make a proper album.“ COLIN IRWIN – fRoots Magazine And - here it is. ‘Burlesque’ out via Westpark Music. Not so much a Big Band as a small independent country, Bellowhead is an 11 piece busy pushing the boundaries of English roots music into regions where few have previously dared to tread. Bellowhead’s debut gig took place at the first Oxford festival in April 2004, brought together by the acclaimed folk duo John Spiers & Jon Boden. They dreamt up the band while stuck in traffic somewhere on the M25. John & Jon phoned Paul Sartin, Benji Kirkpatrick and Giles Lewin who all agreed to form the core of the new band while the duo were still on said motorway. The idea was to have an English traditional folk band at the heart of the collective, also capable of switching between a big band sound, funk styles, and a string section. The first gig was an instant success de- spite the fact that Bellowhead had only managed to spend one afternoon, in a scout hut, rehearsing. Later that same summer, Bellowhead managed to inspire such enthusiasm, on a balmy night at Sidmouth Festival, that an invigorated crowd broke the dance floor. Interest in the band developed beyond the immediate fringes of the folk scene immediately after the independ- ent release of the ‘E.P.Onymous’, a 5 track demo which was initially produced to send to promoters and sell a few at gigs. -
Winter 2011-2012
NNootteess The Newsletter of Readifolk Issue 12 Reading's folk song Winter 2011/12 and music club McKinnon & Anne Tarrant and Bob & Gill Berry for giving us Welcome two really enjoyable evenings. But on a sadder note, it was because of serious illness that to another Readifolk Johnny Silvo had to cancel his UK Autumn tour, which included an appearance at Readifolk. Reports indicate that his illness newsletter has now become terminal. Our thoughts are with Johnny and his family as we recall the many happy times shared with him. Rumblings from the Roots Looking forward to the new year, we have already booked Welcome to the Winter edition of Notes. With this edition we many excellent guests. You will see from the previews and the welcome in another New Year and we take this opportunity of listing on the back page that we have several newcomers to wishing you all a very happy and successful 2012. the club in the first quarter. Some of them are wellestablished artists and some are younger performers who we feel are We are delighted with the new format of Notes which Stewart destined for greater things. Do look up their details on their has compiled. As well as several interesting articles and news web sites etc., and you can listen to tracks from all of the items, we include previews of all the forthcoming artists in the artists in a special preview edition of The Readifolk Radio first quarter of the year. It was felt preferable to give previews Show, broadcast on Reading4U, Reading's community radio of artists rather than reviews of past performances, so that you station on www.reading4u.co.uk on Friday 30 December. -
16 November 2012 Page 1 of 10
Radio 3 Listings for 10 – 16 November 2012 Page 1 of 10 SATURDAY 10 NOVEMBER 2012 (conductor) Schumann: Sag an, o lieber Vogel mein; Dem roten Röslein gleicht mein Lieb; Was soll ich sagen; Jasminenstrauch; SAT 01:00 Through the Night (b01npjsv) 5:01 AM Volksliedchen; Verratene Liebe Nicola Christie presents a concert from period ensemble Berlioz, Hector (1803-1869) Schumann: Gedichte der Königin Maria Stuart, Op 135 Concerto Copenhagen Le Carnaval romain - overture (Op.9) Schumann: Mignon Lieder, Op 98: Kennst du das land?; Nur Toronto Symphony Orchestra, Andrew Davis (conductor) wer die Sehnsucht kennt; Heiss mich nicht redden; So lass mich 1:01 AM scheinen Handel, Georg Frideric [1685-1759] 5:10 AM Schumann: 'Five heroines': Die Löwenbraut; Die Nonne; Trio sonata in A major Op.5'1 Mozart, Wolfgang Amadeus (1756-1791) Loreley; Die Soldatenbraut; Die Kartenlegerin. Concerto Copenhagen, Alfredo Bernardini (director) Four Notturni (K.549) Vancouver Chamber Choir, Wesley Foster & Nicola Tipton 1:09 AM (clarinets), William Jenkins (bass clarinet), Jon Washburn SAT 15:00 Saturday Classics (b01nt0y4) Corelli, Arcangelo [1653-1713] (director) Giles Fraser Trio sonata in F major Op.3'1 Concerto Copenhagen, Alfredo Bernardini (director) 5:18 AM To mark this year's weekend of Remembrance, Giles Fraser Copland, Aaron (1900-1990) chooses pieces by musicians who were affected by the two 1:17 AM Danzon Cubano version for 2 pianos World Wars. The music includes works by George Butterworth, Hotteterre, Jacques [1674-1763] Aglika Genova (piano), Liuben