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Remembering Katie Reich
THE M NARCH Volume 18 Number 1 • Serving the Archbishop Mitty Community • Oct 2008 Remembering Katie Reich Teacher, Mentor, Coach, Friend Katie Hatch Reich, beloved Biology and Environmental Science teacher and cross-country coach, was diagnosed with melanoma on April 1, 2008. She passed away peacefully at home on October 3, 2008. While the Mitty community mourns the loss of this loving teacher, coach, and friend, they also look back in remembrance on the profound infl uence Ms. Reich’s life had on them. “Katie’s passions were apparent to all “We have lost an angel on our campus. “My entire sophomore year, I don’t think “Every new teacher should be blessed to who knew her in the way she spoke, her Katie Reich was an inspiration and a mentor I ever saw Ms. Reich not smiling. Even after have a teacher like Katie Reich to learn from. hobbies, even her key chains. Her personal to many of our students. What bothers me is she was diagnosed with cancer, I remember Her mind was always working to improve key chain had a beetle that had been encased the fact that so many of our future students her coming back to class one day, jumping up lessons and try new things. She would do in acrylic. I recall her enthusiasm for it and will never have the opportunity to learn on her desk, crossing her legs like a little kid anything to help students understand biology wonder as she asked me, “Isn’t it beautiful?!” about biology, learn about our earth, or learn and asking us, “Hey! Anyone got any questions because she knew that only then could she On her work keys, Katie had typed up her about life from this amazing person. -
How Videography Can Contribute to Marketing Knowledge
This is a repository copy of Envisioning consumers: How videography can contribute to marketing knowledge. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/119764/ Version: Accepted Version Article: Belk, RW, Caldwell, M, Devinney, TM orcid.org/0000-0002-4867-1861 et al. (4 more authors) (2018) Envisioning consumers: How videography can contribute to marketing knowledge. Journal of Marketing Management, 34 (5-6). pp. 432-458. ISSN 0267-257X https://doi.org/10.1080/0267257X.2017.1377754 © 2017, Westburn Publishers Ltd. This is an Accepted Manuscript of an article published by Taylor & Francis in Journal of Marketing Management on 02 October 2017 , available online: https://doi.org/10.1080/0267257X.2017.1377754 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Envisioning consumers: How videography can contribute to marketing knowledge Russell W. Belk Schulich School of Business York University Toronto, ON M3J 1P3 CANADA Email: [email protected] Marylouise Caldwell Sydney University Business School Sydney NSW 2006 AUSTRALIA Email: [email protected] Timothy M. -
5Pring 2001 Price
PRICE: FREE THE 5PRING 2001 NEW PLAGUE Look, a green one. Drivers wanted \fSKP of New Beetle does not include such features as operable doors, round tires, workable steering wheel and non-combustible ashtray. New Beetle is not to be used as a flotation device. Plow attachment sold separately. Volkswagen Inc. does not endorse Auschwitz o r the goals o f the German Nazi Government At least, not anymore. Plague-(n) 1. A pestilence, affliction, or calamity, especially one seen as divine retribution. 2. A sudden destructive influx or injurious outbreak. 3 . Any cause for annoyance; a nuisance. 4, A ragtag group of misfits bat tling against themselves and each other in a quest for unattainable inner peace. 5. The mocking of others in an attempt to quiet the tortured phantoms of unrequited love. 6. A stepping stone to a career as personal assistant to some guy who wrote for the Harvard Lampoon. Your Spring 2001 Staff Executive Editors This Page, Jackass l Michael P. Casey Halt Man, Half Beast Gregg Zehentner 2 The Perfect Man & e I? a Ur & o f L o v e Erin Foley Snakefa.cc Entertainment Picks 3 Leila Amineddoleh Gangsta of Love 1 Don’t Want My MTV 4 Editorial Staff Moon Over Brentwood 6 Serqeant-At-Arms Copy Editor Pat Stango Victoria i. Pingarron F u n n ie s !!! Pilled with regret Lethal if Swallowed 9 Aesthetics Department Matt Scott Blaine Perry A Little Something for 12 Gone hut Forgotten Was Funny Two Tears the Ladies... A g o Creative Consultants Scott Pollack Molly Felder No Vagina For You 14 Checks in Sometimes W e’ll Lovelier for Always All of the Work, None of the Credit.. -
MTV Smut Peddlers
TABLE OF CONTENTS Executive Summary¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 1 Major Findings¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 1 I. Background¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 2 II. Study Parameters & Methodology¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 3 III. Overview of Major Findings¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 3 ◊ Other Findings¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 3 IV Examples:¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 4 ◊ Foul language o On reality shows¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 4 o In music videos¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 4 ◊ Sex o On reality shows¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 5 o In music videos¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 6 ◊ Violence o On reality shows¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 9 o In music videos¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 10 V. Conclusion¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 10 End Notes¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 11 The Parents Television Council¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 12 Entertainment Tracking Systems: State-of-the-Art Television Monitoring System¤¤¤¤¤¤¤¤¤¤ Page 13 Acknowledgements¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 14 MTV Smut Peddlers 3,056 depictions of sex or various forms of nudity and MTV Smut Peddlers: 2,881 verbal sexual references. -
Tv Pg 5 08-26.Indd
The Goodland Star-News / Tuesday, August 26, 2008 5 Like puzzles? Then you’ll love sudoku. This mind-bending puzzle FUN BY THE NUM B ERS will have you hooked from the moment you square off, so sharpen your pencil and put your sudoku savvy to the test! Here’s How It Works: Sudoku puzzles are formatted as a 9x9 grid, broken down into nine 3x3 boxes. To solve a sudoku, the numbers 1 through 9 must fill each row, column and box. Each number can appear only once in each row, column and box. You can figure out the order in which the numbers will appear by using the numeric clues already provided in the boxes. The more numbers you name, the easier it gets to solve the puzzle! ANSWER TO TUESD A Y ’S TUESDAY EVENING AUGUST 26, 2008 WEDNESDAY EVENING AUGUST 27, 2008 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 ES E = Eagle Cable S = S&T Telephone ES E = Eagle Cable S = S&T Telephone Dog Bounty Dog Bounty Dog Bounty Dog Bnty Mindfreak Mindfreak Jacked: Auto Jacked: Auto Dog Bounty Dog Bounty The First 48 Drugs; gun The First 48: Collateral; The Cleaner: To Catch a The Cleaner (TV14) (R) The First 48 Drugs; gun 36 47 A&E 36 47 A&E fight. (TVMA) (R) Driven to Kill (N) Fed (TV14) (N) (HD) (HD) fight. (TVMA) (R) (R) (R) (R) (TVPG) (TVPG) (TVPG) (R) (R) (R) (R) Wife Swap: Coste/Ives Supernanny: Schrage 2008 Democratic National KAKE News (:35) Nightline (:06) Jimmy Kimmel Live Wipeout Butt Kicker; Big Wanna Bet Skiing on 2008 Democratic National KAKE News (:35) Nightline (:06) Jimmy Kimmel Live 46 ABC 46 ABC Balls. -
18-19 REP SEASON | WINTER 6O
18-19 REP SEASON | WINTER 6o The Music Man The Crucible A Doll’s House, Part 2 Sweat Noises Off The Cake Sweeney Todd Around the World in 80 Days asolorep asolorep PRODUCING ARTISTIC DIRECTOR MICHAEL DONALD EDWARDS MANAGING DIRECTOR LINDA DiGABRIELE PROUDLY PRESENTS BY Arthur Miller DIRECTED BY Michael Donald Edwards Scenic Design Costume Design Lighting Design Sound Design & Original Composition LEE SAVAGE TRACY DORMAN JEN SCHRIEVER FABIAN OBISPO Hair/Wig & Make-up Design New York Casting Chicago Casting Local Casting Voice & Dialect Coach MICHELLE HART STEWART/WHITLEY CASTING SIMON CASTING CELINE ROSENTHAL PATRICIA DELOREY Fight Director Production Stage Manager Stage Manager & Fight Captain Assistant Stage Manager Dramaturg ROWAN JOHNSON NIA SCIARRETTA* DEVON MUKO* JACQUELINE SINGLETON* PAUL ADOLPHSEN Directing Fellow Music Coach Stage Management Apprentice Stage Management Apprentice Dramaturgy & Casting Apprentice TOBY VERA BERCOVICI LIZZIE HAGSTEDT CAMERON FOLTZ CHRISTOPHER NEWTON KAMILAH BUSH The Crucible is presented by special arrangement with Dramatists Play Service, Inc., New York Directors are members of the Stage Directors and Choreographers Society; Designers are members of the United Scenic Artists Local USA-829; Backstage and Scene Shop Crew are members of IATSE Local 412. The video and/or audio recording of this performance by any means whatsoever is strictly prohibited. CO-PRODUCERS Gerri Aaron • Nancy Blackburn • Tom and Ann Charters • Annie Esformes, in loving memory of Nate Esformes • Shelley and Sy Goldblatt Nona -
Dear Wonderful COSTAC People, Room 25, at Westlake Hills
Dear Wonderful COSTAC People, Room 25, at Westlake Hills Elementary School would like to thank you for your, “Virtual Field trip of Wildwood Park” that you created for us to view! My students were delighted to watch your personal tour of the park. Many are planning with their families to go there when it is safe. Since you created something special for us, we decided to make a, “Thank You” slidedeck that all of the students have contributed to as a gift to all of you. We look forward to seeing you and the animals next year, it will be better than ever. I can’t wait. Love from all of the 4th Graders of Room 25, Sincerely, Sandra Rowlett 1 Tatum First, I loved Also, I have Lastly, I loved all when you always of the wildlife identified the wondered why and the stream Thank you poison oak dandelions where the because I was grow, because animals got all of COSTAC! always so scared when I was their water. Also, of it until you younger I I have many oak A virtual identified it. thought that trees in my they grew, so backyard just hug from that I could wish like the ones in Mrs. on them. Now I the video that know that the you made. Rowlett’s wind blows away the seeds Class and then a new plant will grow because of this video 2 Merrick Thank you so much for letting me see the park! You guys are the best! 3 Dear COSTAC People, Thank you for using your time for making our class the beautiful video. -
1953-07-09.Pdf
For All Departments Call RED BANK REGISTER RE 6-0013 VOLUME LXXVI, NO. 2 RED BANK, N, J., THURSDAY, JULY 9, 1953 10c PER COPY SECTION ONE—PAGES 1 TO 16. Property Owners Balk at Curbs Korean Vels Receive Music Circus Tickets Hazlct Firemen's Asking $75,000 To Check Erosion, Aid Drainage Annual Fair to HIGHLANDS— Borough council Open Next Monday More for School Monday night directed Otis R. Sea- Ltpns Club Discusses man, borough engineer, to prepare Merchants' Trade $2,000 Beach Pledge LITTLE SILVER—The school a more detailed survey of erosion Kxliiliit I\<nv in Fourth board is planning to set up a new and drainage conditions on. Bay- ATLANTIC HIGHLANDS—Mem- Named Editor referendum within a month to ask view and Valley sts. bers of the Lions club here Mon- Year, Being Continued borough voters to permit the bor- Council's action followed a dis- day night discussed methods of rowing of another $75,000 for the cussion with property owners on raising $2,000 pledged toward the Notwithstanding the current bin Of Magazine addition to the Markham Avenu* the streets of the engineer's recom- municipal beach project at the on certain types of attractions school. mendation that curbs be installed eastern end of the yacht harbor previously found at firemen's fairs NEW YORK—Harry L. Waddcll, The new plan would provide for as a preliminary step toward check- at a meeting at the Log Cabin the forthcoming (air and trade ex- editor of Factory Management and an addition containing 13 class- ing erosion and aiding water inn on Ocean blvd. -
U N D O I N G a Film by Chris Chan Lee
U N D O I N G A Film by Chris Chan Lee Writer/Director Chris Chan Lee Details 90 minutes, HD, color, 2006 Producers Karin Chien Sung Kang Starring Sung Kang George Huey, Eric Kim, Catherine Park Kelly Hu Contact Karin Chien Russell Wong (917) 209-9602 Jose Zuniga [email protected] and Tom Bower Website www.undoingmovie.com SYNOPSIS One year after the death of his best friend, Sam Kim returns to Los Angeles determined to find redemption from the past. His mentor and only friend, DON, is a retired gangster with a parallel desire to leave the former world behind. But as Sam tries to balance revenge with reconciliation, he is drawn into the shadowy world he had left behind. Can Sam undo his mistakes before losing what he came back to save? - 1 - U N D O I N G D I R E C T O R ’ S S T A T E M E N T The story of UNDOING came to me upon my return from working overseas. A few years ago, I spent a little more than a year directing TV in Singapore. On a professional level, I found the experience to be both challenging and rewarding, however, throughout my time abroad, I became keenly aware of the disconnect between myself and my environment. Being an American-born Korean and working in a foreign country, I was missing home. The relationships and circumstances I had left behind were constantly on my mind. While working in Singapore, I was surrounded by a sea of unfamiliar faces - the Chinese production staff, the Malaysian camera crew, the Indian studio technicians, etc. -
Music Video Aesthetics, Militarised Fashion, and the Embodied Politics of Stardom in Rihanna’S ‘Hard’1
Politik Nummer 1 | Årgang 23 | 2020 ‘Couture military’ and a queer aesthetic curiosity: music video aesthetics, militarised fashion, and the embodied politics of stardom in Rihanna’s ‘Hard’1 Catherine Baker, Senior Lecturer in 20th Century History, Department of History, Uni- versity of Hull Music video is an underappreciated type of audiovisual artefact in studies of the aesthet- ics of world politics, which typically privilege linear narrative storytelling and struggle to communicate how sonic and embodied practices also constitute world politics as sen- sory experiences through which individuals make sense of the world. Yet the ways in which music video invites spectators’ senses to work together, and to filter meaning through their knowledge of stars’ own ‘meta-narratives’, expose an intimate and affective continuum between the politics of stardom and attachments to collective projects such as militarism. This paper explores that continuum through a study of Rihanna’s video ‘Hard’ and the aesthetic strategies it used to visualise her performance of a ‘female military masculinity’ in a fantasised space employing signifiers of US desert war. In December 2009, at the end of a year in which Rihanna had been forced into a struggle to control and redefine her public persona after being assaulted by her then partner, the second single from her image-redefining album Rated R appeared with a video proclaim- ing her resilience and invulnerability, placing her in a succession of haute-couture-styled military-themed outfits in the middle of a fantastic version of a desert war. ‘Hard’, re- leased while fans and journalists were still debating the meanings of the BDSM imagery around Rated R’s lead single ‘Russian Roulette’, asserted Rihanna’s triumphs in the mu- sic industry and the luxury they had earned her result with a defiant message to her online haters and the repeated declaration in the chorus ‘I’m so hard’. -
From American Bandstand to Total Request Live: Teen Culture and Identity on Music Television Kaylyn Toale Fordham University, [email protected]
Fordham University Masthead Logo DigitalResearch@Fordham American Studies Senior Theses American Studies 2011 From American Bandstand to Total Request Live: Teen Culture and Identity on Music Television Kaylyn Toale Fordham University, [email protected] Follow this and additional works at: https://fordham.bepress.com/amer_stud_theses Part of the American Popular Culture Commons, and the Film and Media Studies Commons Recommended Citation Toale, Kaylyn, "From American Bandstand to Total Request Live: Teen Culture and Identity on Music Television" (2011). American Studies Senior Theses. 14. https://fordham.bepress.com/amer_stud_theses/14 This is brought to you for free and open access by the American Studies at DigitalResearch@Fordham. It has been accepted for inclusion in American Studies Senior Theses by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. From American Bandstand to Total Request Live : Teen Culture and Identity on Music Television Kaylyn Toale American Studies Senior Thesis Fall 2010 Prof. Amy Aronson, Prof. Edward Cahill Toale 1 “When we started the show… there weren’t any teenagers,” remarked Dick Clark to The Washington Post in 1977. “They were just miniatures of their parents. They didn’t have their own styles. They didn’t have their own music. They didn’t have their own money. And now, of course, the whole world is trying to be a kid.” 1 The show to which he refers, of course, is American Bandstand, which paved the way for Total Request Live (TRL) and other television shows which aimed to distribute popular music to young audiences. Here, Dick Clark situates the intersection of music and television as an entity that provides great insight into the social dynamics, the media experience, and the very existence of teenagers in the United States. -
Edition Du 30 Décembre 2006
Fr.s. 2.– / € 1,30 No 302 – JA 2002 Neuchâtel SAMEDI 30 DÉCEMBRE 2006 SKI ALPIN RÉGLEMENTATIONS SUR LES CHIENS DANGEREUX Cuche reste au top Didier Cuche a pris le 5e rang de la des- La belle cacophonie fédérale cente de Bormio et reste en tête du clas- Toute l’année 2006 a été marquée par le drame d’Oberglatt. sement de la discipline. Nouvelle victoire de Michael Walchhofer. page 21 Le point sur un dossier qui est loin d’être clos. page 17 Belle et heureuse année 2007 PHOTO ARCH-LEUENBERGER OPINION Par Nicolas Willemin Prêts à décoller SOMMAIRE Feuilleton 4 2007, année participative pour la Lune Bons plans 14 assurez-vous, l’année dansvotrejournal,del’enri- confirmer voire amplifier sa Bourse 20 2006 n’est pas totale- chir par vos propositions, vos percée de ces dernières an- OPÉRETTE L’Avant-Scène Opéra Sports 21-24 R ment terminée! Il vous réactions, vos informations. nées? Christoph Blocher resteencoredeuxjourspour 2007 devrait en effet confir- pourra-t-il continuer à jouer change d’année avec Offenbach Adresses pratiques 25 en profiter, avant de sauter à mer une tendance en plein les trublions au Conseil fédé- piedsjointsdanscetteannée essor dans le monde des ral? D’ici à la fin de l’année, Carnet 26 2007 qui s’annonce passion- «nouveaux» médias. On l’ap- «vous» aurez l’occasion de nante. pelle un peu pompeusement vous exprimer sur ce sujet. Télévision 27-31 Foin de modestie, commen- «journalisme participatif». De l’autre côté de la frontière, çons par nous-mêmes: le 6 fé- Aveclesnouveauxoutilsélec- la candidate socialiste Ségo- CANTON DU JURA vrier prochain, «L’Express» troniques, le lecteur est invité lène Royal a lancé une cam- et «L’Impartial» étrenneront à créer lui-même du contenu, pagneélectoralequiseveut une nouvelle formule en que ce soit du texte, des pho- elle aussi «participative»: les Schaffter même temps qu’une collabo- tos,desvidéosouduson.