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Remembering Katie Reich
THE M NARCH Volume 18 Number 1 • Serving the Archbishop Mitty Community • Oct 2008 Remembering Katie Reich Teacher, Mentor, Coach, Friend Katie Hatch Reich, beloved Biology and Environmental Science teacher and cross-country coach, was diagnosed with melanoma on April 1, 2008. She passed away peacefully at home on October 3, 2008. While the Mitty community mourns the loss of this loving teacher, coach, and friend, they also look back in remembrance on the profound infl uence Ms. Reich’s life had on them. “Katie’s passions were apparent to all “We have lost an angel on our campus. “My entire sophomore year, I don’t think “Every new teacher should be blessed to who knew her in the way she spoke, her Katie Reich was an inspiration and a mentor I ever saw Ms. Reich not smiling. Even after have a teacher like Katie Reich to learn from. hobbies, even her key chains. Her personal to many of our students. What bothers me is she was diagnosed with cancer, I remember Her mind was always working to improve key chain had a beetle that had been encased the fact that so many of our future students her coming back to class one day, jumping up lessons and try new things. She would do in acrylic. I recall her enthusiasm for it and will never have the opportunity to learn on her desk, crossing her legs like a little kid anything to help students understand biology wonder as she asked me, “Isn’t it beautiful?!” about biology, learn about our earth, or learn and asking us, “Hey! Anyone got any questions because she knew that only then could she On her work keys, Katie had typed up her about life from this amazing person. -
How Videography Can Contribute to Marketing Knowledge
This is a repository copy of Envisioning consumers: How videography can contribute to marketing knowledge. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/119764/ Version: Accepted Version Article: Belk, RW, Caldwell, M, Devinney, TM orcid.org/0000-0002-4867-1861 et al. (4 more authors) (2018) Envisioning consumers: How videography can contribute to marketing knowledge. Journal of Marketing Management, 34 (5-6). pp. 432-458. ISSN 0267-257X https://doi.org/10.1080/0267257X.2017.1377754 © 2017, Westburn Publishers Ltd. This is an Accepted Manuscript of an article published by Taylor & Francis in Journal of Marketing Management on 02 October 2017 , available online: https://doi.org/10.1080/0267257X.2017.1377754 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Envisioning consumers: How videography can contribute to marketing knowledge Russell W. Belk Schulich School of Business York University Toronto, ON M3J 1P3 CANADA Email: [email protected] Marylouise Caldwell Sydney University Business School Sydney NSW 2006 AUSTRALIA Email: [email protected] Timothy M. -
La Bataille Se Poursuit,Les Points Clés Des
Jeux TV : les marques installées laissent peu de place aux nouveautés Un plateau, plusieurs candidats et une somme d’argent à la clé, le jeu TV constitue un genre historique phare en France comme à l’étranger. Installées parfois depuis plusieurs dizaines de saisons, certaines marques tendent à se renouveler à travers de nouvelles mécaniques, de nouveaux visages, sans systématiquement rencontrer le succès. NPA Conseil analyse l’évolution de l’offre de jeux de plateau, les performances du genre, avant de s’intéresser à sa programmation à l’international. Les chaînes de la TNT n’ont pas réussi à imposer le genre En l’espace d’une saison, l’offre de jeux TV a évolué différemment en fonction des chaînes de diffusion. On observe ainsi un volume à la hausse sur les chaînes historiques, alors qu’il est en déclin sur les chaînes de la TNT. Sur la saison 2016-2017, les jeux représentent 204 heures soit 0,2% de l’ensemble de la programmation de l’univers TNT, un recul de 0,6 point comparé à la saison précédente, soit une chute de 580 heures de jeux à l’antenne. On peut expliquer cela, notamment par les déprogrammations multiples de marques qui ont peiné à s’imposer, ne dépassant pas pour certaines la phase du pilote. Ce fût le cas deL’académie des 9, jeu animé par Benjamin Castaldi en début de saison 2015-2016 en quotidienne, puis en hebdomadaire avant de s’absenter totalement de la grille des programmes de C8 la saison suivante. Autre jeu absent des grilles en 2016-2017, Le grand match…, proposé en Prime Time sur la même chaîne une saison auparavant. -
MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems
institut montaigne MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems REPORT MAY 2019 MEDIA POLARIZATION “À LA FRANÇAISE” MEDIA POLARIZATION There is no desire more natural than the desire for knowledge MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems MAY 2019 EXECUTIVE SUMMARY In France, representative democracy is experiencing a growing mistrust that also affects the media. The latter are facing major simultaneous challenges: • a disruption of their business model in the digital age; • a dependence on social networks and search engines to gain visibility; • increased competition due to the convergence of content on digital media (competition between text, video and audio on the Internet); • increased competition due to the emergence of actors exercising their influence independently from the media (politicians, bloggers, comedians, etc.). In the United States, these developments have contributed to the polarization of the public square, characterized by the radicalization of the conservative press, with significant impact on electoral processes. Institut Montaigne investigated whether a similar phenomenon was at work in France. To this end, it led an in-depth study in partnership with the Sciences Po Médialab, the Sciences Po School of Journalism as well as the MIT Center for Civic Media. It also benefited from data collected and analyzed by the Pew Research Center*, in their report “News Media Attitudes in France”. Going beyond “fake news” 1 The changes affecting the media space are often reduced to the study of their most visible symp- toms. For instance, the concept of “fake news”, which has been amply commented on, falls short of encompassing the complexity of the transformations at work. -
5Pring 2001 Price
PRICE: FREE THE 5PRING 2001 NEW PLAGUE Look, a green one. Drivers wanted \fSKP of New Beetle does not include such features as operable doors, round tires, workable steering wheel and non-combustible ashtray. New Beetle is not to be used as a flotation device. Plow attachment sold separately. Volkswagen Inc. does not endorse Auschwitz o r the goals o f the German Nazi Government At least, not anymore. Plague-(n) 1. A pestilence, affliction, or calamity, especially one seen as divine retribution. 2. A sudden destructive influx or injurious outbreak. 3 . Any cause for annoyance; a nuisance. 4, A ragtag group of misfits bat tling against themselves and each other in a quest for unattainable inner peace. 5. The mocking of others in an attempt to quiet the tortured phantoms of unrequited love. 6. A stepping stone to a career as personal assistant to some guy who wrote for the Harvard Lampoon. Your Spring 2001 Staff Executive Editors This Page, Jackass l Michael P. Casey Halt Man, Half Beast Gregg Zehentner 2 The Perfect Man & e I? a Ur & o f L o v e Erin Foley Snakefa.cc Entertainment Picks 3 Leila Amineddoleh Gangsta of Love 1 Don’t Want My MTV 4 Editorial Staff Moon Over Brentwood 6 Serqeant-At-Arms Copy Editor Pat Stango Victoria i. Pingarron F u n n ie s !!! Pilled with regret Lethal if Swallowed 9 Aesthetics Department Matt Scott Blaine Perry A Little Something for 12 Gone hut Forgotten Was Funny Two Tears the Ladies... A g o Creative Consultants Scott Pollack Molly Felder No Vagina For You 14 Checks in Sometimes W e’ll Lovelier for Always All of the Work, None of the Credit.. -
Gabrielle Ziadé Chargée De Communication [email protected] T 01 71 35 56 17 Amicie Canu Attachée De Presse [email protected] T 01 71 35 56 07
D8 LA NOUVELLE GRANDE CHAÎNE ÉDITO En un an, D8 a réussi à s’imposer comme la nouvelle grande chaîne du PAF. Elle a fait le pari d’une offre de qualité qui a su rassembler, au fil des mois, un public toujours plus nombreux - en particulier les CSP+. Pour cette deuxième saison, D8 va intensifier cette volonté en proposant une offre de programmes encore plus forte. Au programme : le retour des émissions phare, avec des deuxièmes saisons riches en nouveautés pour TOUCHE PAS À MON POSTE !, succès de l’année - avec, autour de Cyril Hanouna, une bande agrandie et de nouveaux chroniqueurs – et pour LE GRAND 8 qui revient plus en forme que jamais avec une nouvelle formule pour le talk quotidien de Laurence Ferrari et sa bande. Et bien sûr, la très attendue saison 2 de NOUVELLE STAR sur D8, dont le casting éclatant ravira les téléspectateurs ! D8 continuera à proposer une offre de magazines et d’information inégalée sur l’environnement de la TNT, avec le grand rendez-vous hebdomadaire EN QUÊTE D’ACTUALITÉ présenté par Guy Lagache, le magazine patrimonial SO FRANCE et le magazine d’enquête AU CŒUR DE L’ENQUÊTE. Cette saison, Adrienne de Malleray et Élé Asu seront aux commandes de la grande édition d’information du soir. Beaucoup de nouveautés aussi en cette rentrée avec la troisième grande émission quotidienne après TPMP ! et LE GRAND 8 : le tout nouveau talk- show produit par les équipes de Cyril Hanouna et présenté par Ariane Massenet et Camille Combal, qui permettra de décortiquer l’actualité du divertissement et révèlera les secrets de ce qui marchera…ou pas ! En matière de séries, D8 proposera un line-up puissant et original, avec plus d’une dizaine de séries inédites, dont les grands succès américains et britanniques. -
MTV Smut Peddlers
TABLE OF CONTENTS Executive Summary¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 1 Major Findings¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 1 I. Background¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 2 II. Study Parameters & Methodology¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 3 III. Overview of Major Findings¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 3 ◊ Other Findings¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 3 IV Examples:¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 4 ◊ Foul language o On reality shows¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 4 o In music videos¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 4 ◊ Sex o On reality shows¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 5 o In music videos¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 6 ◊ Violence o On reality shows¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 9 o In music videos¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 10 V. Conclusion¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 10 End Notes¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 11 The Parents Television Council¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 12 Entertainment Tracking Systems: State-of-the-Art Television Monitoring System¤¤¤¤¤¤¤¤¤¤ Page 13 Acknowledgements¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 14 MTV Smut Peddlers 3,056 depictions of sex or various forms of nudity and MTV Smut Peddlers: 2,881 verbal sexual references. -
Communiqué De Presse
Paris, le 3 mars 2014 Communiqué de presse A l’occasion des 20 ans de Sidaction, plus de 70 artistes et personnalités se mobilisent pour un album au profit de Sidaction. Sidaction s’associe avec Warner Music France pour la sortie d’un nouvel album en novembre 2014. Sidaction a 20 ans. Il est des anniversaires dont on préférerait se passer… Que de combats accomplis depuis 1994 ! Le sida n’est toujours pas vaincu : 35 millions de personnes vivent avec le VIH, 1,6 million de personnes sont décédées en 2012 du sida et 2,3 millions de personnes ont appris leur séropositivité cette même année … Ce ne sont pas moins de 300 millions d’euros que Sidaction a reversés à la recherche, aux soins, à la prévention et à l’aide aux malades. Nous sommes fiers du chemin parcouru. Sans l’incroyable chaîne de solidarité des médias et des artistes présents depuis le début, nous n’aurions pas réalisé tout cela. Cette chaîne de solidarité sans faille se traduit aujourd’hui par un nouvel album spécial 20 ans dont un single, «Kiss and Love», composé et écrit par Pascal Obispo et Lionel Florence, sera extrait. Plus de 70 artistes - chanteurs, humoristes, animateurs… - ont participé à l’enregistrement de cette chanson parmi lesquels : Amel Bent, Elie Semoun, Florence Foresti, Franck Dubosc, Gad Elmaleh, Maître Gims, M Pokora, Muriel Robin, Nicolas Canteloup, Shy’m, Tal… L’album, en association avec Warner Music France, sera composé, outre « Kiss and Love », de 20 duos inattendus sur des titres originaux arrangés pour un orchestre symphonique. -
Tv Pg 5 08-26.Indd
The Goodland Star-News / Tuesday, August 26, 2008 5 Like puzzles? Then you’ll love sudoku. This mind-bending puzzle FUN BY THE NUM B ERS will have you hooked from the moment you square off, so sharpen your pencil and put your sudoku savvy to the test! Here’s How It Works: Sudoku puzzles are formatted as a 9x9 grid, broken down into nine 3x3 boxes. To solve a sudoku, the numbers 1 through 9 must fill each row, column and box. Each number can appear only once in each row, column and box. You can figure out the order in which the numbers will appear by using the numeric clues already provided in the boxes. The more numbers you name, the easier it gets to solve the puzzle! ANSWER TO TUESD A Y ’S TUESDAY EVENING AUGUST 26, 2008 WEDNESDAY EVENING AUGUST 27, 2008 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 ES E = Eagle Cable S = S&T Telephone ES E = Eagle Cable S = S&T Telephone Dog Bounty Dog Bounty Dog Bounty Dog Bnty Mindfreak Mindfreak Jacked: Auto Jacked: Auto Dog Bounty Dog Bounty The First 48 Drugs; gun The First 48: Collateral; The Cleaner: To Catch a The Cleaner (TV14) (R) The First 48 Drugs; gun 36 47 A&E 36 47 A&E fight. (TVMA) (R) Driven to Kill (N) Fed (TV14) (N) (HD) (HD) fight. (TVMA) (R) (R) (R) (R) (TVPG) (TVPG) (TVPG) (R) (R) (R) (R) Wife Swap: Coste/Ives Supernanny: Schrage 2008 Democratic National KAKE News (:35) Nightline (:06) Jimmy Kimmel Live Wipeout Butt Kicker; Big Wanna Bet Skiing on 2008 Democratic National KAKE News (:35) Nightline (:06) Jimmy Kimmel Live 46 ABC 46 ABC Balls. -
Amaury Vassili Reprend « Solitaire » De Nana
Nana Mouskouri - N.A.N.A International Nana Mouskouri Fan Club Amaury Vassili reprend « Solitaire » de Nana Lorsqu’on demande au chanteur d’à peine 26 ans quelles sont ses références, les voix qui l’ont inspiré, Amaury Vassili parle sans hésitation de Nana Mouskouri… Le jeune chanteur revendique son attachement et son admiration pour les chanteurs « populaires » et les voix hors du commun. Il vient de sortir son 4ème album, « Chansons Populaires », sur lequel il reprend la chanson de Nana « Solitaire » sous le titre « On l’appelait Solitaire ». En savoir plus sur Amaury Vassili et sur l’album : http://www.amauryvassili.com/biographie/ Acheter l’album en ligne : http://www.amazon.fr/Chansons-Populaires-Digipack-CD-DVD/ Ecouter l’album sur Deezer : http://www.deezer.com/album/11254278 News Archives 2012-2015 - 1 nana-mouskouri.net http://www.nana-mouskouri.net/?p=9788 Bing.com souhaite un bon anniversaire à Nana 5 Bon anniversaire, Nana ! C’est que que de nombreux médias, comme de nombreux internautes disent depuis ce matin… Toute l’équipe du site s’associe à eux pour souhaiter à Nana un très bel 81ème anniversaire ! Nous espérons la voir bientôt sur scène dans de nombreuses villes françaises ! Surprise… Bing.com (le moteur de recherche mondial de Microsoft) a choisi ce 13 octobre pour, lui aussi mettre en avant Nana, en choisissant une très belle photo de la Canée, sa ville de naissance… et en envoyant les internautes sur un lien concernant Nana ! Voici une copie d’écran de la page. Cliquer pour la voir en grand : News Archives 2012-2015 - 2 nana-mouskouri.net http://www.nana-mouskouri.net/?p=9741 Nana in New-York réédité en vinyl 11 L’album « Nana in New-York » de 1962 est réédité en version vinyl en Allemagne. -
Dear Wonderful COSTAC People, Room 25, at Westlake Hills
Dear Wonderful COSTAC People, Room 25, at Westlake Hills Elementary School would like to thank you for your, “Virtual Field trip of Wildwood Park” that you created for us to view! My students were delighted to watch your personal tour of the park. Many are planning with their families to go there when it is safe. Since you created something special for us, we decided to make a, “Thank You” slidedeck that all of the students have contributed to as a gift to all of you. We look forward to seeing you and the animals next year, it will be better than ever. I can’t wait. Love from all of the 4th Graders of Room 25, Sincerely, Sandra Rowlett 1 Tatum First, I loved Also, I have Lastly, I loved all when you always of the wildlife identified the wondered why and the stream Thank you poison oak dandelions where the because I was grow, because animals got all of COSTAC! always so scared when I was their water. Also, of it until you younger I I have many oak A virtual identified it. thought that trees in my they grew, so backyard just hug from that I could wish like the ones in Mrs. on them. Now I the video that know that the you made. Rowlett’s wind blows away the seeds Class and then a new plant will grow because of this video 2 Merrick Thank you so much for letting me see the park! You guys are the best! 3 Dear COSTAC People, Thank you for using your time for making our class the beautiful video. -
Music Video Aesthetics, Militarised Fashion, and the Embodied Politics of Stardom in Rihanna’S ‘Hard’1
Politik Nummer 1 | Årgang 23 | 2020 ‘Couture military’ and a queer aesthetic curiosity: music video aesthetics, militarised fashion, and the embodied politics of stardom in Rihanna’s ‘Hard’1 Catherine Baker, Senior Lecturer in 20th Century History, Department of History, Uni- versity of Hull Music video is an underappreciated type of audiovisual artefact in studies of the aesthet- ics of world politics, which typically privilege linear narrative storytelling and struggle to communicate how sonic and embodied practices also constitute world politics as sen- sory experiences through which individuals make sense of the world. Yet the ways in which music video invites spectators’ senses to work together, and to filter meaning through their knowledge of stars’ own ‘meta-narratives’, expose an intimate and affective continuum between the politics of stardom and attachments to collective projects such as militarism. This paper explores that continuum through a study of Rihanna’s video ‘Hard’ and the aesthetic strategies it used to visualise her performance of a ‘female military masculinity’ in a fantasised space employing signifiers of US desert war. In December 2009, at the end of a year in which Rihanna had been forced into a struggle to control and redefine her public persona after being assaulted by her then partner, the second single from her image-redefining album Rated R appeared with a video proclaim- ing her resilience and invulnerability, placing her in a succession of haute-couture-styled military-themed outfits in the middle of a fantastic version of a desert war. ‘Hard’, re- leased while fans and journalists were still debating the meanings of the BDSM imagery around Rated R’s lead single ‘Russian Roulette’, asserted Rihanna’s triumphs in the mu- sic industry and the luxury they had earned her result with a defiant message to her online haters and the repeated declaration in the chorus ‘I’m so hard’.