Devour! the Food Film Fest
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Do Food Trucks and Pedestrians Conflict on Urban Streets?
Journal of Urban Design ISSN: 1357-4809 (Print) 1469-9664 (Online) Journal homepage: http://www.tandfonline.com/loi/cjud20 Do food trucks and pedestrians conflict on urban streets? Renia Ehrenfeucht To cite this article: Renia Ehrenfeucht (2017) Do food trucks and pedestrians conflict on urban streets?, Journal of Urban Design, 22:2, 273-290, DOI: 10.1080/13574809.2017.1281731 To link to this article: http://dx.doi.org/10.1080/13574809.2017.1281731 Published online: 06 Feb 2017. Submit your article to this journal Article views: 200 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=cjud20 Download by: [Tarbiat Modares University] Date: 05 November 2017, At: 21:39 JOURNAL OF URBAN DESIGN, 2017 VOL. 22, NO. 2, 273–290 http://dx.doi.org/10.1080/13574809.2017.1281731 Do food trucks and pedestrians conflict on urban streets? Renia Ehrenfeucht Community and Regional Planning, University of New Mexico, Albuquerque, USA ABSTRACT In the late 2000s, food trucks became common in US cities and municipalities debated controversial food truck regulations. When they justify the regulations, municipalities raise safety, health and general welfare concerns, including potential pedestrian congestion. This paper uses the insights from pedestrian behaviour research to determine whether food trucks interfered with pedestrian flow. Based on direct observation of food truck customers and customer- pedestrian interactions in and near the Chicago Loop, the findings show that food trucks served customers most often without interrupting pedestrian flow. In part, this was due to the street furniture zone, including trash cans, bike racks and utility poles that created waiting space along the kerb. -
Introduction 1 Mimesis and Film Languages
Notes Introduction 1. The English translation is that provided in the subtitles to the UK Region 2 DVD release of the film. 2. The rewarding of Christoph Waltz for his polyglot performance as Hans Landa at the 2010 Academy Awards recalls other Oscar- winning multilin- gual performances such as those by Robert de Niro in The Godfather Part II (Coppola, 1974) and Meryl Streep in Sophie’s Choice (Pakula, 1982). 3. T h is u nder st a nd i ng of f i l m go es bac k to t he era of si lent f i l m, to D.W. Gr i f f it h’s famous affirmation of film as the universal language. For a useful account of the semiotic understanding of film as language, see Monaco (2000: 152–227). 4. I speak here of film and not of television for the sake of convenience only. This is not to undervalue the relevance of these questions to television, and indeed vice versa. The large volume of studies in existence on the audiovisual translation of television texts attests to the applicability of these issues to television too. From a mimetic standpoint, television addresses many of the same issues of language representation. Although the bulk of the exempli- fication in this study will be drawn from the cinema, reference will also be made where applicable to television usage. 1 Mimesis and Film Languages 1. There are, of course, examples of ‘intralingual’ translation where films are post-synchronised with more easily comprehensible accents (e.g. Mad Max for the American market). -
Hillary Cut from History
INSIDE: DOUBLE THE COUPONS TO SAVE YOU CASH Yo u r NeighborhoodYo u r Neighborhood — Yo u r — News Yo u r ® News® BrooklynPaper.com • (718) 260–2500 • Brooklyn, NY • ©2011 BROOKLYN HEIGHTS–DOWNTOWN EDITION AWP/14 pages • Vol. 34, No. 19 • May 13–19, 2011 • FREE INCLUDING DUMBO FRIGHT FLIGHT BORN Scare tactics, migration trim goose population FREE! By Natalie O’Neill oil to prevent their development, ducted by the U.S. Department The Brooklyn Paper brought in dogs to chase geese of Agriculture, which began kill- Nature fi nds Goose census takers are finish- GOOSEWATCH away, and enforced a strict “no ing geese in New York in 2009, ing up the federal government’s feeding” policy. though only within a five-mile a way in Park official count of waterfowl in 2011 Park officials hoped that no radius of both LaGuardia and Brooklyn — but the would-be goslings would be born this sea- JFK airports. That killing field By Natalie O’Neill bird exterminators aren’t likely to son, and many geese have moved was expanded last year to seven The Brooklyn Paper fire up their gas chambers again 24 on. miles — into Prospect Park — Four goslings that were never this year because the population of Of course, the goose popula- without public discussion. The supposed to develop past the em- local geese has plummeted. tion was greatly reduced by the result was the massacre of hun- bryo stage are now waddling This week, only 23 geese, down GEESE IN slaughter itself. dreds of geese last July . and squawking around Pros- from nearly 200, were spotted in Four goslings miraculously In the weeks before that slaugh- pect Park, baffling city biolo- Prospect Park — where more than PROSPECT PARK survived egg-addling efforts (see ter, feds took the same goose cen- gists who thought they’d suc- 300 Canada geese were slaugh- (As of Tuesday, May 10) sidebar), but it’s been nearly a si- sus that they are conducting now, cessfully prevented the eggs tered by the federal government lent spring in Prospect Park. -
Babette's Feast
“PLENTY OF FOOD FOR EVERYONE”: A BALTHASARIAN LOOK AT BABETTE’S FEAST JACQUES SERVA IS “Grace is not external to created being as love.” “Like at the wedding at Cana,” affirms an old man at the extrava- gant French dinner in Babette’s Feast, “the food is not important.”1 Yes, surely something more than drinking and eating is at stake in John 2:1–11. The same holds for the film itself, which, though it revolves around a seven-course meal offered to poor villagers, “is not a film about cooking,” nor is the dinner whatsoever “an end in itself,” as the Danish director Gabriel Axel makes clear in an interview.2 But does all this make food and wine irrelevant? 1. Hereafter, where quotations in this essay are not footnoted, they are tak- en from the English subtitles of Babette’s Feast, directed by Gabriel Axel (2007, Twentieth Century Fox Home Entertainment), DVD. Unless otherwise in- dicated, all citations in this essay are to works by Hans Urs von Balthasar (Freiburg: Johannes Verlag Einsiedeln), published in English by Ignatius Press (San Francisco). All citations to Balthasar’s books from Johannes Verlag are from the most recent editions. 2. Gabriel Axel, interview by Jill Forbes, “Axel’s Feast,” Sight and Sound 57, no. 2 (Spring 1988): 106–07. Communio 44 (Fall 2017). © 2017 by Communio: International Catholic Review 416 JACQUES SERVAIS If they point beyond themselves, do they therefore disappear? At Cana, the Lord uses them as “signs” to reveal “his glory” (Jn 2:11), but this glory appears less as a scalding light, as it were, than a flickering candle, almost hidden. -
Date Night Double Up! King's Feast Pizza Plus
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Last Tango in Paris (1972) Dramas Bernardo Bertolucci
S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 . -
Donair – Official Food
P.O. Box 1749 Halifax, Nova Scotia B3J 3A5 Canada Item No. 14.1.1 Halifax Regional Council December 8, 2015 TO: Mayor Savage and Members of Halifax Regional Council SUBMITTED BY: Richard Butts, Chief Administrative Officer Mike Labrecque, Deputy Chief Administrative Officer DATE: 20 November 2015 SUBJECT: Donair – Official Food ORIGIN Motion of the October 20, 2015 meeting of Halifax Regional Council, item 11.5.5, as follows: That Halifax Regional Council request a staff report to consider approving the donair as the Official Food of Halifax Regional Municipality. LEGISLATIVE AUTHORITY Halifax Regional Municipality Charter (“HRM Charter”), subsections 58(1) (2) (3)(4): 58 (1) The Council shall make decisions in the exercise of its powers and duties by resolution, by policy or by by-law. (2) The Council may exercise any of its powers and duties by resolution unless a policy or a by-law is required by an enactment. (3) The Council may exercise by by-law any of the duties and powers that it may exercise by resolution or policy. (4) The Council may exercise by policy any of the duties and powers that it may exercise by resolution. RECOMMENDATION Staff has no recommendation. If Council wishes to proceed, a member of Council may move that Halifax Regional Council authorize and direct that the Mayor make a proclamation declaring the donair the official food of Halifax. Donair – Official Food Council Report - 2 - December 8, 2015 BACKGROUND On October 20 2015 Regional Council requested a staff report to consider approving the donair as the official food of Halifax Regional Municipality. -
BABETTES GAESTEBUD (BABETTE's FEAST) Is a February
BABETTES GAESTEBUD (BABETTE’S FEAST) is a February, 2015 LVCA dvd donation to the Ligonier Valley Library. Below is Kino Ken’s review of that dvd film. Denmark 1987 color 105 minutes live action feature drama in French, Danish, and Swedish with English subtitles Panorama Film International / Nordisk Film / Danish Film Institute Producers: Just Betzer, Bo Christensen, Benni Korzen, Pernille Siesbye 12 of a possible 20 points *** of a possible ***** Key: *indicates outstanding technical achievement or performance (j) designates juvenile performer Points: 0 Direction: Gabriel Axel 2 Editing: Finn Henrikson 1 Cinematography: Henning Kristiansen 2 Lighting: Michael Wils Jensen*, Jacob Marlow*, and Michael Sørensen* 1 Screenplay: Gabriel Axel based on the story from SKAEBNE-ANEKDOTER by Karen Blixen a.k.a. Isak Dinesen Script: Annemarie Aaes 1 Music: Per Norgaard, Wolfgang Amadeus Mozart Choreographer: Niels Bjørn Larsen 2 Production Designer: Sven Wichmann Set Decorator: Peter Obeling Johannsen Props: Ena Eisel*, Torben Bækmark Pedersen* Costume Designers: Annelise Hauberg, Karl Lagerfeld, Pia Myrdal Make-Up: Elisabeth Bukkehave, Sanne Dardanell, Grethe Holleufer, Birthe Lyngsoe, Bente Møller, Lydia Pujols, Aase Tarp 2 Sound: Michael Dela*, Carl Aage Hansen*, John Nielsen*, and Bjarne Risbjerg Sound Recording: Karen Bentzon* and Sonja Vesterholt* Narrator: Ghita Nørby Sound Mixer: Hans-Erik Ahrn* 1 Cast: Stéphane Audran (Babette Hersant), Bodil Kjer (Filippa, sister to Martine), Birgitte Federspiel (Martine, sister to Filippa), Jarl Kulle -
Reading the Surface: the Danish Gothic of B.S. Ingemann, H.C
Reading the Surface: The Danish Gothic of B.S. Ingemann, H.C. Andersen, Karen Blixen and Beyond Kirstine Marie Kastbjerg A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Marianne Stecher. Chair Jan Sjaavik Marshall Brown Program Authorized to Offer Degree: Scandinavian Studies ©Copyright 2013 Kirstine Marie Kastbjerg Parts of chapter 7 are reprinted by permission of the publishers from “The Aesthetics of Surface: the Danish Gothic 1820-2000,” in Gothic Topographies ed. P.M. Mehtonen and Matti Savolainen (Farnham: Ashgate, 2013), pp. 153–167. Copyright © 2013 University of Washington Abstract Reading the Surface: The Danish Gothic of B.S. Ingemann, H.C. Andersen, Karen Blixen and Beyond Kirstine Marie Kastbjerg Chair of the Supervisory Committee: Professor in Danish Studies Marianne Stecher Department of Scandinavian Studies Despite growing ubiquitous in both the popular and academic mind in recent years, the Gothic has, perhaps not surprisingly, yet to be examined within the notoriously realism-prone literary canon of Denmark. This dissertation fills that void by demonstrating an ongoing negotiation of Gothic conventions in select works by canonical Danish writers such as B.S. Ingemann, Hans Christian Andersen, and Karen Blixen (Isak Dinesen), as well as contemporary writers such as Peter Høeg and Leonora Christina Skov. This examination does not only broaden our understanding of these culturally significant writers and the discourses they write within and against, it also adds to our understanding of the Gothic – an infamously malleable and indefinable literary mode – by redirecting attention to a central feature of the Gothic that has not received much critical attention: the emphasis on excess, spectacle, clichéd conventions, histrionic performances, its hyperbolic rhetorical style, and hyper-visual theatricality. -
Saturday, May 20Th, 2017 | Miami County Fairgrounds | 11A-9P S2
S1 A Supplement to: Saturday, May 20th, 2017 | Miami County Fairgrounds | 11a-9p S2 2 Thursday, May 18, 2017 MIAMI COUNTY FOOD TRUCK RALLY Troy Daily News Food truck rally returns to Fairgrounds for another year Event to benefit MCAS By Melody Vallieu plenty of American fare on the menu as [email protected] well, Wright said. Drinks and desserts will also be plentiful, she said. Beer and TROY — Nearly 50 food trucks have wine also will be offered for purchase signed up to feed the thousands of visi- throughout the day. tors that will attend the annual Miami Jacobs has done her research over County Food Truck Rally & Competi- the years and offers tips for attending tion. a food rally, starting with going in a group. She said to participate in a food The event returns for the third year rally — for ultimate success — bring from 11 a.m. to 9 p.m. May 20 at the four to six friends or family members Miami County Fairgrounds in Troy. with you to purchase items from differ- Sponsored by the Miami County ent trucks to share. Agricultural Society, the first two years Other tips include: saw so much success that there was 1. Find a picnic table or other loca- no question the event would become tion to make your campsite for the day. an annual offering to the community, 2. Split up. Everyone should get according to organizers. something different to eat and meet back at “your place.” “The community support of this 3. Share your cuisine and enjoy each event over the last several years has others company and the entertainment been overwhelming,” said Roberta available at the fairgrounds. -
About Calgary United Soccer Association (CUSA)
About Calgary United Soccer Association (CUSA): Organized soccer in Calgary dates back to 1898 when the Calgary Association Football League held its inaugural season with 6 teams and 140 players. Many iterations and 82 years later, CUSA was founded as an amalgamation of Calgary Men’s Soccer League and Calgary United Soccer. In its inaugural season, CUSA operated leagues for approximately 30 teams and 600 players. Over the past 35 years the association has grown dramatically today consisting of over 310 teams and 9,000+ registered players and coaches. CUSA offers its members two seasons of play annually (indoor and outdoor) in both men’s, women’s and co-ed programs. Our Vision: Calgary players experience the best organization, development, support and accessibility in the sport of soccer. Our Mission: Working with other soccer organizations and stakeholders, CUSA supports the development of soccer in Calgary through: Facilitating player, referee and facilities development Organizing league play and tournaments for recreational to high performance amateur teams Promoting the benefits of soccer to all stakeholders Our Values: Leadership: We lead with commitment and compassion, building trust through delivering on expectations and meeting our responsibilities. Integrity: We act with transparency, fairness, justice, honesty, consistency, and are committed to ethical practice. Competence: We demonstrate and develop skills in order to deliver on our promises, our beliefs and our commitments. Stewardship: We are responsible to maintain and grow our century-old organization through sound judgement and accountability. Respect for others: We are equal, fair, and inclusive in participation, open to differing experiences and points of view, and committed to the richness of diversity. -
1 Planning Commission Staff Report
PLANNING COMMISSION STAFF REPORT TO: Frisco Planning Commission FROM: Katie Kent, Planner RE: Outdoor Commercial Establishments – Working Group Update DATE: May 3, 2018 Summary: The Town of Frisco has initiated an update to the Outdoor Commercial Establishment (OCE) regulations (§180-5.2.4 of the Unified Development Code). Amendments to the OCE regulations are being reviewed at this time in order to confirm the goals of the OCE regulations, change unclear provisions, improve usability, and to address citizen concerns regarding the size of mobile vendors and locations permitted. To assist with the update, Staff has established a working group consisting of seven (7) citizens who represent businesses throughout the Town of Frisco and one (1) food truck operator. This memo serves as an update of discussions held by the OCE Working Group on March 20, 2018. We would like to engage the Planning Commissioners in this discussion for your input and feedback on the ideas being contemplated. This memo is followed by two (2) attachments to support the discussion: Attachment 1, Existing Outdoor Commercial Establishment regulations Attachment 2, “Food Truck Feeding Frenzy: Making Sense of Mobile Food Vending” by Rodney Arroyo, AICP and Jill Bahm, AICP The working group held their first meeting on March 20, 2018. At this meeting, Staff provided an overview of the existing regulations and highlighted sections which lead to citizen complaints and/or ambiguity. These include: Section 5.2.4C, Permitted Uses: 1. Outdoor commercial establishment permitted uses include and are limited to the following: mobile food vendors, including carts and trucks, mobile vendors of merchandise, sale of merchandise, such as for sidewalk sales and other special events, seasonal farmer’s markets and other similar fresh food sales, temporary art and craft fairs and festivals, seasonal holiday sales, and community events.