Audition Package for WHMS Forensics 6/7/8th Grade DIRECTIONS:
1. READ THE DIRECTIONS and FILL OUT YOUR AUDITION FORM COMPLETELY.
2. IF YOU ARE NEW TO FORENSICS READ THE SHORT DESCRIPTIONS OF THE CATEGORIES.
3. CHECK YOUR CALENDAR AND MAKE SURE YOU HAVE 30 MINUTES a WEEK TO REHEARSE.
4. LOOK THROUGH THE PROVIDED AUDITION PIECES OR WRITE/FIND A ONE MINUTE AUDITION OF YOUR OWN.
5. PREPARE YOUR 1 AUDITION PIECE and BRING YOUR AUDITION FORM (MEMORIZATION NOT REQUIRED FOR AUDITIONS).
6. WAYS TO AUDITION(Pick one): IN-PERSON - Sign up for an Audition on Tues Oct. 3 or Thurs. Oct. 5 from 3-4:30 pm in Room 104 SIGN UP: In the Choir/French/Foods Room Hallway Room 103-104 on Forensics bulletin board (black bulletin board) Different time slots are available. BRING YOUR FORM TO YOUR AUDITION.
VIDEO AUDITION - If you are unable to attend auditions, please email your video audition to Coach Pierre at [email protected] by Thursday, October 5 @ 4 pm. Please drop your audition form off to the main office in Mrs. Pierre’s West Hills mailbox by Thursday, October 5(end of the school day).
7. E-MAIL Coach Pierre at [email protected] if you have questions Write in the subject header: AUDITION FORM QUESTIONS.
8. Team Announcement will be made on the evening of Friday, October 6 via email. First team meeting will be after-school on Wednesday Oct 11 from 3:15-5pm.
Coaches for this year are Mrs. Pierre and Mrs.Potier. We are teachers at WHMS who are at WHMS on “B” days, so our Forensics practice will be on “B”days. A calendar will be provided of “B” days, so you may plan accordingly.
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DESCRIPTION OF EVENTS - INTERPRETATION EVENTS
● DRAMATIC INTERPRETATION Literature must be from a play, movie, television show or electronic media. Choose a selection where multiple characters are portrayed. 4-7 minutes in length. Material may be comedic or serious or musical. *Students with an interest in theatre/music will love this category.
● PROSE Literature can be from a novel, letter, memoirs, short story etc. This is the most difficult category to describe. It’s easier to say what literature isn’t prose: poetry, anything written in dialogue (play) form or children’s literature. 4-7 minutes in length. Prose can be serious or comedic. Students that love to read and become engrossed with the characters will love this category.
● STORYTELLING (OPEN FOR ANYONE) + STORYTELLING 6 Literature must be suitable for young children. Stories must be 4-7 minutes in length and have 3 or more characters. Students auditioning for storytelling must be able to have at least 3 distinguishable character voices. Rhyming stories are fine (but avoid Dr. Suess). Choose stories not everyone has heard! Students that love to imitate cartoon voices and can convincingly portray different dialects (accents) will love this category. HIGH ENERGY MOVEMENT AND EMOTIONS ARE REQUIRED! ● POETRY Poetry selections MAY or MAY NOT rhyme. Students can choose a collection of short poems (4-7 minutes) dealing with a common theme, or from the same author. It is preferable to find one long poem (4-7 minutes). Poems can be serious or comedic. Mrs. BG prefers poems that are strong in emotions. Avoid short “snippets” of poetry (Shel). Students who are really sensitive to their feelings and the feelings of others will love this category. Knowing how to pause is a must!
● DUO Duo selections may be from a play, novel, poem, movie, etc… Two students may not have purposeful eye-contact or touching. Scripts may be serious or comedic (hopefully both). Duo selections must be 5-8 minutes. Students may play multiple characters.
● Original Interpretation - original composition of prose, poetry or script.
● MULTIPLE Selections may come from any genre. 3-8 students interpret a comedic or serious scene that is 8-12 minutes in length. Individual students may play more than one role. Singing, drumming and other vocals can be incorporated. MUST PLAY WELL WITH OTHERS. Must be willing to focus, work hard and create a masterpiece.
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PUBLIC ADDRESS CATEGORIES ● INFORMATIVE Students research a topic, and write a 4-7 minute speech. Speeches should quote sources, and teach the audience something new. Students should choose fun, refreshing topics, or topics that are interesting. VISUAL AIDS are very important to the informative category. Ask yourself: Why would someone want to know this? Students that like art will also love this category. ● ORATORY Students make the audience aware of an important ISSUE during their 4-7 minute speech. Speeches should be relevant to today’s audience. Students should include some research, and highlight for the audience specific changes that need to happen in relation to their “issue”. Oratory speeches may be about a person or a feeling. Past winning topics: learning from mistakes, saying thank-you, the importance of believing in yourself, not tolerating bullies, etc… Students that like community service, and helping others around them will love this category.
● SALES Students “sell” a particular product. THINK “FUN AND ENTERTAINING INFOMERCIAL”! Students write a 4-7 minute speech/commercial for a REAL item. You may not invent a product. Speeches include consumer awareness information, comparison to similar products, product history, manufacturer history, facts and tips. A sales speaker will convince the audience that their product is the best. Many students write the manufacturer for information. Some companies have used high school sales speeches for commercials, and have awarded students scholarships. Visual aids are extremely important. USE PUNS IN YOUR WRITING! SALES IS A GREAT CATEGORY FOR STUDENTS WITH A GOOD SENSE OF HUMOR! Students that like art will love this category.
● DECLAMATION 4-7 MINUTES A famous speech written by someone famous, delivered by someone famous, but interpreted by YOU! Strong acting skills a must! The perfect category for the student who loves interpretation and public address!
Public Address- Limited Prep Categories (See topics below) ● IMPROMPTU- 3 questions, 1 minute prep, 2 minute speech If you are up on current trends, sports, fashions, products, government---this is for you.
● EXTEMPORANEOUS - 3 topical questions - you will randomly select 1 topic, 30 minute individual prep, may use technology, 3-6 minute speech
Fall 2017 Extemporaneous Topics Fall 2017 Impromptu Topics ● US/European Relations Relationships (family/friendships, etc) ● Environmental Conservation Quotations ● Teens and Technology Pop Culture
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PROVIDED AUDITION SELECTIONS -
MONOLOGUES and SPEECH cuttings Please choose one of the following monologues or speech cuttings to perform at auditions. It does not need to be memorized, but your presentation should show that you have thoughtfully rehearsed and prepared. Feel free to develop character voices, mannerisms, blocking and/ or other effective speaking techniques. There are many Youtube videos for each category that show effective forensics speaking techniques. If you would rather write your own 1 minute speech or your own Original Interpretation piece you may. You may also “cut” your own selection from a script, poem, novel, story, etc…
POETRY- “FIREFLY” (Gender can be changed to “boy” for auditions) Everyone says I’m a bright girl. I’m bright. Like the firefly at night. But during the day-- I feel hollow---like The sound of the locker door slamming against the empty hall in middle school: hollow.
Hollow, the weight of my hand on the knob of the public library door Where I come every day after school To do my homework. This is the library across the street from the McDonalds Where five girls will taunt me in the parking lot Surround me with the vicious stares Their perfect nails, and hair Teased into aerosol fireballs-in-waiting. These are the girls who have made it their life’s work to hate me. To make sure I never have a place To sit at lunch.
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MALE POETRY Perform Part A and the intro or Part B and the Intro
Introduction: Cal sees no value in books or the Pack Horse Librarians—a project founded in the 1930’s as part of President Franklin D. Roosevelt’s Works Administration in order to bring books to remote regions of the Appalachian Mountains. They were called The Book Women, and gave the gift of reading to untold numbers of children. A Book Woman would travel by horse every two weeks carrying a load of books. They would come in the rain and snow up mountain trails that Cal knew were not easy. And all just to lend his sister books---for FREE. Was that woman plain foolish----or was she braver than he ever thought? That Book Woman, by Heather Henson
Part A My folks and me— we live way up as up can get. So high we hardly sight a soul--- My name is Cal, and I am not the first one nor the least one neither. But I am the oldest boy, and I can help Pap with the plowing and I can fetch the sheep when they take a-wander. And I can bring the cow home too come evening-time, which is right handy, seeing as how my sister Lark would keep her nose a-twixt the pages of a book daybreak to dusky dark if Mama would allow. Not me. I was not born To sit so stoney-still a-starin’ at some chicken scratch.
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MALE POETRY Perform Part A and the intro or Part B and the Intro
Introduction: Cal sees no value in books or the Pack Horse Librarians—a project founded in the 1930’s as part of President Franklin D. Roosevelt’s Works Administration in order to bring books to remote regions of the Appalachian Mountains. They were called The Book Women, and gave the gift of reading to untold numbers of children. A Book Woman would travel by horse every two weeks carrying a load of books. They would come in the rain and snow up mountain trails that Cal knew were not easy. And all just to lend his sister books---for FREE. Was that woman plain foolish----or was she braver than he ever thought? That Book Woman, by Heather Henson
Part B. I stand a spell to watch That Book Woman Disappear. And thoughts They go a-swirling’ round Inside my head, Just like the whirly-flakes Outside our door. It’s not the horse alone That’s brave, I reckon, But the rider, too. And all at once I yearn to know what makes that Book Woman Riske catching cold, Or worse. I pick a book with words And pictures, too, And hold it out. “Teach me what it says.” And Lark, She does not laugh Or even tease, But makes a place, And quiet-like, We start to Read. …
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Prose “Jane Eyre” JANE: I am glad you are no relation of mine: I will never call you aunt again as long as I live. I will never come to see you when I am grown up; and if anyone asks me how I liked you, and how you treated me, I will say the very thought of you makes me sick, and that you treated me with miserable cruelty -- because it is the TRUTH. You think I have no feelings, and that I can do without one bit of love or kindness; but I cannot live so: and you have no pity. I shall remember how you thrust me back -- roughly and violently thrust me back -- into the red-room, and locked me up there, to my dying day; though I was in agony; though I cried out, while suffocating with distress, "Have mercy! Have mercy, Aunt Reed!" And that punishment you made me suffer because your wicked boy struck me -- knocked me down for nothing. I will tell anybody who asks me questions, this exact tale. People think you a good woman, but you are bad, hard-hearted. You are deceitful! You told Mr. Brocklehurst I had a bad character, a deceitful disposition; and I'll let everybody at Lowood know what you are, and what you have done. Send me to school soon, Mrs. Reed, for I hate to live here.
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(Storytelling - Mel the Rooster) Mel the Rooster: It’s almost morning. Almost time for me to wake up the barnyard with “cock-a-doodle-doo”. I’m BORED with “cock-a-doodle-doo”. It’s old, it’s tired---- I’m ready for something new. (put on sunglasses) Get a load of me---ya dig? I know! (radio voice, turn on radio, grab microphone) This is Mel the rooster on WFRM, down on the farm, getting ready to wake up the sun in style, ya dig. (in the tune of the Beatles “Here Comes the Sun”) Here comes the sun badabada Here comes the sun badabada. It’s alright--- (Mel the Rooster starts to scat) Scat scat doo wop biddlybop doo wop doo wop bop bop!! Scat scat doo wop biddlybop doo wop doo wop bop bop, ya dig? Narrator: The farmer’s son Jimmy was the first to wake up---followed by Carl the Cow the cow, Pete the Pete the Pig, Hank the Hank the Horse and Charley the Chicken. What didn’t wake up (or rise up) was the sun. INTRODUCTION Everyone knows the sun can’t rise without a rooster’s good old-fashioned ““cock-a-doodle-doo”. So what happens when Mel the rooster tries to shake things up a bit? Mel might be digging his new morning style…but the sun isn’t rising…and the barnyard isn’t happy. Cock-A-Doo LE-DOO-BOP by Michael Ian Black
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(Storytelling - Leonardo the Monster)
Narrator: As a monster, Leonardo was a …failure. One day, Leonardo had an idea. He would find the most scaredy-cat kid in the whole world…and scare the tuna salad out of him. He found the perfect candidate… A little boy named…SAM. Sam was everything Leonardo had dreamed of. Small, nervous and a scaredy-cat. Leonardo snuck up on the poor, suspecting boy. ARRRRRRRRHHHHHHHHHHHHH!
Leonardo: Yes! I did it! I did it! I did it! I’ve finally scared the tuna salad out of someone!
Sam (little boy): No you didn’t!
Leonardo: Oh, yeah? They why are you CRYING? Huh, huh? Why are you crying then? It’s cuz I SCARED you!!
Sam: That’s not why I’m crying.
Leonardo: Oh. If you’re not crying because you’re so scared of me---Leonardo the ferocious, scary monster than why ARE you crying?
Sam: I’m crying cuz my brother’s cockatoo pooped on my head and I got soap in my eyes trying to wash it out, and I don’t have any friends and my tummy hurts…That’s why.
Leonardo: Um…oh.
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(Duo or DI/Dramatic Interpretation) If DI - PERFORM AS DI ONE ACTOR PLAYING BOTH ROLES ) “Tap Dance Kid” Young Willie is a great performer but his parents would rather have him study something other than acting/dance. His Uncle Dipsey is a Broadway dancer/choreographer.) Dipsey: Willie hated school with his whole body. He didn’t see any point in it all. He understood everything about summer stock and theatre, that way of life. You do your best, and you work harder than anyone. Theatre people work harder than anyone else. Willie: I’m not afraid of work. Work is just doing it over and over again until we get it right. It just isn’t fair. It’s not fair what my stupid teacher says about me, that I’m just lazy and stupid and don’t want to work. I do want to work. My life is ruined, and I can’t do anything about it. I have no control over it whatsoever. I never get mad. I go along and I take everything anybody gives me. I can’t take it anymore. I can’t and I won’t. I just won’t. All I know that I am going to do something about it. Dipsey (narration): Willie’s rage and turmoil and fury began to express itself and he felt his body turn and he felt his body leap. He felt his body do things he didn’t know it could do. He felt a release that was like nothing that had ever happened to his legs before, his arms, even his face; his body turned in a way no body had ever turned. Gravity almost forgotten, a useless thing, his soul pushed his body until the space before the window no longer had anything to do with the window. Dipsey: I’ll tell you something, Willie. Nobody will ever hand you a dream. You’ve got to fight for a dream, and you’ve got to keep fighting way after you have any strength. You have to get more strength, and pick yourself up again, and you have to go on. It’s the only way. (dance step) Now come on, let’s get you ready for your audition.
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(DUO or DI/Dramatic Interpretation - “Ellie and the Bunheads”) If DI - PERFORM AS DI ONE ACTOR PLAYING BOTH ROLES ) Ellie: (silent gasp) You cut your hair off? You cut your BUN off? You really hate dance that much? Bella: Why else would I do it!!!!!!!!!!???????????? Ellie: To get back at your mom, maybe! I didn’t realize you really hated dance all that much. Bella: WELL I DO HATE DANCE! I don’t want to be in the company. Taking dance was my mother’s idea right from the start. I heard her tell dad once that maybe it would teach me to walk across the room without bumping into furniture. Ellie: All right. I’m sorry. Well what are you going to do now? Bella: It would be so great if we both just blew it off. (see’s Ellie’s face). Wait you’re not going to audition still, are you? Ellie: Why not? Hey I might not even GET in. But I do want to keep dancing- for now anyway. It’s the best thing in my life. Bella: But you’ll have to take class everyday if you get in. Ellie: I know. Don’t remind me. Listen Bella, you don’t want to be in the company- fine. I thought for a while I didn’t either but it was just cause my mom was pushing me so hard. Wouldn’t it be pretty dumb for me to quit dance - which I love---- just because my mother wants me to keep doing it? The music, the hard work and the concentration makes the ballet studio like a home to me. No- better than home. I can’t just quit to keep you company. Although I AM going home with you after the audition. Your mom can’t go too beserk if I’m there.
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DI/DRAMATIC INTERPRETATION - FINDING NEMO
NEMO: First day of school! First day of school! Wake up, wake up! C'mon, first day of school!
MARLIN: I don't wanna go to school. Five more minutes.
NEMO: Not you, dad. Me! Get up! It's time for school! Oh boy!
MARLIN: All right, we're excited. First day of school, here we go. We're ready to learn to get some knowledge. Now, what's the one thing we have to remember about the ocean?
NEMO: It's not safe.
MARLIN: That's my boy. So, first we check to see that the coast is clear. We go out and back in. And then we go out, and back in. And then one more time--out and back in. And sometimes, if you wanna do it four times--Hold on, hold on, wait to cross. Hold my fin, hold my fin. Nemo! What do you think you're doing? Get back here! Stop! You take one move, mister. If you put one fin on that boat…are you listening to me? Don't touch the BOOOOOOOOOOOOOOAT--Nemo! Has anybody seen a boat!? Please! A white boat! They took my son! My son! Help me, please! I have to find the boat.
DORY: Hey, I've seen a boat. It passed by not too long ago. Hi. I'm Dory. It-it went, um, this way! Follow me! Why are you following me? I suffer from short-term memory loss. I forget things almost instantly. It runs in my family…or at least I think it does. Hmmm…Can I help you?
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DI/DRAMATIC INTERPRETATION MOANA Perform either Part A with song or Part B w/song Part A. Gramma Tala: In the beginning, there was only ocean until the mother island emerged: Te Fiti. Her heart held the greatest power ever known. It could create life itself. And Te Fiti shared it with the world. But in time, some begin to seek Te Fiti's heart. They believed that they could possess it, the great power of creation would be theirs. And one day, the most daring of them all voyaged across the vast ocean to take it. He was a Demigod of the wind and sea. He was a warrior. A trickster. A shapeshifter who could change form with the power of his magical fish hook. And his name was Maui. But without her heart, Te Fiti began to crumble, giving birth to a terrible darkness. Maui tried to escape, but was confronted by another who sought the heart: Te Kā, a demon of earth and fire. Maui was struck from the sky, never to be seen again. And his magical fish hook and the heart of Te Fiti, were lost to the sea. Where even now, 1000 years later, Te Kā and the demons of the deep still hunt for the heart, hiding in the darkness that will continue to spread, chasing away our fish, draining the life from island after island until every one of us is devoured by the bloodthirsty jaws of inescapable death! But one day, the heart will be found by someone who would journey beyond the reef, find Maui, deliver him across the great ocean to restore Te Fiti's heart and save us all. Moana is that someone who will have to go. SONG: See the light as it shines on the sea? It's blinding / But no one knows, how deep it goes / And it seems like it's calling out to me, so come find me / And let me know, what's beyond that line, will I cross that line? / See the line where the sky meets the sea? It calls me / And no one knows, how far it goes / If the wind in my sail on the sea stays behind me / One day I'll know, how far I'll go …
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DI/DRAMATIC INTERPRETATION MOANA Perform either Part A with song or Part B w/song Part B Moana: I can do this. There's more fish beyond the reef. There's more beyond the reef. Not so bad. Pua! (Gasping for air) Gramma Tala: What ever just happened, blame it on the pig. Moana: Grandma... Are you gonna tell dad? Gramma Tala: I'm his mom. I don't have to tell him anything. Moana: He was right. About going out there. It's time to put my stone on the mountain. Gramma Tala: Okay. Well, then head on back. Put that stone up there. Moana: Why aren't you trying to talk me out of it? Gramma Tala: You said that's what you wanted. Moana: It is. Gramma Tala: When I die, I'm going to come back this one of these. Or I chose the wrong tattoo. Moana: Why are you acting weird? Gramma Tala: I'm the village crazy lady. That's my job. Moana: If there's something you want to tell me, just tell me. Is there something you want to tell me? Gramma Tala: Is there something you want to hear? You've been told all our people's stories but one. Moana: What is this place? Gramma Tala: Do you really think our ancestors stayed within the reef? Moana: What's in there? Gramma Tala: The answer to the question you keep asking yourself. Who are you meant to be? Go inside, bang the drum, and find out. Moana: Bang the drum.
SONG: See the light as it shines on the sea? It's blinding / But no one knows, how deep it goes / And it seems like it's calling out to me, so come find me / And let me know, what's beyond that line, will I cross that line? / See the line where the sky meets the sea? It calls me / And no one knows, how far it goes / If the wind in my sail on the sea stays behind me / One day I'll know, how far I'll go …
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(Declamation “Grit: The Power of Passion and Perseverance”) When I was 27 years old, I left a very demanding job for one that was even more demanding: teaching. And like any teacher, I made quizzes and tests. I gave out homework assignments. I calculated grades. What struck me was that IQ was not the only difference between my best and my worst students. Some of my smartest kids weren't doing so well. And that got me thinking. I was firmly convinced that every one of my students could learn the material if they worked hard and long enough. After several more years of teaching, I came to the conclusion that we need a much better understanding of students and learning from a motivational perspective. In education, the one thing we know how to measure best is IQ. But what if doing well in school and in life depends on much more than your ability to learn quickly and easily? I began studying this as a psychologist. One characteristic emerged as a significant predictor of success. And it wasn't social intelligence. It wasn't good looks, physical health, and it wasn't IQ. It was grit. Grit is passion and perseverance for very long-term goals. Grit is having stamina. Grit is sticking with your future, day in, day out, not just for the week, not just for the month, but for years, and working really hard to make that future a reality. Grit is living life like it's a marathon, not a sprint.
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(Sales- IPhone X) Since sales should be something that students would want/buy I would most likely not let a student take this particular product to sell due to price. Start here: Say hello to your future! This new phone is so intelligent it can respond to a tap, your voice, and even a glance. With iPhone X, your vision becomes your reality. With an iPhone X, the device is the display. An all-new 5.8-inch Super Retina screen fills the hand and dazzles the eyes. The display employs new techniques and technology to precisely follow the curves of the design, all the way to the elegantly rounded corners. It has the first LED screen that rises to the standards of iPhone, with accurate, stunning colors, true blacks, high brightness, and a 1,000,000 to 1 contrast ratio. A tiny space houses some of the most sophisticated technology we’ve ever developed, including the cameras and sensors that enable Face ID. Your selfies will look like a professional photo session! The phone is built with the most durable glass ever in a smartphone, front and back. Surgical-grade stainless steel. Wireless charging. Resistant to water and dust! Do you have trouble remembering your passwords? Your face is now your password. Face ID is a secure new way to unlock your phone and pay for apps, clothing, just about anything. Speaking of pay---is your time worth money? The price tag could be worth it. Get an iPhone X and say hello to your future!
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