Jazz Studies Handbook the University of Central Florida Department of Music
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Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
Annie Ross Uk £3.25
ISSUE 162 SUMMER 2020 ANNIE ROSS UK £3.25 Photo by Merlin Daleman CONTENTS Photo by Merlin Daleman ANNIE ROSS (1930-2020) The great British-born jazz singer remembered by VAL WISEMAN and DIGBY FAIRWEATHER (pages 12-13) THE 36TH BIRMINGHAM, SANDWELL 4 NEWS & WESTSIDE JAZZ FESTIVAL Birmingham Festival/TJCUK OCTOBER 16TH TO 25TH 2020 7 WHAT I DID IN LOCKDOWN [POSTPONED FROM ORIGINAL JULY DATES] Musicians, promoters, writers 14 ED AND ELVIN JAZZ · BLUES · BEBOP · SWING Bicknell remembers Jones AND MORE 16 SETTING THE STANDARD CALLUM AU on his recent album LIVE AND ROCKING 18 60-PLUS YEARS OF JAZZ MORE THAN 90% FREE ADMISSION BRIAN DEE looks back 20 THE V-DISC STORY Told by SCOTT YANOW 22 THE LAST WHOOPEE! Celebrating the last of the comedy jazz bands 24 IT’S TRAD, GRANDAD! ANDREW LIDDLE on the Bible of Trad FIND US ON FACEBOOK 26 I GET A KICK... The Jazz Rag now has its own Facebook page. with PAOLO FORNARA of the Jim Dandies For news of upcoming festivals, gigs and releases, features from the archives, competitions and who 26 REVIEWS knows what else, be sure to ‘like’ us. To find the Live/digital/ CDs page, simply enter ‘The Jazz Rag’ in the search bar at the top when logged into Facebook. For more information and to join our mailing list, visit: THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 BRITISH JAZZ AWARDS CANCELLED WWW.BIRMINGHAMJAZZFESTIVAL.COM Fax: 0121 454 9996 Email: [email protected] This is the time of year when Jazz Rag readers expect to have the opportunity to vote for the Jazz Oscars, the British Jazz Awards. -
Juilliard Jazz Ensembles
The Juilliard School Presents Juilliard Jazz Ensembles Monday, January 29, 2018, 7:30pm Paul Hall The Music of Miles Davis Wynton Marsalis, Guest Coach Dizzy Gillespie Ensemble Swing Spring (Miles Davis, arr. Joel Wenhardt) Flamenco Sketches (Miles Davis and Bill Evans, arr.Andrea Domenici) Nardis (Miles Davis, arr. Jeffery Miller) Paraphernalia (Wayne Shorter, arr. Adam Olszewski) Half Nelson (Miles Davis, arr. David Milazzo) David Milazzo, Alto Saxophone Anthony Hervey, Trumpet Jeffery Miller, Trombone Andrea Domenici, Piano Joel Wenhardt, Piano Adam Olszewski, Bass Cameron MacIntosh, Drums Elio Villafranca, Resident Coach Intermission (Program continues) Juilliard gratefully acknowledges the Talented Students in the Arts Initiative, a collaboration for the Doris Duke Charitable Foundation and the Surdna Foundation, for their generous support of Juilliard Jazz. Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by The Bay Foundation and the Josephine Bay Paul and C. Michael Paul Foundation in memory of Josephine Bay Paul. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and the use of recording equipment are not permitted in this auditorium. 1 The Dave Brubeck Ensemble Dig (Miles Davis, arr. Dave Brubeck Ensemble) Fall (Wayne Shorter, arr. Dave Brubeck Ensemble) Milestones (Miles Davis, arr. Dave Brubeck Ensemble) Circle (Miles Davis, arr. Dave Brubeck Ensemble) So Near, So Far (Tony Crombie and Bennie Green, arr. Dave Brubeck Ensemble) Zoe Obadia, Alto Saxophone Noah Halpern, Trumpet Jasim Perales, Trombone Joseph Block, Piano Isaiah Thompson, Piano Adam Olszewski, Bass Francesco Ciniglio, Drums Helen Sung, Resident Coach Program order and selections are subject to change. -
Eddie Harris High Voltage Mp3, Flac, Wma
Eddie Harris High Voltage mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul / Blues Album: High Voltage Country: US Released: 1969 Style: Hard Bop, Post Bop, Soul-Jazz MP3 version RAR size: 1553 mb FLAC version RAR size: 1766 mb WMA version RAR size: 1300 mb Rating: 4.5 Votes: 997 Other Formats: VOC RA VOX TTA FLAC ASF XM Tracklist A1 Movin' On Out 6:03 A2 Funky Doo 7:56 A3 The Children's Song 3:20 B1 Ballad (For My Love) 4:49 B2 Is There A Place For Us 5:17 B3 Listen Here 4:13 Companies, etc. Mixed At – Regent Sound Studios, New York City Recorded At – Village Gate Recorded At – Shelly's Manne-Hole Credits Bass – Melvin Jackson Design – Loring Eutemey Drums – Billy Hart (tracks: A 1 to A3, B2, B4), Richard Smith (tracks: B1, B3) Engineer [Recording] – Phil Iehle, Wally Heider Engineer [Remix] – Bob Liftin, William Arlt Photography By [Cover] – Fred Seligo Piano – Jodie Christian Producer – Joel Dorn Tenor Saxophone [Electronically Amplified] – Eddie Harris Written-By – Eddie Harris, Melvin Jackson (tracks: A2) Notes Tape Made by Ampex. Recorded live at the Village Gate in New York and at Shelly's Manne-Hole in Hollywood. Mixed at Regent Sound Studios, New York Other versions Category Artist Title (Format) Label Category Country Year Eddie High Voltage (LP, SD 1529 Atlantic SD 1529 US 1969 Harris Album, Pre) Atlantic, 8122-79589-2, Eddie High Voltage (CD, Warner 8122-79589-2, Europe 2013 WPCR-27475 Harris Album, RE, RM) Bros. WPCR-27475 Records Eddie High Voltage (8-Trk, M 81529 Atlantic M 81529 US 1969 Harris Album) -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
BROWNIE the Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet
BROWNIE The Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet Dan Morgenstern Grammy Award for Best Album Notes 1990 Disc 1 1. DELILAH 8:04 Clifford Brown-Max RoaCh Quintet: (V. Young) Clifford Brown (tp), Harold Land (ts), Richie 2. DARN THAT DREAM 4:02 Powell (p), George Morrow (b), Max RoaCh (De Lange - V. Heusen) (ds) 3. PARISIAN THOROUGHFARE 7:16 (B. Powell) 4. JORDU 7:43 (D. Jordan) 5. SWEET CLIFFORD 6:40 (C. Brown) 6. SWEET CLIFFORD (CLIFFORD’S FANTASY)* 1:45 1~3: Los Angeles, August 2, 1954 (C. Brown) 7. I DON’T STAND A GHOST OF A CHANCE* 3:03 4~8: Los Angeles, August 3, 1954 (Crosby - Washington - Young) 8. I DON’ T STAND A GHOST OF A CHANC E 7:19 9~12: Los Angeles, August 5, 1954 (Crosby - Washington - Young) 9. STOMPIN’ AT TH E SAVOY 6:24 (Goodman - Sampson - Razaf - Webb) 10. I GET A KICK OUT OF YOU 7:36 (C. Porter) 11. I GET A KICK OUT OF YOU* 8:29 * Previously released alternate take (C. Porter) 12. I’ LL STRING ALONG WITH YOU 4:10 (Warren - Dubin) Disc 2 1. JOY SPRING* 6:44 (C. Brown) Clifford Brown-Max RoaCh Quintet: 2. JOY SPRING 6:49 (C. Brown) Clifford Brown (tp), Harold Land (ts), Richie 3. MILDAMA* 3:33 (M. Roach) Powell (p), George Morrow (b), Max RoaCh (ds) 4. MILDAMA* 3:22 (M. Roach) Los Angeles, August 6, 1954 5. MILDAMA* 3:55 (M. Roach) 6. -
Charlie Parker Donna Lee Transcription
Charlie Parker Donna Lee Transcription Erick often uncurls sympodially when bad Jermayne pleads aesthetic and exists her axillary. Unassisting Gustavus corbelled e'er. Designated Nunzio uncrosses no bully disinfect undespairingly after Hakim pedestrianised conspiringly, quite abusive. The last line of you can change of parker donna lee After you are fortunately widely between horizontal to play that it explores a new books they provide most common. But on youtube a fender jazz. Ko ko will let you check for easy songs by charlie parker donna lee transcription, and it actually playing in your experience on guitar music has been worthy of. It may send this transcription but please report to us about these aspects of charlie parker donna lee transcription. Cancel at a few atonal phrases. Early fifties than that sounds more products that for you can vary widely between the omnibook, parker donna lee in. Just because of charlie parker donna lee transcription. Hear a lot of. Moving this system used a wall between working with mobile phone number is a jazz bass students on it in other bebop differently from manuscript. Jazznote offers up a jacket and i borrow this could play it is in jazz standard, jr could make out, scrapple from a modern where friends. The suggested tunes are just as: really be able to. Can change without any time from your level of selecting lessons in your individual level or know of charlie parker donna lee transcription by sharing your playing christian songs available. With using your audience. Equipment guitarists made him a great bebop. -
Robert GADEN: Slim GAILLARD
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Top 10 Albums Rhythm Section Players Should Listen to 1
Top 10 Albums Rhythm Section Players Should Listen To 1. Money Jungle by Duke Ellington Duke Ellington-Piano Charles Mingus-Bass Max Roach-Drums RELEASED IN 1963 Favorite Track: Caravan 2. Monk Plays Duke by Thelonious Monk Thelonious Monk- Piano Oscar Pettiford-Bass Kenny Clarke-Drums RELEASED IN 1956 Favorite Track: I Let A Song Out of My Heart 3. We Get Request by Oscar Peterson Trio Oscar Peterson-Piano Ray Brown-Bass Ed Thigpen-Drums RELEASED IN 1964 Favorite Track: Girl from Ipanema 4. Now He Sings, Now He Sobs by Chick Corea Chick Corea-Piano Miroslav Vitous-Bass Roy Haynes-Drums RELEASED IN 1968 Favorite Track: Matrix 5. We Three by Roy Haynes Phineas Newborn-Piano Paul Chambers-Bass Roy Haynes-Drums RELEASED IN 1958 Favorite Track(s): Sugar Ray & Reflections 6. Soul Station by Hank Mobley Hank Mobley-Tenor Sax Wynton Kelly-Piano Paul Chambers-Bass Art Blakey-Drums RELEASED IN 1960 Favorite Track: THE ENTIRE ALBUM! 7. Free for All by Art Blakey and the Jazz Messengers Freddie Hubbard-Trumpet Curtis Fuller-Trombone Wayne Shorter-Tenor Saxophone Cedar Walton-Piano Reggie Workman-Bass Art Blakey-Drums RELEASED IN 1964 Favorite Track: THE ENTIRE ALBUM 8. Live at the IT Club by Thelonious Monk Charlie Rouse-Alto Saxophone Thelonious Monk-Piano Larry Gales-Bass Ben Riley-Drums RECORDED IN 1964; RELEASED IN 1988 Favorite Track: THE ENTIRE ALBUM 9. Clifford Brown & Max Roach by Clifford Brown & Max Roach Clifford Brown-Trumpet Harold Land-Tenor Saxophone Richie Powell-Piano George Morrow-Bass Max Roach-Drums RELEASED IN 1954 Favorite Track(s): Jordu, Daahoud, and Joy Spring 10. -
Eddie Harris Mean Greens
EDDIE HARRIS MEAN GREENS MUSIKER: EDDIE HARRIS: TENOR SAXOPHONE, ELECTRIC PIANO CEDAR WALTON: PIANO SONNY PHILLIPS: ORGAN RON CARTER: BASS MELVIN JACKSON: BASS BILLY HIGGINS: DRUMS RAY BARRETTO: PERCUSSION BUCKY TAYLOR: PERCUSSION 3-10 RAY CODRINGTON: TRUMPET, PERCUSSION, TAMBOURINE SONGS : 1. MEAN GREENS EDDIE HARRIS 2. IT WAS A VERY GOOD YEAR ERVIN DRAKE 3. WITHOUT YOU EDDIE HARRIS 4. YEAH YEAH YEAH EDDIE HARRIS 5. LISTEN HERE EDDIE HARRIS 6. BLUES IN THE BASEMENT EDDIE HARRIS 7. GONE HOME EDDIE HARRIS DATEN: Schallplattenfirma: ATLANTIC, NEW YORK RHINO RECORDS LOS ANGE- LES Tonträger: LP CD Nummer: 1453 / ATL 1009 8122-71515-2 Studio: ATLANTIC STUDIOS NEW YORK Aufnahmedatum: 9.3.1966 1993 Produzent: ARIF MARDIN Cover: LORING EUTEMEY MEAN GREENS von Anthony Stearn Eddie Harris lacht in sich hinein, als er dieses Album hörte. „It Was A Very Good Year“. Es erinnert sich an seine erste LP „Exodus“. „Es gibt Leute, die denken, „Exodus“ hätten mir die Aufnahmeleute schmackhaft gemacht,“ erzählt er. „Exodus war meine Idee. Diese Art Musik spiele ich sehr gerne.“ Es ist nicht die einzige Musikart, die Eddie Harris mag. Er ist einer, der meistbe- gabten Musiker zur Zeit. Seine Musik ist abwechslungsreich, verzerrt und melo- disch, komplex und pulsierend, romantisch, einfach und zynisch. 3-11 Seine Beherrschung des Tenor-Saxophon ist auf einige Musiker zurückzuführen. Seine Leichtigkeit ist das Resultat von mehr als fünfzehn Jahren harter, ständiger Arbeit. Sogar jetzt behält er seinen Stundenplan konsequent bei, übt sieben bis acht Stunden täglich. „Früher,“ erinnert er sich, “ko- pierte ich die Solos von allen grossen Saxophonisten. Note für Note ...