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Mastering Quality Sound,Hi-Res Audio Download, 高解析音樂, 高音質の音楽. Evanescence – Synthesis (2017) [FLAC 24bit/96kHz] Evanescence – Synthesis (2017) FLAC (tracks) 24-bit/96 kHz | Time – 01:02:16 minutes | 1,27 GB | Genre: Alternative Studio Master, Official Digital Download | Front Cover | © Sony Music Entertainment. Synthesis is the fourth studio album by American rock band Evanescence. It was released on November 10, 2017, by BMG Rights Management. The album includes reworked versions of the band’s previous material with an orchestral arrangement and electronica music elements, in addition to two new songs, thus making it both a studio album and a compilation album. David Campbell was responsible for the arrangement, along with Amy Lee and producer William B. “Science” Hunt. In order to promote the new material, Evanescence embarked on the Synthesis Tour, which opened on October 14, 2017, in Las Vegas and will visit cities across the United States and Canada until December. Amy Lee may have intended the title of Synthesis, Evanescence’s fourth album, to represent the combination of the organic and artificial — or how the symphonic merges with the electronic — but this isn’t necessarily a huge leap from her earlier work. From the outset, Evanescence sampled seemingly contradictory styles — metal, goth, and prog were equal partners on their 2003 debut Fallen — so this transition to unabashed pomp and circumstance doesn’t seem sudden, especially as it’s arriving after a long six years. Synthesis also feels familiar because all but three songs (plus a piano solo) are taken from the group’s three previous albums, with selections from their eponymous 2011 album taking center stage at five selections. Immediately, it’s striking that the onslaught is a natural fit with Amy Lee, whose powerhouse vocals often wrestle the orchestra into submission. Next, the layered, skittering electronic rhythms grab attention, and far from keeping the music in a straitjacket, the precision of the beats help give Synthesis a steel spine, reinforcing the bombast of the band and strings. This successful fusion also amounts to a step forward for Evanescence, as this kind of proudly theatrical arrangement would suit Amy Lee well for years, and that’s why Synthesis doesn’t feel like a holding pattern: It feels like the start of a new chapter. Tracklist: 01. Overture 02. Never Go Back 03. Hi-Lo 04. My Heart Is Broken 05. Lacrymosa 06. The End of the Dream 07. Bring Me to Life (Synthesis) 08. Unraveling (Interlude) 09. Imaginary 10. Secret Door 11. Lithium 12. Lost in Paradise 13. Your Star 14. My Immortal 15. The In- Between (Piano Solo) 16. Imperfection. Amy lee synthesis album tracks download. Evanescence Synthesis download album, zip link available below, direct. Synthesis is the fourth studio album[1] by American rock band Evanescence. It was released on November 10, 2017, by BMG Rights Management. The album includes reimaged versions of the band's previous material with an orchestral arrangement and electronica music elements, in addition to two new songs. David Campbell was responsible for the arrangement, along with Amy Lee and producer William Barry "Science" Hunt. In order to promote the new material, Evanescence embarked on the Synthesis Tour, which opened on October 14, 2017, in Las Vegas and continued in cities across the United States and Canada until December. Some of the songs that work best in this format are lesser-known tracks like the heartfelt “Imaginary” from Fallen and The Open Door's “Lacrymosa," which features a great performance from Lee that goes from reserved to all out belting. Her performance throughout is outstanding, with her powerful pipes never overshadowed by the orchestra. The two new songs are the subdued “Hi-Lo” that features a guest appearance from violinist Lindsey Stirling and the album closer “Imperfection.” The latter has been released as a single, and its classical base has a lot of EDM and hip-hop influences. Artist: Evanescence Album: Synthesis Year: 2017 Genre: Alternative Metal, Hard Rock. Track list: 1. Overture 2. Never Go Back 3. Hi-Lo 4. My Heart Is Broken 5. Lacrymosa 6. The End of the Dream 7. Bring Me to Life (Synthesis) 8. Unraveling (Interlude) 9. Imaginary 10. Secret Door 11. Lithium 12. Lost in Paradise 13. Your Star 14. My Immortal 15. The In- Between (Piano Solo) 16. Imperfection. The band's fourth studio album and its corresponding title Synthesis were revealed by Lee in a video posted on the group's Facebook page on May 10, 2017. According to her, the title came from the fact that the album is "the synthesis, the combination, the contrast, the synergy between the organic and the synthetic, also the past and present".[10] She further noted how the new music would be stripped down, performed by an orchestra and would feature elements of electronica and the "synthetic world of beats and sounds".[10] According to her, the process behind the album included the band going through their previous catalog and reworking some of their songs. In addition, two new songs were also recorded for Synthesis.[10] She revealed during a video: "This is a total passion project for me. There are so many layers in our music underneath the huge drums and guitars. I've always wanted to shine a light on some of the gorgeous David Campbell arrangements and programming elements in our songs, and that idea snowballed into completely re-doing them with full orchestra, not just strings, elaborate programming and experimentation". [11] Lee further added that the project "flows like a big, dynamic soundtrack".[11] The rearrangement of the songs was done by David Campbell, who had worked with the band during their previous projects, as well as Lee and William B. Hunt.[11] Evanescence - Synthesis album review. Amy Lee takes her back catalogue into a new, alternate dimension. By Catherine Morris 06 November 2017. For a band with only three studio albums to revisit, Evanescence’s decision on Synthesis to rework some of their best-loved songs is an ambitious and unexpected move. No doubt drawing on her experience of scoring film soundtracks, Amy Lee, along with long-time collaborator, composer and arranger David Campbell, has given their body of work an ethereal, cinematic makeover on Synthesis that goes way beyond simply remixing or re-recording. At 16 tracks, it’s also a substantial record, and what makes Synthesis feel even more like a wholly original album is the inclusion of the previously unheard Hi-Lo and new song Imperfection . But its true appeal, of course, is in the reimagining of Evanescence’s most beloved, classic songs. With a delicate hand, they’ve plucked out the bones of the ubiquitous, Grammy award-winning Bring Me To Life , stripping away all the rock elements and instead swathing them in orchestral movements and barely there ambient electronics to give the song a completely different atmosphere. That’s what’s so alluring about the concept of Synthesis ; it’s like a window into an alternate-universe Evanescence. It also draws your attention far closer to the core melodies of songs like My Heart Is Broken and Lithium than ever before. Most striking is how, when listening to Amy sing My Immortal with only a piano and string accompaniment, the timeless quality of the song shines through. For the casual listener, the emphasis on her distinctive vocal style might be somewhat overpowering, but for the fans, Synthesis offers a deeper dive into Evanescence’s compositions that also tantalisingly hints at an alternative trajectory for the band. The best Evanescence songs, as chosen by Lindsey Stirling. Lindsey Stirling isn't just a collaborator when it comes to her relationship with Evanescence. Far from it: first and foremost, she's a proper, died-in- the-wool fan. Having joined forces with Amy Lee and Evanescence back in 2017 as a guest on their Synthesis album – making her only the second collaborator Evanescence had ever invited to record to them, having had their fingers burnt by the involvement of a certain rapper on a certain 2003 hit single – the two also announced a co-headline tour together in 2018. You can see why their creative partnership works. Stirling's work holds plenty of parallels with Lee's. Basing her new album, Artemis , on the Greek goddess of the moon, Stirling tells the story on an "unlikely heroine who represents the fight in all of us to reclaim light back into our lives" – a subject Lee has proudly explored in her own work, with Bring Me To Life analysing life in and after an abusive relationship. The two are both preoccupied by telling the stories of women who fight and struggle, but ultimately triumph. To celebrate new album Artemis and Evanescence's 2020 tour – more details on both at the bottom of the page – here, Stirling guides us through her favourite Evanescence tracks. Bring Me To Life (Fallen, 2003) This was the first song I ever heard from Evanescence. This song made me immediately fall in love with them. I’d never heard anything like it. I loved it so much that in high school my best friends and I made our own music video to this song. My Immortal (Fallen, 2003) This song was so special. It was delicate yet haunting. I loved how simple it was. I thought it was such a brave move to do this as their second single because it was so different from their first big hit, but it showed how powerful Amy’s voice was. She could stand alone without the huge production. It was just a great song with an amazing voice. Imperfection (Synthesis, 2017) I listened to Amy sing this live every night before we would go on stage together for our encore and this song is so powerful. It would give me chills. I love that she is pleading in the song for you, me, all of us to never surrender. Lithium (The Open Door, 2006) Amy’s voice on this song is so sweeping and amazing. I also love the intricate piano part on this and it was even more impressive once I saw her play and sing it live. Going Under (Fallen, 2003) I loved how heavy this song is. It was the perfect blend of Amy’s smooth, soaring voice and the edgy rhythmic band. I love contrast in art. I thought this was such a cool use of contrast. I took a lot of inspiration from this idea of contrast when I started to make my own music. Hi-Lo (Synthesis, 2017) This will always be a special song for me because this was a dream come true for me. I had loved Amy for years and suddenly I was asked to write and play on a song of hers. Then I got to perform it with her every night on tour. I will always love this song. My Heart Is Broken (Evanescence, 2011) This song is not only powerful because Amy’s amazing voice and the music, but it’s even more more powerful once you realise what the song was written about. It was made in an effort to fight human trafficking and this is a cause that I have devoted my philanthropic efforts towards. I can’t think of a more powerful message. What You Want (Evanescence, 2011) I love how much punch and attitude this song has. It’s so high energy. I feel like Evanescence had been quiet for a while and this song came with such a bang. It was like… wow! They are back and they mean business. Call Me When You’re Sober (The Open Door, 2006) I love the lyrics in this one. It is a perfect anthem for anyone who has had a relationship ripped apart by hurt. Lindsey Stirling's new album, Artemis, is out now. Her US Christmas tour kicks off next month, and full dates are on her official site. Evanescence's Amy Lee is currently Metal Hammer's cover star. Find your copy in shops or order online while stocks last from My Favourite Magazines . Evanescence and Within Temptation are heading out on tour together in 2020 – you can check out full dates now. Briony is the editor in chief of Louder and is in charge of sorting out who and what you see covered on the site. She also writes for Metal Hammer and Classic Rock magazines and is a big fan of cats, Husker Du and pizza. Amy Lee: New Evanescence Songs Are ​ “ Going To A Place That’s Even More Raw” Last month, fans finally got the first taste of music from The Bitter Truth – Evanescence ​ ’ s first new album in a whopping nine years. And vocalist Amy Lee has now hinted at what else is to come from the record following lead single Wasted On You, with ​ “ a handful of songs that are already mixed and finished and ready to go”. Speaking to Music Week, Amy describes the band’s newest songs as ​ “ all different”, but with one uniting theme: ​ “ I think so far the one thing that ties them together is it’s going to a place that’s even more raw.” The reason for this, the singer continues, is that Evanescence wanted to get ​ “ back to rocking” following 2017 ’s Synthesis, an album that featured orchestral and electronic reworkings of old material, plus two new tracks. “ [Synthesis] was incredible, as was the experience of performing with a live orchestra, but it took a lot of work on an internal level,” Amy explains. ​ “ By the end of it we were all really ready to get back to rocking. I don’t want to say our new album is stripped back, because it’s not – it’s big, powerful and luscious. But we haven’t done any orchestra [parts] on any of the new songs, and that’s not because we couldn’t get together with one because of the pandemic!” With the band stating that they will be releasing The Bitter Truth ​ “ incrementally throughout 2020 ”, Amy adds, ​ “ We’re still writing our new music and the pressure’s definitely on now we’ve released Wasted On You. We lit the fuse and now we’re screwed ( laughs )…” Last November, during a Reddit AMA , Amy was asked about the upcoming Evanescence album and she said that she was listening to the band’s new music ​ “ every day”. “ I’m absolutely living in it,” Amy wrote. ​ “ This is always the case for me, really, but I’m in the center of the zone right now, watching the picture take shape and swimming inside every new piece as it appears. I can’t wait for you to hear it. It’s dark and heavy. Its also got moments of weird and sparse. Little bit of everything. Definitely some [ 2006 album] Open Door vibes but not the same.” Catch Evanescence and Within Temptation live on the Worlds Collide tour this year: 2 Glasgow SSE Hydro Arena 3 Leeds First Direct Arena 5 Birmingham Arena 6 London The O 2 8 Amsterdam Ziggo Dome 9 Amsterdam Ziggo Dome 11 Brussels Palais 12 Brussels Palais 14 Paris Accor hotels Arena 17 Hamburg Barclaycard Arena 18 Leipzig Arena 21 Berlin Velodrom 22 Munich Zenith 24 Düsseldorf Mitsubishi Electric Halle 25 Esch-Sur-Alzette Rockhal 27 Zurich Hallenstadion 29 Milan Mediolanum Forum Milan.