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VESPASIAN. AD 68, Though Not a Particularly Constructive Year For
138 VESPASIAN. AD 68, though not a particularly constructive year for Nero, was to prove fertile ground for senators lion the make". Not that they were to have the time to build anything much other than to carve out a niche for themselves in the annals of history. It was not until the dust finally settled, leaving Vespasian as the last contender standing, that any major building projects were to be initiated under Imperial auspices. However, that does not mean that there is nothing in this period that is of interest to this study. Though Galba, Otho and Vitellius may have had little opportunity to indulge in any significant building activity, and probably given the length and nature of their reigns even less opportunity to consider the possibility of building for their future glory, they did however at the very least use the existing imperial buildings to their own ends, in their own ways continuing what were by now the deeply rooted traditions of the principate. Galba installed himself in what Suetonius terms the palatium (Suet. Galba. 18), which may not necessarily have been the Golden House of Nero, but was part at least of the by now agglomerated sprawl of Imperial residences in Rome that stretched from the summit of the Palatine hill across the valley where now stands the Colosseum to the slopes of the Oppian, and included the Golden House. Vitellius too is said to have used the palatium as his base in Rome (Suet. Vito 16), 139 and is shown by Suetonius to have actively allied himself with Nero's obviously still popular memory (Suet. -
Domitian's Arae Incendii Neroniani in New Flavian Rome
Rising from the Ashes: Domitian’s Arae Incendii Neroniani in New Flavian Rome Lea K. Cline In the August 1888 edition of the Notizie degli Scavi, profes- on a base of two steps; it is a long, solid rectangle, 6.25 m sors Guliermo Gatti and Rodolfo Lanciani announced the deep, 3.25 m wide, and 1.26 m high (lacking its crown). rediscovery of a Domitianic altar on the Quirinal hill during These dimensions make it the second largest public altar to the construction of the Casa Reale (Figures 1 and 2).1 This survive in the ancient capital. Built of travertine and revet- altar, found in situ on the southeast side of the Alta Semita ted in marble, this altar lacks sculptural decoration. Only its (an important northern thoroughfare) adjacent to the church inscription identifies it as an Ara Incendii Neroniani, an altar of San Andrea al Quirinale, was not unknown to scholars.2 erected in fulfillment of a vow made after the great fire of The site was discovered, but not excavated, in 1644 when Nero (A.D. 64).7 Pope Urban VIII (Maffeo Barberini) and Gianlorenzo Bernini Archaeological evidence attests to two other altars, laid the foundations of San Andrea al Quirinale; at that time, bearing identical inscriptions, excavated in the sixteenth the inscription was removed to the Vatican, and then the and seventeenth centuries; the Ara Incendii Neroniani found altar was essentially forgotten.3 Lanciani’s notes from May on the Quirinal was the last of the three to be discovered.8 22, 1889, describe a fairly intact structure—a travertine block Little is known of the two other altars; one, presumably altar with remnants of a marble base molding on two sides.4 found on the Vatican plain, was reportedly used as building Although the altar’s inscription was not in situ, Lanciani refers material for the basilica of St. -
Saint John Henry Newman
SAINT JOHN HENRY NEWMAN Chronology 1801 Born in London Feb 21 1808 To Ealing School 1816 First conversion 1817 To Trinity College, Oxford 1822 Fellow, Oriel College 1825 Ordained Anglican priest 1828-43 Vicar, St. Mary the Virgin 1832-33 Travelled to Rome and Mediterranean 1833-45 Leader of Oxford Movement (Tractarians) 1843-46 Lived at Littlemore 1845 Received into Catholic Church 1847 Ordained Catholic priest in Rome 1848 Founded English Oratory 1852 The Achilli Trial 1854-58 Rector, Catholic University of Ireland 1859 Opened Oratory school 1864 Published Apologia pro vita sua 1877 Elected first honorary fellow, Trinity College 1879 Created cardinal by Pope Leo XIII 1885 Published last article 1888 Preached last sermon Jan 1 1889 Said last Mass on Christmas Day 1890 Died in Birmingham Aug 11 Other Personal Facts Baptized 9 Apr 1801 Father John Newman Mother Jemima Fourdrinier Siblings Charles, Francis, Harriett, Jemima, Mary Ordination (Anglican): 29 May 1825, Oxford Received into full communion with Catholic Church: 9 October 1845 Catholic Confirmation (Name: Mary): date 1 Nov 1845 Ordination (Catholic): 1 June 1847 in Rome First Mass 5 June 1847 Last Mass 25 Dec 1889 Founder Oratory of St. Philip Neri in England Created Cardinal-Deacon of San Giorgio in Velabro: 12 May 1879, in Rome, by Pope Leo XIII Motto Cor ad cor loquitur—Heart speaks to heart Epitaph Ex umbris et imaginibus in veritatem—Out of shadows and images into the truth Declared Venerable: 22 January 1991 by Pope St John Paul II Beatified 19 September 2010 by Pope Benedict XVI Canonized 13 October 2019 by Pope Francis Feast Day 9 October First Approved Miracle: 2001 – healing of Deacon Jack Sullivan (spinal condition) in Boston, MA Second Approved Miracle: 2013 – healing of Melissa Villalobos (pregancy complications) in Chicago, IL Newman College at Littlemore Bronze sculpture of Newman kneeling before Fr Dominic Barberi Newman’s Library at the Birmingham Oratory . -
Ancient Rome’S Most Exclu- Fare of the Roman Forum Gladiatorial Amphitheatre Sive Neighbourhood
56 ©Lonely Planet Publications Pty Ltd A n c i e n t R o m e COLOSSEUM | FORUMS | CAMPIDOGLIO | PIAZZA VENEZIA | BOCCA DELLA VERITÀ & FORUM BOARIUM Five Top Experiences 1 Getting your first 2 Exploring the haunting 4 Walking up Via Sacra, glimpse of the Colosseum ruins of the Palatino (p 60 ), the once grand thorough- (p 58 ). Rome’s towering ancient Rome’s most exclu- fare of the Roman Forum gladiatorial amphitheatre sive neighbourhood. (p 63 ). is both an architectural 3 Coming face to face 5 Surveying the city masterpiece, the blueprint with centuries of awe- spread out beneath you for much modern stadium inspiring art at the historic from atop Il Vittoriano design, and a stark, spine- Capitoline Museums (p67 ). (p 69 ) tingling reminder of the brutality of ancient times. 000000000000000000 000000000000000000 000000000000000000o 000000000000000000Piazza Traian e 0200m 000000000000000000Venezia oro # 00.1miles 000000000000000000ia F 000000000000000000V 000000000000000000arco 000000000000000000M V ri 000000000000000000i San nga d Imperial i V Zi V000000000000000000ia #æ a egli # ia 0000000000000000005 Forums T Via d V00000000000000000000000000 V or 000000000 000000000000000000ia 00000000 ä# d 000000000000a i e n 000000000000000000d 00000000 Via a d 000000000oni 000 i e 000000000000000000'A 00000000 A e 000000Via L 000000 00000000000000000000000000 dei F ' S 000000000000 r le C ccina 000000000000000000a 00000000 a Ba e 000000000000 000000000000000000c 00000000 s o Vi i P s nt r 000000000000000000o 00000000 ori n o p e iet a e'M 00000000000000000000000000 -
Roman Architecture with Professor Diana EE Kleiner Lecture 13
HSAR 252 - Roman Architecture with Professor Diana E. E. Kleiner Lecture 13 – The Prince and the Palace: Human Made Divine on the Palatine Hill 1. Title page with course logo. 2. Domus Aurea, Rome, sketch plan of park. Reproduced from Roman Imperial Architecture by John B. Ward-Perkins (1981), fig. 26. Courtesy of Yale University Press. 3. Portrait of Titus, from Herculaneum, now Naples, Archaeological Museum. Reproduced from Roman Sculpture by Diana E. E. Kleiner (1992), fig. 141. Portrait of Vespasian, Copenhagen. Reproduced from A History of Roman Art by Fred S. Kleiner (2007), fig. 9-4. 4. Roman Forum and Palatine Hill, aerial view. Credit: Google Earth. 5. Via Sacra, Rome. Image Credit: Diana E. E. Kleiner. Arch of Titus, Rome, Via Sacra. Reproduced from Rome of the Caesars by Leonardo B. Dal Maso (1977), p. 45. 6. Arch of Titus, Rome, from side facing Roman Forum [online image]. Wikimedia Commons. http://commons.wikimedia.org/wiki/File:RomeArchofTitus02.jpg (Accessed February 24, 2009). 7. Arch of Titus, Rome, 18th-century painting [online image]. Wikimedia Commons. http://commons.wikimedia.org/wiki/File:7_Rome_View_of_the_Arch_of_Titus.jpg (Accessed February 24, 2009). Arch of Titus, Rome, from side facing Colosseum. Image Credit: Diana E. E. Kleiner. 8. Arch of Titus, Rome, attic inscription and triumphal frieze. Image Credit: Diana E. E. Kleiner. 9. Arch of Titus, Rome, triumphal frieze, victory spandrels, and keystone. Image Credit: Diana E. E. Kleiner. 10. Arch of Titus, Rome, composite capital. Image Credit: Diana E. E. Kleiner. 11. Arch of Titus, Rome, triumph panel. Image Credit: Diana E. E. -
The Architecture of Roman Temples
P1: JzL 052181068XAgg.xml CB751B/Stamper 0 521 81068 X August 28, 2004 17:30 The Architecture of Roman Temples - The Republic to the Middle Empire John W. Stamper University of Notre Dame iii P1: JzL 052181068XAgg.xml CB751B/Stamper 0 521 81068 X August 28, 2004 17:30 published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, uk 40 West 20th Street, New York, ny 10011-4211, usa 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C John W. Stamper 2005 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2005 Printed in the United Kingdom at the University Press, Cambridge Typefaces Bembo 11/14 pt., Weiss, Trajan, and Janson System LATEX 2ε [tb] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication Data Stamper, John W. The architecture of Roman temples : the republic to the middle empire / John W. Stamper. p. cm. Includes bibliographical references and index. isbn 0-521-81068-x 1. Temples, Roman – Italy – Rome. 2. Temple of Jupiter Capitolinus (Rome, Italy) 3. Architecture, Roman – Italy – Rome – Influence. 4. Rome (Italy) -
9781107013995 Index.Pdf
Cambridge University Press 978-1-107-01399-5 — Rome Rabun Taylor , Katherine Rinne , Spiro Kostof Index More Information INDEX abitato , 209 , 253 , 255 , 264 , 273 , 281 , 286 , 288 , cura(tor) aquarum (et Miniciae) , water 290 , 319 commission later merged with administration, ancient. See also Agrippa ; grain distribution authority, 40 , archives ; banishment and 47 , 97 , 113 , 115 , 116 – 17 , 124 . sequestration ; libraries ; maps ; See also Frontinus, Sextus Julius ; regions ( regiones ) ; taxes, tarif s, water supply ; aqueducts; etc. customs, and fees ; warehouses ; cura(tor) operum maximorum (commission of wharves monumental works), 162 Augustan reorganization of, 40 – 41 , cura(tor) riparum et alvei Tiberis (commission 47 – 48 of the Tiber), 51 censuses and public surveys, 19 , 24 , 82 , cura(tor) viarum (roads commission), 48 114 – 17 , 122 , 125 magistrates of the vici ( vicomagistri ), 48 , 91 codes, laws, and restrictions, 27 , 29 , 47 , Praetorian Prefect and Guard, 60 , 96 , 99 , 63 – 65 , 114 , 162 101 , 115 , 116 , 135 , 139 , 154 . See also against permanent theaters, 57 – 58 Castra Praetoria of burial, 37 , 117 – 20 , 128 , 154 , 187 urban prefect and prefecture, 76 , 116 , 124 , districts and boundaries, 41 , 45 , 49 , 135 , 139 , 163 , 166 , 171 67 – 69 , 116 , 128 . See also vigiles (i re brigade), 66 , 85 , 96 , 116 , pomerium ; regions ( regiones ) ; vici ; 122 , 124 Aurelian Wall ; Leonine Wall ; police and policing, 5 , 100 , 114 – 16 , 122 , wharves 144 , 171 grain, l our, or bread procurement and Severan reorganization of, 96 – 98 distribution, 27 , 89 , 96 – 100 , staf and minor oi cials, 48 , 91 , 116 , 126 , 175 , 215 102 , 115 , 117 , 124 , 166 , 171 , 177 , zones and zoning, 6 , 38 , 84 , 85 , 126 , 127 182 , 184 – 85 administration, medieval frumentationes , 46 , 97 charitable institutions, 158 , 169 , 179 – 87 , 191 , headquarters of administrative oi ces, 81 , 85 , 201 , 299 114 – 17 , 214 Church. -
The Janus Arch
Proceedings of the 38th Annual Conference on Computer Applications and Quantitative Methods in Archaeology, CAA2010 F. Contreras, M. Farjas and F.J. Melero (eds.) Digital Mediation from Discrete Model to Archaeological Model: the Janus Arch Ippolito, A.1, Borgogni, F.1, Pizzo, A.2 1 Dpto. RADAAr Università di Roma “Sapienza”, Italy 2 Instituto de Arqueologia (CSIC, Junta de Extremadura, Consorcio de Mérida), Spain [email protected]; [email protected] ; [email protected] Survey operations and the representation of acquired data should today be considered as consolidated. New acquisition methods such as point clouds obtained using 3D laser scanners are also part of today’s scenario. The scope of this paper is to propose a protocol of operations based on extensive previous experience and work to acquire and elaborate data obtained using complex 3D survey. This protocol focuses on illustrating the methods used to turn a numerical model into a system of two-dimensional and three-dimensional models that can help to understand the object in question. The study method is based on joint practical work by architects and archaeologists. The final objective is to create a layout that can satisfy the needs of scholars and researchers working in different disciplinary fields. The case study in this paper is the Arch of Janus in Rome near the Forum Boarium. The paper will illustrate the entire acquisition process and method used to transform the acquired data after the creation of a model. The entire operation was developed in close collaboration between the RADAAr Dept., University of Rome “Sapienza,” Italy and the Istituto de Arqueologia (CSIC, Junta de Extremadura, Consorcio de Mérida), Spain. -
3 Architects, Antiquarians, and the Rise of the Image in Renaissance Guidebooks to Ancient Rome
Anna Bortolozzi 3 Architects, Antiquarians, and the Rise of the Image in Renaissance Guidebooks to Ancient Rome Rome fut tout le monde, & tout le monde est Rome1 Drawing in the past, drawing in the present: Two attitudes towards the study of Roman antiquity In the early 1530s, the Sienese architect Baldassare Peruzzi drew a section along the principal axis of the Pantheon on a sheet now preserved in the municipal library in Ferrara (Fig. 3.1).2 In the sixteenth century, the Pantheon was generally considered the most notable example of ancient architecture in Rome, and the drawing is among the finest of Peruzzi’s surviving architectural drawings after the antique. The section is shown in orthogonal projection, complemented by detailed mea- surements in Florentine braccia, subdivided into minuti, and by a number of expla- natory notes on the construction elements and building materials. By choosing this particular drawing convention, Peruzzi avoided the use of foreshortening and per- spective, allowing measurements to be taken from the drawing. Though no scale is indicated, the representation of the building and its main elements are perfectly to scale. Peruzzi’s analytical representation of the Pantheon served as the model for several later authors – Serlio’s illustrations of the section of the portico (Fig. 3.2)3 and the roof girders (Fig. 3.3) in his Il Terzo Libro (1540) were very probably derived from the Ferrara drawing.4 In an article from 1966, Howard Burns analysed Peruzzi’s drawing in detail, and suggested that the architect and antiquarian Pirro Ligorio took the sheet to Ferrara in 1569. -
Architectural Spolia and Urban Transformation in Rome from the Fourth to the Thirteenth Century
Patrizio Pensabene Architectural Spolia and Urban Transformation in Rome from the Fourth to the Thirteenth Century Summary This paper is a historical outline of the practice of reuse in Rome between the th and th century AD. It comments on the relevance of the Arch of Constantine and the Basil- ica Lateranensis in creating a tradition of meanings and ways of the reuse. Moreover, the paper focuses on the government’s attitude towards the preservation of ancient edifices in the monumental center of Rome in the first half of the th century AD, although it has been established that the reuse of public edifices only became a normal practice starting in th century Rome. Between the th and th century the city was transformed into set- tlements connected to the principal groups of ruins. Then, with the Carolingian Age, the city achieved a new unity and several new, large-scale churches were created. These con- struction projects required systematic spoliation of existing marble. The city enlarged even more rapidly in the Romanesque period with the construction of a large basilica for which marble had to be sought in the periphery of the ancient city. At that time there existed a highly developed organization for spoliating and reworking ancient marble: the Cos- matesque Workshop. Keywords: Re-use; Rome; Arch of Constantine; Basilica Lateranensis; urban transforma- tion. Dieser Artikel bietet eine Übersicht über den Einsatz von Spolien in Rom zwischen dem . und dem . Jahrhundert n. Chr. Er zeigt auf, wie mit dem Konstantinsbogen und der Ba- silica Lateranensis eine Tradition von Bedeutungsbezügen und Strategien der Spolienver- wendung begründet wurde. -
Print Contact Sheet
Italy - Rome Group 3 (S to Z) Sant'Andrea della Valle #2187 1650 Sant'Andrea della Valle #2189 1650 Sant'Andrea della Valle #2195 1650 Santo Spirito #3486 12th-13th c Spanish Steps #3514 1725 Spanish Steps #3517 1725 Spanish Steps #4303 1725 St Ignatius Church #2230 1626-1650 Italy - Rome Group 3 (S to Z) St Ignatius Church #2233 1626-1650 St Ignatius Church #2234 1626-1650 St Louis of the French #6550 1510-1589 St Louis of the French #6607 1510-1589 St Louis of the French #6613 1510-1589 St Louis of the French #6622 1510-1589 St Pantaleo and St Joseph Church #4801 St Pantaleo and St Joseph Church #4803 Italy - Rome Group 3 (S to Z) St Peter's Easter Sunday #4991 1506 St Peter's Easter Sunday #5002 Obelisk 37 BC Egypt St Peter's Easter Sunday #5003 St Peter's Easter Sunday #5007 March 31, 2013 St Peter's Easter Sunday #5013 March 31, 2013 St Peter's Easter Sunday #5018 St Peter's Easter Sunday #5019 St Peter's Easter Sunday #5020 March 31, 2013 Italy - Rome Group 3 (S to Z) St Peter's Easter Sunday #5024 March 31, 2013 St Peter's Easter Sunday #5027 March 31, 2013 St Peter's Easter Sunday #5032 March 31, 2013 St Peter's Easter Sunday #5034 March 31, 2013 St Peter's Easter Sunday #5037 March 31, 2013 St Peter's Easter Sunday #5056 March 31, 2013 St Peter's Easter Sunday #5079 Pope Francis St Peter's Easter Sunday #5079a 2013 March Pope Francis Italy - Rome Group 3 (S to Z) St Peter's Easter Sunday #5093 March 31, 2013 St Peter's Easter Sunday #5106 March 31, 2013 St Peter's Easter Sunday #5111 March 31, 2013 Sts Claudio and Andrea of Borgognoni -
PDF Hosted at the Radboud Repository of the Radboud University Nijmegen
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/85949 Please be advised that this information was generated on 2021-10-07 and may be subject to change. KLIO 92 2010 1 65––82 Lien Foubert (Nijmegen) The Palatine dwelling of the mater familias:houses as symbolic space in the Julio-Claudian period Part of Augustus’ architectural programme was to establish „lieux de me´moire“ that were specifically associated with him and his family.1 The ideological function of his female relativesinthisprocesshasremainedunderexposed.2 In a recent study on the Forum Augustum, Geiger argued for the inclusion of statues of women among those of the summi viri of Rome’s past.3 In his view, figures such as Caesar’s daughter Julia or Aeneas’ wife Lavinia would have harmonized with the male ancestors of the Julii, thus providing them with a fundamental role in the historical past of the City. The archaeological evi- dence, however, is meagre and literary references to statues of women on the Forum Augustum are non-existing.4 A comparable architectural lieu de me´moire was Augustus’ mausoleum on the Campus Martius.5 The ideological presence of women in this monument is more straight-forward. InmuchthesamewayastheForumAugustum,themausoleumofferedAugustus’fel- low-citizens a canon of excellence: only those who were considered worthy received a statue on the Forum or burial in the mausoleum.6 The explicit admission or refusal of Julio-Claudian women in Augustus’ tomb shows that they too were considered exempla.