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Islj{Ilat!Ajztk States
lj{ilAt!aJztK states isHew York City . POlice :Quartet .Bronx Chcrpter bYCity#] 1lk.,H'/IIf$'l'S . ./1idr.·Accollstii:alPeTseClltiliij Jaclson C!uIfl PUBLISHED BY MAY '6he SOCIETY FOR THE PRESERVATION AND ENCOURAGEMENT VOL. V. 1 946 OF BARBER SHOP QUARTET SINGING IN AMERICA, INC. No.4 Stu. HARMONIZER SIX OF OUR SEVEN CHAMPS STILL TOGETHER- We wonder at times whether or not ~ we are duly appreciative of the fact D£'.OlED TO T~T$ OF BA~BE~ OOA~TET HAP...oNY that of the seven quartets crowned SI.fOP "champions" since the Society was founded in 1938, six are still together Published quarterly by the International Officers and the other members of the International Board of Directors of the Society for the Preservation and and, in our opinion, singing better Encouragement of Barber Shop Quartet Singing in America, Inc., for free than ever. The War of course tem distribution to the members of the Society. porarily disrupted the ranks of the Bartlesville (Phillips 66) Barflies and VOLUME V MAY, 1946 No. 4 the Chord Busters, but now that the ,35c per Copy Marine Corps has sent Bob Holbrook home to Tulsa, and the Army Tom Carroll P. Adams - Editor and Business Manager Massengale to Tulsa and Bob Durand 18270 Grand River Avenue, Detroit 23, Michigan to Bartlesville, those two quartets are Phone: VE 7-7300 back together, and did they sing their I hearts out at the Oklahoma City Pa V CONTRIBUTING EDITORS rade on February 23rd! The only one O. C CASH GEORGE W, CAMPBELL JAMES F. KNIPE of our seven Champion quartets lost J. -
Let Freedom Ring!
Summer 2010 Let Freedom Ring! Barbershopping in Philly by Craig Rigg [The following report is a personal observation and does not reflect the views of the Society or the Illinois District. With luck we’ll face only a few lawsuits.] There’s this moment in the recent barbershop documentary Amer- ican Harmony. Jeff Oxley looks at a monitor as Vocal Spectrum appears on stage during the 2006 quartet contest, singing “Cruella DeVille.” He turns and shakes his head, saying, “The So- ciety’s changing, man.” His sentiments pretty much sum up what the 2010 International Convention and Con- tests at Philadelphia was all about. There’s been a changing of the guard. First, let's take the quartet contest. By now, everybody knows that Storm Front finally got the gold (after much cajoling and trash talk). They are the first comedy oriented quartet since FRED to achieve the pinnacle of quartetting. There’s no doubt these guys can sing; they’re Singing scores put them in second place, bested only by Old School (with Illinois's own Joe Krones at bass). In fact, Old School led after the semi-finals by only 17 points, and OS had won each of the first two rounds. All they had to do was maintain their lead and the gold was theirs. Not to be (a phrase you'll hear again later.) So what did Storm Front do that made the difference? Well, a combination of factors proba- bly did it. First, SF staged one heck of an innovative final set. Their first song, with a bit of mock- ing of Old School and up-and-coming Ringmasters from Sweden, lamented their struggle to reach the top. -
To Infinity and Beyond Gaylord Draws by Joe Serwach Competition As Mike Testers
Official Publication of the Pioneer District May/June 2004 Volume 55, Number 3 The Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, Inc. To Infinity and Beyond Gaylord draws By Joe Serwach competition as mike testers. record crowd Editor And it was only fitting that By Al Bonney Family stories continue to another Pioneer father and Pioneer Immediate dominate Pioneer District son combination would get Past President quartet contests. the most attention in 2004. Pioneer While Craig Pollard’s Though this year’s duo conventions have quartet Infinity was winning shared the same stage, they the reputation of the right to represent Pioneer each had their own quartets being fun to attend in July’s International going head to head. and professionally Quartet Championship, Craig Pollard, organized. his teenage son Wayne was himself the son of a great Judges, guests, stealing standing ovations Barbershopper, didn’t dignitaries and most with a high school quartet expected to have his own members all agree that finished 6t,h beating 15 son carry on the tradition with this assessment. quartets that shared the stage. until last fall when Wayne, The recently For more than a decade, a Farmington Hills High completed Pioneer quartet contests School student, joined a convention held in have been dominated by quartet in choir class with Gaylord April 23 – the Slamka family quartet, three classmates, forming 25 was no exception Power Play. Jack Slamka, Insignia. Craig noted that his to these rules. Now along with two sons and son dismissed Barbershop let me tell you . -
GLP Rep List 2011
Gary Lewis Press GLP Professional Learning Tracks Custom Vocal Arrangements MIDI Sequencing Finale Transcription Repertoire List Revised 06/08/2011 Accentuate the Positive - arr. Adam Reimnitz Accentuate the Positive - arr. Clay Hine All I Do Is Dream Of You - arr. David Wallace America - arr. Jim Clancy (Neil Diamond tune w/Karaoke Track) And So it Goes - arr. Kirby Shaw sheet music available from any choral sheet music retailer. I use J.W. Pepper. Angels On Your Pillow - arr. Cary Burns Angels We Have Heard On High - from Yuletide Favorites Anytime - arr. Greg Volk (Excalibur/Wheelhouse) At Last - arr. Clay Hine Auld Lang Syne - arr. Steve Jamison (NOT the PLATINUM version) Autumn Leaves - arr. Adam Reimnitz B & O Line - arr. Bob Disney Baby, It’s You - arr. Adam Reimnitz The Band Played On (Yesteryear) Beautiful Dreamer - arr. David Wright (Nightlife) Bridge Over Troubled Water - arr. Greg Volk ed. Gary Lewis (Acoustix) California, Here I Come - arr. Dave Stevens/Dealer’s Choice Society Stock 202089 Children’s Medley (Jolly Old St. Nicholas/Up on the Housetop) - arr. BHS The Christmas Song - arr. Pete Rupay (Vocal Majority) A Christmas To Remember - arr. Jim Clancy Come Rain Or Come Shine - arr. Adam Reimnitz Cross That Mason Dixon Line - arr. David Wright Daydream Medley - arr. Joe Johnson Dear Old Donegal - arr. Steve Jamison Down In The Valley - arr. George Mead (TTBB w/piano accomp) Down Our Way - arr. Floyd Connett (Polecat) Dream a Little Dream of Me - arr. Clay Hine (OC Times) Easy Goin’ - arr. David Wallace Elmer Fudd Medley - arr. Scott Turnbull (The Ritz) The Dream Is Carried On - arr. -
MINDSET of a SUCCESSFUL QUARTETTER Barbershop Parts Study - Playlist Observations
MINDSET OF A SUCCESSFUL QUARTETTER Barbershop Parts Study - Playlist Observations Click here: "Parts Study" Spotify Playlist Quartet Information & Listen Fors 1) “After Today” - Remake of the Acoustix version (BHS champs early 90’s.) • Attention to coming in and out of unison, solos and vocal gymnastics in all parts. • Smoothness with which parts hand off the melody to one another, beginning with a very melodic bass. • Color of the releases in all singers, along with a very consistent lift that does not sound contrived at all. • Vocal flexibility - These are all gals in their mid to late 50’s…all parts. While you can hear the maturity (and the benefit of having that experience), you can also hear a vibrance that comes only with vocal freedom. 2) “If I Were a Bell” • Flexibility and lightness (an ease with the vocal approach.) • Strong sprinkle of personality and FUN in it. • Notice the smoothness of the tenor and how she “tucks into” the chords and how she takes on the solo part more like a lead rather than an ensemble (as they all do in this quartet), which are very tightly voiced (notes close together to each other) • The chromatics around 1:40 are accurate and balanced well through all voice parts. The Buzz The • Again, the handoff of parts in shared melody is seamless. They ring, they buzz, hence their name. Listen for SAI Queens the chords to sound rich and full. Conventions in barbershop like bell chords, lead-ins, echoes, etc. are handled with aplomb and consistency. 3) “Back in Business” • This quartet is well-versed in all aspects of our craft. -
Healthy Performance Practice for Male Barbershop Singers
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Performance, and Creative Activity: Hixson-Lied College of Fine and Fine and Performing Arts, Hixson-Lied College Performing Arts of Spring 4-18-2011 Healthy Performance Practice for Male Barbershop Singers Jacob K. Bartlett University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/hixsonliedstudent Part of the Music Practice Commons, and the Other Music Commons Bartlett, Jacob K., "Healthy Performance Practice for Male Barbershop Singers" (2011). Student Research, Performance, and Creative Activity: Hixson-Lied College of Fine and Performing Arts. 6. https://digitalcommons.unl.edu/hixsonliedstudent/6 This Article is brought to you for free and open access by the Fine and Performing Arts, Hixson-Lied College of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Performance, and Creative Activity: Hixson-Lied College of Fine and Performing Arts by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. HEALTHY PERFORMANCE PRACTICE FOR MALE BARBERSHOP SINGERS by Jacob K. Bartlett A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor William Shomos Lincoln, Nebraska May, 2011 HEALTHY PERFORMANCE PRACTICE FOR MALE BARBERSHOP SINGERS Jacob K. Bartlett, D.M.A. University of Nebraska, 2011 Adviser: William Shomos Barbershop singing is a hobby enjoyed by hundreds of thousands of men and women across the world. We attend conventions, shows, competitions, and educational outreach programs each year at our own expense to preserve a style we truly love. -
Issue of the Harmonizer
From Director Tom: Men and Friends of the BCC, Thank you for your nice work on our performance at Lockwood. Thanks to 36+ of you for taking the time to come and sing. It does my heart good. I thought we sang well for a very appreciative audience. It was good to have several quartets. Can we have even more than five quartets and maybe some new faces? Thank you also for the nice time at our favorite watering hole. It was nice to be able to eat with you and not have to worry about teaching the next a.m. Let's keep up the good work! From Prez Jack: Our August 21 performance at Bowers’ School Farm was a result of the “Bob Wallace Four” serenading two ladies during the ride in the parking bus from Log Cabin Days. It amazes me how and where the invitations come to sing at the various events that we do. The power of music is amazing. I continue to be impressed by the relaxed manner that the Big Chief Chorus presents itself. You are quite a likeable bunch. Remember that you are a disciplined chorus with all eyes on the director, but being humble enough to mingle with your audience following the performance. Vol. 11, No. 4 (#124) August 1, 2011 AROUND THE PATCH The Big Chief Chorus forewent its practice on Tuesday night, July 12, for an enjoyable performance for forty residents and staff at Lockwood of Summertime is for loafing, right? Well, not for the Big Chief Chorus! We Waterford . -
Barbershop Harmony Lesson Plan a Unique Genre of Music Originating in the United States
SWEET ADELINES INTERNATIONAL Barbershop Harmony Lesson Plan A Unique Genre of Music Originating in the United States Grade Level: 6 - 12 Suggested Time Allowance: 1 hour Objectives: 1. Listen to and analyze short samples of music in the barbershop genre. 2. Consider the voice parts and ensembles types (quartet vs. chorus) within the genre. 3. Discuss the origin of barbershop music. 4. Experiment with “tag singing” a traditional way of sharing barbershop music. Materials Required: Computer with Internet access, projector, speakers (or SMART Board) Introduce Topic: Have you ever heard of barbershop harmony? Have you ever seen a quartet or a chorus of all men or all women that sing popular songs a cappella, in four-part harmony? Do you think of it as something your grandparents or great grandparents would enjoy? Does the thought of barbershop harmony evoke thoughts of straw hats, striped vests and canes? If so, you’re thinking of the early days of barbershop. Like all music styles, barbershop harmony has expanded, adapted and evolved over time. As each generation exerts influence and takes new risks with a music style, the style continues to grow and change. What fun would it be if no one took any risks? We would never have any variety. What if Elvis hadn’t pushed the envelope? Would we have any of the current pop/rap/rock/heavy metal styles that we have today? Everything that we know today came from somewhere or someone long ago. Barbershop harmony is no different and today it is a unique, American art form. LoveNotes Quartet 2014 International Quartet Champion and 2007 Rising Star Quartet Champion First quartet to win both the youth quartet contest (in 2007) and the standard quartet contest (in 2014) SWEET ADELINES INTERNATIONAL Barbershop Harmony Lesson Plan See and Hear Quartet Examples: Let’s get your ears attuned to what barbershop harmony sounds like in its current form. -
Pdf Westunes Vol 54 No 4 Jul-Aug 2004
WESTUNES WESTUNES, established in 1951, is the official publication of the Far Western District Association of Chapters in the Society for the Preservation and Encouragement of BarberShop Quartet Singing in America, Inc. Magazine Volume 54 July/August 2004 Number 4 4 Hi-Fidelity 5 Finale 20 O.C. Times 35 Q 42 Broadway 47 Metropolis 52 GOTCHA! 1964 Int’l Champions - Sidewinders Seven FWD Quartets Compete in Louisville [ per draw ] and 1964 Sidewinders The FAR WESTERN DISTRICT includes Arizona, California, Hawaii, Nevada and Southern Utah WESTUNES WESTUNES, established in 1951, is the official publication of the Far Western District Association of Chapters in the Society for the Preservation and Encouragement of BarberShop Quartet Singing in America, Inc. Magazine WESTUNES Staff Far Western District VIPs Table of Contents Editor President Features Ray S. Rhymer Peter Feeney 4339 Whispering Oaks Circle Granite Bay, CA 95746 5320 Coral Gables Drive Las Vegas, NV 89130 5 Bakersfield Schedule Change 916-791-2134 E: [email protected] 702-655-9064 E: [email protected] 10 Revival Retires Executive Vice President 10 Summer Supper Singersr Division 1 SCW Editor Bill Cale 11 FWD Quartet Champions - Q Mike Martin 9951 River View Circle Stockton, CA 95209 12 Road Show in NorCal 2262 Bagley Ave Los Angeles, CA 90034-1109 209-473-2326 [email protected] 13 FWD Chorus Champions - Westminster 310-558-4949 E: [email protected] Immediate Past President 15 Western Pioneers John Krizek 16 Quartet Corner: 1964 Champs Sidewinders 36 Westunes Electronic -
History of Barbershop
HISTORY OF BARBERSHOP By David Krause and David Wright Definition of barbershop harmony. Read: Definition of Barbershop Harmony, from the Forward of the Contest and Judging Handbook. The Purpose Of This Course. We will attempt to trace the roots and the evolution of barbershop harmony from well before its actual beginnings up to the present. We will try to answer these questions: What were the tides of history which spawned the birth of the barbershop quartet, and what environment allowed this style of music to flourish? What were its musical forerunners? What are its defining characteristics? What other types of music were fostered contemporaneously, and how did they influence the growth of quartet singing? Which styles are similar, and how are they similar? How did the term "barbershop" arise? How long did the historical era of the barbershop quartet last? What other kinds of music sprang forth from it? Why did the style eventually need preservation? How was SPEBSQSA formed, and how did it become a national movement? What other organizations have joined the cause? How have they coped with the task of preservation? Are current day efforts still on course in preserving the style? How has the style changed since the Society was formed? We will spend the next few hours contemplating and attempting to answer these questions. Overtones. As barbershoppers, we are very conscious of the "ringing" effect which complements our singing. We consider it our reward for singing well- defined pitches in tune. The fact that a tone produced by a voice or an instrument is accompanied by a whole series of pitches in addition to the fundamental one which our ear most easily detects has been known for centuries. -
Bulletin #36, April 6, 2004 Coach - Don Bazely Director - Jim Troeger Spring Training Singing Retreat Assoc
Mark Buchinger, Manager of the Ralph A. MacMullan Conference Center has already penciled us in for next year on Apr 1,2,3, 2005. Don Bazely wrote Pete: “I have to say that seldom, if ever, have I enjoyed a coaching assignment so much as I did this past weekend at Roscommon. The chorus members were attentive and showed their eagerness to learn (or re-learn) the finer points of barbershop singing. I do hope I was able to motivate the troops to try harder and sing better. I do regret that I was unable to pass on all the material I had planned but time just didn't allow. A great deal of credit must go to you and your board for the leadership displayed in getting so many of your guys to the retreat. Finally, I must say I was overwhelmed by the generosity shown me by the board. Thank you, and I'll certainly be rooting for Pontiac at Gaylord.” Don has since written to say he has been asked to M.C. the chorus contest, so he will be unable to come visit the BCC chorus in our warm-up room. “Regardless, I will be rooting for you guys. S T R I V E F O R E X C E L L E N C E .....N O T P E R F E C T I O N.” From the Prez. Thank you, thank you, thank you! To all the BCC members who attended and helped make this year's Singing Retreat a huge success. -
THE BEST of BARBERSHOP-25 Years of Barbershop Auar, {[H.'Ilesf of 'Ilarb.Rshop} Let Champions
(j ( ) "announC!f;ng• THE INTERNATIONAL CHAMPIONS FOR 1964 ('J onlyon \' ................I THE TOP TEH BARBERSHOP QUARTETS Of 1964 Official S. P. E. B. S. Q. S. A. Recording Sidewinders: Riverside, California· Four Renegades: Skokie, Oak Park, Illinois and Gary, Indiana • The Nighthawks: london, Ontario· Four Rascals: Marblehead, Massachusetts 1964 INTERNATiONAL BARBERSHOP CHORUS WINNERS • Impostors: Skokie, County line, Illinois' Auto Towners: Official S. P. E. B. S. Q. S. A. Recording Dearborn, Michigan' Golden Staters: Arcadia, California' Border Chorders: EI Paso, Texas' Miamians: Miami, Florida Journeymen: Cascade, Oregon • Four-Do-Mallcs: Seattle, • Chorus Of The Dunes: Gary, Indiana' Smokeyland Chorus: Washington • BayTown Four: Berkeley and Marin, California. Knoxville, Tennessee· Riverside Chorus: Riverside, Cali· Ol4512·0l745121SI fornia. Ol4513' Ol 745131S) '.- .. now IlVllilllble! ~ ~I THE BEST Of BARBERSHOP-25 Years of Barbershop auar, {[h.'ilesf of 'ilarb.rshoP} let Champions. An attractive two·record set, including an annotated, illustrated history of 25 years of Barbershop "r - Quartet Champions. A Classic Collection! 1~~T -- OX·1BO YEAJlSOF ....... 1 I ~NNI\YS l@ I I I-~~l}f vI_ I OECC:Iil :',I';C~AO• u ~, j ..,' Ii> " All Decca Bafbefshop ,ecoId.. may be purchased !10m: Your local record dealer or by contacting S.P.LB.S.Q.S.A., Incorporated. 6315 Third Avenue. Kenosha. Wisconsin 53141. ( March-April VOL. xxv 1965 No.2 International Board of Directors In/emational Officers President, Albtl[ L. Smith, Jr., P.O. Box 111~H. POIt WOr/h. Tuas - 76110 THE HARMONIZER is tht official publication of Ihe Sociely for lhe Pft'strvalion and Immedialc PJS( Prnidenr. D,ln \'\'astlchuk, \·\14 Biem· Encouragtmtnr of DJrbcr Shop Quarlt't Singing in America, Inc.