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Let Freedom Ring!
Summer 2010 Let Freedom Ring! Barbershopping in Philly by Craig Rigg [The following report is a personal observation and does not reflect the views of the Society or the Illinois District. With luck we’ll face only a few lawsuits.] There’s this moment in the recent barbershop documentary Amer- ican Harmony. Jeff Oxley looks at a monitor as Vocal Spectrum appears on stage during the 2006 quartet contest, singing “Cruella DeVille.” He turns and shakes his head, saying, “The So- ciety’s changing, man.” His sentiments pretty much sum up what the 2010 International Convention and Con- tests at Philadelphia was all about. There’s been a changing of the guard. First, let's take the quartet contest. By now, everybody knows that Storm Front finally got the gold (after much cajoling and trash talk). They are the first comedy oriented quartet since FRED to achieve the pinnacle of quartetting. There’s no doubt these guys can sing; they’re Singing scores put them in second place, bested only by Old School (with Illinois's own Joe Krones at bass). In fact, Old School led after the semi-finals by only 17 points, and OS had won each of the first two rounds. All they had to do was maintain their lead and the gold was theirs. Not to be (a phrase you'll hear again later.) So what did Storm Front do that made the difference? Well, a combination of factors proba- bly did it. First, SF staged one heck of an innovative final set. Their first song, with a bit of mock- ing of Old School and up-and-coming Ringmasters from Sweden, lamented their struggle to reach the top. -
To Infinity and Beyond Gaylord Draws by Joe Serwach Competition As Mike Testers
Official Publication of the Pioneer District May/June 2004 Volume 55, Number 3 The Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, Inc. To Infinity and Beyond Gaylord draws By Joe Serwach competition as mike testers. record crowd Editor And it was only fitting that By Al Bonney Family stories continue to another Pioneer father and Pioneer Immediate dominate Pioneer District son combination would get Past President quartet contests. the most attention in 2004. Pioneer While Craig Pollard’s Though this year’s duo conventions have quartet Infinity was winning shared the same stage, they the reputation of the right to represent Pioneer each had their own quartets being fun to attend in July’s International going head to head. and professionally Quartet Championship, Craig Pollard, organized. his teenage son Wayne was himself the son of a great Judges, guests, stealing standing ovations Barbershopper, didn’t dignitaries and most with a high school quartet expected to have his own members all agree that finished 6t,h beating 15 son carry on the tradition with this assessment. quartets that shared the stage. until last fall when Wayne, The recently For more than a decade, a Farmington Hills High completed Pioneer quartet contests School student, joined a convention held in have been dominated by quartet in choir class with Gaylord April 23 – the Slamka family quartet, three classmates, forming 25 was no exception Power Play. Jack Slamka, Insignia. Craig noted that his to these rules. Now along with two sons and son dismissed Barbershop let me tell you . -
GLP Rep List 2011
Gary Lewis Press GLP Professional Learning Tracks Custom Vocal Arrangements MIDI Sequencing Finale Transcription Repertoire List Revised 06/08/2011 Accentuate the Positive - arr. Adam Reimnitz Accentuate the Positive - arr. Clay Hine All I Do Is Dream Of You - arr. David Wallace America - arr. Jim Clancy (Neil Diamond tune w/Karaoke Track) And So it Goes - arr. Kirby Shaw sheet music available from any choral sheet music retailer. I use J.W. Pepper. Angels On Your Pillow - arr. Cary Burns Angels We Have Heard On High - from Yuletide Favorites Anytime - arr. Greg Volk (Excalibur/Wheelhouse) At Last - arr. Clay Hine Auld Lang Syne - arr. Steve Jamison (NOT the PLATINUM version) Autumn Leaves - arr. Adam Reimnitz B & O Line - arr. Bob Disney Baby, It’s You - arr. Adam Reimnitz The Band Played On (Yesteryear) Beautiful Dreamer - arr. David Wright (Nightlife) Bridge Over Troubled Water - arr. Greg Volk ed. Gary Lewis (Acoustix) California, Here I Come - arr. Dave Stevens/Dealer’s Choice Society Stock 202089 Children’s Medley (Jolly Old St. Nicholas/Up on the Housetop) - arr. BHS The Christmas Song - arr. Pete Rupay (Vocal Majority) A Christmas To Remember - arr. Jim Clancy Come Rain Or Come Shine - arr. Adam Reimnitz Cross That Mason Dixon Line - arr. David Wright Daydream Medley - arr. Joe Johnson Dear Old Donegal - arr. Steve Jamison Down In The Valley - arr. George Mead (TTBB w/piano accomp) Down Our Way - arr. Floyd Connett (Polecat) Dream a Little Dream of Me - arr. Clay Hine (OC Times) Easy Goin’ - arr. David Wallace Elmer Fudd Medley - arr. Scott Turnbull (The Ritz) The Dream Is Carried On - arr. -
MINDSET of a SUCCESSFUL QUARTETTER Barbershop Parts Study - Playlist Observations
MINDSET OF A SUCCESSFUL QUARTETTER Barbershop Parts Study - Playlist Observations Click here: "Parts Study" Spotify Playlist Quartet Information & Listen Fors 1) “After Today” - Remake of the Acoustix version (BHS champs early 90’s.) • Attention to coming in and out of unison, solos and vocal gymnastics in all parts. • Smoothness with which parts hand off the melody to one another, beginning with a very melodic bass. • Color of the releases in all singers, along with a very consistent lift that does not sound contrived at all. • Vocal flexibility - These are all gals in their mid to late 50’s…all parts. While you can hear the maturity (and the benefit of having that experience), you can also hear a vibrance that comes only with vocal freedom. 2) “If I Were a Bell” • Flexibility and lightness (an ease with the vocal approach.) • Strong sprinkle of personality and FUN in it. • Notice the smoothness of the tenor and how she “tucks into” the chords and how she takes on the solo part more like a lead rather than an ensemble (as they all do in this quartet), which are very tightly voiced (notes close together to each other) • The chromatics around 1:40 are accurate and balanced well through all voice parts. The Buzz The • Again, the handoff of parts in shared melody is seamless. They ring, they buzz, hence their name. Listen for SAI Queens the chords to sound rich and full. Conventions in barbershop like bell chords, lead-ins, echoes, etc. are handled with aplomb and consistency. 3) “Back in Business” • This quartet is well-versed in all aspects of our craft. -
Issue of the Harmonizer
From Director Tom: Men and Friends of the BCC, Thank you for your nice work on our performance at Lockwood. Thanks to 36+ of you for taking the time to come and sing. It does my heart good. I thought we sang well for a very appreciative audience. It was good to have several quartets. Can we have even more than five quartets and maybe some new faces? Thank you also for the nice time at our favorite watering hole. It was nice to be able to eat with you and not have to worry about teaching the next a.m. Let's keep up the good work! From Prez Jack: Our August 21 performance at Bowers’ School Farm was a result of the “Bob Wallace Four” serenading two ladies during the ride in the parking bus from Log Cabin Days. It amazes me how and where the invitations come to sing at the various events that we do. The power of music is amazing. I continue to be impressed by the relaxed manner that the Big Chief Chorus presents itself. You are quite a likeable bunch. Remember that you are a disciplined chorus with all eyes on the director, but being humble enough to mingle with your audience following the performance. Vol. 11, No. 4 (#124) August 1, 2011 AROUND THE PATCH The Big Chief Chorus forewent its practice on Tuesday night, July 12, for an enjoyable performance for forty residents and staff at Lockwood of Summertime is for loafing, right? Well, not for the Big Chief Chorus! We Waterford . -
Barbershop Harmony Lesson Plan a Unique Genre of Music Originating in the United States
SWEET ADELINES INTERNATIONAL Barbershop Harmony Lesson Plan A Unique Genre of Music Originating in the United States Grade Level: 6 - 12 Suggested Time Allowance: 1 hour Objectives: 1. Listen to and analyze short samples of music in the barbershop genre. 2. Consider the voice parts and ensembles types (quartet vs. chorus) within the genre. 3. Discuss the origin of barbershop music. 4. Experiment with “tag singing” a traditional way of sharing barbershop music. Materials Required: Computer with Internet access, projector, speakers (or SMART Board) Introduce Topic: Have you ever heard of barbershop harmony? Have you ever seen a quartet or a chorus of all men or all women that sing popular songs a cappella, in four-part harmony? Do you think of it as something your grandparents or great grandparents would enjoy? Does the thought of barbershop harmony evoke thoughts of straw hats, striped vests and canes? If so, you’re thinking of the early days of barbershop. Like all music styles, barbershop harmony has expanded, adapted and evolved over time. As each generation exerts influence and takes new risks with a music style, the style continues to grow and change. What fun would it be if no one took any risks? We would never have any variety. What if Elvis hadn’t pushed the envelope? Would we have any of the current pop/rap/rock/heavy metal styles that we have today? Everything that we know today came from somewhere or someone long ago. Barbershop harmony is no different and today it is a unique, American art form. LoveNotes Quartet 2014 International Quartet Champion and 2007 Rising Star Quartet Champion First quartet to win both the youth quartet contest (in 2007) and the standard quartet contest (in 2014) SWEET ADELINES INTERNATIONAL Barbershop Harmony Lesson Plan See and Hear Quartet Examples: Let’s get your ears attuned to what barbershop harmony sounds like in its current form. -
Bulletin #36, April 6, 2004 Coach - Don Bazely Director - Jim Troeger Spring Training Singing Retreat Assoc
Mark Buchinger, Manager of the Ralph A. MacMullan Conference Center has already penciled us in for next year on Apr 1,2,3, 2005. Don Bazely wrote Pete: “I have to say that seldom, if ever, have I enjoyed a coaching assignment so much as I did this past weekend at Roscommon. The chorus members were attentive and showed their eagerness to learn (or re-learn) the finer points of barbershop singing. I do hope I was able to motivate the troops to try harder and sing better. I do regret that I was unable to pass on all the material I had planned but time just didn't allow. A great deal of credit must go to you and your board for the leadership displayed in getting so many of your guys to the retreat. Finally, I must say I was overwhelmed by the generosity shown me by the board. Thank you, and I'll certainly be rooting for Pontiac at Gaylord.” Don has since written to say he has been asked to M.C. the chorus contest, so he will be unable to come visit the BCC chorus in our warm-up room. “Regardless, I will be rooting for you guys. S T R I V E F O R E X C E L L E N C E .....N O T P E R F E C T I O N.” From the Prez. Thank you, thank you, thank you! To all the BCC members who attended and helped make this year's Singing Retreat a huge success. -
2007 District Champs • Nashville Preview • Harmony University • Young Frankenstein
January/February 2008 INSIDE: 2007 District champs • Nashville preview • Harmony University • Young Frankenstein January/ February 2008 VOLUME LXVIII NUMBER 1 2006 SUNSHINE DISTRICT CHAMPS HotShots were missing their bari for their 2007 fall district swan song. But Mitch Greenberg made both the birth of his daughter and the performance, thanks to the Mitch 3000, delivered on stage by FedEx. Mitch sang from his living room while Chad Bennett did the choreography in a high water mark performance for one of the Society’s most innovative comedy quartets. They celebrated their winning year by using quartet funds to purchas a lifetime So- ciety membership for each member. See all of this year’s district champs inside. Features The long road to success Harmony Brigade at Harmony U 16 You may not have Max Q’s voices or ambition, but 28 Two of the best experiences in barbershop harmony in your quartet has more in common than you think one place—plus, scholarships and Directors revamp CLAY HINE STAFF Wildest contests in a long time Contest archive gets naked 23 More than any time in recent memory, there’s never 30 The songs and performances you love are now a few been such a combination of talent and uncertainty clicks away in a partnership with Naked Voice Records Our leaders for 2008 STEVE IANNACCHIONE & NAKED VOICE RECORDS 25 Meet the men who provide leadership and the final word 2007 District champs on all matters pertaining to the international Society 31 The winners of all 16 district contests—you probably haven’t seen the last of these guys! On the Cover: Max Q’s journey Departments Photos by Lorin May and Miller Photography 4 14 THE PRESIDENT’S PAGE HARMONY HOW-TO “I am Barbershop!” Youth choruses rock! Take your quartet to the next level 5 35 LETTERS STAY TUNED Praise and concerns about the speech of a genera- The Harris Triplets retrospective tion, and is there a stage fright quick fix? High honors for Dr. -
Sweet Adelines International
SWEET ADELINES INTERNATIONAL Barbershop Harmony Lesson Plan A Unique Genre of Music Originating in the United States Grade Level: 6 - 12 Suggested Time Allowance: 1 hour Objectives: 1. Listen to and analyze short samples of music in the barbershop genre. 2. Consider the voice parts and ensembles types (quartet vs. chorus) within the genre. 3. Discuss the origin of barbershop music. 4. Experiment with “tag singing” a traditional way of sharing barbershop music. Materials Required: Computer with Internet access, projector, speakers (or SMART Board) Introduce Topic: Have you ever heard of barbershop harmony? Have you ever seen a quartet or a chorus of all men or all women that sing popular songs a cappella, in four-part harmony? Do you think of it as something your grandparents or great grandparents would enjoy? Does the thought of barbershop harmony evoke thoughts of straw hats, striped vests and canes? If so, you’re thinking of the early days of barbershop. Like all music styles, barbershop harmony has expanded, adapted and evolved over time. As each generation exerts influence and takes new risks with a music style, the style continues to grow and change. What fun would it be if no one took any risks? We would never have any variety. What if Elvis hadn’t pushed the envelope? Would we have any of the current pop/rap/rock/heavy metal styles that we have today? Everything that we know today came from somewhere or someone long ago. Barbershop harmony is no different and today it is a unique, American art form. LoveNotes Quartet 2014 International Quartet Champion and 2007 Rising Star Quartet Champion First quartet to win both the youth quartet contest (in 2007) and the standard quartet contest (in 2014) SWEET ADELINES INTERNATIONAL Barbershop Harmony Lesson Plan See and Hear Quartet Examples: Let’s get your ears attuned to what barbershop harmony sounds like in its current form. -
Ensure Your Music Is Legal • the New Orleans Chapter Rebuilds • New Champions Crowned
INSIDE: Ensure your music is legal • The New Orleans Chapter rebuilds • New champions crowned July/August 2007 Midwinter Ad02_2008 8/17/07 11:01 AM Page 1 2008 International Midwinter Convention Max Q OC Times Storm Front International Quartet Champion International Silver Medalist Quartet International 3rd Bronze Medalist Quartet Historic San Antonio To • Choruses will receive audio-taped Welcome Barbershoppers evaluations from all of the judges, in As the saying goes, addition to written evaluation sheets. “everything is bigger • Choruses arrive Friday afternoon/evening, in Texas,” and the possible pizza party/master class Friday 2008 Midwinter night (TBD), compete Saturday, attend Convention will prove the Midwinter show Saturday night, and this brag to be true. The outgoing senior quartet champs, depart Sunday. Held in beautiful San Friendly Advice, will perform their swan • Choruses may choose to be simply given a Antonio deep in the song and present the trophies to the best rating (such as superior, excellent, good, heart of Texas, there will foursome competing to become the 2008 etc.), or they may choose to be rated and be something for everybody—singing, Senior Quartet Champs. ranked against other choruses. Awards shopping & sightseeing. If you would rather sing than listen, this is will be given to all participating groups. The weekend will be chock full of the place to be. There’s been plenty of time • Each chorus will critique at least one performances by some of the best talent in set aside to woodshed, sing tags and meet other competitor to give an added the Society. There will also be LOTS of Barbershoppers from around the world. -
Town Crier Vol. 1 Issue 2
TYUDDMNPCA (The Yet Unnamed Dixie District Monthly Newsletter Promoting Chapter Activities) Volume 1, Issue 2 May 31, 2009 Inaugural issue of TYDDMNPCA by Steve Dorn The inaugural issue of TYDDMNPCA was published on April 30, 2009. I would like to personally thank the Main Street Harmonizers , the Gold “I did not receive Standard Chorus , Let’s Sing! and Thom Hine . I would not have had a publication if it they had not taken the time to share their stories. four stories or And speaking of stories, the Dixie District really stepped up and delivered. fourteen stories I did not receive four stories or fourteen stories but 21 stories! Thanks for all the sharing from our wonderful Dixie District groups. but 21 stories!” If you are a Dixie District chapter or quartet and have a story you would like to share with the District, please email them to me at ([email protected]). I can accept your stories and pictures in any format and size. Deadline for the June 30 issue is June 28. Also, this publication is in need of a name. Do you have a name to suggest? If so, please email me your suggestions. Inside this issue: Dixie District Email Distribution List by Don Lang Many of you have been using our DIX Yahoo groups for some time. They are a very powerful tool, but not without some difficulties. We appreciate your patience as we try to make them as effective as possi- ble. Alabama 2 Some of you have asked if there is some way to reduce the number of duplicated and extraneous mes- Chapters and sages! YES there is (I think I heard a collective sigh of relief) but we need your help. -
Power Play's Last Hurrah • How Nashville Sees Us • Society Aims • Hotel Registration Forms
March/April 2008 INSIDE: Power Play’s last hurrah • How Nashville sees us • Society Aims • Hotel registration forms March/April 2008 VOLUME LXVIII NUMBER 2 33 Power Play, 2003 Interna- tional Quartet Champion, retired in February in grand fashion, and fans came in busloads from at least 20 states, two prov- inces and Great Britain. They were far from the only barbershop harmony legends on stage during their retirement. LORIN MAY Features Hotel registration and tours Help us reach our highest Aims 14 Plenty of great hotels are still left in Nashville; get 26 The songs and performances you love are now a few yours and do some touring while you’re in town! clicks away in a partnership with Naked Voice Records ED WATSON, SOCIETY EXECUTIVE DIRECTOR AND CEO Singing for Life saves lives 19 At least 156 chapters have already signed up to make a Common traits of great recruiters big difference while getting great local publicity 29 Meet our newest members and learn how to be like the men who bring many others into our Society Little fish, big pond 20 Nashville insiders have a lot to say about our move to The best Midwinter ever? Music City, and we’re a great fit for their ambitions 36 The best quartets, the Seniors contest winners and LORIN MAY, EDITOR, THE HARMONIZER a taste of the Youth Chorus Festival SHANE SCOTT On the Cover: Remember Departments San Antonio Photos by Miller Photography 2 12 THE PRESIDENT’S PAGE HARMONY HOW-TO Our North Star: chapter development Be a great chapter quartet 4 43 LETTERS STAY TUNED Praise and concerns about the speech of a genera- Saturn vs.