Denver Highlights • Singing for Life • Do Singing Valentines Right
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Let Freedom Ring!
Summer 2010 Let Freedom Ring! Barbershopping in Philly by Craig Rigg [The following report is a personal observation and does not reflect the views of the Society or the Illinois District. With luck we’ll face only a few lawsuits.] There’s this moment in the recent barbershop documentary Amer- ican Harmony. Jeff Oxley looks at a monitor as Vocal Spectrum appears on stage during the 2006 quartet contest, singing “Cruella DeVille.” He turns and shakes his head, saying, “The So- ciety’s changing, man.” His sentiments pretty much sum up what the 2010 International Convention and Con- tests at Philadelphia was all about. There’s been a changing of the guard. First, let's take the quartet contest. By now, everybody knows that Storm Front finally got the gold (after much cajoling and trash talk). They are the first comedy oriented quartet since FRED to achieve the pinnacle of quartetting. There’s no doubt these guys can sing; they’re Singing scores put them in second place, bested only by Old School (with Illinois's own Joe Krones at bass). In fact, Old School led after the semi-finals by only 17 points, and OS had won each of the first two rounds. All they had to do was maintain their lead and the gold was theirs. Not to be (a phrase you'll hear again later.) So what did Storm Front do that made the difference? Well, a combination of factors proba- bly did it. First, SF staged one heck of an innovative final set. Their first song, with a bit of mock- ing of Old School and up-and-coming Ringmasters from Sweden, lamented their struggle to reach the top. -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date:_December 13, 2006_ I, James Michael Rhyne______________________________________, hereby submit this work as part of the requirements for the degree of: Doctor of Philosophy in: History It is entitled: Rehearsal for Redemption: The Politics of Post-Emancipation Violence in Kentucky’s Bluegrass Region This work and its defense approved by: Chair: _Wayne K. Durrill_____________ _Christopher Phillips_________ _Wendy Kline__________________ _Linda Przybyszewski__________ Rehearsal for Redemption: The Politics of Post-Emancipation Violence in Kentucky’s Bluegrass Region A Dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Ph.D.) in the Department of History of the College of Arts and Sciences 2006 By James Michael Rhyne M.A., Western Carolina University, 1997 M-Div., Southeastern Baptist Theological Seminary, 1989 B.A., Wake Forest University, 1982 Committee Chair: Professor Wayne K. Durrill Abstract Rehearsal for Redemption: The Politics of Post-Emancipation Violence in Kentucky’s Bluegrass Region By James Michael Rhyne In the late antebellum period, changing economic and social realities fostered conflicts among Kentuckians as tension built over a number of issues, especially the future of slavery. Local clashes matured into widespread, violent confrontations during the Civil War, as an ugly guerrilla war raged through much of the state. Additionally, African Americans engaged in a wartime contest over the meaning of freedom. Nowhere were these interconnected conflicts more clearly evidenced than in the Bluegrass Region. Though Kentucky had never seceded, the Freedmen’s Bureau established a branch in the Commonwealth after the war. -
The Harmonizer Is De Friday Night? and to Wrap It All Up, the Vo Comes Better Known in the Local Community
Revival / Foothill Cities and San Diego, California 1998 International-QuarteLQIa_mpion The . /' ·., '~~~IIIIIIIIIIIIIIIIJ'" . " I", •/1 / Revival ~ll"l ,qlll_.L ',,1 1998 Gold M""ISPEBSQSA C1mmplm" ~. •••• IIII~ --- II" I ~rlr Michigan Jake ~'l~ "11,'1~' Bsa ....' !f j ".'(ir r' 1998 Tbird Place Bronze Medalist SPEBSQSA · ~ 1 ""1 I 1 ••••• r-r! ' 1\~l{;t~.... b'" "Jr:~( r' featuring Bank Street ~~~r( 1998 Fiftb Place Bronze Medalisl 5TEBSQSA II ,. ,an incredible lineup ofMedalist ... and our special guests... Classic Edition Barbershop 1998 Intemational Qnartet Cballlpion Quartets! Sweet Adelines Inlemational Metropolis 1998 Cballlpion abenefit for SingAmerica / SingCanada Pr/lllari(J' A Cappel/a's Harlllony Sweepslakes Sunday • November 15 1998 • 2:30 pm • One Show Only at the lIeuillal Blockbuster / Sony Entertainment Center on the waterfront 1 Harbor Boulevard Camden New Jersey (across the river from Philadelphia) Tickets: $22 / $28 I $35 On sale August 24 tllrough Tickemaster Philadelphia area 215-336-2000 Official Airline: US Airways Round-trip flights November 11-18 Lowest fares available No Saturday stay req'd 1-800-334-8644, refer to Gold File #47140697 Official Hotel: Four Points Sheraton Route 70 east at 1-295 Cherry Hill NJ 08034 1-800-257-8262 $79 single or double mention "Medal Madness" Stay for Ihc wholc wcckcnd ... comc on show on Sunday. Thc Ncw .Jcrscy Statc Rooms are being /leld for Friday and scc historic Philadclphia on Aquarium, adjaccnl to thc thcalcr, is a Friday & Saturday, Saturday, only twcnty minutcs from our great spot for family membcrs who will November 13 & 14, but will offer same rate for any days hcadquartcrs hotcl, and thcn lakc in Ihc not bc allending thc show. -
To Infinity and Beyond Gaylord Draws by Joe Serwach Competition As Mike Testers
Official Publication of the Pioneer District May/June 2004 Volume 55, Number 3 The Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, Inc. To Infinity and Beyond Gaylord draws By Joe Serwach competition as mike testers. record crowd Editor And it was only fitting that By Al Bonney Family stories continue to another Pioneer father and Pioneer Immediate dominate Pioneer District son combination would get Past President quartet contests. the most attention in 2004. Pioneer While Craig Pollard’s Though this year’s duo conventions have quartet Infinity was winning shared the same stage, they the reputation of the right to represent Pioneer each had their own quartets being fun to attend in July’s International going head to head. and professionally Quartet Championship, Craig Pollard, organized. his teenage son Wayne was himself the son of a great Judges, guests, stealing standing ovations Barbershopper, didn’t dignitaries and most with a high school quartet expected to have his own members all agree that finished 6t,h beating 15 son carry on the tradition with this assessment. quartets that shared the stage. until last fall when Wayne, The recently For more than a decade, a Farmington Hills High completed Pioneer quartet contests School student, joined a convention held in have been dominated by quartet in choir class with Gaylord April 23 – the Slamka family quartet, three classmates, forming 25 was no exception Power Play. Jack Slamka, Insignia. Craig noted that his to these rules. Now along with two sons and son dismissed Barbershop let me tell you . -
Desert Newsnews
~ The 79th Annual Barbershop Harmony Society’s International Convention ~ 2017 DAILY BULLETIN DESERTDESERT NEWSNEWS Friday July 14th 8 POST CONVENTION 2017 8 Last Minute Articles & Photos From the 2017 BHS Convention in Las Vegas, NV July 3 - 9 Society Honors Grand Central Red Caps Takes Two Steps to Correct Wrong (submitted by Ford Fuller) Grand Central Red Caps Quartet Honored at Saturday Night Spectacular The theme of this year’s Saturday Night Spectacular was “Together, We Sing” featuring the Ambassadors of Harmony & The Vocal Majority mega-chorus, along with quartets Vocal Spectrum and Crossroads. It was an awesome show! This evening’s program is about how our music brings us together. While we cannot erase the errors of the past, we do want to affirm, here and now, that our music is for all, regardless of race, creed or color. We celebrate the spread of our special kind of harmony to more di- verse groups of people, here in America, and throughout the worldwide community, bringing together young and old, rich and poor, black and white. But, perhaps the most poignant moment was a long-overdue correction of a horrible decision made by our Society in 1941. The story be- gins in 1940 when the National SPEBSQSA Convention was held in New York City at which time our society learned of a city-wide Bar- bershop Quartet Competition sponsored by the NYC Parks Department, that actually began in 1935. SPEBSQSA officers decided to invite the winner to the following year’s convention to be held in St. Louis. When the 1941 winner was determined, a telegram was sent to SPEBSQSA letting them know the winner. -
The Orange Spiel Page 1 July 2018
The Orange Spiel Page 1 July 2018 Volume 38 Issue 7 July 2018 We meet at 7:00 most Thursdays at Shepherd of the Woods Lutheran, 7860 Southside Blvd, Jacksonville, FL Guests always welcome Call 355-SING No Experience Necessary WHAT'S INSIDE SOCIETY BOARD ANNOUNCES Title Page NEXT STEP TOWARD Society Board Announces Next Step 1,3 EVERYONE IN HARMONY Editorial 2 Barbershop History Questions 52 3 by Skipp Kropp Chapter Eternal 4-5 from barbershop.org Chapter Eternal 6 Stop Singing Rehearsal Sabotage 6-7 he Barbershop Harmony Society believes that Chapter Quartets 7 what we offer – the experience of singing to- Caribbean Gold Cruise 7 gether in harmony – is meaningful to all peo- Free Your Voice 8 T ple, and should therefore be accessible to peo- Free Singing Tips 8 ple in all combinations. Since the announcement of the A Better Way To Teach Complex Skills 9-11 Strategic Vision last June, the Society Board and staff 33 Most Effective Singing Tips 11 leadership have been involved in ongoing discussions Barbershop History Answers 52 11 about the best way to achieve the vision of Everyone Magic Choral Trick #377 And #378 12 in Harmony. Today, we are thrilled to announce our Singing With Good Posture 13-14 next step in the realization of that vision. Quartet Corner 15 Chapter Member Stats 15 Effective immediately, membership in the Barbershop Board Minute Summary 16 Harmony Society is open to EVERYONE. Beginning 2018 Hall Of Fame Inductees 16 today, we welcome women to join the Barbershop Upcoming Schedules 17 Harmony Society as members. -
GLP Rep List 2011
Gary Lewis Press GLP Professional Learning Tracks Custom Vocal Arrangements MIDI Sequencing Finale Transcription Repertoire List Revised 06/08/2011 Accentuate the Positive - arr. Adam Reimnitz Accentuate the Positive - arr. Clay Hine All I Do Is Dream Of You - arr. David Wallace America - arr. Jim Clancy (Neil Diamond tune w/Karaoke Track) And So it Goes - arr. Kirby Shaw sheet music available from any choral sheet music retailer. I use J.W. Pepper. Angels On Your Pillow - arr. Cary Burns Angels We Have Heard On High - from Yuletide Favorites Anytime - arr. Greg Volk (Excalibur/Wheelhouse) At Last - arr. Clay Hine Auld Lang Syne - arr. Steve Jamison (NOT the PLATINUM version) Autumn Leaves - arr. Adam Reimnitz B & O Line - arr. Bob Disney Baby, It’s You - arr. Adam Reimnitz The Band Played On (Yesteryear) Beautiful Dreamer - arr. David Wright (Nightlife) Bridge Over Troubled Water - arr. Greg Volk ed. Gary Lewis (Acoustix) California, Here I Come - arr. Dave Stevens/Dealer’s Choice Society Stock 202089 Children’s Medley (Jolly Old St. Nicholas/Up on the Housetop) - arr. BHS The Christmas Song - arr. Pete Rupay (Vocal Majority) A Christmas To Remember - arr. Jim Clancy Come Rain Or Come Shine - arr. Adam Reimnitz Cross That Mason Dixon Line - arr. David Wright Daydream Medley - arr. Joe Johnson Dear Old Donegal - arr. Steve Jamison Down In The Valley - arr. George Mead (TTBB w/piano accomp) Down Our Way - arr. Floyd Connett (Polecat) Dream a Little Dream of Me - arr. Clay Hine (OC Times) Easy Goin’ - arr. David Wallace Elmer Fudd Medley - arr. Scott Turnbull (The Ritz) The Dream Is Carried On - arr. -
September 06-Final.Indd
2007 International Midwinter Convention 2007 International Buffalo Bills-Era Midwinter Convention Quartet Contest January 21 - 28, 2007 Throughout 2007, we’ll be celebrating the longevity of barbershop music as Headquarters Hotel: Hyatt Regency evidenced by the 50th Anniversary of The Venue: Kiva Auditorium Music Man. As a tribute to this endearing showcase for barbershop music, the 2007 promises to be a banner year for the Barbershop Harmony Society will host the Buffalo Bills-Era Society and you can help launch it in true four-part harmony style. At Quartet Contest. Sing the old songs the way they did fifty years ago. this year’s Midwinter Convention, history and harmony go hand-in- Experience the five-category judging system, and see how your hand. You’ll experience the best from the past, plus encounter some quartet might have done against our most famous champs! All new things to broaden your barbershop horizons. We’ll look back at details regarding the contest, entry form and rules are listed on what has made barbershop music so popular and we’ll look ahead to www.barbershop.org/musicman. Not only will first, second and see where Barbershoppers are taking the music in the future. Here’s third place winners get bragging rights, but they’ll get their share of what’s in store for you. $6,000 in prize money being donated by members of the Pioneers. Time for Tags Midwinter Golf Outing Plenty of time will be set aside between workshops, seminars, Join us for the golf outing on Wednesday, January 24, 2007 at the shows and speakers for getting together with fellow singers. -
MINDSET of a SUCCESSFUL QUARTETTER Barbershop Parts Study - Playlist Observations
MINDSET OF A SUCCESSFUL QUARTETTER Barbershop Parts Study - Playlist Observations Click here: "Parts Study" Spotify Playlist Quartet Information & Listen Fors 1) “After Today” - Remake of the Acoustix version (BHS champs early 90’s.) • Attention to coming in and out of unison, solos and vocal gymnastics in all parts. • Smoothness with which parts hand off the melody to one another, beginning with a very melodic bass. • Color of the releases in all singers, along with a very consistent lift that does not sound contrived at all. • Vocal flexibility - These are all gals in their mid to late 50’s…all parts. While you can hear the maturity (and the benefit of having that experience), you can also hear a vibrance that comes only with vocal freedom. 2) “If I Were a Bell” • Flexibility and lightness (an ease with the vocal approach.) • Strong sprinkle of personality and FUN in it. • Notice the smoothness of the tenor and how she “tucks into” the chords and how she takes on the solo part more like a lead rather than an ensemble (as they all do in this quartet), which are very tightly voiced (notes close together to each other) • The chromatics around 1:40 are accurate and balanced well through all voice parts. The Buzz The • Again, the handoff of parts in shared melody is seamless. They ring, they buzz, hence their name. Listen for SAI Queens the chords to sound rich and full. Conventions in barbershop like bell chords, lead-ins, echoes, etc. are handled with aplomb and consistency. 3) “Back in Business” • This quartet is well-versed in all aspects of our craft. -
Healthy Performance Practice for Male Barbershop Singers
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Performance, and Creative Activity: Hixson-Lied College of Fine and Fine and Performing Arts, Hixson-Lied College Performing Arts of Spring 4-18-2011 Healthy Performance Practice for Male Barbershop Singers Jacob K. Bartlett University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/hixsonliedstudent Part of the Music Practice Commons, and the Other Music Commons Bartlett, Jacob K., "Healthy Performance Practice for Male Barbershop Singers" (2011). Student Research, Performance, and Creative Activity: Hixson-Lied College of Fine and Performing Arts. 6. https://digitalcommons.unl.edu/hixsonliedstudent/6 This Article is brought to you for free and open access by the Fine and Performing Arts, Hixson-Lied College of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Performance, and Creative Activity: Hixson-Lied College of Fine and Performing Arts by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. HEALTHY PERFORMANCE PRACTICE FOR MALE BARBERSHOP SINGERS by Jacob K. Bartlett A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor William Shomos Lincoln, Nebraska May, 2011 HEALTHY PERFORMANCE PRACTICE FOR MALE BARBERSHOP SINGERS Jacob K. Bartlett, D.M.A. University of Nebraska, 2011 Adviser: William Shomos Barbershop singing is a hobby enjoyed by hundreds of thousands of men and women across the world. We attend conventions, shows, competitions, and educational outreach programs each year at our own expense to preserve a style we truly love. -
Issue of the Harmonizer
From Director Tom: Men and Friends of the BCC, Thank you for your nice work on our performance at Lockwood. Thanks to 36+ of you for taking the time to come and sing. It does my heart good. I thought we sang well for a very appreciative audience. It was good to have several quartets. Can we have even more than five quartets and maybe some new faces? Thank you also for the nice time at our favorite watering hole. It was nice to be able to eat with you and not have to worry about teaching the next a.m. Let's keep up the good work! From Prez Jack: Our August 21 performance at Bowers’ School Farm was a result of the “Bob Wallace Four” serenading two ladies during the ride in the parking bus from Log Cabin Days. It amazes me how and where the invitations come to sing at the various events that we do. The power of music is amazing. I continue to be impressed by the relaxed manner that the Big Chief Chorus presents itself. You are quite a likeable bunch. Remember that you are a disciplined chorus with all eyes on the director, but being humble enough to mingle with your audience following the performance. Vol. 11, No. 4 (#124) August 1, 2011 AROUND THE PATCH The Big Chief Chorus forewent its practice on Tuesday night, July 12, for an enjoyable performance for forty residents and staff at Lockwood of Summertime is for loafing, right? Well, not for the Big Chief Chorus! We Waterford . -
Barbershop Harmony Lesson Plan a Unique Genre of Music Originating in the United States
SWEET ADELINES INTERNATIONAL Barbershop Harmony Lesson Plan A Unique Genre of Music Originating in the United States Grade Level: 6 - 12 Suggested Time Allowance: 1 hour Objectives: 1. Listen to and analyze short samples of music in the barbershop genre. 2. Consider the voice parts and ensembles types (quartet vs. chorus) within the genre. 3. Discuss the origin of barbershop music. 4. Experiment with “tag singing” a traditional way of sharing barbershop music. Materials Required: Computer with Internet access, projector, speakers (or SMART Board) Introduce Topic: Have you ever heard of barbershop harmony? Have you ever seen a quartet or a chorus of all men or all women that sing popular songs a cappella, in four-part harmony? Do you think of it as something your grandparents or great grandparents would enjoy? Does the thought of barbershop harmony evoke thoughts of straw hats, striped vests and canes? If so, you’re thinking of the early days of barbershop. Like all music styles, barbershop harmony has expanded, adapted and evolved over time. As each generation exerts influence and takes new risks with a music style, the style continues to grow and change. What fun would it be if no one took any risks? We would never have any variety. What if Elvis hadn’t pushed the envelope? Would we have any of the current pop/rap/rock/heavy metal styles that we have today? Everything that we know today came from somewhere or someone long ago. Barbershop harmony is no different and today it is a unique, American art form. LoveNotes Quartet 2014 International Quartet Champion and 2007 Rising Star Quartet Champion First quartet to win both the youth quartet contest (in 2007) and the standard quartet contest (in 2014) SWEET ADELINES INTERNATIONAL Barbershop Harmony Lesson Plan See and Hear Quartet Examples: Let’s get your ears attuned to what barbershop harmony sounds like in its current form.