Newsletter 10/07 DIGITAL EDITION Nr
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Feather in the Web
THE FEATHER IN THE WEB GRIFFIN THEATRE COMPANY PRESENTS THE FEATHER IN THE WEB Production Partner BY NICK COYLE 5 OCTOBER-17 NOVEMBER GRIFFIN THEATRE COMPANY PRESENTS THE FEATHER IN THE WEB NICK COYLE 5 OCTOBER- 17 NOVEMBER Director Ben Winspear Designer Sophie Fletcher Assistant Designer Ella Butler Composer / Sound Designer Steve Toulmin Lighting Designer Trent Suidgeest AV Designer Mic Gruchy Stage Manager Samuel Johnson With Tina Bursill, Gareth Davies, Michelle Lim Davidson, Claire Lovering SBW Stables Theatre Preview 5–10 October Season 13 October–17 November Production Partner Government Partners Supported by Griffin acknowledges the generosity of the Seaborn, Broughton & Walford Foundation in allowing it the use of the SBW Stables Theatre rent free, less outgoings, since 1986. S ’ Have you ever been listening to someone tell a story and been overcome with the urge to scream SHUT UP!? Have you ever been so bored at a work event you wanted to kick someone in the groin? Have you ever been in a car travelling very fast on a highway and thought about jerking the steering wheel to the side? Me neither. That would be crazy. But a character who follows through on those impulses and doesn’t give a damn about the consequences was the starting point of this play. Kimberly is dangerous because she is fearless. She pours petrol over banality and sets it on fire, figuratively and literally. She doesn’t laugh unless there’s something funny. She knows she’s not the PLAYWRIGHT NOTE architect of the body and face she was given. She refutes the falsehoods we’re trained to accept. -
30 November 2012 Volume: 22 Issue: 23 Keating's
30 November 2012 Volume: 22 Issue: 23 Keating’s Timor and Carr’s Papua Frank Brennan ...........................................1 Interfaith pioneer’s search for the sacred Peter Kirkwood ..........................................4 Family Christmas torture and triumph Tim Kroenert ............................................6 Confessional debate is a Royal Commission red herring Chris McGillion ...........................................8 East Timor’s lessons for our abuse Royal Commission Pat Walsh ............................................. 10 Peer pressure could save the military Evan Ellis ............................................. 13 Parable of the inhospitable hospital Andrew Hamilton ........................................ 16 Four Chinese poems Ouyang Yu ............................................ 19 Dysfunctional Church stares into the abuse abyss Michael Kelly ........................................... 23 Unclenching the despotic fist in Burma Duncan MacLaren ....................................... 25 Rejection of women bishops is not terminal Andrew McGowan ....................................... 27 ‘No advantage’ policy more harmful than leaky boats Michael Mullins ......................................... 29 The sinister side of African Aid Ellena Savage .......................................... 30 On breaking the seal of confession Geoffrey Robinson ....................................... 32 Talking to children about the Royal Commission Kristina Keneally ........................................ 34 Church needs to -
Poppie Nongena Enthralling Musical Theatre
FEBRUARY,1985 Vol 9 No 1 ISSN 0314 - 0598 New David Williamson Play SONS OF KANE BY DAVID WILLIAMSON Directed by David Williamson Set and costume design by Shaun Gurton Cast: Noel Ferrier, John Gregg, Max Cullen, Sandy Gore, Libby Clark and Genevieve Picot Theatre Royal t is now almost four years since David I Williamson's last play THE PERFEC TIONIST was premiered and in that time he has been working in other media creating a screenplay of THE PERFEC TIONIST and writing THE LAST BASTION for television. But the attrac tion of the theatre was too great for him to stay away from live performance for long and a chance conversation with journalists in a pub one night provided the inspiration for a new play. SONS OF KANE is about crime and cor ruption, an issue on which David Williamson has not focused his attention since THE REMOVALISTS in 1981 Poppie Nongena (coincidentally to be remounted at Phillip Street Theatre later this month). The Enthralling Musical Theatre managing editor of a big newspaper em pire (played by John Gregg) uncovers Based on a novel by Elsa Joubert critic of The Guardian newspaper as one clear evidence that an honest cop has Written for the stage by Elsa Joubert and of the most impressive pieces of drama to been moved out of the force because he's Sandra Kotze emerge from South Africa in the past too much trouble. The idealism of youth Directed by Hilary Blecher decade, this production has taken Lon is rekindled and he brings in one of his Music by Sophie Mgcina don and New York by storm, collecting a friends (played by Max Cullen) whose Designed by Douglas Heap Lighting design by James Baird number of awards, including the career has taken a downturn to in Cast: Thulia Dumakude, Sophie Mgcina, prestigious Obie (for Outstanding vestigate the whole affair. -
14 out 2010.Pmd
ANO 13 – Nº 2289 – SÃO PAULO, 14 A 20 DE OUTUBRO DE 2010 – R$ 2,50 www.jornalnippak.com.br “Comunidade nikkei precisa sair de cima do muro”, diz Toshiaki Yamamura Passadas as eleições para os ambos foram eleitos sem o cargos proporcionais, é hora apoio declarado dos nikkeis. DIVULGAÇÃO de contabilizar lucros e per- O que ficou evidente foi a sen- das. Fosse num jogo de fute- sação de “prejuízo” com a não bol, os comentaristas de plan- reeleição dos deputados fede- tão diriam, usando um jargão rais Walter Ihoshi e William comum no mundo da bola, que Woo. Uma primeira avaliação a comunidade “trocou seis por será feita nesta sexta-feira (15), meia dúzia” na Câmara dos na sede do Bunkyo de Regis- Deputados. Mas não foi bem tro, com as presenças dos elei- assim. Não pela vitória dos tos Junji Abe, Keiko Ota, Jooji eleitos Junji Abe e Keiko Ota, Hato e Helio Nishimoto, além que, para muitos, são duas “in- dos não eleitos William Woo, cógnitas” em se tratando de Walter Ihoshi e Victor Koba- apoio à comunidade, já que yashi. –––——––––––––——–––––—––––––––—–| pág 03 Sílvio Sano lança “Corinthians 100 Anos” REPRODUÇÃO BEISEBOL INFANTIL – confirmadas as presenças de vez da sempre forte Venezuela da Comissão Técnica e A Seleção Brasileira Infantil República Dominicana, Equa- e na quarta (20), o desafio acompanhantes. Segundo o embarcou na madrugada de dor, Panamá, Peru, Venezue- será contra Aruba. No dia 21 chefe da delegação, Nelson ontem (13) para Barinquilla, la, Colômbia e Aruba. O Bra- as seleções folgam e na sexta Yajima, que debutará no na Colômbia, onde será re- sil estreia no torneio contra a (22), a Seleção Brasileira en- comando de uma seleção de alizado, de 15 a 24, o Cam- República Dominicana, no frenta o Equador. -
The Yakuza Movie Book
THE YAKUZA MOVIE BOOK A GUIDE TO JAPANESE GANGSTER FILMS MARK SCHILLING STONE BRIDGE PRESS • BERKELEY, CALIFORNIA CONTENTS 11 Foreword 126 Akira Kobayashi (1937-) 127 HirokiMatsukata(1942-) INTRODUCTION 128 JoShishido(1933-) 19 A Brief History of Japanese Yakuza Films 130 BuntaSugawara(1933-) Bunta Sugawara Interview 132 DIRECTOR PROFILES & INTERVIEWS 143 KenTakakura(1931-) 43 Kinji Fukasaku (1930-2003) 145 Riki Takeuchi (1964-) Kinji Fukasaku Interview 46 146 Koji Tsuruta (1924-87) 55 Teruolshii(1924-) 148 Tatsuo Umemiya (1938-) Term Isbii Interview 51 149 Tomisaburo Wakayama (1929-92) 70 Tai Kato (1916-85) 150 Tetsuya Watari (1941-) 73 Takeshi Kitano ("Beat" Takeshi; 1947-) 76 TakashiMiike(1960-) FILM REVIEWS Takashi Miike Interview 78 155 AHomansu(l986) 85 RokuroMochizuki(1957-) Rokuro Mochizuki Interview 87 156 Abashiri Bangaicbi (A Man from Abashiri Prison, 1965) 95 Seijun Suzuki (1923-) Seijun Suzuki Interview 98 156 Abashiri Bangaicbi: Bokyohen (A Man from Abashiri Prison: Going Home, 1965) ACTOR PROFILES & INTERVIEWS 157 Adrenaline Drive (1999) 109 ShowAikawa(1961-) Show Aikawa Interview 110 158 Akumyo (Tough Guy, 1961) 119 Noboru Ando (1926-) 159 American Yakuza (1994) Noboru Ando Interview 121 160 Ankokugai no Kaoyaku (The Big Boss, 123 Junko Fuji (1945-) 1959) 125 Shintaro Katsu (1931-97) 161 Asu Naki Machikado (End of Our Own Real, 1997) 162 Bakuchiuchi Socho Tobaku (Big Gambling 193 Gokudo no Onnatachi (Gang Wives, 1986) Ceremony, 1968) 197 Gokudo no Onnatachi: Kejime (Gang 164 Bakuto Gaijin Butai (Sympathy for the Wives: -
Kinotayo 2013 — Section Classique — Retour Sur Le Film De
ittle Girl in Me” Film Partners L 2012 “The © nc. I pache A Film Partners © 2013 “The Great Passage” Film Partners Passage” 2013 “The © Great IES © 2012 L AN AN P JA 8e 3 > 21 © 2012 ÉDITION DÉCEMBRE 2013 第八回 JANVIER 2014 EN RÉGIONS Programme : 22 films dont 7 en compétition Rencontres avec trois réalisateurs FEstivaL Hommage à Yasujiro Ozu : 現 DU FILM JAPonais ses chefs-d’œuvre en couleurs restaurés ContEMPORain Documentaires : culture et société 代 Avant-premières : WWW.KinotaYO.FR WARA NO TATE de Takashi Miike OUtraGE BEYOND de Takeshi Kitano 日 Section classique : retour sur le film de gangster, un genre majeur du cinéma japonais 本 ” Film Partners 映 BLACK DAWN 画 © 2012 “ 祭 tory of Yonosuke” Film Partners Yonosuke” tory of S ueki Ressha Film Partners ueki Ressha A K © 2013 “ © © 2012 © Fidèle à sa volonté de vous faire voyager dans l’actualité MARDI 3 DÉCEMBRE 2013 À 20H du septième art japonais, le Festival Kinotayo, est CÉRÉMONIe d’OUVERTURE DU FEstivaL KINOTAYO 2013 e KINOTAYO 2013 heureux de vous présenter, pour sa 8 édition, 7 longs Avant-PREMIÈRE PARISIENNE métrages de grande qualité, produits et sortis entre AU GAUMONT OPÉRA PREMIER — 2012 et 2013, en sélection officielle pour l’attribution — des Soleils d’Or 2013. ÉDito Plusieurs réalisateurs viendront présenter leur ÉVÉNEMENTS film : Tatsushi Omori pour BOZO (2012), Shoji Kubota pour The Little Girl in Me (2012), et Shuichi Okita pour A Story of Yonosuke (2013). Parallèlement à la sélection officielle, Kinotayo proposera en avant-première au public parisien OUtragE BEyond de Takeshi Kitano. Suite indépen- dante d’OUtragE, ce film de gangster est un huis-clos féroce sur le monde de la pègre qui, fort heureuse- elluloid Dreams ment, ne manque pas d’humour… À cette occasion, C des films marquants de ce genre majeur au Japon sont © 2013 © proposés dans notre section classique initiée en 2012 : La pivoine rouge, Le cimetière de la morale et des œuvres comme Romance noire de Tatsuoki Hosono WARA NO TATE avec Koji Yakusho dans un rôle inattendu de truand en 藁の楯 (wara no tate) mal d’amour. -
A Thoroughly Wet Mess Is an Eight-Part Serial Radio Drama, Written and Directed by Aden Rolfe
MEDIA RELEASE Friday 5 June, 2015 Aden Rolfe and ABC RN’s Creative Audio Unit present A THOROUGHLY WET MESS A quick-witted radio serial set on the high seas Set to debut on ABC RN on Friday 26 June, A Thoroughly Wet Mess is an eight-part serial radio drama, written and directed by Aden Rolfe. This sophisticated mystery is Radio National’s inaugural podcast-first drama, featuring the talents of Toby Truslove (Utopia, The Strange Calls), Tina Bursill (Neighbours, The Moodys) and Mark Lee (Gallipoli, Packed to the Rafters). THE MYSTERY: In 1872, the crew of the Mary Celeste goes missing at sea, never to be heard from again. The ship doesn’t sink, the cargo is found intact and there’s no sign of foul play. So what happened? This is just what the characters intend to find out. Enter Sophie and Marc Marshall, descendants of the captain of the Celeste. They’ve been invited aboard the Mary Celeste II, a replica of her namesake, to recreate their ancestors’ fateful voyage. Once they set sail, however, it’s clear that something’s afoot. Or afloat – it’s unclear which. Will they discover what happened to the Mary Celeste before they succumb to the same fate? What’s the captain hiding in the hold? And who will the stowaway turn out to be? “The Mary Celeste is the archetypal ghost ship, and despite all the theories – pirates, aliens, seaquakes – we still don’t know what happened. That seemed a great starting point for a serial, for a story that could lurch from theory to theory in short, 12-minute episodes,” said writer-director Aden Rolfe. -
Conventions of This Guide
The VINTAGE NINJA Movie & TV Guide VOL. 1: JAPAN, LIVE ACTION — 1920s-1980s © Keith J. Rainville, 2021 You want to see the movies Sho Kosugi grew up watching, the ones that inspired animation designers and video game artists of the 80s and 90s, the ones the James Bond people ripped off in the 60s, but where to start? Or, you’ve amassed a collection of these gems already but know there’s more out there. Here’s a user- friendly reference for both pursuits, with quick-and-easy recommendations for Japanese ninja titles from the silent era to the late 80s — their general flavor and tone, varying trends and tropes, and a lot of surprises. CONVENTIONS OF THIS GUIDE: • TITLES — for better or worse I’ve used the most commonly used translations out there. These are often the most accessible references to these films so, even if the title’s been butchered, there’s still a practical advantage when searching them out. • VN as an entity has to be cautious when it comes to supporting/endorsing certain not-so-authorized film collecting activities out there, so sorry, there’s no links here... • YES THERE’S MORE TO COME! This will be updated often and I have a huge stack of discs and files awaiting input. Plus future volumes on Anime, Japan 1990—present, Hong Kong/Chinese films, ninja-like hooded heroes, and more. • Yes, we welcome corrections and additions. Email me through the website. • See the Appendixes at the end for more info! Images © Shochiku Co., Ltd, 1965. Text © Keith J. -
STC Annualreport 2015 Bigger.Pdf
ANNUAL REPORT BETRAYAL CANNIBALISM COURAGE EYE WITNESS FAMILY TIES FEMINISM FRENEMIES HILARITY LONGING LOVE AND ATTRACTION MADNESS MORTALITY POLITICS RECKONING SINGING TRANSITION TRAVEL Aims of the Company To provide first class theatrical entertainment for the people of Sydney – theatre that is grand, vulgar, intelligent, challenging and fun. That entertainment should reflect the society in which we live thus providing a point of focus, a frame of reference, by which we come to understand our place in the world as individuals, as a community and as a nation. Richard Wherrett, 1980 Founding Artistic Director Marshall Napier, Richard Roxburgh, Eamon Farren, Cate Blanchett and Martin Jacobs in The Present. Photo: Lisa Tomasetti 2015 in Numbers ACTORS 146% AND CREATIVES 2 889 255 EMPLOYED 131 $418,855 C R 19TEACHING OF TI KET P ICE 318,899 SAVINGS PASSED ON TO ARTISTS TIX 759 6,330 SUNCORP TWENTIES CUSTOMERS EMPLOYED TIX PAID PEOPLE OVERSEAS 10,045 SAW A AND ATTENDEES WAITING FOR GODOT N TIONAL OVER $20M TO STC’S 2015 PROGRAM INTERNATIONAL TOTAL TICKET 47.7% PERFORMANCES INCOME EARNED REDUCTION IN WORLD GREENHOUSE GAS EMISSIONS SINCE 2007 PREMIERES 1,273 4 71.3% WEEKS AVERAGE OF WORK 20,513 5,887 PLAYWRIGHTS REDUCTION CAPACITY TOTAL SUBSCRIBERS NEW SUBSCRIBERS 15 ON COMMISSION IN WATER USAGE SINCE 2007 86% FOR ACTORS 4 5 Ian Jonathan Narev Church CHAIR ARTISTIC DIRECTOR During Board discussions at Sydney Theatre Company, we refer Mark Leonard Winter, Jacek Koman, Geoffrey Rush and Robyn Nevin I am delighted and honoured to be the next Artistic Director of Paula Arundell (background), Eryn Jean Norvill and Paula Arundell regularly to Richard Wherrett’s founding aims of the Company: in King Lear. -
The Singing Subject
OVERTURE: The Singing Subject Hollywood's soundtrack is engendered through a complex system of displacements which locate the male voice at the point of apparent textual origin, while establishing the diegetic containment ofthe female voice. 1 In The Acoustic Mirror, one of the few film theory books that considers the female voice in cinema, psychoanalytic film theorist Kaja Silverman ascribes the female voice a place firmly within the narrative of 'classic' Hollywood (and other realist) films. 2 But as a cinematic spectator, I have experienced films where a woman's singing voice has for me transcended such limitations. My first experience of such a feeling was motivated by Songcatcher (Maggie Greenwald, 2000), a story about a 19th century musicologist, Dr Lily Penleric (Janet McTeer), who travels to the Appalachian Mountains to collect folk ballads. In Songcatcher, the women characters' singing is pleasurable and moving, but also transports me emotionally beyond the narrative.3 Such experiences of singing scenes4 provide for me a feeling that is analogous to, but also different from, the 'transcendence' of numbers in classic Hollywood film musicals.s In the classical musical, singing performances are not only expected, because of the genre, but also assisted by the use of nondiegetic music to lift the musical experience beyond the 'real' world of the narrative to a space that is most often a utopian realm. However, in Songcatcher, singing remains of the diegesis and yet for me reaches beyond the narrative world. I Kaja Silverman. The Acoustic Mirror: The Female Voice in P5ychoanalysis and Cinema. Bloomington and Indianapolis. Indiana University Press. -
YEAR in REVIEW Celebrating Australian Screen Success and a Record Year for AFI | AACTA YEAR in REVIEW CONTENTS
2017 - 2018 YEAR IN REVIEW Celebrating Australian screen success and a record year for AFI | AACTA YEAR IN REVIEW CONTENTS Welcomes 4 7th AACTA Awards presented by Foxtel 8 7th AACTA International Awards 12 Longford Lyell Award 16 Trailblazer Award 18 Byron Kennedy Award 20 Asia International Engagement Program 22 2017 Member Events Program Highlights 27 2018 Member Events Program 29 AACTA TV 32 #SocialShorts 34 Meet the Nominees presented by AFTRS 36 Social Media Highlights 38 In Memoriam 40 Winners and Nominees 42 7th AACTA Awards Jurors 46 Acknowledgements 47 Partners 48 Publisher Australian Film Institute | Australian Academy of Cinema and Television Arts Design and Layout Bradley Arden Print Partner Kwik Kopy Every effort has been made to ensure the accuracy of the information contained in this publication. The publisher does not accept liability for errors or omissions. Similarly, every effort has been made to obtain permission from the copyright holders for material that appears in this publication. Enquiries should be addressed to the publisher. Comments and opinions expressed in this publication are not necessarily those of AFI | AACTA, which accepts no responsibility for these comments and opinions. This collection © Copyright 2018 AFI | AACTA and individual contributors. Front Cover, top right: Nicole Kidman accepting the AACTA Awards for Best Supporting Actress (Lion) and Best Guest or Supporting Actress in a Television Drama (Top Of The Lake: China Girl). Bottom Celia Pacquola accepting the AACTA Award for Best right: Gary Oldman accepting the AACTA International Award for Performance in a Television Comedy (Rosehaven). Best Lead Actor (Darkest Hour). YEAR IN REVIEW WELCOMES 2017 was an incredibly strong year for the Australian Academy and for the Australian screen industry at large. -
Year Play Author Director Cast Venue Dates Aust Premiere 1960 the Man Dinelli, Mel Hayes Gordon Lorraine Bayly, Kevin Dalton, Jo
Year Play Author Director Cast Venue Dates Aust Premiere 1960 The Man Dinelli, Mel Hayes Gordon Lorraine Bayly, Kevin Dalton, Jon Ewing, ENS 7/1/60-19/3/60 AP Guinea Gordon, Clarissa Kaye, Don Newland, Don Reid, Kylie Stewart, Anthony Wickert 1960 Orpheus Williams, Hayes Gordon David Crocker, Kevin Dalton, Gary ENS 31/3/60-2/7/60 AP Descending Tennesee Deacon, Jon Ewing, Lisle Harsant, Patricia Johnson, Patricia Jones, Clarissa Kaye, Sophie Krantz, Robin Lawlor, Reg Livermore, Marie Lorraine, Jerry Luke, Beverley McLeod, Frank Nolan, Jack Quinlan, Don Reid, Gary Shearston, Breck Stewart, Kylie Stewart, Sandra Stewart 1960 The Drunkard Smith, W H Hayes Gordon Victoria Anoux, Lorraine Bayly, Anna 23/7/60-4/2/61 AP Berner, J. Brown, L. Celi, Roie Cook, Kevin Dalton, Gary Deacon, John Denison, Jon Ewing, Joanna Franklin, Patricia Johnson, Patricia Jones, J.J., Judy King, Robin Lawlor, Reg Livermore, Jerry Luke, Ron Owen, William Pringle, James Scullin, Gary Shearston, Breck Stewart, Kylie Stewart, Sandra Stewart, Brian Young 1961 The Double Congreve, William Jon Ewing & Reg Victoria Anoux, Kevin Dalton, Jon Ewing, ENS 7/2/61-4/3/61 AP Dealer Livermore Mr. Henning, Patricia Johnson, Patricia Jones, Jan Kehoe, Reg Livermore, William Pringle, Les Shaw, Breck Stewart, Bryan Syron, Tony Wickert, Brian Young 1961 Miss Lonely Teichman, Howard Hayes Gordon Jan Avery, Henry Banister, Lorraine ENS 15/3/61-17/6/61 AP Hearts Bayly, Julie Collins, Roie Cook, John Dennis, Bettye Eister, Joan Franklin, Jone Hull, J.J., Patricia Jones, Reg Livermore, Anne