SEASON 2 MEDIA KIT As at 15.9.17
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03 July 2021 February: Week 9 W/C 21/02/2021
Release Date: 24 February 2021 TVNZ 1 & TVNZ 2 Schedule February 2021 - 03 July 2021 February: Week 9 w/c 21/02/2021 Sunday Monday Tuesday Wednesday Thursday Friday Saturday 21/02/2021 22/02/2021 23/02/2021 24/02/2021 25/02/2021 26/02/2021 27/02/2021 06:00 Non Non Breakfast Early Preschool Breakfast Early Preschool Breakfast Early Preschool Breakfast Early Preschool Breakfast Early Preschool Te Karere Preschool 06:00 Commercial Commercial Commercial Commercial Commercial Commercial Commercial Commercial Free Free Free Free Free Free $1,050 $1,050 $1,050 $1,050 $1,050 $250 06:30 Breakfast 1 Breakfast 1 Breakfast 1 Breakfast 1 Breakfast 1 Hyundai 06:30 Country Calendar $1,750 - $1,750 - $1,750 - $1,750 - $1,750 - $600 - 07:00 Breakfast 2 Ranger Rob Breakfast 2 Ranger Rob Breakfast 2 Ranger Rob Breakfast 2 Ranger Rob Breakfast 2 Ranger Rob Following Twain The Amazing 07:00 With Oscar World of Kightley Gumball $350 $350 $350 $350 $350 $600 $600 07:30 Miraculous Miraculous Miraculous Miraculous Miraculous Infomercial Dragon Ball 07:30 Super $2,700 $350 $2,700 $350 $2,700 $350 $2,700 $350 $2,700 $350 $250 $600 08:00 Breakfast 3 Preschool Breakfast 3 Preschool Breakfast 3 Preschool Breakfast 3 Preschool Breakfast 3 Preschool Infomercial Bakugan: Battle 08:00 Commercial Commercial Commercial Commercial Commercial Planet Free Free Free Free Free - - - - - $250 $600 08:30 Faith In Action Pokemon 08:30 $1,800 $1,800 $1,800 $1,800 $1,800 $250 $600 09:00 Ellen Infomercial Ellen Infomercial Ellen Infomercial Ellen Infomercial Ellen Infomercial Eat, -
Doctor Doctor Whyhope
MUDGEE DOCTOR DOCTOR WHYHOPE 4 DAY TOUR Departing: Tuesday 13 August 2019 Returning: Friday 16 August 2019 TOUR COST: $895.00 per person Twin/Double Share $1100.00 Sole Occupancy Please call the office for Direct Deposit details PICK UP TIMES: 7.10am Crawford Street, Queanbeyan 7.50am West Row Bus Stop, City 7.30am Bay 3, Woden Bus Interchange 8.00am Riggall Place, Lyneham The fictional town of Whyhope is home to the ‘Doctor Doctor’ TV series, filmed in part in Mudgee. Our tour will take in some of the famous landmarks as we explore this colonial and charming town and region. Day 1 (LD): CANBERRA TO MUDGEE: Tuesday 13 August Be warmly greeted as we load our luggage onto the Potter Travel coach and settle into our seats. The Doctor Doctor series is now in its third season and has become popular with Australian, and overseas, audiences. Heading to Camden, we are in the vicinity of Denbigh House, the property used as the family home of the ‘Knight family’. Unfortunately, the homestead cannot be seen from the street but we will get a sense of where it was filmed and the cast often stayed in Camden. We have lunch at Camden Park House, the country mansion of John & Elizabeth Macarthur. The property possesses a grand colonnade verandah and is home to Australia's oldest oak tree grown from an acorn given to John Macarthur at Buckingham Palace! The surrounding 30 ha of garden represent a fine and rare surviving example of an early 19th century garden, albeit with later additions and alterations. -
Particpant Bios
CAAP Artist Lab Participants BIOGRAPHIES LENA CRUZ Lena is a graduate of the Western Australian Academy of Performing Arts. Theatre highlights include her debut as Jenny in The Threepenny Opera for Western Australian Opera, Lady Macbeth in Macbeth for Bell Shakespeare, Mother Courage for Belvoir, Monkey- Journey to the West for Theatre of Image, Miss Bell in Fame, Hair, and creating the role of Cynthia in the original production of Priscilla, Queen of the Desert the Musical. Most recently, she has appeared in STC’s The Wharf Revue. Film and television highlights include starring as Rory Van Dyke in The Wannabes, Margarita in The Night We Called it A Day, Cassandra in Upskirt, Sofia Martinez in Shortland Street, Pet in Bargain Coast, Jody Lim in Dirt Game, Comedy Inc, Watch With Mother, All Saints, The Very Trevor Ashley Show, and Kiki and Kitty. She has co- written and co-starred in the cabarets The Singer’s Guide To The Universe, About Face, and one-woman shows I’m A Stranger Here Myself directed by Tony Sheldon and Bitter Sweet, for which she was nominated for the Sydney Fringe Festival Drum Media Show-Stopping Individual Performance Award and the Best Of People’s Choice Award. HAPPY FERAREN Happy Feraren is a Filipino actor and improviser based in Sydney with 11 years experience. She has performed in over 500 shows in a wide range of improvisational theatre formats both locally and internationally (including Manila, Sydney, Hong Kong, Amsterdam, Chicago and New York). In the Philippines, she began as a presenter for national radio and television as well as live events and was a supporting actor in the feature film ‘My Candidate’. -
In the Winter Dark Tail Credits
Tail voice over: After Maurice has shot his wife Ida, he heads up the hill to his dying wife. He holds her in his arms and sobs as she dies. Jacob gets Ronnie out of the vehicle and pushes the flat bed Toyota upright. Maurice grabs a shovel and begins to dig a grave for his wife. Jacob carries Ronnie to the truck, and they drive off into the darkness, while Maurice begins the job of digging a hole, pausing to watch the Toyota disappear into the night. Then the image cuts to Maurice sitting on the verandah of his home in pre-dawn light, at first in close up. As his voice over unfolds, the camera pulls back to offer a wide shot of him on the verandah : Maurice (v/o): “Some nights I sit here and talk and stare, and stay out until the break of day …waiting, hoping. There’s been no blue lights, no detectives, no sign of Jacob or Ronnie or her musician boyfriend … and it’s been almost a year… (A kookaburra begins to sound over a wide shot of the dawn light falling on the pasture and the bush). … Sometimes I see a shadow … (ECU of his eyes) …between the trees. But I know to leave these things alone now …(back to a wide shot of him on the verandah, now with dawn light on it) …I make my confession, wait for redemption …or punishment …(a shot of the sun rising over a distant hill, bathing the screen in a yellow hazy glow) …but there’s only the sun rise … Music swells, fade to black, and end credits begin to roll .. -
The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people. -
Women in Leadership Summit 2020
WOMEN IN LEADERSHIP SUMMIT 2020 Re-ignite! 20th-23rd October 2020, Seymour Centre, Sydney DISCLAIMER: Conferences and events have been severely disrupted due to the uncertainty around Corona Virus (COVID-19). All of our events post March 2020 will be going ahead as scheduled. The Leadership Institute is committed to ensuring that all clients who have purchased tickets will get value for money from our events through credit or live streaming of the events. As a small business experiencing this troubling time, we appreciate and value your ongoing support. WOMEN IN LEADERSHIP SUMMIT 2020 SYDNEY, 20TH-23RD OCTOBER 2020 This event will also be live streamed due to disruption caused by Corona Virus (COVID-19). Live streaming tickets are available at checkout. Re-ignite! Back for its fifth year, the Women in Leadership Summit 2020 is guaranteed to be our best one yet! This year’s theme is Re-Ignite. We’ve had so much to worry about in the last six months that it’s time to re- ignite the passion for diversity and equality in the workplace, re-ignite our desires to move up and be seen, re-ignite the fire for pay equality and shared parental responsibility. Let’s create our own opportunities while helping and inspiring those around us. Let’s face it. A lot of companies say they are more committed to gender equality than ever before. But we’ve just had the most disruptive time in modern history. What will this mean in the fight for equality. We still have a severe lack of women in senior roles, especially the C-Suite. -
The Dead Devils of Cockle Creek by Kathryn Marquet
A COMEDY WITH THE SAFETY OFF LA BOITE AND PLAYLAB PRESENT THE DEAD DEVILS OF COCKLE CREEK BY KATHRYN MARQUET PROGRAM Image by Dylan Evans PROGRAMLA BOITE THE DEAD DEVILS OF COCKLE CREEK LA BOITE THEATRE COMPANY 1 THEATRE COMPANY La Boite Theatre Company is supported by the La Boite Theatre Company is assisted by the Australian Government Queensland Government through Arts Queensland through the Australia Council, its funding and advisory body PRESENTED BY LA BOITE THEATRE COMPANY AND PLAYLAB 10 FEBRUARY – 03 MARCH 2018 AT THE ROUNDHOUSE THEATRE ACKNOWLEDGEMENT OF COUNTRY AT LA BOITE WE ACKNOWLEDGE THE COUNTRY ON WHICH WE WORK, AND THE CAST TRADITIONAL CUSTODIANS OF THIS LAND - THE TURRBAL AND JAGERA PEOPLE. WE GIVE OUR RESPECTS TO THEIR ELDERS PAST, PRESENT, AND EMERGING. MICKEY O’TOOLE ........................................................... JOHN BATCHELOR HARRIS ROBB .................................................................. JULIAN CURTIS WE HONOUR THE ABORIGINAL AND TORRES STRAIT ISLANDER PEOPLE, THE FIRST DESTINEE LEE .............................................................KIMIE TSUKAKOSHI AUSTRALIANS, WHOSE LANDS, WINDS AND WATERS WE ALL NOW SHARE, AND GEORGE TEMPLETON .............................................................EMILY WEIR THEIR ANCIENT AND ENDURING CULTURES. THIS COUNTRY WAS THE HOME OF STORY-TELLING LONG BEFORE LA BOITE EXISTED, AND WE ARE PRIVILEGED AND CREATIVES GRATEFUL TO SHARE OUR STORIES HERE TODAY. WRITER .................................................................... KATHRYN MARQUET -
Australian Television, Music and Place
Screen Sound n1, 2010 SOUNDING EAST OF EVERYTHING Australian Television, Music and Place Liz Giuffre Abstract East of Everything is a contemporary Australian television drama series shot on the New South Wales North Coast in and around the popular tourist destination of Byron Bay. In addition to utilising the region’s visual beauty – a cinematographic technique commonly employed in Australian drama – East of Everything has harnessed the musical culture that has developed in the area over time. The series relies on its soundtrack to create a sense of place and illuminate the program’s dramatic progression. This article will explore the use of music to ‘place’ East of Everything, examining the incorporation of pre-existing and specially commissioned material. I will show that the sonic representation of place through music has been key to the program’s success, and that place in the Australian drama is revealed sonically to be as diverse, emotive and striking as the region’s visual landscape. Keywords Television, Soundtrack, Australian music, Byron Bay, Surfing Culture Introduction Billingham (2000) argues that television drama often relies on the creation of ‘geo- ideological’ relationships to attract audiences. As part of his evaluation of various contemporary British and American television drama series, he suggests that many successful programs created a “dialectic of literal notions of place and location, transposed with their ideological marking, signing and delineation” (2000: 1). For Billingham the depiction of place was central to the success of these television texts, with the program’s target audience engaged as visuals and sound worked in “symbiotic tandem” to create an “imagined city” (2000: 119). -
Bromilow, Belinda Biography
BELINDA BROMILOW TRAINING 1995 – 1997 Bachelor of Arts, Curtin University 1997 – 1999 Advanced Diploma of Performing Arts W.A. Academy of Performing Arts (WAAPA) FILM & TELEVISION THE GREAT S2 Aunt Elizabeth THE GREAT Aunt Elizabeth Dir: Matt Shakman DOCTOR DOCTOR S5 Betty Dir: Lisa Matthews DOCTOR DOCTOR S4 Betty Dir: Geoff Bennett DOCTOR DOCTOR S3 Betty Dir: Geoff Bennett RAKE Patrice Dir: Rowan Woods DOCTOR DOCTOR S2 Betty Dir: Geoff Bennett FELONY Accident Site Cop Dir: Matt Saville NOT SUITABLE FOR CHILDREN Claire Dir: Peter Templeman HAPPY FEET Norwegian Ambassador Warner Bros. Dir: George Miller THE RAGE IN PLACID LAKE Nurse Doreen Rapacious Pictures Dir: Tony McNamara DOCTOR DOCTOR Betty Essential Media MR & MRS MURDER Cate McVeigh Fremantle Media SPIRITED Series 1 & 2 Jonquil (series lead) Southern Star PACKED TO THE RAFTERS Libby (recurring) Seven Network TALK TO ME Nicole ITV Dir: Derabhla Walsh MDA Sally Delaney ABC TV Dir: Sally Kerr McLEOD’S DAUGHTERS Ashleigh Redstaff Millennium TV ALL SAINTS (TV) Fiona Bannock Network Seven SHAKESPEARE OUT LOUD Actor ABC CoastToCoast THEATRE THIS YEAR’S ASHES Ellen Griffin Theatre Dir: Shannon Murphy THE GRENADE Sally McTavish MTC/STC Dir: Peter Evans MY NAME IS RACHEL CORRIE Rachel Corrie B Sharp, Belvoir Dir: Shannon Murphy SEVEN BLOWJOBS Dot B Sharp, Belvoir Dir: Lee Lewis BOY GETS GIRL Harriet Sydney Theatre Company Dir: Robyn Nevin P.O BOX 7766 BONDI BEACH NSW PHONE: : + 61 412 591 049 E: sarah@ linstenmanagement.com LITTLE BOY Peta Tamarama Rock Surfers & Under the Hood Productions -
The Feather in the Web
THE FEATHER IN THE WEB GRIFFIN THEATRE COMPANY PRESENTS THE FEATHER IN THE WEB Production Partner BY NICK COYLE 5 OCTOBER-17 NOVEMBER GRIFFIN THEATRE COMPANY PRESENTS THE FEATHER IN THE WEB NICK COYLE 5 OCTOBER- 17 NOVEMBER Director Ben Winspear Designer Sophie Fletcher Assistant Designer Ella Butler Composer / Sound Designer Steve Toulmin Lighting Designer Trent Suidgeest AV Designer Mic Gruchy Stage Manager Samuel Johnson With Tina Bursill, Gareth Davies, Michelle Lim Davidson, Claire Lovering SBW Stables Theatre Preview 5–10 October Season 13 October–17 November Production Partner Government Partners Supported by Griffin acknowledges the generosity of the Seaborn, Broughton & Walford Foundation in allowing it the use of the SBW Stables Theatre rent free, less outgoings, since 1986. S ’ Have you ever been listening to someone tell a story and been overcome with the urge to scream SHUT UP!? Have you ever been so bored at a work event you wanted to kick someone in the groin? Have you ever been in a car travelling very fast on a highway and thought about jerking the steering wheel to the side? Me neither. That would be crazy. But a character who follows through on those impulses and doesn’t give a damn about the consequences was the starting point of this play. Kimberly is dangerous because she is fearless. She pours petrol over banality and sets it on fire, figuratively and literally. She doesn’t laugh unless there’s something funny. She knows she’s not the PLAYWRIGHT NOTE architect of the body and face she was given. She refutes the falsehoods we’re trained to accept. -
Highlights-Week-45.Pdf
1 Top Pick Sunday 01 November, 8:30pm or later on iview The Beautiful Lie Anna lies and tells Xander the affair is over but she continues to sneak away to see Skeet whenever she can. Xander is paranoid so he checks Anna’s phone and whereabouts all the time, he hates the man he’s turning into. But when he sees Skeet sneaking out of their house, Xander is furious, he demands Anna move out. She goes to Skeet’s house for the first time and is completely enchanted. It’s magical and she manages to forget for one brief moment that the rest of her life is in pieces. Meanwhile, Dolly and Kingsley have moved to the country where Dolly finds it less romantic than she thought it was going to be. The irony is that due to Kingsley’s enforced commute to work she now spends more time alone with Gabriela. Determined to be a better person, and with her parents giving her the push she needs, Kitty moves in with Dolly. Peter’s sickly brother Nick arrives on the farm and wants to stay. Peter knows that Nick wants money, it’s an issue that constantly arises between them. Xander and Kasper head to the country to stay with Dolly and Kingsley. Dolly plans an impromptu dinner party, inviting Peter and Nick also. The night provides Peter the opportunity to have a moment with Kitty. She confesses to him that she regrets turning him down. They kiss and it’s fantastic. Short Synopsis Anna doesn’t like Xander keeping tabs on her, Skeet receives news that shocks him, Dolly arranges the worst dinner party ever but it does allow Peter and Kitty to meet again. -
Publicity Campaigns & Print Advertising
Fashion Stylist & Costume Buyer 0411 343 353 Agent: Freelancers 03 9682 2722 www.anitafitzgerald.com [email protected] Publicity Campaigns & Print Advertising Chrissie Swan & Anh Do Long Lost Family Stylist Publicity stills campaign 2016 Photography: Ben King Jo Stanley & Lehmo Gold FM/ARN Stylist Publicity stills campaign 2016 Photography: Elizabeth Allnutt SIDS & Kids Australia Photographer: Norman Krueger Stylist Safe Sleeping brochure 2016 Nadine Garner, Dr Blake Photography: Narelle Sheean Stylist Publicity stills campaign 2015 Kat Stewart, Mr and Mrs Murder Network Ten Stylist Publicity stills campaign 2013 Photography: Ben King Anthony La Paglia, Underground Network Ten Stylist Publicity stills campaign 2012 Photography: John Tsiavis Asher Keddie, Offspring Network Ten Stylist Publicity stills campaign 2012 Photography: John Tsiavis Carrie Bickmore Sunday Life Magazine Stylist Cover story 2012 Photography: Sam Ruttyn Clare Bowditch The Sunday Age, M Magazine Stylist Cover story 2012 Photography: Simon Schlutter Asher Keddie, Carrie Bickmore, TV Week Magazine Stylist Hamish Blake and TV Week Gold Logie Nominees Adam Hills Photography: Tina Smigielski Cover story 2012 Shaun Micallef, Amanda Keller OK Magazine Stylist Charlie Pickering, Josh Thomas Photography: Tina Smigielski Talking Bout Your Generation Stills 2012 Asher Keddie TV Week Stylist Cover story 2012 Photography: Tina Smigielski Lisa McCune, Matt Day Network Ten, Reef Doctors Stylist Publicity stills campaign 2012 Photography: Ellis Parrinder Kate Langbroek, Dave