In the Winter Dark Tail Credits
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The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people. -
Australian Television, Music and Place
Screen Sound n1, 2010 SOUNDING EAST OF EVERYTHING Australian Television, Music and Place Liz Giuffre Abstract East of Everything is a contemporary Australian television drama series shot on the New South Wales North Coast in and around the popular tourist destination of Byron Bay. In addition to utilising the region’s visual beauty – a cinematographic technique commonly employed in Australian drama – East of Everything has harnessed the musical culture that has developed in the area over time. The series relies on its soundtrack to create a sense of place and illuminate the program’s dramatic progression. This article will explore the use of music to ‘place’ East of Everything, examining the incorporation of pre-existing and specially commissioned material. I will show that the sonic representation of place through music has been key to the program’s success, and that place in the Australian drama is revealed sonically to be as diverse, emotive and striking as the region’s visual landscape. Keywords Television, Soundtrack, Australian music, Byron Bay, Surfing Culture Introduction Billingham (2000) argues that television drama often relies on the creation of ‘geo- ideological’ relationships to attract audiences. As part of his evaluation of various contemporary British and American television drama series, he suggests that many successful programs created a “dialectic of literal notions of place and location, transposed with their ideological marking, signing and delineation” (2000: 1). For Billingham the depiction of place was central to the success of these television texts, with the program’s target audience engaged as visuals and sound worked in “symbiotic tandem” to create an “imagined city” (2000: 119). -
David Wenham CV
SHANAHAN DAVID WENHAM | Actor FILM Year Production / Character Director Company 2020 THE FURNACE Roderick MacKay Southern Light Films Mal 2019 DIRT MUSIC Gregor Jordan Wildgaze Films Jim 2018 IN LIKE FLYNN Russell Mulcahy 308 Ent Christian Travers 2018 PETER RABBIT Will Gluck Colombia Pictures Johnny Town-Mouse 2017 PIRATES OF THE CARIBBEAN: Joachim Rønning & Mukiri Productions Pty Ltd DEAD MEN TELL NO TALES Espen Sandberg Scarfield 2017 BEYOND THE KNOWN WORLD Pan Nalin Jungle Book Entertainment Carl Hansen 2016 GOLDSTONE David Jowsey Dark Matter Media Pty Ltd Johnny 2016 LION Garth Davis See Saw Films John Brierley 2015 BLINKY BILL: THE MOVIE Deane Taylor, Noel Flying Bark Produ ctions Jacko Clearly, Alexs Stadermann & Alex Weight 2014 FORCE OF DESTINY Paul Cox Illumination Films Robert 2013 PAPER PLANES Robert Connolly Arclight Films Patrick Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN 2012 300: RISE OF AN EMPIRE Noam Murro 300 Films Inc. Dilios 2011 ORANGES AND SUNSHINE Jim Loach See-Saw Oranges Pty Ltd Len 2010 LEGEND OF THE GUARDIANS: Zack Synder GOG Productions Pty Ltd THE OWLS OF GA’HOOLE Digger 2009 POPE JOAN Sonke Wortmann ARD Degeto Film Gerold 2008 PUBLIC ENEMIES Michael Mann Universal Pictures Pierpont 2007 AUSTRALIA Baz Lurhmann Bazmark Fletcher 2007 CHILDREN OF HUANG SHI Roger Spottiswoode Rogue Entertainment Group Barnes 2006 MARRIED LIFE Ira Sachs Sidney Kimmel Entertainment John O’Brien -
Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned from Selected Jurisdic- Tions and a Strategy for Growth
Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned From Selected Jurisdic- tions and a Strategy For Growth PREPARED FOR SUBMITTED BY imagineNATIVE Maria De Rosa 401 Richmond St. West, Suite 446 Marilyn Burgess Toronto, Ontario M5V 3A8 Communications MDR 503 Victoria Avenue Westmount, Québec H3Y 2R3 www.communicationsmdr.com December 5, 2018 1 Pathways to the International Market for Indigenous Screen Content Contents ACKNOWLEDGEMENTS ............................................................................................... 2 FOREWORD ................................................................................................................... 3 INTRODUCTION ............................................................................................................. 4 I. THE NEW CONTEXT: A RISING TIDE OF INDIGENOUS PRODUCTION ................. 6 II. SUCCESS STORIES: CASE STUDIES OF CANADIAN AND INTERNATIONAL FILMS, TELEVISION PROGRAMS AND DIGITAL MEDIA .......................................... 14 III. LESSONS LEARNED FROM THE SUCCESS OF INTERNATIONAL INDIGENOUS SCREEN CONTENT ..................................................................................................... 43 IV. PATHWAYS TO THE INTERNATIONAL MARKET FOR CONSIDERATION BY THE INDIGENOUS SCREEN SECTOR IN CANADA ................................................... 57 ANNEX 1: SELECTED BIBLIOGRAPHY ..................................................................... 71 ANNEX 2: SUMMARY OF RESULTS OF ON-LINE QUESTIONNAIRE -
SANDI CV March 2019
CURRICULUM VITAE 2019 UTOPIA series 4 TV Series Position: COSTUME DESIGNER WORKING DOG CAST: Rob Sitch Celia Paquola Kitty Flannagan Director: Rob Sitch 2018 The InBESTigators TV Series Position: COSTUME DESIGNER GRISTMILL PRODUCTIONS Director: Robyn Butler Wayne Hope CAST: Aston Droomer Anna Cooke Abby Bergman Jamil Seka Nina Buxton Tim Bartley Ian Reiser 2017-18 BACK IN VERY SMALL BUSINESS TV Series Position: COSTUME DESIGNER GRISTMILL PRODUCTIONS CAST: Wayne Hope Robyn Nevin Kim Gyngell Director: Robyn Butler 2017 ROMPER STOMPER TV Series Position: COSTUME BUYER NEXT GEN Designer: Anna Borghesi CAST: Toby Wallace Jacqui McKenzie David Wenham Directors: Geoffrey Wright James Napier Robertson Daina Reid DI & VIV & ROSE Theatre Prod Position: COSTUMIER MELBOURNE THEATRE CO Designer: Dale Ferguson CAST: Nadine Garner Beilinda McLory Mandy McElhinney Director: Marion Potts HAVE YOU BEEN PAYING ATTENTION? TV Series Position: COSTUME DESIGNER WORKING DOG / NETWORK 10 CAST: Tom Gleisner Sam Pang Ed Kavallee Director: Peter Lawler UTOPIA series 3 TV Series Position: COSTUME DESIGNER WORKING DOG CAST: Rob Sitch Celia Paquola Kitty Flannagan Director: Rob Sitch ________________________________________________ 4 /76-80 Ireland Street, West Melbourne, Vic 3003 mobile: 0412 114 958 email: [email protected] 2016 T.V. COMMERCIALS TVC’S Position: COSTUME DESIGNER MR SMITH HAVE YOU BEEN PAYING ATTENTION? TV Series Position: COSTUME DESIGNER WORKING DOG / NETWORK 10 CAST: Tom Gleisner Sam Pang Ed Kavallee Director: Peter Lawler LITTLE LUNCH series -
Script Supervisor/ Melina Burns
Script Supervisor/ Melina Burns Top Technicians Management Continuity +612 9958 1611 [email protected] +61 413 330 909 [email protected] +61 41 333 0909 FEATURE FILMS [email protected] 2021 Thor: Love & Thunder (Marvel Productions) Director: Taika Waititi Producer: Kevin Feige, Brad Winderbaum, Todd Hallowell, Brian Chapek 2020 Children of The Corn (ANVL Entertainment/ DRM) Director: Kurt Wimmer Producer: Lucas Foster, Jon Baldecchi, Mathieu Bonzon 2019 Babyteeth (Whitefalk Films) Director: Shannon Murphy Producer: Jan Chapman & Alex White 2018 Rams (WBMC) *Script Supervisor pt 1 Director: Jeremy Sims Producer: Janelle Landers & Aiden O’Bryen 2017 Pacific Rim: Uprising (Legendary) - Second Unit Director: Thomas Harper, Peter Chiang Producer: Thomas Tull, Mary Parent, Guillermo Del Toro 2016 Alien: Covenant (Scott Free Productions/ Brandywine Productions) - Second Unit Director: Luke Scott Producer: Ridley Scott, Michael Schaefer, Mark Huffam 2013 Unbroken (Legendary Pictures) - Splinter Unit Director: Angelina Jolie Producer: Angelina Jolie, Clayton Townsend, Matt Baer, Eric Stoff 2011 The Sapphires (Goalpost Pictures) Director: Wayne Blair Producer: Rosemary Blight, Kylie Du Fresne, Ben Grant 2010 33 Postcards (Aus/China) (Mei Mei Productions) Director: Pauline Chan Producer: Penny Carl, Lesley Stevens, Pauline Chan 2010 Thirst (Imagine Productions) Director: Robert Carter Producer: Mark George & Megan George 2009 Griff The Invisible (Everyday Pictures) Director: Leon Ford Producer: Jan Chapman, Nichole -
Download the Press
Screen Australia and SBS present in association with Screen NSW, A Blackfella Films Production Media Kit as at 12.7.16 SBS Publicist Natalie Dubois T 02 9430 3824 M 0422 447 168 E [email protected] About the Production Two of Australia’s leading actors with international acclaim, Noah Taylor (Game of Thrones, Peaky Blinders) and Yael Stone (Orange is the New Black), star in SBS’s new Australian crime drama series, Deep Water. The four-hour crime thriller also stars William McInnes (The Time of Our Lives, The Slap), Danielle Cormack (Wentworth, Rake, Miss Fisher’s Murder Mysteries), Jeremy Lindsay Taylor (Gallipoli, Puberty Blues, Sea Patrol), Craig McLachlan (The Doctor Blake Mysteries), Dan Spielman (The Code, Accidental Soldier, Offspring), Ben Oxenbould (The Kettering Incident, Old School, Rake), Simon Burke (Devil’s Playground), John Brumpton (Catching Milat, Miss Fisher’s Murder Mysteries) and Victoria Haralabidou (The Code, East West 101, All Saints), Simon Elrahi (The Code), George H. Xanthis (The Principal) and Julian Maroun. From Blackfella Films, the producers of both the awarding-winning drama Redfern Now and factual program First Contact, Deep Water is SBS’s first cross-genre, cross-platform event which includes a four-part drama series, a feature documentary and unique online web series and content. The edge-of-your-seat drama was executive produced by SBS’s Sue Masters and produced by Blackfella Films’ Miranda Dear and Darren Dale (Redfern Now, Mabo, Ready For This) and written by Kris Wyld (East West 101) and Kym Goldsworthy (Love Child, Serangoon Road). SBS Director of Television and Online Content, Marshall Heald said: “SBS is proud that this important drama has attracted Australia’s finest creative professionals both in front – and behind the camera. -
Law & Disorder
LAW & DISORDER RAKE LAW & DISORDER RAKE SERIES FOUR / 8 X ONE HOUR TV SERIES THURSDAY MAY 19 8.30PM STARRING RICHARD ROXBURGH WRITTEN BY PETER DUNCAN & ANDREW KNIGHT PRODUCED BY IAN COLLIE, PETER DUNCAN & RICHARD ROXBURGH ESSENTIAL MEDIA & BLOW BY BLOW MEDIA CONTACT Kristine Way / ABC TV Publicity T 02 8333 3844 M 0419 969 282 E [email protected] SERIES SYNOPSIS Last seen dangling from a balloon road leading straight to our dark drifting across the Sydney skyline, corridors of power. Cleaver Greene (Richard Roxburgh) Twisting and weaving the stories of crashes back to earth - literally and the ensemble of characters we’ve metaphorically, when he’s propelled grown to love over three stellar through a harbourside window into the seasons, Season 4 of Rake continues unwelcoming embrace of chaos past. the misadventures of dissolute Cleaver Fleeing certain revenge, Cleaver Greene and casts the fool’s gaze on all hightails it to a quiet country town, the levels of politics, the legal system, and reluctant member of a congregation our wider fears and obsessions. led by a stern, decent reverend and ALSO STARS Russell Dykstra, Danielle his flirtatious daughter. Before long Cormack, Matt Day, Adrienne Cleaver’s being chased back to Sin City. Pickering, Caroline Brazier, Kate Box, But Sydney has become a dark Keegan Joyce and Damien Garvey. place: terrorist threats and a loss of GUEST APPEARANCES from Miriam faith in authority have seen it take a Margolyes, Justine Clarke, Tasma turn towards the dystopian. When Walton, John Waters, Simon Burke, Cleaver finally emerges, he will be Rachael Blake, Rhys Muldoon, Louise accompanied by a Mistress of the Siversen and Sonia Todd. -
Goalpost's the Eternity Man Selected for Locarno Film
GOALPOST’S THE ETERNITY MAN SELECTED FOR LOCARNO FILM FESTIVAL Rosemary Blight, of Goalpost Pictures Australia, is delighted to announce that The Eternity Man, the Julien Temple-directed film opera filmed in Sydney, has been selected to screen in the Piazza Grande at the Locarno Film Festival in Italy. The Eternity Man is the first Australian film to screen in the Piazza Grande since Moulin Rouge in 2001. The Piazza Grande is an enormous Renaissance square in the centre of the Swiss- Italian town which accommodates over 7,000 viewers, with film’s projected nightly onto one of the largest screens in the world. The Festival opens on August 6 with a screening in the Piazza Grande of Julian Jarrold's Brideshead Revisited. The Eternity Man will be in contention for the inaugural Variety Piazza Grande Award, awarded by critics from Variety, and the Prix du Public UBS award. Produced by Rosemary Blight (CLUBLAND, IN THE WINTER DARK) and John Wyver (GLORIANNA), The Eternity Man is based on an opera which premiered at the Almeida Theatre in July 2003 and at the Sydney Festival in 2005 to wide acclaim, and tells the story of Arthur Stace, who spent 40 years chalking a timeless message on Sydney’s streets: the single word, written in copper-plate, Eternity. The film premiered with two special sell-out Opera House screenings at the recent Sydney Film Festival. The Eternity Man is a visually and musically-arresting journey into the grotty heart of Sydney; a place of black humour, alcoholism, bashings, love, sex, lies and shocking beauty. -
The Marrakech International Film Festival Unveils Its Official Selection
The 18th edition of the Marrakech International Film Festival runs from November 29th to December 7th, 2019. THE MARRAKECH INTERNATIONAL FILM FESTIVAL UNVEILS ITS OFFICIAL SELECTION Rabat, November 7th, 2019. Some 98 flms from 34 different countries have been selected for the 18th edition of the Marrakech International Film Festival, which runs from November 29th to December 7th, 2019. The flms have been programmed in various sections, including the Offcial Competition, Gala Screenings, a tribute to Australian Cinema, Special Screenings, the 11th Continent, a Moroccan Panorama, Cinema for Young Audiences, Jemaa El Fna open-air screenings, Audio-Described Cinema, and tributes to signifcant cinema personalities. The 18th edition of the Marrakech International Film Festival is a showcase of the diversity and creativity of world cinema. Across a wide range of sections, no fewer than 98 movies from 34 countries will be screened. The Ofcial Competition remains faithful to the Festival’s determination to screen frst or second feature-length movies to reveal and promote new talent in international cinema. The 14 flms in competition for the Étoile d’Or de Marrakech all bear witness to an astonishing sense of style and depth of thought, daring to explore new territories and establish personal and very original approaches to cinematographic creation. The Competition also represents an eclectic selection that showcases multiple cinematographic universes from different parts of the world, with three European flms from the UK, Italy, and Serbia; two flms from Latin America, hailing from Brazil and Colombia; one US flm; another from Australia; three Asian flms from China, India, and South Korea; and four flms from the Middle East and Africa, from Morocco, Tunisia, Saudi Arabia and Senegal. -
NIKKI GOOLEY Make-Up and Hair Designer/Supervisor
NIKKI GOOLEY Make-Up and Hair Designer/Supervisor FILM I AM WOMAN Make-Up and Hair Designer IAW Movie Pty Limited Director: Unjoo Moon THE GARDEN OF EVENING MISTS Make-Up and Hair Designer Biscuit Films Director: Tom Lin THE NIGHTINGALE Hair and Make-Up Designer Causeway Films Director: Jennifer Kent TRUTH Department Head and Personal Hair Make-Up Artist to Sony Pictures Classics Cate Blanchet Director: James Vanderbilt Producers: Mikkel Bondesen, Brad Fischer, William Sherak, James Vanderbilt FELONY Make-Up and Hair Designer Benaroya Pictures Director: Matthew Saville Producers: Rosemary Blight, Craig Chapman, Joel Edgerton, Ben Grant Myles Nestel, Lisa Wilson THE SAPPHIRES Make-Up and Hair Designer/Supervisor Goalpost Pictures Director: Wayne Blair Cast: Chris O’Dowd, Jessica Mauboy, Deborah Mailman, Tory Kittles X-MEN ORIGINS: WOLVERINE Make-Up and Hair Designer/Supervisor 20th Century Fox, Marvel Director: Gavin Hood Producers: Richard Donner, Louis G. Friedman, Hugh Jackman, Stan Lee, Peter MacDonald, John Palermo, Lauren Shuler Donner, Ralph Winter Cast: Live Schreiber, Danny Huston, Lynne Collins NIM’S ISLAND Make-Up and Hair Designer 20th Century Fox, Walden Media, Personal Make-Up and Hair to Jodie Foster Summit Entertainment Directors: Jennifer Flackett and Mark Levin Producers: Alan Bell, Stephen Jones, Paula Mazur, Murray Pope Cast: Jodie Foster, Gerard Butler FOOL’S GOLD Make-Up and Hair Designer Warner Bros. Personal Hair Stylist to Matthew McConaughey Director: Andy Tennant Producers: Donald De Line, Jim Dyer, Bernie Goldmann, Stephen Jones, Jon Klane, Wink Mordaunt Cast: Matthew McConaughey, Ray Winston, Donald Sutherland THE MILTON AGENCY 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Telephone: 323.466.4441 Facsimile: 323.460.4442 Nikki Gooley [email protected] www.miltonagency.com Page 1 of 4 THE WATER HORSE Make-Up and Hair Designer/Supervisor Columbia Pictures, Director: Jay Russell Revolution Studios, Producers: Robert Bernstein, Charlie Lyons, Charles Newirth, Walden Media Barrie M. -
STC Waiting for Godot Invited to London
17 September 2014 STC’s Waiting for Godot invited to London Sydney Theatre Company's “thrilling, incredibly special production” (Sunday Telegraph) of Samuel Beckett’s Waiting for Godot featuring Luke Mullins, Philip Quast, Richard Roxburgh and Hugo Weaving, directed by STC Artistic Director Andrew Upton, will tour to London’s Barbican as part of the International Beckett Season in 2015. STC’s production, which had a paid attendance of nearly 35,000 people in Sydney at the end of 2013, will be performed at the Barbican Theatre from 4 to 13 June 2015. The engagement is STC’s second invitation to the Barbican following the success of Gross und Klein (Big and Small) in 2012. The Australian’s critic John McCallum said of STC’s show: “I've seen many productions of this great play, including one directed by Beckett himself, but this is the best”. Jo Litson for the Sunday Telegraph wrote “It really does seem to encompass the whole of life. Unforgettable.” Jason Blake in the Sydney Morning Herald declared that “everything conspires to make Vladimir and Estragon's existential plight feel touchingly real”, while Diana Simmonds for StageNoise.com pronounced it “a superb realisation”. The director and two of the actors will be particularly steeped in Beckett next year. Hugo Weaving is playing the lead role in STC’s Endgame, a later work by the master playwright, also directed by Andrew Upton, from 31 March to 9 May. Luke Mullins performs in a separate production of that play for Melbourne Theatre Company, also opening in March. Waiting near a tree, Estragon (Roxburgh) and Vladimir (Weaving) struggle to make sense of a peculiar predicament.