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In the Winter Dark Tail Credits
Tail voice over: After Maurice has shot his wife Ida, he heads up the hill to his dying wife. He holds her in his arms and sobs as she dies. Jacob gets Ronnie out of the vehicle and pushes the flat bed Toyota upright. Maurice grabs a shovel and begins to dig a grave for his wife. Jacob carries Ronnie to the truck, and they drive off into the darkness, while Maurice begins the job of digging a hole, pausing to watch the Toyota disappear into the night. Then the image cuts to Maurice sitting on the verandah of his home in pre-dawn light, at first in close up. As his voice over unfolds, the camera pulls back to offer a wide shot of him on the verandah : Maurice (v/o): “Some nights I sit here and talk and stare, and stay out until the break of day …waiting, hoping. There’s been no blue lights, no detectives, no sign of Jacob or Ronnie or her musician boyfriend … and it’s been almost a year… (A kookaburra begins to sound over a wide shot of the dawn light falling on the pasture and the bush). … Sometimes I see a shadow … (ECU of his eyes) …between the trees. But I know to leave these things alone now …(back to a wide shot of him on the verandah, now with dawn light on it) …I make my confession, wait for redemption …or punishment …(a shot of the sun rising over a distant hill, bathing the screen in a yellow hazy glow) …but there’s only the sun rise … Music swells, fade to black, and end credits begin to roll .. -
'O Homem Invisível' Estreia Esta Semana
COMUNICADO DE IMPRENSA 02/03/2020 O QUE NÃO CONSEGUES VER, PODE MAGOAR-TE Com Elisabeth Moss no papel principal ‘O HOMEM INVISÍVEL’ ESTREIA ESTA SEMANA ‘O Homem Invisível’, um aterrorizador conto moderno de obsessão com Elisabeth Moss (‘The Handmaid’s Tale’) no papel principal, estreia esta semana, a 5 de março, nos cinemas nacionais. O filme foi produzido pelo maior mestre de terror da atualidade – Jason Blum (Blumhouse Productions – ‘Foge’, ‘Nós’ e ‘Glass’). Presa a uma relação violenta e controladora com um rico e brilhante cientista, Cecilia Kass (Elisabeth Moss) foge na calada da noite e esconde-se com a ajuda da irmã (Harriet Dyer, ‘The InBetween’), do amigo de infância (Aldis Hodge, ‘Elementos Secretos’ e ‘Jack Reacher: Nunca Voltes Atrás’) e da filha adolescente (Storm Reid, ‘Euphoria’ e ‘Uma Viagem no Tempo’). Mas quando o abusivo ex-marido (Oliver Jackson-Cohen, ‘A Maldição de Hill House’) comete suicídio e lhe deixa uma generosa parte da sua vasta fortuna, Cecilia suspeita que a sua morte é apenas um embuste. Contudo, após uma série de coincidências estranhas e letais, que ameaçaram a vida daqueles que ama; e enquanto tenta provar que é perseguida por alguém que ninguém consegue ver, a sua sanidade é posta em causa. ’O Homem Invisível’ é produzido pelo maior mestre de terror da atualidade – Jason Blum (Blumhouse Productions); com argumento, realização e produção executiva de Leigh Whannell, um dos criadores originais do franchise ‘Saw’, que recentemente realizou ‘Upgrade’ e ‘Insidious: Capítulo 3’.O filme é produzido por Kylie du Fresne (‘Upgrade’ e ‘The Sapphires’), da Goalpost Pictures, com produção executiva de Leigh Whannell, Beatriz Sequeira, Charles Layton, Rosemary Blight, Ben Grant, Couper Samuelson e Jeanette Volturno. -
Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned from Selected Jurisdic- Tions and a Strategy for Growth
Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned From Selected Jurisdic- tions and a Strategy For Growth PREPARED FOR SUBMITTED BY imagineNATIVE Maria De Rosa 401 Richmond St. West, Suite 446 Marilyn Burgess Toronto, Ontario M5V 3A8 Communications MDR 503 Victoria Avenue Westmount, Québec H3Y 2R3 www.communicationsmdr.com December 5, 2018 1 Pathways to the International Market for Indigenous Screen Content Contents ACKNOWLEDGEMENTS ............................................................................................... 2 FOREWORD ................................................................................................................... 3 INTRODUCTION ............................................................................................................. 4 I. THE NEW CONTEXT: A RISING TIDE OF INDIGENOUS PRODUCTION ................. 6 II. SUCCESS STORIES: CASE STUDIES OF CANADIAN AND INTERNATIONAL FILMS, TELEVISION PROGRAMS AND DIGITAL MEDIA .......................................... 14 III. LESSONS LEARNED FROM THE SUCCESS OF INTERNATIONAL INDIGENOUS SCREEN CONTENT ..................................................................................................... 43 IV. PATHWAYS TO THE INTERNATIONAL MARKET FOR CONSIDERATION BY THE INDIGENOUS SCREEN SECTOR IN CANADA ................................................... 57 ANNEX 1: SELECTED BIBLIOGRAPHY ..................................................................... 71 ANNEX 2: SUMMARY OF RESULTS OF ON-LINE QUESTIONNAIRE -
UNIVERSAL PICTURES Presents a BLUMHOUSE/GOALPOST
UNIVERSAL PICTURES Presents A BLUMHOUSE/GOALPOST Production In Association with NERVOUS TICK PRODUCTIONS ELISABETH MOSS ALDIS HODGE STORM REID HARRIET DYER MICHAEL DORMAN and OLIVER JACKSON-COHEN Executive Producers LEIGH WHANNEL COUPER SAMUELSON BEATRIZ SEQUEIRA JEANETTE VOLTURNO ROSEMARY BLIGHT BEN GRANT Produced by JASON BLUM, p.g.a. KYLIE DU FRESNE, p.g.a. Screenplay and Screen Story by LEIGH WHANNELL Directed by LEIGH WHANNELL The Invisible Man_Production Information 2 PRODUCTION INFORMATION What you can’t see can hurt you. Emmy Award winner ELISABETH MOSS (Us, Hulu’s The Handmaid’s Tale) stars in a terrifying modern tale of obsession inspired by Universal’s classic Monster character. Trapped in a violent, controlling relationship with a wealthy and brilliant scientist, Cecilia Kass (Moss) escapes in the dead of night and disappears into hiding, aided by her sister Emily (HARRIET DYER, NBC’s The InBetween), their childhood friend James (ALDIS HODGE, Straight Outta Compton) and his teenage daughter Sydney (STORM REID, HBO’s Euphoria). But when Cecilia’s abusive ex, Adrian (OLIVER JACKSON-COHEN, Netflix’s The Haunting of Hill House), commits suicide and leaves her a generous portion of his vast fortune, Cecilia suspects his death was a hoax. As a series of eerie coincidences turn lethal, threatening the lives of those she loves, Cecilia’s sanity begins to unravel as she desperately tries to prove that she is being hunted by someone nobody can see. JASON BLUM produces The Invisible Man for Blumhouse Productions. The Invisible Man is written, directed and executive produced by LEIGH WHANNELL, one of the original conceivers of the Saw franchise who most recently directed Upgrade and Insidious: Chapter 3. -
Goalpost's the Eternity Man Selected for Locarno Film
GOALPOST’S THE ETERNITY MAN SELECTED FOR LOCARNO FILM FESTIVAL Rosemary Blight, of Goalpost Pictures Australia, is delighted to announce that The Eternity Man, the Julien Temple-directed film opera filmed in Sydney, has been selected to screen in the Piazza Grande at the Locarno Film Festival in Italy. The Eternity Man is the first Australian film to screen in the Piazza Grande since Moulin Rouge in 2001. The Piazza Grande is an enormous Renaissance square in the centre of the Swiss- Italian town which accommodates over 7,000 viewers, with film’s projected nightly onto one of the largest screens in the world. The Festival opens on August 6 with a screening in the Piazza Grande of Julian Jarrold's Brideshead Revisited. The Eternity Man will be in contention for the inaugural Variety Piazza Grande Award, awarded by critics from Variety, and the Prix du Public UBS award. Produced by Rosemary Blight (CLUBLAND, IN THE WINTER DARK) and John Wyver (GLORIANNA), The Eternity Man is based on an opera which premiered at the Almeida Theatre in July 2003 and at the Sydney Festival in 2005 to wide acclaim, and tells the story of Arthur Stace, who spent 40 years chalking a timeless message on Sydney’s streets: the single word, written in copper-plate, Eternity. The film premiered with two special sell-out Opera House screenings at the recent Sydney Film Festival. The Eternity Man is a visually and musically-arresting journey into the grotty heart of Sydney; a place of black humour, alcoholism, bashings, love, sex, lies and shocking beauty. -
NIKKI GOOLEY Make-Up and Hair Designer/Supervisor
NIKKI GOOLEY Make-Up and Hair Designer/Supervisor FILM I AM WOMAN Make-Up and Hair Designer IAW Movie Pty Limited Director: Unjoo Moon THE GARDEN OF EVENING MISTS Make-Up and Hair Designer Biscuit Films Director: Tom Lin THE NIGHTINGALE Hair and Make-Up Designer Causeway Films Director: Jennifer Kent TRUTH Department Head and Personal Hair Make-Up Artist to Sony Pictures Classics Cate Blanchet Director: James Vanderbilt Producers: Mikkel Bondesen, Brad Fischer, William Sherak, James Vanderbilt FELONY Make-Up and Hair Designer Benaroya Pictures Director: Matthew Saville Producers: Rosemary Blight, Craig Chapman, Joel Edgerton, Ben Grant Myles Nestel, Lisa Wilson THE SAPPHIRES Make-Up and Hair Designer/Supervisor Goalpost Pictures Director: Wayne Blair Cast: Chris O’Dowd, Jessica Mauboy, Deborah Mailman, Tory Kittles X-MEN ORIGINS: WOLVERINE Make-Up and Hair Designer/Supervisor 20th Century Fox, Marvel Director: Gavin Hood Producers: Richard Donner, Louis G. Friedman, Hugh Jackman, Stan Lee, Peter MacDonald, John Palermo, Lauren Shuler Donner, Ralph Winter Cast: Live Schreiber, Danny Huston, Lynne Collins NIM’S ISLAND Make-Up and Hair Designer 20th Century Fox, Walden Media, Personal Make-Up and Hair to Jodie Foster Summit Entertainment Directors: Jennifer Flackett and Mark Levin Producers: Alan Bell, Stephen Jones, Paula Mazur, Murray Pope Cast: Jodie Foster, Gerard Butler FOOL’S GOLD Make-Up and Hair Designer Warner Bros. Personal Hair Stylist to Matthew McConaughey Director: Andy Tennant Producers: Donald De Line, Jim Dyer, Bernie Goldmann, Stephen Jones, Jon Klane, Wink Mordaunt Cast: Matthew McConaughey, Ray Winston, Donald Sutherland THE MILTON AGENCY 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Telephone: 323.466.4441 Facsimile: 323.460.4442 Nikki Gooley [email protected] www.miltonagency.com Page 1 of 4 THE WATER HORSE Make-Up and Hair Designer/Supervisor Columbia Pictures, Director: Jay Russell Revolution Studios, Producers: Robert Bernstein, Charlie Lyons, Charles Newirth, Walden Media Barrie M. -
Annual Report 2019/20
Published by Screen Australia October 2020 ISSN 1837-2740 © Screen Australia 2020 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2019/20. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. TV ratings data; Metropolitan and National market data is copyright to OzTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of OzTAM. Regional market data is copyright to RegionalTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of RegionalTAM. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from Mystery Road series 2. Back cover image from Total Control. Screen Australia operates within Australia, with its head office located in Sydney at 45 Jones Street, Ultimo, and an office in Melbourne at 290 Coventry Street, South Melbourne. -
Pocket Product Guide 2006
THENew Digital Platform EFM 2011 tm BERLIN POCKET ISSUE & PRODUCT OF FILM GUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSConnect to Seller - Buy Product EFM 2011 Bumper Online - EFM Daily Editions - Unabridged EFM Product Guide + Stills The Visual is The Medium synopsisandtrailers.com makes it easy for you to Your Simplest Sales Tool read-watch-connect-buy like never before. S HOWCASING T RAILERS D AILY F EB 10-16 An end to site hopping. VISIT:thebusinessoffilmdaily.com For Buyers: Time is Money - View & Connect For Sellers: Attract Buyer Interest - Spend Your Time Promoting New Films November 2 - 9, 2011 Arrow Entertainment Sahamongkolfilm MGB Stand #120 MGB Stand #129 Vision Films Imageworks Ent. MGB Booth #127 Maritim Hotel Suite 9002 STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE BERLIN PRODUCT GUIDE 2011 Writer: Laura Beccaria 6 SALES Producer: Abano Producion, Anera Films, 6 Sales, Alto de las cabañas 5 28231 Las Continental Producciones Rozas de Madrid. Tel: +34.91.636.10.54. Delivery Status: completed Fax: +34.91.710.35.93. www.6sales.es, E- Year of Production: 2010, Country of mail: [email protected] Origin: Spain Sales Agent Little MUMU’s journey towards her ulti- At EFM: Marina Fuentes (Partner), mate dream: to become a great star. Avraham Pirchi (Partner), Mar Abadin THE RUNWAY (Head of Sales) http://www.6sales.es/theRunaway.html Office: Washington Suite, office 100, Family comedy (100 min) Marriott Hotel, Tel: +49(0)30.22000.1127 -
Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned from Selected Jurisdictions and a Strategy for Growth
PATHWAYS TO THE INTERNATIONAL MARKET FOR INDIGENOUS SCREEN CONTENT: SUCCEss STORIES, LEssONS LEARNED FROM SELECTED JURISDICTIONS AND A STRATEGY FOR GROWTH Jan. 31st, 2019 PREPARED FOR SUBMITTED BY imagineNATIVE Maria De Rosa 401 Richmond St. West, Suite 446 Marilyn Burgess Toronto, Ontario M5V 3A8 www.communicationsmdr.com CONTENTS Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned From Selected Jurisdic-tions and a Strategy For Growth ACKNOWLEDGEMENTS P. 6 FOREWORD P. 8 INTRODUCTION P. 10 I. THE NEW CONTEXT: A RISING TIDE OF INDIGENOUS PRODUCTION P. 12 II. SUCCESS STORIES: CASE STUDIES OF CANADIAN AND INTERNATIONAL FILMS, TELEVISION PROGRAMS AND DIGITAL MEDIA P. 22 III. LESSONS LEARNED FROM THE SUCCESS OF INTERNATIONAL INDIGENOUS SCREEN CONTENT P. 42 IV. PATHWAYS TO THE INTERNATIONAL MARKET FOR CONSIDERATION BY THE INDIGENOUS SCREEN SECTOR IN CANADA P. 56 ANNEX 1: SELECTED BIBLIOGRAPHY P. 72 ANNEX 2: SUMMARY OF RESULTS OF ON-LINE QUESTIONNAIRE WITH FESTIVALS P. 78 ANNEX 3: LIST OF INTERVIEWEES P. 90 ACKNOWLEDGEMENTS Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned From Selected Jurisdic-tions and a Strategy For Growth WE WISH TO THANK ADRIANA CHARTRAND, INSTITUTE COORDINATOR FOR IMAGINENATIVE FOR HER CONTRIBUTION TO THIS REPORT. AS AN INTERN ON THE CONSULTING TEAM, ADRIANA’S PROFESSIONALISM, DEEP KNOWLEDGE OF THE INDIGENOUS SCREEN-BASED SECTOR AND HER DEDICATION WERE INSTRUMENTAL TO THE SUCCESS OF THIS REPORT. SHE CONTRIBUTED TO THE RESEARCH AND WRITING OF THE CASE STUDY ANALYSIS OF THE SUCCESS STORIES FEA-TURED IN THIS REPORT, PROFILES OF CANADIAN CREATORS, THE ANALYSIS OF THE ON-LINE SURVEY, AS WELL AS GENERAL OTHER RESEARCH. -
Enterprise Funding: Program Review & Future Options
ENTERPRISE FUNDING: PROGRAM REVIEW & FUTURE OPTIONS Released 6 December 2013 [updated 11 December 2013] 1 ENTERPRISE FUNDING REVIEW METHODOLOGY Analysis in this report draws on several sources: Information provided by Enterprise companies Most of the data is sourced from an annual survey of all Enterprise funding recipients, supplemented by periodical financial and activity reports. Screen Australia’s 2010 Business Survey Comparisons to the broader production sector are based on Screen Australia’s 2010 Business Survey undertaken in April 2010, the results of which were published in Screen Australia’s submission to the Australian Government’s 2010 Review of the Independent Production Industry. The 2010 Business Survey has not been repeated, as funding was subsequently made available by the Australian Government for the reinstatement of the Australian Bureau of Statistics (ABS), Film, Television and Digital Games Survey, 2011/12. ABS, Film, Television and Digital Games Survey, 2011/12 Comparisons of the locations of Enterprise companies and those in the broader production sector are based on information collected by the ABS about key industries engaged in television broadcasting, film and video production and post-production, and digital game development activities. TV ratings: Metropolitan market data is copyright to OzTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of OzTAM. Regional market data is copyright to RegionalTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of RegionalTAM. EnterprisePaper.docx Screen Australia – December 2013 2 ENTERPRISE FUNDING REVIEW Contents 1 Introduction ............................................................................................... -
M Beattie Resume Jan 2021
MARGIE BEATTIE FIRST ASSISTANT DIRECTOR +61 (0)418 388 609 [email protected] CREDIT HIGHLIGHTS: BUMP Village Roadshow/Stan Drama Series First Assistant Director 2020 Directors: Geoff Bennett, Leticia Caseres Producers: John Edwards, Dan Edwards, Claudia Karvan AMAZING GRACE Sony Pictures/Playmaker Drama Series First Assistant Director 2020 Directors: Shawn Seet Producers: David Maher, David Taylor THE COMMONS Sony Pictures/Playmaker/Stan Drama Series First Assistant Director 2019 Directors: Geoffrey Walker, Rowan Woods Producers: David Maher, David Taylor LES NORTON Village Roadshow/ABC Drama Series First Assistant Director 2019 Directors: Jocelyn Moorhouse, Fadia Abboud Producers: John Schwarz, John Edwards, Dan Edwards RAKE Essential Media & Entertainment Drama Series First Assistant Director 2018 Director: Jennifer Leacey Producers: Ian Collie, Peter Duncan RECKONING Sony Pictures Television US Drama Series First Assistant Director 2018 Director: Shawn Seet, Jennifer Leacey Producers: David Hubbard, David Eick, Shawn Seet DOCTOR DOCTOR Essential Media & Entertainment Drama Series 2 & 3 First Assistant Director 2017 2018 Directors: Geoff Bennett, Lucy Gaffy Producers: Jo Rooney, Ian Collie, Ally Henville THE END See-Saw Films Drama Series First Assistant Director 2017 Director: Jonathan Brough Producers: Rachel Gardner, Louise Smith THE LEFTOVERS HBO US Drama Series 3 First Assistant Director 2016 Director: Mimi Leder, Daniel Sackheim, Carl Franklin. Producers: Gene Kelly, Mimi Leder, Amanda Crittenden DEEP WATER Blackfella -
2020 AACTA AWARDS PRESENTED by FOXTEL First Round Nominees – by Category TELEVISION
2020 AACTA AWARDS PRESENTED BY FOXTEL First Round Nominees – by Category TELEVISION AACTA AWARD FOR BEST DRAMA SERIES • BLOOM David Maher, David Taylor, Glen Dolman, Sue Seeary—Playmaker Media (Stan) • DOCTOR DOCTOR Ian Collie, Ally Henville, Keith Thompson, Rodger Corser—Easy Tiger (Nine Network) • HALIFAX: RETRIBUTION Roger Simpson, Louisa Kors—Beyond Lone Hand (Nine Network) • THE HEIGHTS Warren Clarke, Peta Astbury-Bulsara, Debbie Lee, Que Minh Luu— Matchbox Pictures in association with For Pete’s Sake Productions (ABC) • MYSTERY ROAD David Jowsey, Greer Simpkin—Bunya Productions (ABC) • WENTWORTH Jo Porter, Pino Amenta—Fremantle (Foxtel) AACTA AWARD FOR BEST TELEFEATURE OR MINISERIES • THE GLOAMING Victoria Madden, John Molloy, Fiona McConaghy—2 Jons and Sweet Potato Films (Stan) • HUNGRY GHOSTS Stephen Corvini, Timothy Hobart, Debbie Lee, Sue Masters— Matchbox Pictures (SBS) • OPERATION BUFFALO Vincent Sheehan, Tanya Phegan, Peter Duncan—Porchlight Films (ABC) • THE SECRETS SHE KEEPS Helen Bowden, Jason Stephens, Paul Watters—Lingo Pictures (Network Ten) • STATELESS Cate Blanchett, Elise McCredie, Tony Ayres, Sheila Jayadev, Paul Ranford, Liz Watts, Andrew Upton—Matchbox Pictures, Dirty Films (ABC) AACTA AWARD FOR BEST COMEDY SERIES • AT HOME ALONE TOGETHER Nick Hayden, Janet Gaeta, Nikita Agzarian, Dan Ilic— Australian Broadcasting Company (ABC) • BLACK COMEDY Kath Shelper, Mark O’Toole, Nakkiah Lui, David Woodhead—Scarlett Pictures (ABC) • THE OTHER GUY Angie Fielder, Polly Staniford, Jude Troy, Alice Willison—Aquarius Films,