DOCSLIB.ORG

'O Homem Invisível' Estreia Esta Semana

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
'O Homem Invisível' Estreia Esta Semana COMUNICADO DE IMPRENSA 02/03/2020 O QUE NÃO CONSEGUES VER, PODE MAGOAR-TE Com Elisabeth Moss no papel principal ‘O HOMEM INVISÍVEL’ ESTREIA ESTA SEMANA ‘O Homem Invisível’, um aterrorizador conto moderno de obsessão com Elisabeth Moss (‘The Handmaid’s Tale’) no papel principal, estreia esta semana, a 5 de março, nos cinemas nacionais. O filme foi produzido pelo maior mestre de terror da atualidade – Jason Blum (Blumhouse Productions – ‘Foge’, ‘Nós’ e ‘Glass’). Presa a uma relação violenta e controladora com um rico e brilhante cientista, Cecilia Kass (Elisabeth Moss) foge na calada da noite e esconde-se com a ajuda da irmã (Harriet Dyer, ‘The InBetween’), do amigo de infância (Aldis Hodge, ‘Elementos Secretos’ e ‘Jack Reacher: Nunca Voltes Atrás’) e da filha adolescente (Storm Reid, ‘Euphoria’ e ‘Uma Viagem no Tempo’). Mas quando o abusivo ex-marido (Oliver Jackson-Cohen, ‘A Maldição de Hill House’) comete suicídio e lhe deixa uma generosa parte da sua vasta fortuna, Cecilia suspeita que a sua morte é apenas um embuste. Contudo, após uma série de coincidências estranhas e letais, que ameaçaram a vida daqueles que ama; e enquanto tenta provar que é perseguida por alguém que ninguém consegue ver, a sua sanidade é posta em causa. ’O Homem Invisível’ é produzido pelo maior mestre de terror da atualidade – Jason Blum (Blumhouse Productions); com argumento, realização e produção executiva de Leigh Whannell, um dos criadores originais do franchise ‘Saw’, que recentemente realizou ‘Upgrade’ e ‘Insidious: Capítulo 3’.O filme é produzido por Kylie du Fresne (‘Upgrade’ e ‘The Sapphires’), da Goalpost Pictures, com produção executiva de Leigh Whannell, Beatriz Sequeira, Charles Layton, Rosemary Blight, Ben Grant, Couper Samuelson e Jeanette Volturno. O Homem Invisível’ é uma coprodução da Goalpost Pictures Australia e da Blumhouse Productions, em associação com a Nervous Tick, para a Universal Pictures. Links: Trailer | Conteúdos 5 DE MARÇO NOS CINEMAS NOS Audiovisuais LPM Edifício Campo Grande, Gonçalo Vilela Santos | Alexandra Amorim 1 Rua Ator António Silva, 9, Piso 2, Lisboa [email protected] |[email protected] www.nos.pt T 961 571 727 | 91 940 92 92 | 218 508 110 ©2020 Universal Pictures Sobre a Universal Pictures Universal Pictures é uma divisão da Universal Studios (www.universalstudios.com). Universal Studios faz parte da NBCUniversal. NBCUniversal é uma das companhias de media e entretenimento líderes no desenvolvimento, produção e marketing de entretenimento, notícias e informação para audiências globais. NBCUniversal detém e opera um valioso portfólio de redes de notícias e entretenimento, é uma empresa cinematográfica de topo, com grandes produções, um grupo líder de estações de televisão e tem parques temáticos de renome mundial. NBCUniversal é uma subsidiária da Comcast Corporation. Sobre a NOS A NOS é o maior grupo de comunicações e entretenimento em Portugal. Oferece soluções fixas e móveis de última geração, televisão, internet, voz e dados para todos os segmentos de mercado. É líder na TV por subscrição, em serviços de banda larga de nova geração e na distribuição cinematográfica. No mercado empresarial posiciona-se como uma alternativa sustentada nos segmentos Corporate e Mass Business, oferecendo um portefólio alargado de produtos e serviços, com soluções à medida de cada setor e de negócios de diferentes dimensões, complementando a sua oferta com serviços ICT. IoT e Cloud. Com uma rede preparada para o 5G e ao dotar a cidade de Matosinhos com a 5ª geração da rede móvel a NOS posiciona-se na linha da frente na implementação desta nova tecnologia e assume um papel de liderança na inovação associada às cidades inteligentes e ao desenvolvimento das sociedades 5.0. Por outro lado, o objetivo de reduzir as emissões de gases com efeito de estufa e contribuir para a sustentabilidade do planeta levou a NOS a subscrever a Carta de Compromisso “Business Ambition for 1.5ºC”, o que confirma o compromisso público da empresa para alinhar as suas emissões com as trajetórias de descarbonização, necessárias para limitar o aquecimento global. Em 2019 a NOS levou mais de 9 milhões de espectadores ao cinema e continua a liderar o mercado com uma quota de 61,2% das receitas brutas sendo o exibidor com mais complexos (31) e salas (219) A NOS está no principal índice bolsista nacional (PSI-20), conta com 4,8 milhões de clientes móveis, 1,6 milhões de clientes de televisão, 1,8 milhões de clientes de telefone fixo e 1,4 milhões clientes de internet de banda larga fixa. Mais informação em http://www.nos.pt/institucional NOS Audiovisuais LPM Edifício Campo Grande, Gonçalo Vilela Santos | Alexandra Amorim 2 Rua Ator António Silva, 9, Piso 2, Lisboa [email protected] |[email protected] www.nos.pt T 961 571 727 | 91 940 92 92 | 218 508 110 .
Load more

Recommended publications
  • Script Supervisor/ Melina Burns
    Script Supervisor/ Melina Burns Top Technicians Management Continuity +612 9958 1611 [email protected] +61 413 330 909 [email protected] +61 41 333 0909 FEATURE FILMS [email protected] 2021 Thor: Love & Thunder (Marvel Productions) Director: Taika Waititi Producer: Kevin Feige, Brad Winderbaum, Todd Hallowell, Brian Chapek 2020 Children of The Corn (ANVL Entertainment/ DRM) Director: Kurt Wimmer Producer: Lucas Foster, Jon Baldecchi, Mathieu Bonzon 2019 Babyteeth (Whitefalk Films) Director: Shannon Murphy Producer: Jan Chapman & Alex White 2018 Rams (WBMC) *Script Supervisor pt 1 Director: Jeremy Sims Producer: Janelle Landers & Aiden O’Bryen 2017 Pacific Rim: Uprising (Legendary) - Second Unit Director: Thomas Harper, Peter Chiang Producer: Thomas Tull, Mary Parent, Guillermo Del Toro 2016 Alien: Covenant (Scott Free Productions/ Brandywine Productions) - Second Unit Director: Luke Scott Producer: Ridley Scott, Michael Schaefer, Mark Huffam 2013 Unbroken (Legendary Pictures) - Splinter Unit Director: Angelina Jolie Producer: Angelina Jolie, Clayton Townsend, Matt Baer, Eric Stoff 2011 The Sapphires (Goalpost Pictures) Director: Wayne Blair Producer: Rosemary Blight, Kylie Du Fresne, Ben Grant 2010 33 Postcards (Aus/China) (Mei Mei Productions) Director: Pauline Chan Producer: Penny Carl, Lesley Stevens, Pauline Chan 2010 Thirst (Imagine Productions) Director: Robert Carter Producer: Mark George & Megan George 2009 Griff The Invisible (Everyday Pictures) Director: Leon Ford Producer: Jan Chapman, Nichole
    [Show full text]
  • UNIVERSAL PICTURES Presents a BLUMHOUSE/GOALPOST
    UNIVERSAL PICTURES Presents A BLUMHOUSE/GOALPOST Production In Association with NERVOUS TICK PRODUCTIONS ELISABETH MOSS ALDIS HODGE STORM REID HARRIET DYER MICHAEL DORMAN and OLIVER JACKSON-COHEN Executive Producers LEIGH WHANNEL COUPER SAMUELSON BEATRIZ SEQUEIRA JEANETTE VOLTURNO ROSEMARY BLIGHT BEN GRANT Produced by JASON BLUM, p.g.a. KYLIE DU FRESNE, p.g.a. Screenplay and Screen Story by LEIGH WHANNELL Directed by LEIGH WHANNELL The Invisible Man_Production Information 2 PRODUCTION INFORMATION What you can’t see can hurt you. Emmy Award winner ELISABETH MOSS (Us, Hulu’s The Handmaid’s Tale) stars in a terrifying modern tale of obsession inspired by Universal’s classic Monster character. Trapped in a violent, controlling relationship with a wealthy and brilliant scientist, Cecilia Kass (Moss) escapes in the dead of night and disappears into hiding, aided by her sister Emily (HARRIET DYER, NBC’s The InBetween), their childhood friend James (ALDIS HODGE, Straight Outta Compton) and his teenage daughter Sydney (STORM REID, HBO’s Euphoria). But when Cecilia’s abusive ex, Adrian (OLIVER JACKSON-COHEN, Netflix’s The Haunting of Hill House), commits suicide and leaves her a generous portion of his vast fortune, Cecilia suspects his death was a hoax. As a series of eerie coincidences turn lethal, threatening the lives of those she loves, Cecilia’s sanity begins to unravel as she desperately tries to prove that she is being hunted by someone nobody can see. JASON BLUM produces The Invisible Man for Blumhouse Productions. The Invisible Man is written, directed and executive produced by LEIGH WHANNELL, one of the original conceivers of the Saw franchise who most recently directed Upgrade and Insidious: Chapter 3.
    [Show full text]
  • Enterprise Funding: Program Review & Future Options
    ENTERPRISE FUNDING: PROGRAM REVIEW & FUTURE OPTIONS Released 6 December 2013 [updated 11 December 2013] 1 ENTERPRISE FUNDING REVIEW METHODOLOGY Analysis in this report draws on several sources: Information provided by Enterprise companies Most of the data is sourced from an annual survey of all Enterprise funding recipients, supplemented by periodical financial and activity reports. Screen Australia’s 2010 Business Survey Comparisons to the broader production sector are based on Screen Australia’s 2010 Business Survey undertaken in April 2010, the results of which were published in Screen Australia’s submission to the Australian Government’s 2010 Review of the Independent Production Industry. The 2010 Business Survey has not been repeated, as funding was subsequently made available by the Australian Government for the reinstatement of the Australian Bureau of Statistics (ABS), Film, Television and Digital Games Survey, 2011/12. ABS, Film, Television and Digital Games Survey, 2011/12 Comparisons of the locations of Enterprise companies and those in the broader production sector are based on information collected by the ABS about key industries engaged in television broadcasting, film and video production and post-production, and digital game development activities. TV ratings: Metropolitan market data is copyright to OzTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of OzTAM. Regional market data is copyright to RegionalTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of RegionalTAM. EnterprisePaper.docx Screen Australia – December 2013 2 ENTERPRISE FUNDING REVIEW Contents 1 Introduction ...............................................................................................
    [Show full text]
  • 2020 AACTA AWARDS PRESENTED by FOXTEL First Round Nominees – by Category TELEVISION
    2020 AACTA AWARDS PRESENTED BY FOXTEL First Round Nominees – by Category TELEVISION AACTA AWARD FOR BEST DRAMA SERIES • BLOOM David Maher, David Taylor, Glen Dolman, Sue Seeary—Playmaker Media (Stan) • DOCTOR DOCTOR Ian Collie, Ally Henville, Keith Thompson, Rodger Corser—Easy Tiger (Nine Network) • HALIFAX: RETRIBUTION Roger Simpson, Louisa Kors—Beyond Lone Hand (Nine Network) • THE HEIGHTS Warren Clarke, Peta Astbury-Bulsara, Debbie Lee, Que Minh Luu— Matchbox Pictures in association with For Pete’s Sake Productions (ABC) • MYSTERY ROAD David Jowsey, Greer Simpkin—Bunya Productions (ABC) • WENTWORTH Jo Porter, Pino Amenta—Fremantle (Foxtel) AACTA AWARD FOR BEST TELEFEATURE OR MINISERIES • THE GLOAMING Victoria Madden, John Molloy, Fiona McConaghy—2 Jons and Sweet Potato Films (Stan) • HUNGRY GHOSTS Stephen Corvini, Timothy Hobart, Debbie Lee, Sue Masters— Matchbox Pictures (SBS) • OPERATION BUFFALO Vincent Sheehan, Tanya Phegan, Peter Duncan—Porchlight Films (ABC) • THE SECRETS SHE KEEPS Helen Bowden, Jason Stephens, Paul Watters—Lingo Pictures (Network Ten) • STATELESS Cate Blanchett, Elise McCredie, Tony Ayres, Sheila Jayadev, Paul Ranford, Liz Watts, Andrew Upton—Matchbox Pictures, Dirty Films (ABC) AACTA AWARD FOR BEST COMEDY SERIES • AT HOME ALONE TOGETHER Nick Hayden, Janet Gaeta, Nikita Agzarian, Dan Ilic— Australian Broadcasting Company (ABC) • BLACK COMEDY Kath Shelper, Mark O’Toole, Nakkiah Lui, David Woodhead—Scarlett Pictures (ABC) • THE OTHER GUY Angie Fielder, Polly Staniford, Jude Troy, Alice Willison—Aquarius Films,
    [Show full text]
  • Annual Report 2013/14 Report | Annual Australia Screen
    Screen Australia | Annual Report 2013/14 Screen Australia Annual Report 2013/14 www.screenaustralia.gov.au Published by Screen Australia October 2014 ISSN 1837-2740 © Screen Australia 2014 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2013/14. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. TV ratings data Metropolitan market data is copyright to OzTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior All Annual Report enquiries should be addressed to: consent of OzTAM. Regional market data is copyright to Publishing Unit RegionalTAM. The data may not be reproduced, published or communicated Screen Australia (electronically or in hard copy) in whole Level 7, 45 Jones Street or part without the prior consent of Ultimo NSW 2007 RegionalTAM. Toll free: 1800 213 099 This Annual Report is available to download Phone: 02 8113 5800 as a PDF from www.screenaustralia.gov.au Email: [email protected] Front cover image from INXS: Never Tear Us Apart.
    [Show full text]
  • A FILM by UNJOO MOON STARRING TILDA COBHAM-HERVEY, DANIELLE MACDONALD and EVAN PETERS PRODUCTION NOTES
    A FILM BY UNJOO MOON STARRING TILDA COBHAM-HERVEY, DANIELLE MACDONALD and EVAN PETERS 2019 | AUSTRALIA | 116 MINS PRODUCTION NOTES PUBLICITY: Tracey Mair TM Publicity l Ph: + 61 (0) 2 8333 9066 l [email protected] IMAGES: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/i-am-woman Distributed in Australia by Transmission Films BLURB For the first time on screen, I AM WOMAN tells the inspiring story of singer Helen Reddy, who wrote and sang the song “I Am Woman” that became the anthem for the women's movement in the 1970s. The film is a story of fearless ambition and passion, of a woman who smashed through the patriarchal norms of her time to become the international singing superstar she always dreamed of being. SYNOPSIS 1966. Helen Reddy arrives in New York with her three-year-old daughter, a suitcase and $230 in her pocket. Helen had been told she had won a recording contract, but the record company promptly dashes her hopes by telling her it has enough female stars and suggests she has fun in New York before returning home to Australia. Helen, without a visa, decides to stay in New York anyway and pursue a singing career, struggling to make ends meet and provide for her daughter. There she befriends legendary rock journalist Lillian Roxon, who becomes her closest confident, and inspires her to write and sing the iconic song “I Am Woman” which becomes the anthem for the second wave feminist movement and galvanises a generation of women to fight for change.
    [Show full text]